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Ascsa Ar 85 (1965-1966)
................. ......... ................. "". ....... .-....... ...... ........ ........................................... .........-.""'- ·... ·-"""'-·-·-·-·-·-·-·-·--·-·-·-· - --""-·'-'"--·--..- ,; <-·-·-·-·-··---·-·--·-·-·-·--·-·-·-·-·-·-·-·-·-··-·-·,·-·--·-·-·--·-·-·-_....._____ "f' { ~ ~. I I i } i i i i I I I i i i I i i i i i i i i AMERICAN SCHOOL OF ~ ! I I i i ; ~ CLASSICAL STUDIES ~ I i i I i i i i AT ATHENS ~ i l i i i i i I i i i. i i i i I i i i i i i i I i i I i I i i i I i i i i i i i i i i i i EIGHTY-FOURTH ANNUAL REPORT I i 1965-1966 i i I i J-·-·-·---·-·- ·-·-·- ..... ........... ........... ...... .-. ...... ..... ...... ..... ....... -. ...... ............................. .-. ...... .-. ·--·-·-·-·--·-·-·---·---.. - - ~ ~ i ............. ...... ...... ...... ..................... ..... ... ........ ._ ...... ...... -.. ..... ....... - ·- ·-·- ·- ·- ·- ·-·-·-·-·-·--·- ·- ·-·-·-·-· . .... .-. -.. ....... ................. ...... ......... ...! AMERICAN SCHOOL OF CLASSICAL STUDIES AT ATHENS FOUNDED 1881 Incorporated under the Laws of Massachusetts, 1886 EIGHTY-FOURTH ANNUAL REPORT 1965-1966 AMERICAN SCHOOL OF CLASSICAL STUDIES AT ATHENS PRINCETON, NEW JERSEY 1966 TABLE OF CONTENTS PAGE ARTICLES OF INCORPORATION 4 BOARD OF TRUSTEES 5 MANAGING CoMMITTEE 7 CoMMITTEES OF THE MANAGING CoMMITTEE 13 STAFF OF THE ScHOOL 14 CouNCIL OF THE ALUMNI AssociATION 15 THE AuxiLIARY FuNo AssociATION 16 CooPERATING INSTITUTIONS 17 IN MEMORIAM William Pitkin Wallace 19 REPORTS: Director 21 Librarian of the School 31 Librarian of the Gennadeion . 34 Professors of Archaeology 38 Field Director of the Agora Excavations 41 Field Director of the Corinth Excavations . 45 Special Research Fellows 54 Annual Professor 54 Visiting Professor 56 Secretary of the School 58 Chairman of the Committee on Admissions and Fellowships . 59 Chairman of the Committee on Publications 61 Director of the Summer Session 68 The Alumni Association . 70 Report of the Treasurer . 72 Treasurer of the Auxiliary Fund 82 PRINTED IN THE UNITED STATES OF AMERICA BY J. -
Greek Symposium to Honor Miss Mccarthy
ews ---------------Vol. LXDI, No. 21 ·-------------------------------.,.,------------~ELLESLEY NEWS -·-----------Thursday, April 16,- -1970 Greek Symposium to Honor Miss McCarthy A play and panel discussion will moderated by Mrs. Emily Vermeule, Nine different plays have been pro vard University. Mr. Finley received professor of Greek at Harvard since take place this weekend in honor of professor of art and Greek: John duced, and five of those were works both his B.A. and Ph.D. from Har 1961, and is the author of several Miss Barbara McCarthv, professor Finley and Bernard Knox, professors of Euripides. The first of these was vard, and once served as master of works on Greek theatre. of Greek . The sympqsiu1.1, on Eurip at Harvard, will speak on those re performed in 1934, five years after Eliot House. He is a noted authority The program in honor of Miss Mc- , ides, will begin on Friday night, April spec ive topics at 9: 30 a.m. Both Miss McCarthy's arrival at Wellesley. on the poets and historians of the Carthy was planned by a conunittee 17, at 8:30 p.m ., with a performance the play and discussion will take ancient world, and is a senior fellow consisting of Ellen Bruce, Sheila of :\ledea by Tufts University 's Peter place in Alumnae Hall. Honored for Achievemen1 of the Center for Hellenic Studies in Dickinson, Prud~ncc Hoffrnan, Re Arnott and his marionettes. "Eurip Euripides is Miss McCarthy 's fa In 1956, Miss McCarthy was named Washington, D.C. becca Jewett , Lesley Kisner, Mary ides ' Changefulness' and "Euriped vorite author . -
Art, the Essential Historian by JOHN CANADAY
