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Bibliography Bibliography “Taki Katei 瀧和亭,” Kokka 國華 15 (1900): 60–61. Asahi Shinbunsha 朝日新聞社, ed. Asahi Bijutsukan 23-kan “Kwatei Taki,” The Kokka 188 (1906): 198–206. tema hen 3: Bakumatsu, Meiji shoki no kaiga 朝日美術館 “Sugai Baikan hitsu Kikkyo raiji zu kai 菅井梅関筆帰去来 ２３巻テーマ編３幕末・明治初期の絵画 [Asahi Art 辞圖解,” Kokka 國華, no. 545 (1936): 121. Museum vol. 23 Theme 3 Late Tokugawa and Early Meiji Painting]. Asahi Shinbunsha, 1997. A Asano Nagatake 浅野長武, ed. Genshoku Meiji hyakunen Abiko, Bonnie. “Watanabe Kazan: The man and his times.” bijutsukan 原色明治百年美術館 [One Hundred Years Ph.D. diss., University of Michigan, 1981. of Meiji Art in Colour]. Tokyo: Asahi Shinbunsha, Acker, William Reynolds Beal. Some T’ang and Pre- 1967. T’ang Texts on Chinese Painting. Leiden: E. J. Brill, 1954. B Addiss, Stephen. “Japanese literati artists of the Meiji Baekeland, Frederick, and Martie W. Young. Imperial Japan: period,” in Essays on Japanese art presented to Jack The art of the Meiji era, 1868–1912, an exhibition. Ithaca, Hillier, edited by Matthi Forrer, 10–23. London: N.Y: Herbert F. Johnson Museum of Art, Cornell R.G. Sawyers Pub, 1982. University, 1980. ———, ed. Japanese Quest for a New Vision: The Impact of Barker, Emma, Nick Webb and Kim Woods. The Changing Visiting Chinese Painters, 1600–1900. Lawrence: Spencer Status of the Artist. New Haven: Yale University Press, Museum of Art, University of Kansas, 1986. 1998. Addiss, Stephen, and Robert G. Sawers. Nanga Paintings Berry, Paul. “Tanomura Chikuden, 1777–1835: Man Amidst Collected by Robert G. Sawers. London: Sawers, the Mountains.” Ph.D. diss., University of Michigan, 1975. 1985. Aoki Shigeru 青木茂, ed. Meiji Nihonga shiryō 明治日本画 ———. “The transformation of traditional painting 史料 [Sources on Meiji Nihonga]. 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Dai-Nihon shoga meika taikan 大日 和 [Cultural Properties Lectures Japanese Art (Meiji 本書画名家大鑑 [Dictionary of Great Japan Calligra- and Shōwa Eras)]. Tokyo: Dai-ichi Hōki, 1978. phy and Painting Masters]. Tokyo: Dai-ichi Shobō Bush, Susan, and Hsio-yen Shih. Early Chinese Texts on 第一書房, 1975 (repr.). Painting. Harvard University Press, 1985. 230 bibliography C painter active in the late Tokugawa period]. Chiba: Cahill, James. Scholar Painters of Japan: The Nanga School. Chiba-shi Bijutsukan, 2007. New York: Asia Society, 1972. Chin Shō [Chen Jie] 陳捷. Meiji zenki nitchū gakujutsu kōryū ———. Hills Beyond a River: Chinese Painting of the no kenkyū: Shinkoku chū-nichi kōshikan no bunka Yuan Dynasty, 1279–1368. New York: Weatherhill, katsudō 明治前期日中学術交流の研究—清国駐日公 1976. 使館の文化活動 [Research on intellectual exchanges ———. “Phases and Modes in the Transmission of Ming- between Japan and China in the fi rst half of the Meiji Ch’ing Painting Styles to Edo-Period Japan,” in Sino- era: The cultural activities of the Qing embassy]. Tokyo: Japanese Cultural Interchange: Aspects of Archaeology Kyūko Shoin 汲古書院, 2003. and Art History: Papers of the International Symposium Chomet, Sylvain. “L’apparition des revues d’art dans le on Sino-Japanese Cultural Interchange, vol. 1, ed. Japon des années 1880,” Cipango, Cahier d’études jap- Yue-him Tam, 65–98. Hong Kong: Chinese University onaises, no. 14 (2007), pp. 85–125. of Hong Kong, 1985. Chow, Jen-hwa, China and Japan: The History of Chinese ———. The Painter’s Practice: How Artists Lived and Worked Diplomatic Missions in Japan 1877–1911. Singapore: in Traditional China. Columbia University Press, 1994. Chopmen Enterprises, 1975. ———. “Nihonga painters in the nanga tradition”, Oriental Clark, John. “Modernity in Japanese painting”, Art History Art 42, no. 2 (1996): 2–12. 