NMPAS Richard Strauss Recital May 15, 2021
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SWR2 Musikstunde
SWR2 MANUSKRIPT ESSAYS FEATURES KOMMENTARE VORTRÄGE SWR2 Musikstunde „Dirigierende Komponisten und komponierende Dirigenten“ (5) Von Thomas Rübenacker Sendung: Freitag, 15. Juli 2016 9.05 – 10.00 Uhr Redaktion: Bettina Winkler Bitte beachten Sie: Das Manuskript ist ausschließlich zum persönlichen, privaten Gebrauch bestimmt. Jede weitere Vervielfältigung und Verbreitung bedarf der ausdrücklichen Genehmigung des Urhebers bzw. des SWR. Mitschnitte auf CD von allen Sendungen der Redaktion SWR2 Musik sind beim SWR Mitschnittdienst in Baden-Baden für € 12,50 erhältlich. Bestellungen über Telefon: 07221/929-26030 Kennen Sie schon das Serviceangebot des Kulturradios SWR2? Mit der kostenlosen SWR2 Kulturkarte können Sie zu ermäßigten Eintrittspreisen Veranstaltungen des SWR2 und seiner vielen Kulturpartner im Sendegebiet besuchen. Mit dem Infoheft SWR2 Kulturservice sind Sie stets über SWR2 und die zahlreichen Veranstaltungen im SWR2-Kulturpartner-Netz informiert.Jetzt anmelden unter 07221/300 200 oder swr2 2 „Musikstunde“ mit Thomas Rübenacker „Dirigierende Komponisten und komponierende Dirigenten“ (5) Von Thomas Rübenacker SWR 2, 11. Juli – 15. Juli 2016, 9h05 – 10h00 Signet: SWR2 Musikstunde … mit Thomas Rübenacker. Heute: „Komponierende Dirigenten und dirigierende Komponisten“, Teil 5. MUSIK Diese Woche sprach ich über komponierende Dirigenten und dirigierende Komponisten, also auch über das Verhältnis zwischen Schöpfer und Interpret in einer Person. Heute, in der letzten Sendung zum Thema, will ich mich auf „komponierende Kapellmeister“ kaprizieren, weil es da noch so einiges aufzuarbeiten gibt – vieles wenig bis gar nicht Bekanntes, auch manch Skurriles oder gar Schräges. Wie ich bereits sagte, griffen die Komponisten häufig zum baton, um ihre Werke zu schützen – und um mit der Welt konfrontiert zu werden, nicht nur mit dem häuslichen Schreibtisch. -
ARSC Journal
A Discography of the Choral Symphony by J. F. Weber In previous issues of this Journal (XV:2-3; XVI:l-2), an effort was made to compile parts of a composer discography in depth rather than breadth. This one started in a similar vein with the realization that SO CDs of the Beethoven Ninth Symphony had been released (the total is now over 701). This should have been no surprise, for writers have stated that the playing time of the CD was designed to accommodate this work. After eighteen months' effort, a reasonably complete discography of the work has emerged. The wonder is that it took so long to collect a body of information (especially the full names of the vocalists) that had already been published in various places at various times. The Japanese discographers had made a good start, and some of their data would have been difficult to find otherwise, but quite a few corrections and additions have been made and some recording dates have been obtained that seem to have remained 1.Dlpublished so far. The first point to notice is that six versions of the Ninth didn't appear on the expected single CD. Bl:lhm (118) and Solti (96) exceeded the 75 minutes generally assumed (until recently) to be the maximum CD playing time, but Walter (37), Kegel (126), Mehta (127), and Thomas (130) were not so burdened and have been reissued on single CDs since the first CD release. On the other hand, the rather short Leibowitz (76), Toscanini (11), and Busch (25) versions have recently been issued with fillers. -
Boston Symphony Orchestra Concert Programs, Summer, 2001, Tanglewood