NATIONAL ENDOWMENT FOR THE HUMANITIES • VOLUME 3 NUMBER 2 • APRIL 1982 Humanities Art, the essential historian BY JOHN CANADAY I would like to know, sometime, why some people are spontaneously attracted to art—the visual arts especially— while others who have been conditioned by apparently the same circumstances are left either cold or puzzled by some thing that has interested me as far back as 1 can remember, fascinated me since adolescence, and enriched my adult life beyond measure—with no explanation that I can reach as to why it happened. In our close-knit family of eight, books were plentiful (my father's shelf included Dante, Samuel Johnson, and George Meredith) and our Kimball upright piano was subjected to constant abuse. But until 1 began bringing pictures into the house there were almost none, except for family photo graphs, on the walls. The only ones I can remember were a chromo of a German mountain scene with peasants (which 1 recognize in retrospect as having been in the manner of Ferdinand Waldmixller), a reproduction of an early Taos painting showing an Indian dipping water from a stream, and a tinted mezzotint of Gainsborough's Duchess of Devonshire, none of which explains why as a teen-ager I developed a passion for Holbein drawings without ever having been inside an art museum or having seen, so far as I can remember, any art books. I have no idea why, how, or exactly when this first love was generated, but I do know that art from that time until now has been an increasingly potent form of communication with the past and an enlarge ment of the world around me. -
Center 8 Research Reports and Record of Activities
National Gallery of Art Center 8 Research Reports and Record of Activities ¢ am I, ~i.,r .~,4, I , ~, - ....... "It. ",2.'~'~.~D~..o~ ~', ~, : -- "-';"~-'~"'-" tl..~" '~ ' -- ~"' ',"' ." , ~. " ;-.2. ; -,, '6.~ h'.~ ~,,.'.~ II,,..~'.~..~.->'. "~ ;..~,,r~,; .,.z . - -~p__.~..i..... • , ". ~:;° ..' = : .... ..i ~ '- 3:.,'~<'~- i £ :--.-_ National Gallery of Art CENTER FOR ADVANCED STUDY IN THE VISUAL ARTS Center 8 Research Reports and Record of Activities June 1987-May 1988 Washington, 1988 National Gallery of Art CENTER FOR ADVANCED STUDY IN THE VISUAL ARTS Washington, D.C. 20565 Telephone: (202) 842-6480 All rights reserved. No part of this book may be reproduced without the written permission of the National Gallery of Art, Washington, D.C. 20565. Copyright © 1988 Trustees of the National Gallery of Art, Washington. This publication was produced by the Editors Office, National Gallery of Art, Washington. Frontispiece: Thomas Rowlandson, Viewing at the Royal Academy, c. 1815, Paul Mellon Collection, Upperville, Virginia. CONTENTS General Information Fields of Inquiry 9 Fellowship Program 10 Facilities 12 Program of Meetings 13 Publication Program 13 Research Programs 14 Board of Advisors and Selection Committee 14 Report on the Academic Year 1987-1988 Board of Advisors 16 Staff 16 Architectural Drawings Cataloguing Project 16 Members 17 Meetings 21 Lecture Abstracts 32 Members' Research Reports Reports 38 ~llpJ~V~r ' 22P 'w x ~ i~ ~i!~i~,~ ~ ~ ~ ~!~,~!~!ii~!iii~ ~'~,i~ ~ ~ ~i~, ~ HE CENTER FOR AI)VANCED STUDY IN THE VISUAL ARTS was founded T in 1979, as part of the National Gallery of Art, to promote the study of history, theory, and criticism of art, architecture, and urbanism through the formation of a community of scholars. -
Journeying to the Afterlife in Ancient Greece
Copyright is owned by the Author of the thesis. Permission is given for a copy to be downloaded by an individual for the purpose of research and private study only. The thesis may not be reproduced elsewhere without the permission of the Author. The Trip of a Lifetime Journeying to the Afterlife in Ancient Greece A thesis presented in partial fulfilment of the requirements for the degree of Master of Arts In History With a Classical Topic At Massey University, Palmerston North, New Zealand. Rose Miriam Lisa Chalklen 2019 ii ABSTRACT Though there has been much scholarship on various aspects of death and the afterlife in ancient Greece, there has been little attempt to view the evidence in the context of the afterlife journey as a composite whole. This thesis aims to present a comprehensive study on different aspects of ancient Greek eschatology in the context of the afterlife journey, in order to reconstruct the process of the transition. This is achieved by investigating the eschatological themes and motifs which are reflected