Japanese Society; Among Those Areas Is the Education System and Foreign Language Learning, Particularly English Learning
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Japanese Economic Growth During the Edo Period*
Japanese Economic Growth during the Edo Period* Toshiaki TAMAKI Abstract During the Edo period, Japanese production of silver declined drastically. Japan could not export silver in order to import cotton, sugar, raw silk and tea from China. Japan was forced to carry out import-substitution. Because Japan adopted seclusion policy and did not produce big ships, it used small ships for coastal trade, which contributed to the growth of national economy. Japanese economic growth during the Edo period was indeed Smithian, but it formed the base of economic development in Meiji period. Key words: Kaimin, maritime, silver economic growth, Sakoku 1.Introduction Owing to the strong influence of Marxism, and Japan’s defeat in World War II, Japanese historians dismissed the Edo period (1603–1867) as a stagnating period. Japan, during this period, was regarded as a country that lagged behind Europe because of its underdeveloped social and economic systems. It had been closed to the outside world for over two hundred years, as a result of its Sakoku (seclusion) policy, and could not, therefore, progress as rapidly as Europe and the United States. This image of Japan during the Edo period began to change in the 1980s, and this period is now viewed as an age of economic growth, even if Japan’s growth rates were not as rapid as those of Europe. Economic growth during the Edo period is now even considered to be the foundation for the economic growth that occurred after the Meiji period. In this paper, I will develop three arguments that demonstrate the veracity of the above viewpoint. -
Japan Has Always Held an Important Place in Modern World Affairs, Switching Sides From
Japan has always held an important place in modern world affairs, switching sides from WWI to WWII and always being at the forefront of technology. Yet, Japan never came up as much as China, Mongolia, and other East Asian kingdoms as we studied history at school. Why was that? Delving into Japanese history we found the reason; much of Japan’s history was comprised of sakoku, a barrier between it and the Western world, which wrote most of its history. How did this barrier break and Japan leap to power? This was the question we set out on an expedition to answer. With preliminary knowledge on Matthew Perry, we began research on sakoku’s history. We worked towards a middle; researching sakoku’s implementation, the West’s attempt to break it, and the impacts of Japan’s globalization. These three topics converged at the pivotal moment when Commodore Perry arrived in Japan and opened two of its ports through the Convention of Kanagawa. To further our knowledge on Perry’s arrival and the fall of the Tokugawa in particular, we borrowed several books from our local library and reached out to several professors. Rhoda Blumberg’s Commodore Perry in the Land of the Shogun presented rich detail into Perry’s arrival in Japan, while Professor Emi Foulk Bushelle of WWU answered several of our queries and gave us a valuable document with letters written by two Japanese officials. Professor John W. Dower’s website on MIT Visualizing Cultures offered analysis of several primary sources, including images and illustrations that represented the US and Japan’s perceptions of each other. -
Japan's Security Relations with China Since 1989
Japan’s Security Relations with China since 1989 The Japanese–Chinese security relationship is one of the most important vari- ables in the formation of a new strategic environment in the Asia-Pacific region which has not only regional but also global implications. The book investigates how and why since the 1990s China has turned in the Japanese perception from a benign neighbour to an ominous challenge, with implications not only for Japan’s security, but also its economy, role in Asia and identity as the first devel- oped Asian nation. Japan’s reaction to this challenge has been a policy of engagement, which consists of political and