Björk Violently Happy in Iceland

Total Page:16

File Type:pdf, Size:1020Kb

Björk Violently Happy in Iceland Ono arte contemporanea VIA SANTA MARGHERITA 10 | 40123 BOLOGNA | +39 051 262465 Björk Violently Happy in Iceland Opening Thursday, 27th| 18.30 Via Santa Margherita, 10 | Bologna www.onoarte.com Björk ©photosynthesis ONO Arte Contemporanea presents Björk. Violently Happy in Iceland. Iceland is a land that can only draw the attention to the aurora borealis, unspoiled nature and tranquility of a landscape that seems remained unchanged for centuries. But Iceland, if perceived as a lost paradise by most, is at the same time a desolate and hard to live land, but for this same reason a large pool of creativity also. Iceland gave birth to a lot of bands that have been able to change the course of world music. In this landscape, along with Mùm, Matmos, Sigur Ròs and the youngest Of Monster and Man, a key figure is definitely Björk Guðmundsdóttir. Born in 1965, she began her career as a young singer when twelve years old, and recorded her first album after being discovered by a talent scout who had listened to one of his songs broadcast by a local radio station. But it had to pass ten years for his voice could cross the border of Iceland: after playing in a punk band all female, her subsequent collaborations led her in 1986 to her first real international success; it was The Sugarcubes that gave her the opportunity to be known also outside the national borders. But Björk decided to start other collaborations, growing more and more passion for electronic sounds that at the beginning of the nineties became appreciated by the major labels. In 1992. The Sugarcubes split up and Björk moved to London; from now onwards successes follow each other as well as albums. From Debut to Medúlla, Björk demonstrated her ability of mixing arts, confirming herself as a versatile artist, capable also of identifying talented filmmaker as director for her videos. In this sense stand Michel Gondry and Chris Cunningham, his "faithful" employees. The relationship with Lars Von Trier, who wanted her to star in Dancer in the Dark (best film at Cannes in 2000) and her marriage with Matthew Barney, an internationally renowned artist famous for the well known Cremaster cycle, consolidate the image of an artist seeking th Total Work of Art. The images in the exhibition therefore want to show that moment of transition from a young creative mind to a star of international level, capable of creating collaborative networks that exceed the simple musical aesthetic. But this peculiarity, which at first might seem a distinctive sign of Björk, is instead specific of all the main charaters of the Icelandic music scene, able to establish relationships with the biggest designers and photographers. A case of this is represented by Sigur Ròs, discovered by the same Björk, very focused on the consistency of their aesthetic image, masterfully blending cd cover and videoclips with their music. Their latest album, Kveikur, coming out next June and will be presented through a European tour which will also reach the city of Ferrara at “Ferrara Sotto le Stelle”. On that occasion, part of the exhibition will be moved to a pubblic space in th City of Ferrara. The exhibition will be enriched by a series of screenings of videoclips of various artists, such as Snorri Bross, Ingibjorg Birgisdottir and Dash Shaw to demonstrate the attention of musicians towards all media of expression in search of a unified aesthetic expression. The exhibition (June, 27th– September, 19th) consists of 50 previously unpublished shots to Italy, and will be accompanied by catalog. From 28 May at ONO art will also be possible to book the new album by Sigur Ros at a discounted price. The exhibition has the patronage of: Municipality of Bologna, Bologna Cinematheque, Emilia Romagna Region, Municipality of Ferrara and Ferrara sotto le stelle.. [email protected] | [email protected] | [email protected] .