SEMI OIAWA MUSIC DIRECTOR BERNARD HAITINK PRINCIPAL GUEST CONDUCTOR • i DALE CHIHULY INSTALLATIONS AND SCULPTURE / "^ik \ *t HOLSTEN GALLERIES CONTEMPORARY GLASS SCULPTURE ELM STREET, STOCKBRIDGE, MA 01262 . ( 41 3.298.3044 www. holstenga I leries * Save up to 70% off retail everyday! Allen-Edmoi. Nick Hilton C Baccarat Brooks Brothers msSPiSNEff3svS^:-A Coach ' 1 'Jv Cole-Haan v2^o im&. Crabtree & Evelyn OB^ Dansk Dockers Outlet by Designs Escada Garnet Hill Giorgio Armani .*, . >; General Store Godiva Chocolatier Hickey-Freeman/ "' ft & */ Bobby Jones '.-[ J. Crew At Historic Manch Johnston & Murphy Jones New York Levi's Outlet by Designs Manchester Lion's Share Bakery Maidenform Designer Outlets Mikasa Movado Visit us online at stervermo OshKosh B'Gosh Overland iMrt Peruvian Connection Polo/Ralph Lauren Seiko The Company Store Timberland Tumi/Kipling Versace Company Store Yves Delorme JUh** ! for Palais Royal Phone (800) 955 SHOP WS »'" A *Wtev : s-:s. 54 <M 5 "J* "^^SShfcjiy ORIGINS GAUCftV formerly TRIBAL ARTS GALLERY, NYC Ceremonial and modern sculpture for new and advanced collectors Open 7 Days 36 Main St. POB 905 413-298-0002 Stockbridge, MA 01262 Seiji Ozawa, Music Director Ray and Maria Stata Music Directorship Bernard Haitink, Principal Guest Conductor One Hundred and Twentieth Season, 2000-2001 SYMPHONY HALL CENTENNIAL SEASON Trustees of the Boston Symphony Orchestra, Inc. Peter A. Brooke, Chairman Dr. Nicholas T. Zervas, President Julian Cohen, Vice-Chairman Harvey Chet Krentzman, Vice-Chairman Deborah B. Davis, Vice-Chairman Vincent M. O'Reilly, Treasurer Nina L. Doggett, Vice-Chairman Ray Stata, Vice-Chairman Harlan E. Anderson John F. Cogan, Jr. Edna S. -
Richard Strauss
Richard Strauss Meister der Inszenierung Bearbeitet von Daniel Ender 1. Auflage 2014. Buch. 349 S. Hardcover ISBN 978 3 205 79550 6 Format (B x L): 13,5 x 21 cm Weitere Fachgebiete > Musik, Darstellende Künste, Film > Musikwissenschaft Allgemein > Einzelne Komponisten und Musiker Zu Inhaltsverzeichnis schnell und portofrei erhältlich bei Die Online-Fachbuchhandlung beck-shop.de ist spezialisiert auf Fachbücher, insbesondere Recht, Steuern und Wirtschaft. Im Sortiment finden Sie alle Medien (Bücher, Zeitschriften, CDs, eBooks, etc.) aller Verlage. Ergänzt wird das Programm durch Services wie Neuerscheinungsdienst oder Zusammenstellungen von Büchern zu Sonderpreisen. Der Shop führt mehr als 8 Millionen Produkte. Daniel Ender Richard Strauss Meister der Inszenierung BÖHLAU VERLAG WIEN · KÖLN · WEIMAR Bibliografische Information der Deutschen Nationalbibliothek: Die Deutsche Nationalbibliothek verzeichnet diese Publikation in der Deutschen Nationalbibliografie; detaillierte bibliografische Daten sind im Internet über http://dnb.d-nb.de abrufbar. Umschlagabbildung: Richard Strauss, 1929 (© ullstein bild – Laszlo Willinger) © 2014 by Böhlau Verlag Ges.m.b.H & Co. KG, Wien Köln Weimar Wiesingerstraße 1, A-1010 Wien, www.boehlau-verlag.com Alle Rechte vorbehalten. Dieses Werk ist urheberrechtlich geschützt. Jede Verwertung außerhalb der engen Grenzen des Urheberrechtsgesetzes ist unzulässig. Umschlaggestaltung: Michael Haderer, Wien Layout: Bettina Waringer, Wien Korrektorat: Katharina Krones, Wien Druck und Bindung: CPI Moravia Gedruckt auf chlor- und säurefreiem Papier ISBN 978-3-205-79550-6 Inhalt Ein öffentliches Leben. Zur Einleitung Ein Kind seiner Zeit . 9 Die inszenierte Biographie . 18 Selbst- und Fremdbilder . 23 1. Vom Epigonen zum Genie „Ein sogenannter Charakter“. Umwelt und Familie. 33 „Nicht von hervorstechender Originalität“. Der Weg in die Öffentlichkeit . .42 „Zum Zukunftsmusiker gestempelt“. -
Richard Lert Papers 0210
http://oac.cdlib.org/findaid/ark:/13030/kt638nf3ww No online items Finding Aid of the Richard Lert papers 0210 Finding aid prepared by Rebecca Hirsch The processing of this collection and the creation of this finding aid was funded by the generous support of the National Historic Publications and Records Commission. USC Libraries Special Collections Doheny Memorial Library 206 3550 Trousdale Parkway Los Angeles, California, 90089-0189 213-740-5900 [email protected] June 2010 Finding Aid of the Richard Lert 0210 1 papers 0210 Title: Richard Lert papers Collection number: 0210 Contributing Institution: USC Libraries Special Collections Language of Material: English Physical Description: 58.51 Linear feet70 boxes Date (inclusive): 1900-1981 Abstract: This collection consists of Richard Lert's video and audio recordings of performances, rehearsals and lectures, personal papers and his music score library. Lert was born in Vienna and trained as an orchestral conductor in Germany. He moved to the United States in 1932 with his family and was the conductor of the Pasadena Symphony Orchestra from 1932 until his retirement in 1972. creator: Lert, Richard, 1885-1980 Biographical Note Richard Lert was born September 19, 1885, in Vienna, Austria. He trained as an orchestral conductor under Arthur Nikisch and began his career in Darmstadt, Germany, where he met and married his wife, Vicki Baum, in 1916. They had two sons. Lert held posts in Frankfurt, Kiel and Hannover before becoming the music director of the Berlin National Opera. Lert and his family moved to Los Angeles in 1932, where he became the music director of the Pasadena Symphony Orchestra. -