economic enmeshment of China, hedged by political and military power balancing. The unique approach of this book is the use of an extended security concept to analyse this policy, which allows a better and more systematic understanding of its many inherent contradictions and conflicting dynamics, including the centrifugal forces arising from the Japan–China–US triangular relationship. Many contradictions of Japan’s engagement policy arise from the overlap of military and political power-balancing tools which are part of containment as well as of engagement, a reality which is downplayed by Japan but not ignored by China. The complex nature of engagement explains the recent reinforcement of Japan’s security cooperation with the US and Tokyo’s efforts to increase the security dialogues with countries neighbouring China, such as Vietnam, Myanmar and the five Central Asian countries. The book raises the crucial question of whether Japan’s political leadership, which is still preoccupied with finding a new political constellation and with overcoming a deep economic crisis, is able to handle such a complex policy in the face of an increasingly assertive China and a US alliance partner with strong swings between engaging and containing China’s power. -
Crania Japonica: Ethnographic Portraiture, Scientific Discourse, and the Fashioning of Ainu/Japanese Colonial Identities
Portland State University PDXScholar Dissertations and Theses Dissertations and Theses Fall 1-7-2020 Crania Japonica: Ethnographic Portraiture, Scientific Discourse, and the Fashioning of Ainu/Japanese Colonial Identities Jeffrey Braytenbah Portland State University Follow this and additional works at: https://pdxscholar.library.pdx.edu/open_access_etds Part of the Asian History Commons, and the Asian Studies Commons Let us know how access to this document benefits ou.y Recommended Citation Braytenbah, Jeffrey, "Crania Japonica: Ethnographic Portraiture, Scientific Discourse, and the ashioningF of Ainu/Japanese Colonial Identities" (2020). Dissertations and Theses. Paper 5356. https://doi.org/10.15760/etd.7229 This Thesis is brought to you for free and open access. It has been accepted for inclusion in Dissertations and Theses by an authorized administrator of PDXScholar. Please contact us if we can make this document more accessible: [email protected]. Crania Japonica: Ethnographic Portraiture, Scientific Discourse, and the Fashioning of Ainu/Japanese Colonial Identities by Jeff Braytenbah A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts in History Thesis Committee: Kenneth J. Ruoff, Chair Laura Robson Jennifer Tappan Portland State University 2019 © 2019 Jeff Braytenbah Abstract Japan’s colonial activities on the island of Hokkaido were instrumental to the creation of modern Japanese national identity. Within this construction, the indigenous Ainu people came to be seen in dialectical opposition to the 'modern' and 'civilized' identity that Japanese colonial actors fashioned for themselves. This process was articulated through travel literature, ethnographic portraiture, and discourse in scientific racism which racialized perceived divisions between the Ainu and Japanese and contributed to the unmaking of the Ainu homeland: Ainu Mosir. -
Visual and Literary Culture in Nineteenth Century Japan School
Syllabus for Words Spun Out of Images: Visual and Literary Culture in Nineteenth Century Japan Online course via Coursera (https://www.coursera.org/learn/visual-literary-culture-in-japan) School of Asian Studies, Faculty of World Economy and International Affairs Meeting Minute # ___dated _____________ 20_ Джайн Ролли Аниловна, Разработчик тьютор, Школа востоковедения Число кредитов 3 Контактная работа (час.) 2 Самостоятельная работа (час.) 112 Курс, Образовательная программа 4 курс (Б), ОП «Востоковедение» Формат изучения дисциплины С использованием онлайн курса 1. Course Description a) Pre-requisites Students are required to be able to listen and comprehend English at beginner level. (Videos have English subtitles.) b) Abstract Course “Words Spun Out of Images: Visual and Literary Culture in Nineteenth Century Japan” is an online course available