in ancient Greek literature, iconography, and archaeological remains. The text is loosely structured on a traveller’s ‘guide’, which consists of three basic stages of the afterlife journey: preparation, transit, and arrival. Chapter One outlines the actions undertaken in preparation for the soul’s journey to the afterlife, primarily regarding the performance of proper burial rites, which were imagined in early times to directly affect the soul’s incorporation into Hades, but by the Classical period were no longer necessary for entry into the afterlife. Still, certain practices, such as the provision of grave goods, did facilitate the soul’s journey to a certain extent. -
Trinity College Bulletin, 1962-1963 (Report of the Dean) Trinity College
Trinity College Trinity College Digital Repository Trinity College Bulletins and Catalogues Trinity serial publications (1850 - present) 12-1-1963 Trinity College Bulletin, 1962-1963 (Report of the Dean) Trinity College Follow this and additional works at: http://digitalrepository.trincoll.edu/bulletin Recommended Citation Trinity College, "Trinity College Bulletin, 1962-1963 (Report of the Dean)" (1963). Trinity College Bulletins and Catalogues. 257. http://digitalrepository.trincoll.edu/bulletin/257 This Book is brought to you for free and open access by the Trinity serial publications (1850 - present) at Trinity College Digital Repository. It has been accepted for inclusion in Trinity College Bulletins and Catalogues by an authorized administrator of Trinity College Digital Repository. EPORT OF THE DEAN r the Academic Year 1962-1963 Corporation ALBERT CHARLES JACOB , LL.D., President* Hartford JAMES LIPPINCOTT GooDWIN, M.F. * Hartford MARTIN WITHINGTON CLEMENT, D.ENG., LL.D. Philadelphia Pa. RoBERT BARNARD O'CoNNOR, D.F.A. New York, N.Y. LYMAN BusHNELL BRAINERD, B.A., V ice Chairman* Hartford ARNOLD HENRY Mo E , B.A., Secretary* Hartford JEROME PIERCE WEB TER, M.D.* New York, N.Y. JOHN RicHARD CooK, B.s.* Hartford ROBERT SEYMOUR MORRIS, M .. Hartford KARL WILLIAM HALLDEN, C.D. * Thomaston JOHN REINHART REITEMEYER, B.A. Hartford THE RT. REv. WALTER HENRY GRAY, .T.D. Hartford GEORGE KEITH FuN TON, L.H.D. * New York, N.Y. RAYMOND JOHN WEAN, SC.D. Warren, Ohio HENRY SAMUEL BEERS, B.A.* Hartford OsTROM ENDERS, B.A.* Avon GEORGE MALLETTE FERRIS, B.A.* Washington, D.C. ALLERTON CUSHMAN HICKMOTT, LITT.D. West Hartford GEORGE WARREN WYCKOFF, B.A. -
Ascsa Ar 83 (1963-1964)
~-·-· ...... ·-·-·-·-··-·-·-·-·,................................... ........................................................ _. _____ ,______ ...... , ......................................................................................... - ....... - ....J ; ,._ ........ ___ .................................... _._____ ._____________ ____ ,____ _, ____________ ......._ ...................................-- ...... ~ ...... .,..,., i ;. i. ;. ( I I ! '1 I ! I ) I ( I . i ; ; ' ;. i. ;. !I ~ ~ ~ ! ; ; ; ( ;~ ;~ AMERICAN SCHOOL OF ;~ ;i ; ; ; i ;~ ;~ CLASSICAL STUDIES ;~ i~ ; ; ; ; ?I ~i AT ATHENS ! !I I ; ! ! I ,. t ! I . I ( i { i I i. ;i ;. ;. { ; ! ! ! ; I I I • ( I ; I I i . I i ' I ; . ~ I i ! . I ; ~ I I ; . ;' I ; t . t ; I I I ; t ! i ! I i ~ ! i ; ! i I ; ! ; t ; I ; I ; I i I ; ; i I ; ) ! . I I i I i I i I ; ! ; I ; I ; EIGHTY-THIRD ANNUAL REPORT I ; ~ i I i 1963-1964 I ; I . ! ~ I i ~ ! ~ ~ i ~ ~ ~ t { ; 1_......_. ...................................... _.-.......................................................................................... _______......., __~-·-- ....... - ..... ~~·-·-.l ~ i t ;________ ._................... ~---------~~-------·-· --------·--...~-~~..J AMERICAN SCHOOL OF CLASSICAL STUDIES AT ATHENS FOUNDED 1881 Incorporated under the Laws of Massachusetts, 1886 EIGHTY-THIRD ANNUAL REPORT 1963-196 4 AMERICAN SCHOOL OF CLASSICAL STUDIES AT ATHENS PRINCETON, NEW JERSEY 196 4 TABLE OF CONTENTS PAGE 4 ARTICLE OF I NCORPORATION 5 BOARD OF TRUSTEES 6 MANAGIN G CoMMITTEE 12 CoMMITTES oF THE MANAGING CoMMITTEE -
1982 January February March April May June July August September