Rundfunk-Sinfonieorchester Berlin Rundfunkchor Berlin Marek Janowski SYMPHONIA DOMESTICA & DIE TAGESZEITEN Richard Strauss
Richard Strauss SYMPHONIA DOMESTICA & DIE TAGESZEITEN Rundfunk-Sinfonieorchester Berlin Rundfunkchor Berlin Marek Janowski Richard Strauss (1864-1949) Symphonia statement (if meant sincerely) does not the Frenchman recommended the reference to the (outdated) traditional necessarily win you friends... work be performed only without the genre, in order to subsequently Symphonia Domestica, Op. 53 Domestica, Op. 53 accompanying programme, as it would demolish the internal musical structure 1 Bewegt 5. 03 In fact, the content of the Symphonia certainly distract the listener and and compositional content with 2 Scherzo 12. 46 Richard Strauss was a master at domestica does seem rather trivial, as misrepresent the character of the work. powerful irony. After all, one would 3 Adagio 11. 22 creating double entendres in his the composer places his own, deeply To which Strauss responded: “For me, surely elect a completely diff erent 4 Mäßig langsam. Bewegter 15. 43 music. Nothing is as it seems at fi rst bourgeois family idyll in the spotlight of the poetic programme is no more than genre to accompany the private glance. One should always keep this the musical scene. His original working a means of expressing and developing area of a domestic idyll: an art song, Die Tageszeiten, Op. 76 in mind when dealing with such a title for the work was: “My home. A my perception in a purely musical perhaps, a sonata – but certainly not (Poems by Joseph von Eichendorff ) controversial work as his Symphonia symphonic portrait of myself and my manner; not, as you think, merely a a symphony written for the concert For Male Chorus and Orchestra domestica, Op. -
Andréas Hallén's Letters to Hans
”Klappern und wieder klappern! Die Leute glauben nur was gedruckt steht.” ”Klappern und wieder klappern! Die Leute glauben nur was gedruckt steht.”1 Andréas Hallén’s Letters to Hans Herrig. A Contribution to the Swedish-German Cultural Contacts in the Late Nineteenth Century Martin Knust It is beyond question that the composer Andréas Hallén (1846–1925) never stood in the front line of Swedish musical life. Nevertheless, the ways he composed and promoted his music have to be regarded as very advanced for his time. As this study reveals, Hallén’s work as a composer and music critic may have served as a model for the next generation of composers in Sweden. Moreover, his skills as an orchestra- tor as well as his cleverness in building up networks on the Continent can hardly be overestimated. Hallén turns out to have been quite a modern composer in that he took over the latest music technologies and adapted them to a certain music market. The study of Hallén and his work exposes certain musical and cultural developments that were characteristic for Sweden at the turn of the century. Documents that just recently became accessible to research indicate that it is time to re-evaluate Hallén’s role in Swedish musical life. Correspondence between opera composers and their librettists provides us with a wealth of details about the genesis of these interdisciplinary art works and sometimes even, like the correspondence Strauss–Hofmannsthal, about the essence of opera itself. In the case of the Swedish composer Andréas2 Hallén, his first opera Harald der Wiking was not only an interdisciplinary but also an international project because he worked together with the German dramatist Hans Herrig (1845–1892). -
Eine Alpensinfonie and Symphonia Domestica in Full Score Pdf, Epub, Ebook
