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AS WE RECALL the Growth of Agricultural Estimates^ 1933-1961 L M Brooks
^t^f.t.i^A^( fk^^^ /^v..<. S AS WE RECALL The Growth of Agricultural Estimates^ 1933-1961 L M Brooks Statistical Reporting s Service U.S. Department of Agriculture Washington, D.C As We Recall, THE GROWTH OF AGRICULTURAL ESTIMATES, 1933-1961 U.S. OEPÎ. or AGRlCUtTURE NATIONAL AGRICULTURAL UBRARY OECIT CATALOGmC PREP E. M. Brooks, Statistical Reporting Service, U.S. Dept. of Agriculture 1977 I FOREWORD The Statistical Reporting Service, as with any organization, needs to know its past to understand the present and appraise the future. Accordingly, our technical procedures are peri- ^odically set forth in ''Scope and Methods of the Statistical Reporting Service," and the agency's early development and program expansion were presented in "The Story of Agricultural Estimates." However, most important are the people who de- veloped this complex and efficient statistical service for agriculture and those who maintain and expand it today. Dr. Harry C. Trelogan, SRS Administrator, 1961-1975, arranged for Emerson M. Brooks to prepare this informal account of some of the people who steered SRS's course from 1933 to 1961. The series of biographical sketches selected by the author are representative of the people who helped develop the per- sonality of SRS and provide the talent to meet challenges for accurate and timely agricultural information. This narrative touching the critical issues of that period and the way they'^ were resolved adds to our understanding of the agency and helps maintain the esprit de corps that has strengthened our work since it started in 1862. Our history provides us some valuable lessons, for "those who cannot remember the past are condemned to repeat it." W. -
Broadcasting Telecasting
YEAR 101RN NOSI1)6 COLLEIih 26TH LIBRARY énoux CITY IOWA BROADCASTING TELECASTING THE BUSINESSWEEKLY OF RADIO AND TELEVISION APRIL 1, 1957 350 PER COPY c < .$'- Ki Ti3dddSIA3N Military zeros in on vhf channels 2 -6 Page 31 e&ol 9 A3I3 It's time to talk money with ASCAP again Page 42 'mars :.IE.iC! I ri Government sues Loew's for block booking Page 46 a2aTioO aFiE$r:i:;ao3 NARTB previews: What's on tap in Chicago Page 79 P N PO NT POW E R GETS BEST R E SULTS Radio Station W -I -T -H "pin point power" is tailor -made to blanket Baltimore's 15 -mile radius at low, low rates -with no waste coverage. W -I -T -H reaches 74% * of all Baltimore homes every week -delivers more listeners per dollar than any competitor. That's why we have twice as many advertisers as any competitor. That's why we're sure to hit the sales "bull's -eye" for you, too. 'Cumulative Pulse Audience Survey Buy Tom Tinsley President R. C. Embry Vice Pres. C O I N I F I I D E I N I C E National Representatives: Select Station Representatives in New York, Philadelphia, Baltimore, Washington. Forloe & Co. in Chicago, Seattle, San Francisco, Los Angeles, Dallas, Atlanta. RELAX and PLAY on a Remleee4#01%,/ You fly to Bermuda In less than 4 hours! FACELIFT FOR STATION WHTN-TV rebuilding to keep pace with the increasing importance of Central Ohio Valley . expanding to serve the needs of America's fastest growing industrial area better! Draw on this Powerhouse When OPERATION 'FACELIFT is completed this Spring, Station WNTN -TV's 316,000 watts will pour out of an antenna of Facts for your Slogan: 1000 feet above the average terrain! This means . -
How Television Is Influencing the Obesity Epidemic
Physiology & Behavior 107 (2012) 146–153 Contents lists available at SciVerse ScienceDirect Physiology & Behavior journal homepage: www.elsevier.com/locate/phb Review ObesiTV: How television is influencing the obesity epidemic Rebecca Boulos a,1, Emily Kuross Vikre a,1, Sophie Oppenheimer a,1, Hannah Chang b,1, Robin B. Kanarek c,⁎ a Friedman School of Nutrition Science and Policy, Tufts University, Boston, MA 02111, USA b Department of Anthropology, Tufts University, Medford, MA, 02155, USA c Department of Psychology, Tufts University, Medford, MA, 02155, USA article info abstract Article history: Obesity is a major public health concern in the United States. Over the last several decades, the prevalence of Received 13 October 2011 obesity among both adults and children has grown at an alarming rate and is now reaching epidemic propor- Received in revised form 18 May 2012 tions. The increase in obesity has been associated with rises in a host of other chronic conditions including car- Accepted 30 May 2012 diovascular disease, type 2 diabetes, and some cancers. While the causes of obesity are multifaceted, there