INDEX 1982 January NEH For Support For Youth Programs (Fact Sheet) Middletown and the National Endowment for the Humanities February Humanities Endowment Names New General Counsel Summary of Requested Appropriations for Fiscal Year 1983 Humanities Endowment Announces FY '83 Budget Request William Bennett Confirmed as Chairman of Humanities Endowment What It Is and How It Works (NEH Fact Sheet) CervJi ) The Jefferson Lecture in the Humanities On the Thanatos Trail Humanities Endowment Announces 1982 Jefferson Lecturer Emily Townsend Vermeule (Bio) William J. Bennett (Bio) March Humanities Endowment Announces A New Fiscal Year 1982 Special Deadline for Public Programs Division Project Jason Hall Appointed to NEH Congressional Liaison Post Humanities Endowment Announces Senior Program Appointments (Kingston & Ekman) April President Reagan Nominates New Members to National Council on the Humanities NEH to Sponsor Jefferson Lecture Symposium on May 6 May Humanities Endowment Chairman Names New Division Director President Reagan Nominates two Educators to the National Council on the Humanities Jason Hall Appointed to Humanities Endowment Public Affairs Post Scholar Appointed Htimanities Endowment Assistant Chairman June News/Feature Tip (National History Day) Application Deadlines Reopened for NEH Planning & Assessment Studies Program July Information on Recent Grants August Marion Blakey Appointed Director of Public Affairs for the National Endowment for the Humanities National Endowment for the Humanities Chairman Announces New Grants in -
Volume 33 December 2019 Number 1 ______
Volume 33 / No. 1, December 2019 __________________________________________________________________ Volume 33 December 2019 Number 1 __________________________________________________________________ Founding Editor John Miles Foley (†) Editors Managing Editor David F. Elmer Daniel J. Frim John Zemke Please direct inquiries to: Oral Tradition Department of the Classics 204 Boylston Hall Harvard University Cambridge, MA 02138 USA +617.495.4019 (ph) [email protected] E-ISSN: 1542-4308 Each contribution copyright © 2019 by its author. All rights reserved. Oral Tradition is published by the Center for Hellenic Studies, Trustees for Harvard University. The editors and the publisher assume no responsibility for statements of fact or opinion by the authors. Oral Tradition (http://journal.oraltradition.org) is an open-access journal devoted to the study of the world’s oral traditions, past and present. The journal welcomes contributions that explore the creation, transmission, and interpretation of all forms of oral traditional expression, as well as investigations of relations between oral and written traditions, brief accounts of important fieldwork, and editions of oral texts. Submissions should be formatted according to the journal’s style sheet (available on the journal’s website, under “About”), and may be sent via e-mail ([email protected]). Contributions must be in English; all quotations of primary materials must be made in the original language(s) with following English translations. If appropriate, please describe any supporting materials that could be used to illustrate the article, such as photographs, audio recordings, or video recordings. Oral Tradition publishes such materials online. Submissions accepted by the editor for review will be refereed by at least two readers. Oral Tradition appears once or twice yearly. -
Newsetter Studies at Athens Summer1984
American School of Classical Newsetter Studies at Athens Summer1984 80th Birthday Party for Sterling Dow On January 17, 1984, friends and former students of Sterling Dow gathered at the Tavern Club in Boston to celebrate his 80th birthday. Before the cocktail hour, Dow gave a lecture on Homer relating mainly to the authorship of the Odyssey. In part the an swer to the question was determined on the basis of the extent of Homer's knowl edge. To suggest the range of that knowl edge, Dow produced the skull of a horse, demonstrating persuasively that there is an opening, precisely where Homer said it was, through which an arrow could have entered the brain of Nestor's horse in Book VIII of the Iliad. •struck at the point of