on platform “Coursera” (https://www.coursera.org/learn/visual-literary-culture-in-japan). It is offered to the 3-rd year students of School of Asian Studies, Faculty of World Economy and International Affairs in the 1st module. The course offers learners the chance to encounter and appreciate behavior, moral standards and some of the material conditions surrounding Japanese artists in the nineteenth century, in order to renew our assumptions about what artistic “realism” is and what it meant. Learners will walk away with a clear understanding of how society and the individual were conceived of and represented in early modern Japan. Unlike contemporary western art forms, which acknowledge their common debt as “sister arts” but remain divided by genre and discourse, Japanese visual and literary culture tended to combine, producing literary texts inspired by visual images, and visual images which would then be inscribed with poems and prose. -
Portuguese Ships on Japanese Namban Screens
PORTUGUESE SHIPS ON JAPANESE NAMBAN SCREENS A Thesis by KOTARO YAMAFUNE Submitted to the Office of Graduate Studies of Texas A&M University in partial fulfillment of the requirements for the degree of MASTER OF ARTS August 2012 Major Subject: Anthropology Portuguese Ships on Japanese Namban Screens Copyright 2012 Kotaro Yamafune PORTUGUESE SHIPS ON JAPANESE NAMBAN SCREENS A Thesis by KOTARO YAMAFUNE Submitted to the Office of Graduate Studies of Texas A&M University in partial fulfillment of the requirements for the degree of MASTER OF ARTS Approved by: Chair of Committee, Luis Filipe Vieira de Castro Committee Members, Kevin J. Crisman Molly Warsh Head of Department, Cynthia Werner August 2012 Major Subject: Anthropology iii ABSTRACT Portuguese Ships on Japanese Namban Screens. (August 2012) Kotaro Yamafune, B.A., Hosei University Chair of Advisory Committee: Dr. Luis Filipe Vieira de Castro Namban screens are a well-known Japanese art form that was produced between the end of the 16th century and throughout the 17th century. More than 90 of these screens survive today. They possess substantial historical value because they display scenes of the first European activities in Japan. Among the subjects depicted on Namban screens, some of the most intriguing are ships: the European ships of the Age of Discovery. Namban screens were created by skillful Japanese traditional painters who had the utmost respect for detail, and yet the European ships they depicted are often anachronistic and strangely. On maps of the Age of Discovery, the author discovered representations of ships that are remarkably similar to the ships represented on the Namban screens. -
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THE BANSHO SHIRABESHO: A TRANSITIONAL INSTITUTION IN BAKUMATSU JAPAN by James Mitchell Hommes Bachelor of Arts, Calvin College, 1993 Submitted to the Graduate Faculty of The College of Arts and Sciences in partial fulfillment of the requirements for the degree of Interdisciplinary Master of Arts (IDMA) in East Asian Studies University of Pittsburgh 2004 UNIVERSITY OF PITTSBURGH COLLEGE OF ARTS AND SCIENCES This thesis was presented by James Mitchell Hommes It was defended on December 8, 2004 and approved by Thomas Rimer, Professor, East Asian Languages and Literature David O. Mills, Professor, East Asian Languages and Literature Richard Smethurst, Professor, History ii THE BANSHO SHIRABESHO: A TRANSITIONAL INSTITUTION IN BAKUMATSU JAPAN James M. Hommes, MA University of Pittsburgh, 2004 In the Bakumatsu period (1853-1868), Japan experienced many changes and challenges. One of these challenges was regarding how to learn from the West and how to use that knowledge in the building of Japan. One of the most important institutions for such Western learning was the Bansho Shirabesho, an institution created by the Tokugawa government in 1856 to translate Western materials, provide a school for Japanese scholars, and to censor the translations of Western works. This institution eventually gave language instruction in Dutch, English, French, German, and Russian and it also gave instruction in many other practical subjects such as military science and production. This thesis examines in detail how the Shirabesho was founded, what some of the initial difficulties were and how successful it was in accomplishing the tasks it was given. It also assesses the legacy of the Shirabesho in helping to bridge the transition between the Tokugawa period’s emphasis on feudal rank and the Meiji’s emphasis on merit. -
