A Phenomenological Study of Healing in a North Sotho Community
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AS WE RECALL the Growth of Agricultural Estimates^ 1933-1961 L M Brooks
^t^f.t.i^A^( fk^^^ /^v..<. S AS WE RECALL The Growth of Agricultural Estimates^ 1933-1961 L M Brooks Statistical Reporting s Service U.S. Department of Agriculture Washington, D.C As We Recall, THE GROWTH OF AGRICULTURAL ESTIMATES, 1933-1961 U.S. OEPÎ. or AGRlCUtTURE NATIONAL AGRICULTURAL UBRARY OECIT CATALOGmC PREP E. M. Brooks, Statistical Reporting Service, U.S. Dept. of Agriculture 1977 I FOREWORD The Statistical Reporting Service, as with any organization, needs to know its past to understand the present and appraise the future. Accordingly, our technical procedures are peri- ^odically set forth in ''Scope and Methods of the Statistical Reporting Service," and the agency's early development and program expansion were presented in "The Story of Agricultural Estimates." However, most important are the people who de- veloped this complex and efficient statistical service for agriculture and those who maintain and expand it today. Dr. Harry C. Trelogan, SRS Administrator, 1961-1975, arranged for Emerson M. Brooks to prepare this informal account of some of the people who steered SRS's course from 1933 to 1961. The series of biographical sketches selected by the author are representative of the people who helped develop the per- sonality of SRS and provide the talent to meet challenges for accurate and timely agricultural information. This narrative touching the critical issues of that period and the way they'^ were resolved adds to our understanding of the agency and helps maintain the esprit de corps that has strengthened our work since it started in 1862. Our history provides us some valuable lessons, for "those who cannot remember the past are condemned to repeat it." W. -
Song & Music in the Movement
Transcript: Song & Music in the Movement A Conversation with Candie Carawan, Charles Cobb, Bettie Mae Fikes, Worth Long, Charles Neblett, and Hollis Watkins, September 19 – 20, 2017. Tuesday, September 19, 2017 Song_2017.09.19_01TASCAM Charlie Cobb: [00:41] So the recorders are on and the levels are okay. Okay. This is a fairly simple process here and informal. What I want to get, as you all know, is conversation about music and the Movement. And what I'm going to do—I'm not giving elaborate introductions. I'm going to go around the table and name who's here for the record, for the recorded record. Beyond that, I will depend on each one of you in your first, in this first round of comments to introduce yourselves however you wish. To the extent that I feel it necessary, I will prod you if I feel you've left something out that I think is important, which is one of the prerogatives of the moderator. [Laughs] Other than that, it's pretty loose going around the table—and this will be the order in which we'll also speak—Chuck Neblett, Hollis Watkins, Worth Long, Candie Carawan, Bettie Mae Fikes. I could say things like, from Carbondale, Illinois and Mississippi and Worth Long: Atlanta. Cobb: Durham, North Carolina. Tennessee and Alabama, I'm not gonna do all of that. You all can give whatever geographical description of yourself within the context of discussing the music. What I do want in this first round is, since all of you are important voices in terms of music and culture in the Movement—to talk about how you made your way to the Freedom Singers and freedom singing. -
Shamanism Mother Earth’S Children Spiritual Aging and Dying Your Body Holds the Secret Healing Through Hakomi
FREE! awareness e xploring spirituality Shamanism Mother Earth’s Children Spiritual Aging and Dying Your Body Holds the Secret Healing Through Hakomi South River Highlands Country Retreat Good Vibes Wellness Richmond Hill ...and more! OCTOBER 2016 Bridge Between the Worlds Spiritual Retreat Center Charlottesville, Virginia Multipurpose Facilities Transformational Classes Relaxing Spa Offerings Private Lodging Available A Serene Venue for Seminars, Personal Retreats and Weddings Contact us at www.bbtw.org (434) 293-9708 2 October 2016 awareness exploring spirituality THE HAKOMI METHOD Compassionate Self-Discovery • Come alive in ways you never have