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Efnisyfirlit
Efnisyfirlit SKIPULAGSSKRÁ .............................................................................................................................................. 3 STJÓRN OG STARFSLIÐ .................................................................................................................................. 6 SKÓLANEFND ...................................................................................................................................................... 6 SKÓLASTJÓRI ...................................................................................................................................................... 6 YFIRKENNARI ..................................................................................................................................................... 6 ÁFANGASTJÓRI ................................................................................................................................................... 6 FJARNÁMSSTJÓRI ................................................................................................................................................ 6 VERKEFNASTJÓRAR ............................................................................................................................................ 6 DEILDARSTJÓRAR ............................................................................................................................................... 6 KENNARAR ........................................................................................................................................................ -
Excesss Karaoke Master by Artist
XS Master by ARTIST Artist Song Title Artist Song Title (hed) Planet Earth Bartender TOOTIMETOOTIMETOOTIM ? & The Mysterians 96 Tears E 10 Years Beautiful UGH! Wasteland 1999 Man United Squad Lift It High (All About 10,000 Maniacs Candy Everybody Wants Belief) More Than This 2 Chainz Bigger Than You (feat. Drake & Quavo) [clean] Trouble Me I'm Different 100 Proof Aged In Soul Somebody's Been Sleeping I'm Different (explicit) 10cc Donna 2 Chainz & Chris Brown Countdown Dreadlock Holiday 2 Chainz & Kendrick Fuckin' Problems I'm Mandy Fly Me Lamar I'm Not In Love 2 Chainz & Pharrell Feds Watching (explicit) Rubber Bullets 2 Chainz feat Drake No Lie (explicit) Things We Do For Love, 2 Chainz feat Kanye West Birthday Song (explicit) The 2 Evisa Oh La La La Wall Street Shuffle 2 Live Crew Do Wah Diddy Diddy 112 Dance With Me Me So Horny It's Over Now We Want Some Pussy Peaches & Cream 2 Pac California Love U Already Know Changes 112 feat Mase Puff Daddy Only You & Notorious B.I.G. Dear Mama 12 Gauge Dunkie Butt I Get Around 12 Stones We Are One Thugz Mansion 1910 Fruitgum Co. Simon Says Until The End Of Time 1975, The Chocolate 2 Pistols & Ray J You Know Me City, The 2 Pistols & T-Pain & Tay She Got It Dizm Girls (clean) 2 Unlimited No Limits If You're Too Shy (Let Me Know) 20 Fingers Short Dick Man If You're Too Shy (Let Me 21 Savage & Offset &Metro Ghostface Killers Know) Boomin & Travis Scott It's Not Living (If It's Not 21st Century Girls 21st Century Girls With You 2am Club Too Fucked Up To Call It's Not Living (If It's Not 2AM Club Not -
Volcanic Action and the Geosocial in Sigur Rós's “Brennisteinn”