is growing evidence that television viewing is a major contributor. Results of numerous studies indicate a direct Keywords: association between time spent watching television and body weight. Possible explanations for this relation- Obesity Television ship include: 1) watching television acts as a sedentary replacement for physical activity; 2) food advertise- Physical activity ments for nutrient-poor, high-calorie foods stimulate food intake; and 3) television viewing is associated Product placement with “mindless” eating. In addition to decreasing physical activity and increasing the consumption of highly Body image palatable foods, television viewing can also promote weight gain in indirect ways, such as through the use Exercise of targeted product placements in television shows; by influencing social perceptions of body image; and air- Advertisement ing programs that portray cooking, eating and losing weight as entertainment. -
Song & Music in the Movement
Transcript: Song & Music in the Movement A Conversation with Candie Carawan, Charles Cobb, Bettie Mae Fikes, Worth Long, Charles Neblett, and Hollis Watkins, September 19 – 20, 2017. Tuesday, September 19, 2017 Song_2017.09.19_01TASCAM Charlie Cobb: [00:41] So the recorders are on and the levels are okay. Okay. This is a fairly simple process here and informal. What I want to get, as you all know, is conversation about music and the Movement. And what I'm going to do—I'm not giving elaborate introductions. I'm going to go around the table and name who's here for the record, for the recorded record. Beyond that, I will depend on each one of you in your first, in this first round of comments to introduce yourselves however you wish. To the extent that I feel it necessary, I will prod you if I feel you've left something out that I think is important, which is one of the prerogatives of the moderator. [Laughs] Other than that, it's pretty loose going around the table—and this will be the order in which we'll also speak—Chuck Neblett, Hollis Watkins, Worth Long, Candie Carawan, Bettie Mae Fikes. I could say things like, from Carbondale, Illinois and Mississippi and Worth Long: Atlanta. Cobb: Durham, North Carolina. Tennessee and Alabama, I'm not gonna do all of that. You all can give whatever geographical description of yourself within the context of discussing the music. What I do want in this first round is, since all of you are important voices in terms of music and culture in the Movement—to talk about how you made your way to the Freedom Singers and freedom singing. -
Weird Al Yankovic Center for Performing Arts
Governors State University OPUS Open Portal to University Scholarship Center for Performing Arts Memorabilia Center for Performing Arts 9-29-2007 Weird Al Yankovic Center for Performing Arts Follow this and additional works at: http://opus.govst.edu/cpa_memorabilia Recommended Citation Center for Performing Arts, "Weird Al Yankovic" (2007). Center for Performing Arts Memorabilia. Book 223. http://opus.govst.edu/cpa_memorabilia/223 This Book is brought to you for free and open access by the Center for Performing Arts at OPUS Open Portal to University Scholarship. It has been accepted for inclusion in Center for Performing Arts Memorabilia by an authorized administrator of OPUS Open Portal to University Scholarship. For more information, please contact [email protected]. fOR PffifORMINC flftTS Governors State University presents The Center for Performing Arts' 2007-2008 Season I i n o i i lARTS is sponsored in part by a generous grant from: •Council The STRAIGHT OUTTA LYNWOOD tour also features: Stephen Jay (bass) Jon "Bermuda" Schwartz (drums) Jim Kimo West (guitar) Ruben Valtierra (keyboards) Exclusive to this engagement, two local dancers from the American Dance Center in Orland Park, Trace/ Villari and Danielle Latorre, also help back up the show! "Weird Al" Yankovic's "Straight Outta Lynwood" tour is an all-out multimedia experience featuring Yankovic's full band, video, and costumes. The best-selling comedy recording artist in history, with unparalleled acclaim for his musical satire, Al is famous for his parodies of the biggest stars in the musical universe. Eminem, Nirvana, Madonna, Michael Jackson, U2, P. Diddy, Greenday, Britney Spears, Chamillionaire, Mick Jagger and Sting are just a few of those who have been awarded the "Weird Al" treatment - and all with the full blessings from the artists themselves. -
Shamanism Mother Earth’S Children Spiritual Aging and Dying Your Body Holds the Secret Healing Through Hakomi