9, no. 2 (1986): 213–31. ———. Pictures for Use and Pleasure: Vernacular Painting in ———. Modern Asian Art. Honolulu: University of Hawai’i High-Qing China. University of California Press, 2010. Press, 1998. Campbell, Robert. “Tenpō-ki zengo no shogakai 天保期前 Clark, Timothy. Demon of Painting: The Art of Kawanabe 後の書画会” [Calligraphy-and-Painting Parties of the Kyōsai. London: British Museum Press, 1993. Tenpō Era], Kinsei bungei 近世文芸 47 (1987): 47–72. Clunas, Craig. Art in China. Oxford: Oxford University ———. “Bakumatsu jūgonen no gabungei 幕末十五年の雅 Press, 1997. 文芸” in Nihon no kinsei Dai 18-kan Kindai kokka e no ———. “The Work of Art in the Age of Woodblock Repro- shikō 日本の近世 大18巻 近代国家への志向, ed. duction,” in his Pictures and Visuality in Early Modern Tanaka Akira 田中章, 285–330. Tokyo: Chūō Kōronsha, China, 134–49. London: Reaktion Books, 1997. 1994. Conant, Ellen P. “Principles and pragmatism: The yatoi ———. “Fukkō-ki Meiji kanbun no utsuroi 復興期明治漢 in the fi eld of art,” in Foreign Employees in Nineteenth- 文の移ろい” [The vagaries of Meiji kanbun in the century Japan, eds. Edward R. Beauchamp and Akira revivalist period], Bungaku 文学 7:3 (1996): 17–32. Iriye, 136–170. Boulder, CO: Westview Press, 1990. ———. “Tōkyō Hōbunkan no saigetsu: Jō 東京鳳文館の歳 ———. “Refractions of the rising sun: Japan’s participation 月 上” [The Era of Hōbunkan in Tokyo], Edo bungaku in international exhibitions,” in Japan and Britain: An 15 Tokushū: Edo no shuppan I 江戸文学 特集 江戸の出 aesthetic dialogue, 1850–1930, eds. Tomoko Sato and 版 I (May 1996): 142–169. Toshio Watanabe, 79–93. London: Lund Humphries, in ———. “Tōkyō Hōbunkan no saigetsu: Ge 東京鳳文館の歳 association with the Barbican Art Gallery and the 月 下,” Edo bungaku 16 Tokushū: Edo no shuppan II 江戸 Setagaya Art Museum, 1991. 文学 特集 江戸の出版 II (June 1996): 138–168. ———, ed. Challenging Past and Present: The Metamorphosis ———. “Kiken no sake: Kōyōkan to Meiji shibunshū 貴顕 of Nineteenth-Century Japanese Art. Honolulu: Univer- の酒:紅葉館と明治詩文集” [High-class wine: The sity of Hawai’i Press, 2006. Maple Club and Meiji-era Literary Anthologies], Bun- ———, “Japanese Painting from Edo to Meiji: Rhetoric and gaku sōkan: Sake to Nihon bunka 文学増刊 酒と日本文 Reality” in Since Meiji: Perspectives on the Japanese Visual 化 (1997): 90–3. Arts, 1868–2000, ed. J. Thomas Rimer, 34-65. Honolulu: Chance, Frank Lewis. “Tani Buncho (1763–1841) and the University of Hawai’i Press, 2011. Edo school of Japanese painting.” Ph.D. diss., Univer- Conant, Ellen P., Steven D. Owyoung, and J. Thomas sity of Washington, 1986. Rimer. Nihonga, Transcending the Past: Japanese-style Chang, Aloysius. “The Chinese community in Nagasaki.” Painting, 1868–1968. St. Louis, Mo & Tokyo: St. Louis Ph.D. diss., St John’s University, 1970. Art Museum & Japan Foundation, 1995. Chaïkin, Nathan. The Sino-Japanese War (1894–1895): Crary, Jonathan. Techniques of the Observer: On Vision and The noted Basil Hall Chamberlain collection and Modernity in the Nineteenth Century. Cambridge, Mass.: a private collection. Martigny: Imprimerie Pillet, 1983. MIT Press, 1990. Chiba-shi Bijutsukan 千葉市美術館, ed. Suzuki Gako – Croissant, Doris. “Fenollosas “Wahre Theorie der Kunst” Bakumatsu ni katsuyaku shita kyōdo no gaka 鈴木鵞湖ー und ihre Wirkung in der Meiji-Zeit (1868–1912),” 幕末に活躍した郷土の画家 [Suzuki Gako – Local Sæculum XXXVIII, no. 1 (1987): 52–75. 231.
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