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SP17 cover INSIDE LEFT_FULL SIZE V8.qxd:Layout 1 7/9/16 11:24 AM Page 1 TABLE OF CONTENTS RIZZOLI 100 Buildings . .24 Toscanini . .46 The Adirondacks . .44 Watches International XVIII . .102 Adobe Houses . .32 What to Eat for How You Feel: The Appalachian Trail . .44 The New Ayurvedic Kitchen . .11 The Art of Dressing . .39 The Art of Elegance . .13 SKIRA RIZZOLI The Art of Flower Arranging . .28 American Treasures . .51 Ballet for Life . .29 Andrew Wyeth . .50 BEAMS . .36 Carpenters Workshop Gallery . .59 Chocolat . .18 Daniel Lismore . .56 Cinecitta . .46 Enrico Baj . .55 Civil War Battlefields . .21 The Hidden Art . .54 Creating Home . .6 House Style . .48 The Decorated Home . .5 Jim Lambie . .58 Digit@l Girls . .27 Manolo Blahnik: The Art of Shoes . .49 Dior by Mats Gustafson . .47 Mark Tobey . .57 Dora Maar . .14 Painting a Nation . .56 Elizabeth Peyton . .15 Ryan McGinley . .52 Entertaining in the Country . .30 Takashi Murakami . .53 Fashion Forward: 300 Years of Fashion . .3 FuturPiaggio . .42 RIZZOLI/ GAGOSIAN GALLERY The Garden of Peter Marino . .34 Alberto Giacometti, Yves Klein . .81 Gâteaux . .7 Line into Color, Color into Line: Helen Frankenthaler . .80 Giorgio Armani . .76 Painting Paintings (David Reed) 1975 . .80 Grand Complications . .102 Sterling Ruby . .79 Harry Winston . .78 Highland Retreats . .40 UNIVERSE How They Decorated . .38 1000 T-Shirts . .65 I Actually Wore This . .26 Big Shots . .62 In Full Flower . .9 The Bucket List . .60 Jean Dubuffet: Anticultural Positions . .74 Color Your Own Masterpiece . .75 La Colle Noire . .78 Complete Guide to Boating and Seamanship . .71 Les Francaises . .16 Cool . .63 London Sartorial . .22 How to Read Modern Buildings . .69 Manolo Blahnik . .77 I Adulted . .72 The Natural World . .45 Jay Boy . .66 The New Chic . .41 Junk Type . .64 The New Panama Canal . .42 LA Babe . .67 New York Living . .35 New York City Haiku . .68 Notable Boats . .43 The Official Bob's Burgers Coloring Book . .73 Old Cuba . .33 The Orvis Guide to Hatch Strategies . .70 The Palazzo della Civiltà Italiana in Rome . .20 Selfish Revised . .17 Pass the Henny . .79 True Style is What's Underneath . .61 Portzamparc Buildings . .25 Your Seven Ways to Rome . .68 Princess Pamela's Soul Food Cookbook . .31 Rick Owens: Interiors . .23 FLAMMARION Robert Adam . .12 10 Downing Street . .91 The Seaside House . .4 Collecting Cartier: An Eye for Excellence . .88 Shelburne Farms . .20 Contemporary Creations: Sicily . .19 Cartier High Jewelry and Precious Objects . .90 Simple Nature . .10 A Day with Claude Monet in Giverny . .87 Specimens of Chromatic Wood Type Borders, &c. .37 France in Bloom . .89 Studio 54 . .2 Frederic Bazille and the Birth of Impressionism . .88 Tara Bernerd . .8 How to Be Suave in Every Situation . .84 Lancel . .90 PROMOTIONAL TITLES . .120 Luxembourg . ..

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Art in America the EPIC BANAL
Art in America THE EPIC BANAL BY: Amy Sherald, Tyler Mitchell May 7, 2021 10:08am Tyler Mitchell: Untitled (Blue Laundry Line), 2019. Amy Sherald (https://www.artnews.com/t/amy-sherald/): A Midsummer Afternoon Dream, 2020, oil on canvas, 106 by 101 inches. Tyler Mitchell and Amy Sherald—two Atlanta-born, New York–based artists—both capture everyday joy in their images of Black Americans. Recurring motifs in Mitchell’s photographs, installations, and videos include outdoor space and fashionable friends. Sherald, a painter, shares similar motifs: her colorful paintings with pastel palettes show Black people enjoying American moments, their skin painted in grayscale, the backgrounds and outfits flat. Both are best known for high-profile portrait commissions: in 2018 Mitchell became the first Black photographer to have a work grace the cover of Vogue. That shot of Beyoncé was followed, more recently, by a portrait of Kamala Harris for the same publication. Michelle Obama commissioned Amy Sherald to paint her portrait, and last year Vanity Fair asked Sherald to paint Breonna Taylor for a cover too. Below, the artists discuss the influence of the South on their work, and how they navigate art versus commercial projects. —Eds. Amy Sherald: Precious jewels by the sea, 2019, oil on canvas, 120 by 108 inches. TYLER MITCHELL: Amy, we spoke before about finding freedom and making your own moments of joy. I think of Precious jewels by the sea [2019]—your painting of two couples at the beach, showing the men standing with the women on their shoulders—as a moment that you constructed.
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