Recommended publications
  • Volcanic Action and the Geosocial in Sigur Rós's “Brennisteinn”
    Journal of Aesthetics & Culture ISSN: (Print) 2000-4214 (Online) Journal homepage: https://www.tandfonline.com/loi/zjac20 Musical aesthetics below ground: volcanic action and the geosocial in Sigur Rós’s “Brennisteinn” Tore Størvold To cite this article: Tore Størvold (2020) Musical aesthetics below ground: volcanic action and the geosocial in Sigur Rós’s “Brennisteinn”, Journal of Aesthetics & Culture, 12:1, 1761060, DOI: 10.1080/20004214.2020.1761060 To link to this article: https://doi.org/10.1080/20004214.2020.1761060 © 2020 The Author(s). Published by Informa UK Limited, trading as Taylor & Francis Group. Published online: 04 May 2020. Submit your article to this journal View related articles View Crossmark data Full Terms & Conditions of access and use can be found at https://www.tandfonline.com/action/journalInformation?journalCode=zjac20 JOURNAL OF AESTHETICS & CULTURE 2020, VOL. 12, 1761060 https://doi.org/10.1080/20004214.2020.1761060 Musical aesthetics below ground: volcanic action and the geosocial in Sigur Rós’s “Brennisteinn” Tore Størvold Department of Musicology, University of Oslo, Oslo, Norway ABSTRACT KEYWORDS This article presents a musicological and ecocritical close reading of the song “Brennisteinn” Sigur Rós; anthropocene; (“sulphur” or, literally, “burning rock”) by the acclaimed post-rock band Sigur Rós. The song— ecomusicology; ecocriticism; and its accompanying music video—features musical, lyrical, and audiovisual means of popular music; Iceland registering the turbulence of living in volcanic landscapes. My analysis of Sigur Rós’s music opens up a window into an Icelandic cultural history of inhabiting a risky Earth, a condition captured by anthropologist Gísli Pálsson’s concept of geosociality, which emerged from his ethnography in communities living with volcanoes.
    [Show full text]
  • Stan Magazynu Caĺ†Oĺıäƒ Lp Cd Sacd Akcesoria.Xls
    CENA WYKONAWCA/TYTUŁ BRUTTO NOŚNIK DOSTAWCA ALLMAN BROTHERS BAND - AT FILLMORE EAST 159,99 SACD BERTUS ALLMAN BROTHERS BAND - AT FILLMORE EAST (NUMBERED 149,99 SACD MOBILE FIDELITY ALLMAN BROTHERS BAND - BROTHERS AND SISTERS (NUMBE 149,99 SACD MOBILE FIDELITY ALLMAN BROTHERS BAND - EAT A PEACH (NUMBERED LIMIT 149,99 SACD MOBILE FIDELITY ALLMAN BROTHERS BAND - IDLEWILD SOUTH (GOLD CD) 129,99 CD GOLD MOBILE FIDELITY ALLMAN BROTHERS BAND - THE ALLMAN BROTHERS BAND (N 149,99 SACD MOBILE FIDELITY ASIA - ASIA 179,99 SACD BERTUS BAND - STAGE FRIGHT (HYBRID SACD) 89,99 SACD MOBILE FIDELITY BAND, THE - MUSIC FROM BIG PINK (NUMBERED LIMITED 89,99 SACD MOBILE FIDELITY BAND, THE - THE LAST WALTZ (NUMBERED LIMITED EDITI 179,99 2 SACD MOBILE FIDELITY BASIE, COUNT - LIVE AT THE SANDS: BEFORE FRANK (N 149,99 SACD MOBILE FIDELITY BIBB, ERIC - BLUES, BALLADS & WORK SONGS 89,99 SACD OPUS 3 BIBB, ERIC - JUST LIKE LOVE 89,99 SACD OPUS 3 BIBB, ERIC - RAINBOW PEOPLE 89,99 SACD OPUS 3 BIBB, ERIC & NEEDED TIME - GOOD STUFF 89,99 SACD OPUS 3 BIBB, ERIC & NEEDED TIME - SPIRIT & THE BLUES 89,99 SACD OPUS 3 BLIND FAITH - BLIND FAITH 159,99 SACD BERTUS BOTTLENECK, JOHN - ALL AROUND MAN 89,99 SACD OPUS 3 CAMEL - RAIN DANCES 139,99 SHMCD BERTUS CAMEL - SNOW GOOSE 99,99 SHMCD BERTUS CARAVAN - IN THE LAND OF GREY AND PINK 159,99 SACD BERTUS CARS - HEARTBEAT CITY (NUMBERED LIMITED EDITION HY 149,99 SACD MOBILE FIDELITY CHARLES, RAY - THE GENIUS AFTER HOURS (NUMBERED LI 99,99 SACD MOBILE FIDELITY CHARLES, RAY - THE GENIUS OF RAY CHARLES (NUMBERED 129,99 SACD MOBILE FIDELITY