The Arab-Japanese Experience, a Cross-Regional Dialogue
DDIALOGUEIALOGUE Cultural Diversity and Globalization The Arab-Japanese Experience Proceedings of the International Symposium Cultural Diversity and Globalization The Arab-Japanese Experience a Cross-Regional Dialogue 6-7 May 2004 UNESCO, Paris Table of contents Preface .........................................................................................................................9 Welcoming Address by Mr Koïchiro Matsuura .......................................................13 Address by Mrs Atsuko Toyama ...............................................................................15 Address by H. E. Mr Musa Bin Jaafar Bin Hassan .................................................19 Address by H. E. Mr Teiichi Sato ............................................................................23 Session 1: Sharing the Experience: Modernization in Japan and the Arab World ..............................................27 Introduction ..............................................................................................................29 Modernization and National Traditions of Scientifi c Research Abstract of presentation by Roshdi Rashed ....................................31 Towards a Dialogue between a Japanese Historian of Science and Arabs Abstract of presentation by Shigeru Nakayama .............................39 The Modernization of Egypt in the Nineteenth Century Abstract of presentation by Pascal Crozet ......................................47 Sharing Modernity : Japan and the Arab World Abstract of presentation -
The Republic of Letters Comes to Nagasaki: Record of a Translator's
8 The Republic of Letters Comes to Nagasaki The Republic of Letters Comes to Nagasaki: Record of a Translator’s Struggle David Mervart, Universidad Autónoma de Madrid The narrative frame of this paper is supplied by the story of what was probably the first recorded translation of the peculiar and difficult metaphor of the “republic of letters” into an East Asian language.* This microscopic case study in the intellectual history of a conceptual translation is then plotted onto the larger background of the history of knowledge transmission and formation that had, by the eighteenth century, assumed a global character. It thus provides an occasion for a detailed enquiry into the complex conditions of the possibility— material and logistical as well as social, cultural, and intellectual—of such transcultural mediation. At the same time, the story of the translation of the expression “republic of letters” itself is presented as an example of the ongoing processes of communication that, already by the eighteenth century, had arguably brought into existence something like a republic of letters on a Eurasia-wide, if not global scale. In other words, the story, along with the other episodes mentioned, reflects a situation where some conversations were already drawing simultaneously on sources derived from a variety of spatially, linguistically, and conceptually disparate milieus. In pursuing this enquiry, therefore, the paper also offers an implicit commentary on what some have called “global intellectual history”1 in that it * While working on this paper, I greatly benefitted from comments and suggestions provided by Pablo Blitstein, Fabian Drixler, Martin Dusinberre, Enno Giele, Carol Gluck and my wife, Ana Maria Goy. -
Opium, Expulsion, Sovereignty. China's Lessons for Bakumatsu Japan Author(S): Bob Tadashi Wakabayashi Source: Monumenta Nipponica, Vol