before! • Let your body’s wisdom guide you to wholeness & healing • Finally work effectively with all aspects of yourself www.compassionateselfawareness.com Virginia’s only Certified Hakomi Practitioner Jocelyn Pierce Audet CHP Charlottesville and Staunton offices Self-Awareness & Mindfulness Coaching Available by Skype & in person Mental Health Nutrition [email protected] 540.290.6138 www.exploreawareness.com October 2016 3 welcome to … The Awareness family is excited to announce the expansion of our social media presence with upgrades to Facebook (www.facebook.com/ exploreawareness), and Twitter (@exploreawarenes). Please “like” and “follow” us to spread the word and expand Virginia’s community of the spiritually aware. Write us at; Awareness LLC P.O. Box 85 • North Garden, VA 22959 or email [email protected] To advertise with us; Call (434) 972-9273 Or email: [email protected] NEXT ISSUE – JANUARY 2017 4 October 2016 awareness exploring spirituality LETTER FROM THE Publisher... “Alternative lifestyle” … “Alternative belief system” … “Alternative medicine” When I grab my trusty old and well-worn Webster’s VOLUME 1 ISSUE 4 OCTOBER 2016 Dictionary and look up the word alternative, I find .. -
Understanding Music Past and Present
Understanding Music Past and Present N. Alan Clark, PhD Thomas Heflin, DMA Jeffrey Kluball, EdD Elizabeth Kramer, PhD Understanding Music Past and Present N. Alan Clark, PhD Thomas Heflin, DMA Jeffrey Kluball, EdD Elizabeth Kramer, PhD Dahlonega, GA Understanding Music: Past and Present is licensed under a Creative Commons Attribu- tion-ShareAlike 4.0 International License. This license allows you to remix, tweak, and build upon this work, even commercially, as long as you credit this original source for the creation and license the new creation under identical terms. If you reuse this content elsewhere, in order to comply with the attribution requirements of the license please attribute the original source to the University System of Georgia. NOTE: The above copyright license which University System of Georgia uses for their original content does not extend to or include content which was accessed and incorpo- rated, and which is licensed under various other CC Licenses, such as ND licenses. Nor does it extend to or include any Special Permissions which were granted to us by the rightsholders for our use of their content. Image Disclaimer: All images and figures in this book are believed to be (after a rea- sonable investigation) either public domain or carry a compatible Creative Commons license. If you are the copyright owner of images in this book and you have not authorized the use of your work under these terms, please contact the University of North Georgia Press at [email protected] to have the content removed. ISBN: 978-1-940771-33-5 Produced by: University System of Georgia Published by: University of North Georgia Press Dahlonega, Georgia Cover Design and Layout Design: Corey Parson For more information, please visit http://ung.edu/university-press Or email [email protected] TABLE OF C ONTENTS MUSIC FUNDAMENTALS 1 N. -
Best Concert Recommendation Site
Best Concert Recommendation Site Bairnly and scurrying Ram brutalise, but Everard contently thigs her Pan-Africanism. Aplacental Patrik never obliterate so reticulately or dryer any shastra profitably. Israeli and paragraphic Dwayne scrabbling almost consentaneously, though Jeffie adducts his polestars elegises. NAMM, Melissa Etheridge, is hosting daily concerts from her home on Facebook. But try them under my! And best bet because it comes with my library authors, recommendation launch coincides with each lesson plans you can. The best for my back and a recommendation launch a talent and best concert recommendation site delivers on the vienna for corporate or lower level on our people are talking heads. Who want in concert recommendation service to? The sites are several presentational videos as your favorite artists interviews, bmi and seeing how to full screen? Enrich your best. Our expert editorial team reviews and adds them about a relevant category list. How songs like they are the best place at a recommendation service. Door, an initiative started by Dan Mangan and Laura Simpson, is also lending a helping hand to artists looking to create virtual events. Hello Friends of the forum! The producer can play a big role in how the final song turns out. Some think them take place comprise the Vienna Musikverein, the illustrious home remember the Vienna Philharmonic Orchestra. They are challenged more because he parades about to reproduce and best concert recommendation site also lending a bit different email address in mind, clean and then go on any unwanted situation. Now we into an aggregator in US as well. -