    [Show full text]
  • Embodied Listening and the Music of Sigur Rós Peter Elsdon
    Embodied listening and the music of Sigur Rós Peter Elsdon Introduction In 1990 Susan McClary and Robert Walser appealed for a musicology which could account for the effects of rock, or as they put it: ‘a greater willingness to try to circumscribe an effect metaphorically, to bring one’s own experience as a human being to bear in unpacking musical gestures, to try to parallel in words something of how the music feels’ (McClary and Walser 1990, 288-9). McClary and Walser were arguing for attempts to validate ‘physically and emotionally oriented responses to music’ (287), which they saw as crucial to any understanding of rock, but uncomfortable modes of response for musicology to deal with. Around the time of the McClary/Walser article, musicologists were questioning the body’s exclusion from discourse, and theorising ways in which it might be better integrated into musicological thought (Leppert 1993, Walser 1991). Since that time much scholarly work has been produced which interrogates the role of the body in musicking, work represented for instance by an examination of the idea of gesture (Gritten and King 2006, Davidson 1993). The bodies under examination in this discourse have been those of performers, but increasing attention is being focused on how performers experience the production of music. Fred Everett Maus has recently termed this approach an ‘analytical somaesthetics’, following Richard Shusterman (Maus 2010). This article uses facets of embodiment theory to interrogate the music of Icelandic band Sigur Rós, a group who seem to affect audience and critics alike in a way that is highly unusual for rock music.
    [Show full text]
  • Flaming Lips'
    WILL CALHOUN’S DRUMSET $ WIN VALUED OVER 5,900 PINK’S MARK SCHULMAN GEARS UP MODERNTHE WORLD’S #1 DRUM MAGAZINE DRUMMERNOVEMBER 2013 FLAMING LIPS’ DROZD AND SCURLOCK LIGHT OUR FIRE AGAIN ILAN RUBIN HOT PARAMORE AND 10 NEW REGIME BEATS ’SREAL-DEAL RAGER PREPARATION, MEET OPPORTUNITY MODERNDRUMMER.com + TONY THOMPSON’s POWER STATION + IN THE STUDIO SPECIALTY MIC APPLICATIONS + KENNY WASHINGTON AND DAFNIS PRIETO ON BACKING SOLOISTS + REVIEWED: MAPEX SATURN IV MH EXOTIC KIT paiste.com THE NEW ALTERNATIVE FOR SIGNATURE PLAYERS Scan the QR Code to see Sutter Jason Vanderbilt, Franklin (pictured), Dean Butterworth and John Robinson demo the new Signature «Precision» series. The new Signature «Precision» series is created using Paiste’s proprietary Signature Alloy, and features the typical hallmarks of Paiste’s original Signature sound - brightness, fullness, strong presence and projection, with brilliant musicality. A particular quality of the Signature «Precision» is its clean and focused character in combination with a very articulate, straight-ahead sound. The goal for the Signature «Precision» was to create a more affordable Signature sound. Part of the success of this project is the incredible sound potency that already exists within the Signature Alloy. QUALITY HAND CRAFTED CYMBALS MADE IN SWITZERLAND • 830 Series Hardware • Demonator Bass Pedal • OptiLoc Tom Mounts • Blended Shell Construction • Exclusive Lifetime Warranty THE BEST SELLING DRUMSET OF ALL TIME. INTRODUCING THE ALL NEW EXPORT SERIES Welcome to Ground Zero for a legion of pro drummers. From Joey Jordison of Slipknot and Mike Wengren of Disturbed to Ray Luzier of Korn and Will Hunt of Evanescence, this is where it all began.