Opium, Expulsion, Sovereignty. China's Lessons for Bakumatsu Japan Author(s): Bob Tadashi Wakabayashi Source: Monumenta Nipponica, Vol. 47, No. 1 (Spring, 1992), pp. 1-25 Published by: Sophia University Stable URL: http://www.jstor.org/stable/2385356 . Accessed: 27/10/2013 08:12 Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at . http://www.jstor.org/page/info/about/policies/terms.jsp . JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. Sophia University is collaborating with JSTOR to digitize, preserve and extend access to Monumenta Nipponica. http://www.jstor.org This content downloaded from 142.51.1.212 on Sun, 27 Oct 2013 08:12:48 AM All use subject to JSTOR Terms and Conditions Opium, Expulsion, Sovereignty China's Lessonsfor Bakumatsu Japan BOB TADASHI WAKABAYASHI T%HE foreigninvasions and massiveinternal rebellions that wracked Ch'ing-dynastyChina in themid-decades of thenineteenth century had seriousramifications for Japan and the Tokugawa regime.To giveone example,in June 1858 China signedthe Treatyof T'ientsinthat temporarily halted the Second Opium War.' And in the followingmonth, U.S. Consul Townsend Harris forcedthe Edo bakufu to granthim a treatythat formally permittedforeign trade and residencein Japan. By grantingHarris's treaty,bakufu leaders revokednational isolation, or sakoku , a hallowed state law then generally,although mistakenly, pre- sumed to date fromthe startof Tokugawa rule. -
Bibliography
Bibliography “Taki Katei 瀧和亭,” Kokka 國華 15 (1900): 60–61. Asahi Shinbunsha 朝日新聞社, ed. Asahi Bijutsukan 23-kan “Kwatei Taki,” The Kokka 188 (1906): 198–206. tema hen 3: Bakumatsu, Meiji shoki no kaiga 朝日美術館 “Sugai Baikan hitsu Kikkyo raiji zu kai 菅井梅関筆帰去来 23巻テーマ編3幕末・明治初期の絵画 [Asahi Art 辞圖解,” Kokka 國華, no. 545 (1936): 121. Museum vol. 23 Theme 3 Late Tokugawa and Early Meiji Painting]. Asahi Shinbunsha, 1997. A Asano Nagatake 浅野長武, ed. Genshoku Meiji hyakunen Abiko, Bonnie. “Watanabe Kazan: The man and his times.” bijutsukan 原色明治百年美術館 [One Hundred Years Ph.D. diss., University of Michigan, 1981. of Meiji Art in Colour]. Tokyo: Asahi Shinbunsha, Acker, William Reynolds Beal. Some T’ang and Pre- 1967. T’ang Texts on Chinese Painting. Leiden: E. J. Brill, 1954. B Addiss, Stephen. “Japanese literati artists of the Meiji Baekeland, Frederick, and Martie W. Young. Imperial Japan: period,” in Essays on Japanese art presented to Jack The art of the Meiji era, 1868–1912, an exhibition. Ithaca, Hillier, edited by Matthi Forrer, 10–23. London: N.Y: Herbert F. Johnson Museum of Art, Cornell R.G. Sawyers Pub, 1982. University, 1980. ———, ed. Japanese Quest for a New Vision: The Impact of Barker, Emma, Nick Webb and Kim Woods. The Changing Visiting Chinese Painters, 1600–1900. Lawrence: Spencer Status of the Artist. New Haven: Yale University Press, Museum of Art, University of Kansas, 1986. 1998. Addiss, Stephen, and Robert G. Sawers. Nanga Paintings Berry, Paul. “Tanomura Chikuden, 1777–1835: Man Amidst Collected by Robert G. Sawers. London: Sawers, the Mountains.” Ph.D. diss., University of Michigan, 1975. -
Les Théories Des Philosophes Occidentaux (1836)
Les théories des philosophes occidentaux (1836). La première histoire épistémique de la philosophie occidentale en japonais, par Takano Chōei Frédéric Girard To cite this version: Frédéric Girard. Les théories des philosophes occidentaux (1836). La première histoire épistémique de la philosophie occidentale en japonais, par Takano Chōei. Ebisu - Études Japonaises , Maison franco-japonaise, 2014, pp.213-248. 10.4000/ebisu.1480. hal-02542008 HAL Id: hal-02542008 https://hal.archives-ouvertes.fr/hal-02542008 Submitted on 14 Apr 2020 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. Ebisu Études japonaises 51 | 2014 Le rapprochement franco-japonais dans l’entre-deux- guerres Les théories des philosophes occidentaux (1836). La première histoire épistémique de la philosophie occidentale en japonais, par Takano Chōei Frédéric Girard Édition électronique URL : http://journals.openedition.org/ebisu/1480 DOI : 10.4000/ebisu.1480 ISSN : 2189-1893 Éditeur : Institut français de recherche sur le Japon (UMIFRE 19 MAEE-CNRS), Maison franco-japonaise Référence électronique Frédéric Girard, « Les théories des philosophes occidentaux (1836). La première histoire épistémique de la philosophie occidentale en japonais, par Takano Chōei », Ebisu [En ligne], 51 | 2014, mis en ligne le 01 novembre 2014, consulté le 03 mai 2019.