Journal of Aesthetics & Culture ISSN: (Print) 2000-4214 (Online) Journal homepage: https://www.tandfonline.com/loi/zjac20 Musical aesthetics below ground: volcanic action and the geosocial in Sigur Rós’s “Brennisteinn” Tore Størvold To cite this article: Tore Størvold (2020) Musical aesthetics below ground: volcanic action and the geosocial in Sigur Rós’s “Brennisteinn”, Journal of Aesthetics & Culture, 12:1, 1761060, DOI: 10.1080/20004214.2020.1761060 To link to this article: https://doi.org/10.1080/20004214.2020.1761060 © 2020 The Author(s). Published by Informa UK Limited, trading as Taylor & Francis Group. Published online: 04 May 2020. Submit your article to this journal View related articles View Crossmark data Full Terms & Conditions of access and use can be found at https://www.tandfonline.com/action/journalInformation?journalCode=zjac20 JOURNAL OF AESTHETICS & CULTURE 2020, VOL. 12, 1761060 https://doi.org/10.1080/20004214.2020.1761060 Musical aesthetics below ground: volcanic action and the geosocial in Sigur Rós’s “Brennisteinn” Tore Størvold Department of Musicology, University of Oslo, Oslo, Norway ABSTRACT KEYWORDS This article presents a musicological and ecocritical close reading of the song “Brennisteinn” Sigur Rós; anthropocene; (“sulphur” or, literally, “burning rock”) by the acclaimed post-rock band Sigur Rós. The song— ecomusicology; ecocriticism; and its accompanying music video—features musical, lyrical, and audiovisual means of popular music; Iceland registering the turbulence of living in volcanic landscapes. My analysis of Sigur Rós’s music opens up a window into an Icelandic cultural history of inhabiting a risky Earth, a condition captured by anthropologist Gísli Pálsson’s concept of geosociality, which emerged from his ethnography in communities living with volcanoes. -
MUSIC NOTES: Exploring Music Listening Data As a Visual Representation of Self
MUSIC NOTES: Exploring Music Listening Data as a Visual Representation of Self Chad Philip Hall A thesis submitted in partial fulfillment of the requirements for the degree of: Master of Design University of Washington 2016 Committee: Kristine Matthews Karen Cheng Linda Norlen Program Authorized to Offer Degree: Art ©Copyright 2016 Chad Philip Hall University of Washington Abstract MUSIC NOTES: Exploring Music Listening Data as a Visual Representation of Self Chad Philip Hall Co-Chairs of the Supervisory Committee: Kristine Matthews, Associate Professor + Chair Division of Design, Visual Communication Design School of Art + Art History + Design Karen Cheng, Professor Division of Design, Visual Communication Design School of Art + Art History + Design Shelves of vinyl records and cassette tapes spark thoughts and mem ories at a quick glance. In the shift to digital formats, we lost physical artifacts but gained data as a rich, but often hidden artifact of our music listening. This project tracked and visualized the music listening habits of eight people over 30 days to explore how this data can serve as a visual representation of self and present new opportunities for reflection. 1 exploring music listening data as MUSIC NOTES a visual representation of self CHAD PHILIP HALL 2 A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF: master of design university of washington 2016 COMMITTEE: kristine matthews karen cheng linda norlen PROGRAM AUTHORIZED TO OFFER DEGREE: school of art + art history + design, division -
Radio Essentials 2012
Artist Song Series Issue Track 44 When Your Heart Stops BeatingHitz Radio Issue 81 14 112 Dance With Me Hitz Radio Issue 19 12 112 Peaches & Cream Hitz Radio Issue 13 11 311 Don't Tread On Me Hitz Radio Issue 64 8 311 Love Song Hitz Radio Issue 48 5 - Happy Birthday To You Radio Essential IssueSeries 40 Disc 40 21 - Wedding Processional Radio Essential IssueSeries 40 Disc 40 22 - Wedding Recessional Radio Essential IssueSeries 40 Disc 40 23 10 Years Beautiful Hitz Radio Issue 99 6 10 Years Burnout Modern Rock RadioJul-18 10 10 Years Wasteland Hitz Radio Issue 68 4 