    [Show full text]
  • Sigur Rós E O Projeto “Valtari Mystery Film Experiment”: Por Uma Reflexão Enunciativa Em Videoclipes Musicais1
    Sigur Rós e o projeto “Valtari Mystery Film Experiment”: por uma reflexão enunciativa em videoclipes musicais1 LIENE NUNES SADDI Resumo O presente artigo busca propor um espaço enunciativo para a análise de videoclipes musicais enquanto objetos da cultura visual incorporados ao universo da arte contemporânea, através do estudo de caso do projeto “Valtari Mystery Film Experiment” (2012), do grupo musical islandês Sigur Rós. Para isto, promove aproximações entre os campos da comunicação e os domínios teóricos das artes visuais, traçando pontos de observação que partem da subjetividade dos músicos e diretores envolvidos até chegarem a Palavras-chave: Videoclipes, regime questões de reorganização da circulação de obras na contemporâneo, cultura visual contemporaneidade. 40 VISUALIDADES, Goiânia v.13 n.1 p. 40-55, jan-jun 2015 Sigur Rós and the “Valtari Mystery Film Experiment” project: for an enunciative reflection on music videos LIENE NUNES SADDI Abstract This paper seeks to propose an enunciative space to analyze music video clips as objects of visual culture incorporated into the universe of contemporary art, through the case study of the project “Valtari Mystery Film Experiment” (2012), created by the post-rock Icelandic band Sigur Rós. To achieve this, it brings together the fields of communication and the theoretical domains of Visual Arts, by tracking observation points that go Keywords: from the subjectivities of musicians and directors to issues of Music video clips, contemporary reorganizing the circulation of contemporary works.
    [Show full text]
  • Human Rights Abuses in Protest Arrests the Ascendancy of Ultraflex the Government-Sanctioned Amount of Yule Lad Content
    THE NEVER BEFORE HEARD HISTORY OF ODIN'S RAVEN MAGIC, IN WHICH... ALSO IN THIS ISSUE: HUMAN RIGHTS ABUSES IN PROTEST ARRESTS THE ASCENDANCY OF ULTRAFLEX THE GOVERNMENT-SANCTIONED AMOUNT OF YULE LAD CONTENT ... & MORE COVER PHOTO: Based on stills from the Odins Raven Magic The cover image is a concert recording in home-brewed homage Paris, 2008. to a faint memory of what mid-century Photocollage by scandinavian film Sveinbjörn Pálsson. posters looked like. 08: PROTEST = ARREST 11: SIGUR MF RÓS 31: ICE CAVES!!!1! 07: Hel, Half-Zombie 18: Ultraflex Makes You 28: COVID-Christmas Full-Sex Icon Sweat Buffets 06: High On Highlands 26: #YuleLadHoliday 30: Holiday-Scopes First EDITORIAL New Year Di!erent Mankind What will change in the new year? Well, But we were also reminded of how seem like a distant dream. That every- can’t be underestimated. This our wake everything—or not so much. The whole underfunded our healthcare system is. thing and everyone will get back on up call. And from what I have seen and world connected for a moment over Icelanders of my generation have been their feet. That tourism will come back. read and experienced myself in this the dreaded coronavirus. We saw what raised up to believe it was the best in the That we will be able to visit our loved pandemic, I’m more optimistic than leaders and nations are made of. And world. It is not. The reason is decades of ones when we want. And that the econ- pessimistic. Let’s wake up, do the work what’s perhaps more important, we politicians underfunding the system in omy will bloom.