Understanding Music Popular Music in the United States
Popular Music in the United States 8 N. Alan Clark and Thomas Heflin 8.1 OBJECTIVES • Basic knowledge of the history and origins of popular styles • Basic knowledge of representative artists in various popular styles • Ability to recognize representative music from various popular styles • Ability to identify the development of Ragtime, the Blues, Early Jazz, Bebop, Fusion, Rock, and other popular styles as a synthesis of both African and Western European musical practices • Ability to recognize important style traits of Early Jazz, the Blues, Big Band Jazz, Bebop, Cool Jazz, Fusion, Rock, and Country • Ability to identify important historical facts about Early Jazz, the Blues, Big Band Jazz, Bebop, Cool Jazz, Fusion, and Rock music • Ability to recognize important composers of Early Jazz, the Blues, Big Band Jazz, Bebop, Cool Jazz, Fusion, and Rock music 8.2 KEY TERMS • 45’s • Bob Dylan • A Tribe Called Quest • Broadway Musical • Alan Freed • Charles “Buddy” Bolden • Arthur Pryor • Chestnut Valley • Ballads • Children’s Song • BB King • Chuck Berry • Bebop • Contemporary Country • Big Band • Contemporary R&B • Bluegrass • Count Basie • Blues • Country Page | 255 UNDERSTANDING MUSIC POPULAR MUSIC IN THE UNITED STATES • Creole • Protest Song • Curtis Blow • Ragtime • Dance Music • Rap • Dixieland • Ray Charles • Duane Eddy • Rhythm and Blues • Duke Ellington • Richard Rodgers • Earth, Wind & Fire • Ricky Skaggs • Elvis Presley • Robert Johnson • Folk Music • Rock and Roll • Frank Sinatra • Sampling • Fusion • Scott Joplin • George Gershwin • Scratching • Hillbilly Music • Stan Kenton • Honky Tonk Music • Stan Kenton • Improvisation • Stephen Foster • Jelly Roll Morton • Storyville • Joan Baez • Swing • Leonard Bernstein • Syncopated • Louis Armstrong • The Beatles • LPs • Victor Herbert • Michael Bublé • Weather Report • Minstrel Show • Western Swing • Musical Theatre • William Billings • Operetta • WJW Radio • Original Dixieland Jazz Band • Work Songs • Oscar Hammerstein 8.3 INTRODUCTION Popular music is by definition music that is disseminated widely. -
Three Fifteenth-Century Collections of Communal Song A
‘Synge we now alle and sum’: Three Fifteenth-Century Collections of Communal Song A study of British Library, Sloane MS 2593; Bodleian Library, MS Eng. poet. e.1; and St John’s College, Cambridge, MS S.54 Kathleen Rose Palti University College London Volume I: Thesis I, Kathleen Rose Palti, confirm that the work presented in this thesis is my own. Where information has been derived from other sources, I confirm that this has been indicated in the thesis. Signed: Kathleen Palti 2 Abstract The manuscripts British Library, Sloane MS 2593, Bodleian Library, MS Eng. poet. e.1, and St John’s College, Cambridge, MS S.54 are compact collections of song lyrics written during the fifteenth century, largely without notation. My thesis seeks to develop responsive ways of reading these anthologies and uses the manuscripts to illumine the creative processes that produced and circulated their songs. I integrate attention to song lyrics within the material books and exploration of wider textual networks. As many of the anthologies’ texts are in carol form, a combination of refrain parts and stanzas, the books provide an opportunity to examine the form’s identity and significance within fifteenth- century English songwriting. The thesis is in three parts and the first introduces critical approaches to the manuscripts and the carol, followed by an examination of the books and their contexts, especially manuscripts with which the anthologies have textual connections. The central section investigates the songs’ production and circulation by examining textual networks, how the anthologies were written, how the songs may have been performed, and the role of memory in shaping the songs and anthologies. -