EINE ALPENSINFONIE AND SYMPHONIA DOMESTICA IN FULL SCORE PDF, EPUB, EBOOK Richard Strauss | 288 pages | 22 Oct 2009 | Dover Publications Inc. | 9780486277257 | English | New York, United States Eine Alpensinfonie and Symphonia Domestica in Full Score PDF Book Oehms Classics. Schonberg put it, Strauss would say things that would have meant being sent to a concentration camp had he not been the icon he was and the Nazi's simply "did not know exactly what to do with him. Seller Inventory M13J Subscribe to our Weekly Newsletter Want to know first what the latest reviews are that have been posted to ClassicsToday each week? As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Carlton Classics. Once started, however, he gave it his main attention for almost 40 years, producing 15 operas in that period. Salome, with its shocking, perverse sensuality, and Elektra, which goes beyond that in violence and unremitting tension, are prime examples of German expressionism in its most lurid phase. Paul Lewis , Piano. Munich: F. It was also the first opera in which Strauss collaborated with the poet Hugo von Hofmannsthal. IMP Classics Franz Konwitschny. Rosenkavalier opera Rosenkavalier , Op. In principle, however, Strauss's method remained constant. Preiser Records. Orfeo C B. Classica d'Oro There are only six works in his entire output dating from after which are for chamber ensembles, and four are arrangements of portions of his operas. AllMusic Featured Composition Noteworthy. -
Boston Symphony Orchestra Concert Programs, Season 129, 2009
BOSTON SYMPHONY ORCHESTRA boston" James Levine, Music Director symphony ORCHESTRA Bernard Haitink, Conductor Emeritus JAMES LEV1NE Seiji Ozawa, Music Director Laureate Music Director « 129th Season, 2009-2010 w CHAMBER TEA VI Friday, April 23, at 2:30 COMMUNITY CONCERT IX Sunday, April 25, at 3, at Villa Victoria Center for the Arts, South End, Boston COMMUNITY CONCERT X Sunday, May 2, at 3, at New Life Community Church, Framingham The free Community Concerts are made possible by a generous grant from The Lowell Institute. CATHERINE FRENCH, violin (1st violin in Strauss) IKUKO MIZUNO, violin (1st violin in Brahms) KAZUKO MATSUSAKA, viola (1st viola in Strauss) EDWARD GAZOULEAS, viola (1st viola in Brahms) BLAISE DEJARDIN, cello (1st cello in Strauss) MIHAIL JOJATU, cello (1st cello in Brahms) STRAUSS String Sextet from the opera Capriccio BRAHMS String Sextet No. 1 in B-flat, Opus 18 Allegro ma non troppo Andante, ma moderato Scherzo: Allegro molto; Trio: Animato Rondo: Poco Allegretto e grazioso Weeks 24/25 Richard Strauss (1864-1949) String Sextet from the opera Capriccio Strauss completed Capriccio, the last of his fifteen operas, on August 8, 1941, and the first performance took place in Munich on October 28, 1942. Clemens Krauss, who had also written the libretto, was the conductor, and the role of Countess Madeleine, the main character, was taken by Krauss' s wife, the soprano Viorica Ursuleac. The year 1941 found Strauss and his own wife in poor health, depressed by the war, worried about prospects for their Jewish daughter-in-law and half- Jewish grandson, and dismayed by the ever more chilly treatment the composer was getting at the hands of the German government (Strauss was not a Nazi, but he was not an outspoken opponent either, and he despised the Nazis no more than any other political party). -
Památník Zpěvačky Marty Procházkové, Manželky Ludevíta Procházky 3 a R T I C U L I
1 »Má milá, přemilá – já jsem tulácký pták, který si nedá jakživ předpisovat notu své písničky – tíhnu jen, sama nevím kam – nejspíše tam kde není pro mne zimy... Ale A cosi přece jen má na mne vliv: tiše neodbytně mne po- R nouká, navádí a napomíná: ›Melodii milá holka – jen ať T to má melodii…‹« JANA VOJTĚŠKOVÁ 1 Gabriela Preissová: Z povídky Rozmaryja (Praha) I C méno zpěvačky Marty Procházkové, rozené Reisingero- U vé (1849-1903), upadlo po smrti jejího manžela Dr. Lu- devíta Procházky v roce 1888 téměř v zapomenutí. In- Památník zpěvačky Marty L Jtenzívní deset let trvající kariéra na prknech převážně I německých operních scén nestačila k tomu, aby se Mar- Procházkové, manželky ta Procházková trvale zapsala do dějin pěveckého umění. Ludevíta Procházky Dnes není její jméno uvedeno ani v několikasvazkovém slovníku zpěváků Großes Sängerlexikon2 