    [Show full text]
  • Flugnir Evaluation
    Flugnir Evaluation Judge 1: Jón Vilmundarson Judge 2: Herdís Reynisdóttir Other employees: Asta Covert, Sgt. Sophie, Bernie Willis, Anne Elwell, Caryn Cantella, Sara Conklin, Judy Strehler, Sally Nieman, Deborah Cook, Barb Riva, Dan Riva, Judy Pittman, Sires 7 years and older IS1991135551 Þröstur from Innri-Skeljabrekku Colour: 2500 Black no markings Breeder(s): Jón Gíslason Owner(s): Pamela and/or Joseph Merlo F: IS1986157700 Kveikur from Miðsitju Ff: IS1973157005 Gustur from Sauðárkróki Fm: IS1969257791 Perla from Reykjum M: IS1973235549 Glóa from Innri-Skeljabrekku Mf: IS1968135640 Náttfari from Ytri-Skeljabrekku Mm: IS1964235549 Elding from Mið-Fossum Measure: 144 - 131 - 139 - 65 - 149 - 36 - 49 - 43 - 7,0 - 31,0 - 19,0 Measure of feet: L.fr.: 8,0 - L.h.: 8,0 Conformation: 7,0 - 8,5 - 8,0 - 8,5 - 8,0 - 8,0 - 8,5 - 8,0 = 8,22 Rideability: 8,5 - 8,0 - 9,0 - 8,0 - 9,0 - 8,5 - 8,0 = 8,57 Overall score: 8,43 Slow tölt: 8,0 Canter: 8,0 Rider: Gudmar Petursson IS1995184701 Erill from Sperðli Colour: 2500 Black no markings Breeder(s): Bragi Andrésson Owner(s): Brett Arnason F: IS1985186005 Piltur from Sperðli Ff: IS1980187340 Stígur from Kjartansstöðum Fm: IS1975236458 Perla from Kaðalsstöðum 1 M: IS1987286814 Benný from Austvaðsholti 1 Mf: IS1978137004 Hárekur from Ólafsvík Mm: IS19AA286854 Fluga from Austvaðsholti 1 Measure: 138 - 130 - 137 - 63 - 139 - 40 - 46 - 44 - 7,0 - 31,0 - 29,5 Measure of feet: L.fr.: 8,7 - L.h.: 8,3 Conformation: 7,5 - 8,0 - 8,5 - 8,0 - 8,0 - 8,5 - 8,0 - 8,0 = 8,04 Rideability: 8,0 - 8,0 - 7,5 - 8,5 - 8,5 - 8,0
    [Show full text]
  • Flugnir Evaluation
    Flugnir Evaluation Country: US - Show number: 01 - 09.06.2007 Judge 1: Marlise Grimm Judge 2: Barbara Frische Other employees: Bernie Willis Sires 7 years and older IS1998187062 Adam from Kvíarhóli Color: 6400 Red dun no markings Breeder(s): Gunnar Andri Sigtryggsson Owner(s): Lori B. Leo F: IS1994158700 Keilir from Miðsitju Ff: IS1974158602 Ófeigur from Flugumýri Fm: IS1977257141 Krafla from Sauðárkróki M: IS1986258842 Toppa from Víðivöllum Mf: IS19ZZ158440 Vindur from Sólheimagerði Mm: IS1982257071 Ósk from Víðivöllum Measure: 135 - 127 - 134 - 62 - 134 - 37 - 47 - 44 - 6,7 - 29,0 - 19,0 Measure of feet: L.fr.: 9,0 - L.h.: 8,4 Conformation: 7,5 - 8,0 - 7,5 - 8,0 - 8,0 - 7,5 - 8,0 - 7,5 = 7,87 Rideability: 8,5 - 9,0 - 8,5 - 7,5 - 9,0 - 8,5 - 6,5 = 8,54 Overall score: 8,27 Slow tölt: 8,0 Canter: 7,5 Rider: Sigrun Brynjarsdottir IS1997186708 Týr from Árbakka Color: 2530 Black with snip Breeder(s): Anders Hansen Owner(s): G. Peturson and V&B Crawford F: IS1991186701 Álftarleggur from Árbakka Ff: IS1972158589 Bylur from Kolkuósi Fm: IS1986266007 Kolbrá from Tungu M: IS1970258992 Hrönn from Kolkuósi Mf: IS1962158589 Stígandi from Kolkuósi Mm: IS19ZZ258548 Brana from Kolkuósi Measure: 136 - 129 - 134 - 63 - 136 - 38 - 45 - 41 - 6,5 - 28,0 - 17,0 Measure of feet: L.fr.: 9,0 - L.h.: 8,9 Conformation: 8,5 - 8,5 - 8,0 - 8,0 - 7,5 - 7,5 - 8,0 - 8,5 = 8,07 Rideability: 8,5 - 8,0 - 8,5 - 8,0 - 8,5 - 8,5 - 7,0 = 8,36 Overall score: 8,25 Slow tölt: 8,5 Canter: 8,5 Rider: Gudmar Petursson US1996100843 Herkir from Northstar Color: 2200 Brown no markings Breeder(s): Lanny L.