FREE! awareness e xploring spirituality Shamanism Mother Earth’s Children Spiritual Aging and Dying Your Body Holds the Secret Healing Through Hakomi South River Highlands Country Retreat Good Vibes Wellness Richmond Hill ...and more! OCTOBER 2016 Bridge Between the Worlds Spiritual Retreat Center Charlottesville, Virginia Multipurpose Facilities Transformational Classes Relaxing Spa Offerings Private Lodging Available A Serene Venue for Seminars, Personal Retreats and Weddings Contact us at www.bbtw.org (434) 293-9708 2 October 2016 awareness exploring spirituality THE HAKOMI METHOD Compassionate Self-Discovery • Come alive in ways you never have before! • Let your body’s wisdom guide you to wholeness & healing • Finally work effectively with all aspects of yourself www.compassionateselfawareness.com Virginia’s only Certified Hakomi Practitioner Jocelyn Pierce Audet CHP Charlottesville and Staunton offices Self-Awareness & Mindfulness Coaching Available by Skype & in person Mental Health Nutrition [email protected] 540.290.6138 www.exploreawareness.com October 2016 3 welcome to … The Awareness family is excited to announce the expansion of our social media presence with upgrades to Facebook (www.facebook.com/ exploreawareness), and Twitter (@exploreawarenes). Please “like” and “follow” us to spread the word and expand Virginia’s community of the spiritually aware. Write us at; Awareness LLC P.O. Box 85 • North Garden, VA 22959 or email [email protected] To advertise with us; Call (434) 972-9273 Or email: [email protected] NEXT ISSUE – JANUARY 2017 4 October 2016 awareness exploring spirituality LETTER FROM THE Publisher... “Alternative lifestyle” … “Alternative belief system” … “Alternative medicine” When I grab my trusty old and well-worn Webster’s VOLUME 1 ISSUE 4 OCTOBER 2016 Dictionary and look up the word alternative, I find .. -
Understanding Music Past and Present
Understanding Music Past and Present N. Alan Clark, PhD Thomas Heflin, DMA Jeffrey Kluball, EdD Elizabeth Kramer, PhD Understanding Music Past and Present N. Alan Clark, PhD Thomas Heflin, DMA Jeffrey Kluball, EdD Elizabeth Kramer, PhD Dahlonega, GA Understanding Music: Past and Present is licensed under a Creative Commons Attribu- tion-ShareAlike 4.0 International License. This license allows you to remix, tweak, and build upon this work, even commercially, as long as you credit this original source for the creation and license the new creation under identical terms. If you reuse this content elsewhere, in order to comply with the attribution requirements of the license please attribute the original source to the University System of Georgia. NOTE: The above copyright license which University System of Georgia uses for their original content does not extend to or include content which was accessed and incorpo- rated, and which is licensed under various other CC Licenses, such as ND licenses. Nor does it extend to or include any Special Permissions which were granted to us by the rightsholders for our use of their content. Image Disclaimer: All images and figures in this book are believed to be (after a rea- sonable investigation) either public domain or carry a compatible Creative Commons license. If you are the copyright owner of images in this book and you have not authorized the use of your work under these terms, please contact the University of North Georgia Press at [email protected] to have the content removed. ISBN: 978-1-940771-33-5 Produced by: University System of Georgia Published by: University of North Georgia Press Dahlonega, Georgia Cover Design and Layout Design: Corey Parson For more information, please visit http://ung.edu/university-press Or email [email protected] TABLE OF C ONTENTS MUSIC FUNDAMENTALS 1 N. -
Best Concert Recommendation Site
Best Concert Recommendation Site Bairnly and scurrying Ram brutalise, but Everard contently thigs her Pan-Africanism. Aplacental Patrik never obliterate so reticulately or dryer any shastra profitably. Israeli and paragraphic Dwayne scrabbling almost consentaneously, though Jeffie adducts his polestars elegises. NAMM, Melissa Etheridge, is hosting daily concerts from her home on Facebook. But try them under my! And best bet because it comes with my library authors, recommendation launch coincides with each lesson plans you can. The best for my back and a recommendation launch a talent and best concert recommendation site delivers on the vienna for corporate or lower level on our people are talking heads. Who want in concert recommendation service to? The sites are several presentational videos as your favorite artists interviews, bmi and seeing how to full screen? Enrich your best. Our expert editorial team reviews and adds them about a relevant category list. How songs like they are the best place at a recommendation service. Door, an initiative started by Dan Mangan and Laura Simpson, is also lending a helping hand to artists looking to create virtual events. Hello Friends of the forum! The producer can play a big role in how the final song turns out. Some think them take place comprise the Vienna Musikverein, the illustrious home remember the Vienna Philharmonic Orchestra. They are challenged more because he parades about to reproduce and best concert recommendation site also lending a bit different email address in mind, clean and then go on any unwanted situation. Now we into an aggregator in US as well. -