What Is Poetic Attention
Universidade de Lisboa Faculdade de Letras WHAT IS POETIC ATTENTION Bernardo Manzoni Palmeirim Doutoramento em Teoria da Literatura 2014 Universidade de Lisboa Faculdade de Letras WHAT IS POETIC ATTENTION Bernardo Manzoni Palmeirim Tese orientada pelo Professor Miguel Tamen (Programa de Teoria da Literatura, Universidade de Lisboa) e pelo Professor Brett Bourbon (Department of English, University of Dallas), especialmente elaborada para a obtenção do grau de doutor em Teoria da Literatura 2014 Acknowledgments I would like to thank Mariana and my family for their love and support; my friends for not giving up on me despite my spending less and less time with them because I had to read, and write this; and Professors Miguel Tamen and Brett Bourbon for their kind guidance and prescriptions of food for thought. Lisbon, February 26th, 2014 1 2 Table of Contents Acknowledgments ................................................................................................................................ 1 Abbreviations ....................................................................................................................................... 5 Resumo alargado em português ............................................................................................................ 7 O que é ‗atenção poética‘ .................................................................................................................................... 7 Introduction ...................................................................................................................................... -
STUDY GUIDE Prepared by DISNEY THEATRICAL GROUP EDUCATION DEPARTMENT
STUDY GUIDE Prepared by DISNEY THEATRICAL GROUP EDUCATION DEPARTMENT 1 To The Educator SEIZE THE DAY! Thank you for bringing your students to NEWSIES. at the newsboys’ expense, Jack finds a cause to We’ve prepared this Study Guide to enrich fight for and rallies NEWSIES from across the city your students’ experience at the show. It’s full to strike for what’s right. of background information, experiential lesson plans, and activity handouts for your class. NEWSIES is inspired by the real-life Newsboys’ Strike of 1899, when newsboys Kid Blink and Set in New York City at the turn of the century, David Simons led a band of orphan and runaway NEWSIES is the rousing tale of Jack Kelly, a children on a two-week-long action against charismatic newsboy and leader of a ragged band newspaper publishers Pulitzer and Hearst. of teenaged “NEWSIES,” who dreams only of a better life far from the hardship of the streets. Before you dive into the rich educational merits But when publishing titans Joseph Pulitzer and of the show, ensure you get the most out of this William Randolph Hearst raise distribution prices guide by reviewing its structure: Educator’s Edition: Variations: These sections are written just for you and present The lessons in this guide have been activities in a common lesson-plan format. You can use written with middle school students these engaging activities in any classroom, club, home in mind, but variations include school, or afterschool setting. modifications for working with younger or older students. Extra! Extra!: These reproducible handouts are the student Bolded Words: accompaniments to your lesson plans. -
Songs with a Message: Common Themes in Swedish 1970S Rock/Folk Songs
Songs with a Message: Common Themes in Swedish 1970s Rock/Folk Songs ALF ARVIDSSON An alternative music scene grew in Sweden in the early 1970s. This music scene suddenly and unexpectedly created a huge impact on mass media and became a leading force that challenged conventional ideas concerning the shape and form of popular music. 1 Eventually, it became known as “the progressive music movement.” One effect of this movement was that lyrics about “political” topics, which were previously only heard at demonstrations and meetings of organisations, became common, even presupposed, in rock music. 