ani v Hudebním divadle v českých zemích (Osobnosti 19. století).3 Motto, které je předesláno tomuto článku, vepsala ja- ko poslední zápis do památníku Marty Procházkové Ga- briela Preissová. A jistě se ptáte, co měly tyto dvě ženy The Album of Marta Procházková, the společného. Nevíme, zda spisovatelka Gabriela Preissová znala pěvkyni Martu Procházkovou za jejího života, spíše wife of Ludevít Procházka nikoli. Jistě jí ale o ní vyprávěla její snacha Milka Preis- The article is dedicated to singer Martha Procházková, sová, rozená Procházková, neteř Marty a Ludevíta Pro- born Reisinger (1849-1903), the wife of Ludevít Procház- cházkových. V roce 1932 – dvacet jedna let po smrti zpě- ka (1837-1888); her name is not mentioned in today’s vačky – jí Milka pravděpodobně ukázala památník Marty dictionaries of the 19th-century opera singers. -
Carl Loewe's "Gregor Auf Dem Stein": a Precursor to Late German Romanticism
Carl Loewe's "Gregor auf dem Stein": A Precursor to Late German Romanticism Item Type text; Electronic Dissertation Authors Witkowski, Brian Charles Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 04/10/2021 03:11:55 Link to Item http://hdl.handle.net/10150/217070 CARL LOEWE'S “GREGOR AUF DEM STEIN”: A PRECURSOR TO LATE GERMAN ROMANTICISM by Brian Charles Witkowski _____________________ Copyright © Brian Charles Witkowski 2011 A Document Submitted to the Faculty of the SCHOOL OF MUSIC In Partial Fulfillment of the Requirements For the Degree of DOCTOR OF MUSICAL ARTS In the Graduate College THE UNIVERSITY OF ARIZONA 2011 2 THE UNIVERSITY OF ARIZONA GRADUATE COLLEGE As members of the Document Committee, we certify that we have read the document prepared by Brian Charles Witkowski entitled Carl Loewe's “Gregor auf dem Stein”: A Precursor to Late German Romanticism and recommend that it be accepted as fulfilling the document requirement for the Degree of Doctor of Musical Arts ________________________________________________ Date: 11/14/11 Charles Roe ________________________________________________ Date: 11/14/11 Faye Robinson ________________________________________________ Date: 11/14/11 Kristin Dauphinais Final approval and acceptance of this document is contingent upon the candidate’s submission of the final copies of the document to the Graduate College. I hereby certify that I have read this document prepared under my direction and recommend that it be accepted as fulfilling the document requirement. -
Conductor Zubin Mehta Leads the Israel Philharmonic Orchestra in Opening Concert of the 2015/16 Orchestras Series at Symphony Center
For Immediate Release: Press Contacts: October 28, 2015 Eileen Chambers, 312-294-3092 Rachelle Roe, 312-294-3090 Photos Available By Request [email protected] CONDUCTOR ZUBIN MEHTA LEADS THE ISRAEL PHILHARMONIC ORCHESTRA IN OPENING CONCERT OF THE 2015/16 ORCHESTRAS SERIES AT SYMPHONY CENTER Program Includes Beethoven’s Eroica Symphony, Ravel’s La valse and a work by Josef Bardanashvili Sunday, November 15, at 7 p.m. CHICAGO—The first concert of the 2015/16 Symphony Center Presents (SCP) PowerShares QQQ Orchestras series features the Israel Philharmonic Orchestra (IPO) led by conductor Zubin Mehta, who is the orchestra’s Music Director for Life. The IPO, which is Israel’s premiere cultural ambassador, celebrates its 80th anniversary in the 2015/16 season. Mehta leads a diverse program of works by Beethoven, Ravel and contemporary Israeli composer Josef Bardanashvili on Sunday, November 15, at 7 p.m. at Symphony Center. The concert marks the IPO’s fifth Symphony Center appearance since 1996 with their most recent appearance led by Mehta taking place in 2014. Mehta, an acclaimed Beethoven interpreter, leads the IPO in the composer’s monumental Symphony No. 3 (Eroica) as the program’s centerpiece. The sweeping work opens with an intense and powerful first movement that leads to a brooding funeral march, which hints at Beethoven’s struggle with his increasing deafness, before it reaches a brilliant finale. The IPO program opens with the symphonic poem A Journey to the End of the Millennium based on the critically acclaimed opera of the same name by Georgian-born, Israeli composer Josef Bardanashvili (b.