the head, where the utmost hairs of horses are grown along the skull, and which is a place most mortal," (R. Lattimore trans.). During cocktails (including ouzo!), Dow received a telephone call from an octet of well-wishers in Athens. A large Greek goat-bell summoned the company up to dinner, where their teacher presented his Sterling Dow with two of his former students, Hunter Lewis and Jim McCredie Ph.D.'s with gold-plated replicas of the Vapheio cups. After dinner, there were speeches by structive, effective giant, initiating or sup Doreen C. Spitzer on behalf of the Trust porting creative and positive projects, al ees; James R. McCredie, a former Dow stu ways four-square and honest, always dent, for the Managing Committee; Emily thoughtful and outspoken.· William T. -
Memorial Minute
At a Meeting of the Faculty of Arts and Sciences on May 18, 2004, the following Minute was placed upon the records. EMILY VERMEULE Born: August 11, 1928 Died: February 6, 2001 Emily Dickinson Townsend Vermeule, scholar of classical Greek literature and Aegean art and archaeology, was the Samuel Zemurray Jr. and Doris Zemurray-Stone Radcliffe Professor at Harvard from 1970 until her retirement in the spring of 1994, at which time she received Harvard’s Phi Beta Kappa Teaching Prize in the Humanities. She was born in New York City on the 11th of August, 1928, attended the Brearley School in that city, and graduated summa cum laude from Bryn Mawr College in 1950 with a degree in Greek and philosophy. She then spent a year at Oxford University, and went on to graduate degrees from Radcliffe College and Bryn Mawr, receiving the Ph.D. in Classics in 1956 with a dissertation on the poet Bacchylides. Emily was the recipient of a Guggenheim Fellowship in 1964-5, and of honorary degrees from a dozen institutions of higher learning, including Smith College, Princeton, Tufts, the University of Massachusetts at Amherst and Harvard. She was also elected a Corresponding Fellow of the British Academy and the German Archaeological Institute. Of nimble wit and rapier sharp tongue, few could rival Emily in speed or depth of comprehension. To watch her scan a text, pencil tracing lines almost faster than one could follow, was a lesson in humility. Jointly appointed at Harvard in the Department of the Classics and in Fine Arts, now History of Art and Architecture, Emily’s pedagogical range was great. -
Vermeule Was Spread Upon the Permanent Records of the Faculty
At a meeting of the FACULTY OF ARTS AND SCIENCES on May 18, 2004, the following tribute to the life and service of the late Emily Vermeule was spread upon the permanent records of the Faculty. EMILY VERMEULE BORN: August 11, 1928 DIED: February 6, 2001 Emily Dickinson Townsend Vermeule, scholar of classical Greek literature and Aegean art and archaeology, was the Samuel Zemurray Jr. and Doris Zemurray-Stone Radcliffe Professor at Harvard from 1970 until her retirement in the spring of 1994, at which time she received Harvard’s Phi Beta Kappa Teaching Prize in the Humanities. She was born in New York City on the 11th of August, 1928, attended the Brearley School in that city, and graduated summa cum laude from Bryn Mawr College in 1950 with a degree in Greek and philosophy. She then spent a year at Oxford University, and went on to graduate degrees from Radcliffe College and Bryn Mawr, receiving the Ph.D. in Classics in 1956 with a dissertation on the poet Bacchylides. Emily was the recipient of a Guggenheim Fellowship in 1964-5, and of honorary degrees from a dozen institutions of higher learning, including Smith College, Princeton, Tufts, the University of Massachusetts at Amherst and Harvard. She was also elected a Corresponding Fellow of the British Academy and the German Archaeological Institute. Of nimble wit and rapier sharp tongue, few could rival Emily in speed or depth of comprehension. To watch her scan a text, pencil tracing lines almost faster than one could follow, was a lesson in humility. Jointly appointed at Harvard in the Department of the Classics and in Fine Arts, now History of Art and Architecture, Emily’s pedagogical range was great.