2 Many LP albums were produced by a few independent record companies; on the whole, they show a rich array of topics that could be understood as having a political relevance to a young audience. The movement had a broad musical profile, including a revitalisation of Swedish folk fiddling, and many groups playing instrumental music at the crossroads of rock and jazz traditions. However, this study deals only with music containing song lyrics. Of course, within a wide frame of interpretation all song lyrics can be ascribed a concrete political meaning—for example, by dealing with “harmless” themes, lyrics can serve to hide power relations and injustice, and thus have a conservative function. I am mainly interested in expressions that involve a distinct intention to pose political questions. My interest lies not with the lyricist’s or singer’s own stance or experience (although there was a strong emphasis on authenticity), but in the lyrics as possible to sing on a stage with an audience where themes and lyrics could have a political meaning. -
Standards and Originals - a Library Suggestion by Massimo Ciolli "Mc2"
standards and originals - a library suggestion by massimo ciolli "mc2" musicista album (I LOVE YOU) AND DON'T YOU FORGET IT Kirk, Roland Rahsaan (disc 10) (Just) SQUEEZE ME Armstrong, Louis Louis Armstrong (i Grandi del Jazz) Desmond, Paul Like Someone In Love Desmond, Paul Pure Desmond Peterson, Oscar Great Connection 13 TO GO Martino, Pat Stone Blue 17 WEST Dolphy, Eric Dolphy 20 ANOS BLUES Regina, Elis MPB Especial - 1973 204 Ervin, Booker Tex Bookn Tenor 2300 SKIDOO I.C.P. Orchestra T.Monk/E.Nichols 245 Dolphy, Eric Dolphy Dolphy, Eric Unrealized Tapes 26-2 Coltrane, John The Coltrane Legacy Pagina 1 di 412 musicista album 29 SETTEMBRE Malaguti, L., AA.VV. A Night in Italy 3 EAST Abercrombie, John Night 3/4 IN THE AFTERNOON Wheeler, Kenny Deer Wan 34 SKIDOO Evans, Bill Blue in Green Motian, Paul Bill Evans 37 WILLOUGHBY PLACE Grossman, Steve Terra Firma 3-IN-1 WITHOUT THE OIL Kirk, Roland In Europe 1962-67 Kirk, Roland Rahsaan (disc 3) 415 CENTRAL PARK WEST Grossman, Steve Love Is The Thing 5/4 THING Walton, Cedar Eastern Rebellion 500 MILES HIGH 70s Jazz, Pioneers Live Town Hall Purim, Flora 500 Miles High 52+ I.C.P. Orchestra T.Monk/E.Nichols 64 BARS ON WILSHIRE Pagina 2 di 412 musicista album Kessel, Barney Kessel Plays Standards 9:20 SPECIAL Basie, C. Jumpin'at the Woodside Jackson, Milt Milt Jackson A BEAUTIFUL FRIENDSHIP Terry, Clark Milt Jackson Turrentine, Stanley The Look of Love A BLUE TIME Flanagan, Tommy Elusive A BLUES AIN'T NOTHING BUT A TRIP Foster, Frank A Blues ain't Nothing But A Trip A BLUES FOR MICKEY-O Martino, Pat El Hombre A BREATH IN THE WIND Kirk, Roland Rahsaan (disc 3) A CASA De Moraes, Vinicius A Arca de Noé A CERTAIN SMILE Greene, Ted Solo Guitar A CHILD IS BORN Flanagan, Tommy Elusive Montoliu, Tete Sweet'n Lovely V°2 Montoliu, Tete The Music I Like to Play V°2 A CHILD'S BLUES Pagina 3 di 412 musicista album Woods, Phil P. -
Ingham County News Photo)
'" I \ Winner of the Michigan Press . · See the 4·H Exhibit$ General Excellence Aw111rd The Ing hami. County N at tho Mason Hi!lh School ' ' Ninety-Fifth, Year No, 12 Mason, Michigan, Thursday, March 25, 1954 4 Sections - 28 Pages llflve You Mel't legion Dec.ides Mt'. und I\11'H, l•'l1Jycl W. I School Officials Momany o[ 205 SDuth Park nll'llel ':' 'i'hcy moved to Muhon To Buy 6 Acres In Scplemher, '!'he Momunys Refuse Offer S[lenl lust yent• In Callfornln, and upon llwir return, carne io North of Town l\lasnn lo live. Church Hhe Is a nntlvc! o( LanHing Of Site and he hail.~ fmm Charlot !o. Members present at a mcet Mr. Momany Jr. 11 llrid<laycr MembCI'S of the bonn! or lnr,: of Bt·ownc-Cavendcr post for n contraf'llng fll'tn In L:rn· education ut•e no Ionge!' in· No. 148, American Legion, Hlng. DnrltJfi Wnrlrl Wnr Tl he sorvnclln the Infantry anrl :;aw le!'csted in secut·in~ the I3tn•• hmt Thursday night decided to uc•llon In lite PadJlc! Lhcutre. ~ess pl'Opcl'ty bel ween Maple erect a IJuildln~ on G acres ob- ·mrJ Columbia, llwy lnl'o1'!1wrl lnlnod t't·om .lol1n Angell. The • A lfficials of the Nazal'cne site is o.n Pt•yor road, a m.ilc' Boys and Gtns ~hul'ch. :wt·t h of Mason. The land lies Nnwrcne;; purciHJSt>cl ll at•res· from Mr. and Mrs. ,Jc:;~;!' But·gcss west of the gmvcl pit pond on D~cr.pm !lly '"!II" !!l neult Angell's pmpcrty.