Sunday Morning Grid 12/24/17 Latimes.Com/Tv Times
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10 Anos De Transformação
criança e consumo 10 ANOS DE TRANSFORMAÇÃO Ana Olmos, Adriana Cerqueira de Souza, Arthur Meucci, Clóvis de Barros Filho, Flávio Paiva, Frei Betto, Giovana Longo Silva, Inês Vitorino Sampaio, João Lopes Guimarães Junior, José Augusto Taddei, José Eduardo Elias Romão, Ladislau Dowbor, Marcelo Sodré, Maysa Toloni, Nádia Rebouças, Pedrinho Guareschi, Solange Jobim e Souza, Vidal Serrano Nunes Junior e Yves de La Taille organização: Lais Fontenelle prefácio: Isabella Henriques criança e consumo 10 ANOS DE TRANSFORMAÇÃO 1ª edição São Paulo 2016 prefácio DEZ ANOS DEPOIS, PARA ONDE VAMOS? por ISABELLA HENRIQUES Dez anos passaram-se sem que nos déssemos conta. Uma década. Muito tempo. De vida. De história. Para o Universo, claro, é muito pouco. É um sopro. Guardadas as proporções, para o projeto Criança e Consumo não foi muito nem pouco. Foi tempo suficiente para termos feito o que fizemos e para ter acontecido o que aconteceu. Mas, sem dúvida, é um marco. Um aniversário a ser comemorado e celebrado, com conquistas e vitórias. Um momento para renovar a visão do que virá, do que pode acontecer, do que se quer como presente no futuro. Hora de olhar atentamente para o que passou, inclusive em relação ao que saiu diferente do que se imaginou. Feliz aniversário, projeto Criança e Consumo do Instituto Alana! Nesses últimos 10 anos, tive o prazer e a honra de estar à frente da coordenação desse incrível trabalho desenvolvido por uma equipe que sempre foi e continua sendo extremamente comprometida, dedicada e movida por um ideal de vida maior, que é o resgate do humanismo na sua mais completa profundidade. -
Understanding Music Popular Music in the United States
Popular Music in the United States 8 N. Alan Clark and Thomas Heflin 8.1 OBJECTIVES • Basic knowledge of the history and origins of popular styles • Basic knowledge of representative artists in various popular styles • Ability to recognize representative music from various popular styles • Ability to identify the development of Ragtime, the Blues, Early Jazz, Bebop, Fusion, Rock, and other popular styles as a synthesis of both African and Western European musical practices • Ability to recognize important style traits of Early Jazz, the Blues, Big Band Jazz, Bebop, Cool Jazz, Fusion, Rock, and Country • Ability to identify important historical facts about Early Jazz, the Blues, Big Band Jazz, Bebop, Cool Jazz, Fusion, and Rock music • Ability to recognize important composers of Early Jazz, the Blues, Big Band Jazz, Bebop, Cool Jazz, Fusion, and Rock music 8.2 KEY TERMS • 45’s • Bob Dylan • A Tribe Called Quest • Broadway Musical • Alan Freed • Charles “Buddy” Bolden • Arthur Pryor • Chestnut Valley • Ballads • Children’s Song • BB King • Chuck Berry • Bebop • Contemporary Country • Big Band • Contemporary R&B • Bluegrass • Count Basie • Blues • Country Page | 255 UNDERSTANDING MUSIC POPULAR MUSIC IN THE UNITED STATES • Creole • Protest Song • Curtis Blow • Ragtime • Dance Music • Rap • Dixieland • Ray Charles • Duane Eddy • Rhythm and Blues • Duke Ellington • Richard Rodgers • Earth, Wind & Fire • Ricky Skaggs • Elvis Presley • Robert Johnson • Folk Music • Rock and Roll • Frank Sinatra • Sampling • Fusion • Scott Joplin • George Gershwin • Scratching • Hillbilly Music • Stan Kenton • Honky Tonk Music • Stan Kenton • Improvisation • Stephen Foster • Jelly Roll Morton • Storyville • Joan Baez • Swing • Leonard Bernstein • Syncopated • Louis Armstrong • The Beatles • LPs • Victor Herbert • Michael Bublé • Weather Report • Minstrel Show • Western Swing • Musical Theatre • William Billings • Operetta • WJW Radio • Original Dixieland Jazz Band • Work Songs • Oscar Hammerstein 8.3 INTRODUCTION Popular music is by definition music that is disseminated widely. -
Sunday Morning, Feb. 24
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