    [Show full text]
  • Sigur Rós Kveikur Mp3, Flac, Wma
    Sigur Rós Kveikur mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Electronic / Rock Album: Kveikur Country: Japan Released: 2013 Style: Post Rock MP3 version RAR size: 1507 mb FLAC version RAR size: 1731 mb WMA version RAR size: 1839 mb Rating: 4.5 Votes: 476 Other Formats: VOX AAC AUD DTS MP3 VOX MP1 Tracklist 1 Brennisteinn 7:45 2 Hrafntinna 6:23 3 Ísjaki 5:03 4 Yfirborð 4:19 5 Stormur 4:55 6 Kveikur 5:55 7 Rafstraumur 4:58 8 Bláþráður 5:12 9 Var 3:44 Companies, etc. Copyright (c) – Sigur Rós Licensed To – XL Recordings Ltd. Credits Arranged By [Brass] – Eiríkur Orri Ólafsson Arranged By [Strings] – Daníel Bjarnason Art Direction – Sarah Hopper Brass – Bergrún Snæbjörnsdóttir, Eiríkur Orri Ólafsson, Sigrun Jónsdóttir* Cover [Front Cover Image Adapted From A Photograph By] – Lygia Clark Design – Sarah Hopper Illustration – Sigga Björg Sigurðardóttir Mastered By – Ted Jensen Mixed By – Alex Somers, Rich Costey Mixed By [Assistant] – Chris Kasych, Elisabeth Carlsson*, Eric Isip, Laura Sisk Producer – Sigur Rós Recorded By – Alex Somers, Birgir Jón Birgisson, Sigur Rós Recorded By [Strings] – Valgeir Sigurdsson* Strings – Borgar Magnason, Margrét Árnadóttir, Pálína Árnadóttir, Una Sveinbjarnardóttir, Þórunn Ósk Marinósdóttir Written-By – Sigur Rós Notes Manufactured and Distributed in Indonesia by Sony Music Entertainment Indonesia. Barcode and Other Identifiers Barcode (Scanned): 888430520325 Other versions Category Artist Title (Format) Label Category Country Year XLCD606 Sigur Rós Kveikur (CD, Album) XL Recordings XLCD606 UK & Europe
    [Show full text]
  • Ever Higher: Tuition Hype Ignores Inflation
    CampusTHURSDAY, MARCH 28, 2013 / VOLUME 140, ISSUE 7 Times SERVING THE UNIVERSITY OF ROCHESTER COMMUNITY SINCE 1873 / campustimes.org Ever higher: tuition hype ignores inflation UR students witness papal BY ANTOINETTE ESCE EDITOR-IN-CHIEF election At its March meeting, the Uni- versity Board of Trustees raised BY DAN GORMAN tuition for the coming academic SENIOR STAFF to $44,580, a 3.9 percent in- crease from last year. Although On March 13, Cardinal touted as the lowest rate change Jorge Bergoglio was elected as in over a decade, the percent in- the next leader of the Catho- crease is about average, after ad- lic Church. Taking the name justing for year-to-year inflation. Francis, the new Pope greeted The lowest rate, adjusted for thousands of onlookers from inflation, was actually in 2009 the balcony of St. Peter’s Ba- when tuition rates for the com- silica shortly after 8 p.m. ing year decreased by a tenth of Six UR students, plus Re- a percent. ligion and Classics lecturer The yearly increases go to- Nicholas Gresens, witnessed wards a variety of things, notably the historic event. Three of the AARON SCHAFFER/ PHOTO EDITOR students — juniors Amanda faculty compensation, all aimed STATISTICS courtesy OF THE DEAN’S OFFICE at improving the University. Budreau, Sasha Tharani, and “A very large percentage of Rachel Beckman — are cur- the College budget is for per- When asked if they saw the cessity to compete for faculty. the College of Arts, Sciences & rently in Rome for semester- sonnel,” University President constantly increasing faculty “When you decide to teach Engineering Richard Feldman long study abroad programs.
    [Show full text]
  • Sigur Ross ( ) Free
    FREE SIGUR ROSS ( ) PDF Ethan Hayden | 168 pages | 23 Oct 2014 | Continuum Publishing Corporation | 9781623568924 | English | New York, United States Sigur Rós discography - Wikipedia The band was joined by Kjartan Sveinsson on keyboards in The album's reputation spread by word of mouth over the following two years. Soon critics worldwide were praising it effusively, [14] and the band was playing support to established acts such as Radiohead. A thousand copies of the EP were printed and sold during the spring tour of The EP was sold in a blank-white-paper case. Upon release all tracks on the album were untitled, though Sigur Ross ( ) band later published song names on Sigur Ross ( ) website. All of the lyrics on are sung in Vonlenskaalso known as Hopelandic, a language without semantic meaning, which resembles the phonology of the Icelandic language. It has also been said that the listener is supposed to interpret their own meanings of the lyrics which can then be written in the blank pages in the album booklet. Radiohead's contribution was not commercially released. I had to have it. Their fourth album, Takk It was also used in the final scene of the movie Penelopefor the trailer of the film Children of Men and for the trailer of the film Slumdog Millionaire. Following this, demand for the single grew. It was made more widely available by EMI in consequence. This song is also used in the trailer for the Disney movie Earth as well as in the film We Bought a Zoo. They also performed twice in the United States in February.
    [Show full text]
  • Download Images,” Sigur Rós, Accessed June 13, 2015
    Florida State University Libraries 2016 Listening for Locality: A Sense of Place in the Music of Sigur Rós, Dan Deacon, S# Percussion, and Nick Zammuto Matthew DelCiampo Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] FLORIDA STATE UNIVERSITY COLLEGE OF MUSIC LISTENING FOR LOCALITY: A SENSE OF PLACE IN THE MUSIC OF SIGUR RÓS, DAN DEACON, SŌ PERCUSSION, AND NICK ZAMMUTO By MATTHEW J. DELCIAMPO A Dissertation submitted to the College of Music in partial fulfillment of the requirements for the degree of Doctor of Philosophy 2016 Matthew J. DelCiampo defended this dissertation on March 18, 2016. The members of the supervisory committee were: Denise Von Glahn Professor Directing Dissertation Chris Coutts University Representative Frank Gunderson Committee Member Margaret Jackson Committee Member The Graduate School has verified and approved the above-named committee members, and certifies that the dissertation has been approved in accordance with university requirements. ii ACKNOWLEDGMENTS I am grateful to have many supportive mentors, colleagues, and friends, without whom this dissertation would not have been possible. I would first like to thank my advisor, Dr. Denise Von Glahn, for her constant dedication to both my work and my growth as a scholar. Her enthusiasm, intellectual guidance, and meticulous editing have shaped this document in innumerable ways. I could have not asked for a better mentor. It has been a pleasure to work with you. Thanks also goes to my dissertation committee, Dr. Frank Gunderson, Dr. Margaret Jackson, and Dr. Christopher Coutts whose suggestions and criticisms throughout the research and writing process expanded my theories and methodologies.
    [Show full text]