10,000 Maniacs Because The Night Radio Essential IssueSeries 44 Disc 44 4 1975, The Chocolate Modern Rock RadioDec-13 12 1975, The Girls Mainstream RadioNov-14 8 1975, The Give Yourself A Try Modern Rock RadioSep-18 20 1975, The Love It If We Made It Modern Rock RadioJan-19 16 1975, The Love Me Modern Rock RadioJan-16 10 1975, The Sex Modern Rock RadioMar-14 18 1975, The Somebody Else Modern Rock RadioOct-16 21 1975, The The City Modern Rock RadioFeb-14 12 1975, The The Sound Modern Rock RadioJun-16 10 2 Pac Feat. Dr. Dre California Love Radio Essential IssueSeries 22 Disc 22 4 2 Pistols She Got It Hitz Radio Issue 96 16 2 Unlimited Get Ready For This Radio Essential IssueSeries 23 Disc 23 3 2 Unlimited Twilight Zone Radio Essential IssueSeries 22 Disc 22 16 21 Savage Feat. J. Cole a lot Mainstream RadioMay-19 11 3 Deep Can't Get Over You Hitz Radio Issue 16 6 3 Doors Down Away From The Sun Hitz Radio Issue 46 6 3 Doors Down Be Like That Hitz Radio Issue 16 2 3 Doors Down Behind Those Eyes Hitz Radio Issue 62 16 3 Doors Down Duck And Run Hitz Radio Issue 12 15 3 Doors Down Here Without You Hitz Radio Issue 41 14 3 Doors Down In The Dark Modern Rock RadioMar-16 10 3 Doors Down It's Not My Time Hitz Radio Issue 95 3 3 Doors Down Kryptonite Hitz Radio Issue 3 9 3 Doors Down Let Me Go Hitz Radio Issue 57 15 3 Doors Down One Light Modern Rock RadioJan-13 6 3 Doors Down When I'm Gone Hitz Radio Issue 31 2 3 Doors Down Feat. -
[177. Mál] Um Lagagildi Samnings Milli Ríkisstjórnar Íslands Og Swiss Aluminium Ltd., Um Álbræðslu Við Straumsvík
Nd. 434. Frumvarp til laga [177. mál] um lagagildi samnings milli ríkisstjórnar Íslands og Swiss Aluminium Ltd., um álbræðslu við Straumsvík. (Lagt fyrir Alþingi á 86. löggjafarþingi, 1965-66.) 1. gr. Með lögum þessum staðfestist samningur milli ríkisstjórnar Islands og Swiss Aluminium Limited, dags. 28. marz 1966, um byggingu og rekstur álbræðslu við Straumsvík, í lögsagnarumdæmi Hafnarfjarðar. Samningurinn er prentaður sem fylgiskjal með lögum þessum, á íslenzku og ensku. 2. gr. Ákvæði samnings þess, sem um ræðir í 1. gr., skulu hafa lagagildi hér á landi. 3. gr. Lög þessi öðlast þegar gildi. AÐALSAMNINGUR SAMNINGUR, gerður hinn 28. dag marzmánaðar 1966 MILLI RíKISSTJÓRNAR íSLANDS (hér eftir nefnd "ríkisstjórnin") ANNARS VEGAR OG SWISS ALUMINIUM LIMITED (hér eftir nefnt "Alusuisse"), sem er félag stofnað að svissneskum lögum HINS VEGAR MEÐ ÞVI að stóriðjunefnd, er skipuð var af iðnaðarmálaráðuneytinu hinn 5. mai 1961, og raforkumálastjórnin hafa um nokkurt árabil rannsakað kosti þess að virkja vatnsraforkumagn Islands í sambandi við raforkunotkun til iðnaðar; MEÐ ÞVI að Alusuisse, félag, er stundar alhliða áliðnað, hefur rætt við ríkis- stjórnina hagkvæmni þess að reisa á Íslandi álbræðslu, er noti orku frá islenzkum stöðvum um langt árabil; MEÐ Því að með lögum frá Alþingi nr. 59 20. maí 1965 var stofnuð Lands- virkjun, og henni heimilað að byggja raforkuver við Þjórsá og tilteknar eldsneytis- aflstöðvar ; MEÐ ÞVI að Hafnarfjarðarkaupstaður (hér á eftir nefndur "kaupstaðurinn") er reiðubúinn að byggja hafnarmannvirki við Straumsvík á Suðvesturlandi; MEÐ ÞVÍ að Alusuisse er reiðubúið að fela Íslenzka Alfélaginu hf. (Icelandic Aluminium Company Limited, hér á eftir nefnt "ISAL"), að byggja álbræðslu við Straumsvik; MEÐ ÞVÍ uð ISAL, Landsvirkjun og kaupstaðurinn hafa lögformlega sam- þykkt i rafmagnssamningi og hafnar- og lóðarsamningi að efna og takast á hendur þær skuldbindingar, sem lagðar eru á hvern um sig með tilteknum ákvæðum samn- ings þessa; ER HÉR MEÐ GERÐUR EFTIRFARANDI SAMNINGUR: I. -
8123 Songs, 21 Days, 63.83 GB
Page 1 of 247 Music 8123 songs, 21 days, 63.83 GB Name Artist The A Team Ed Sheeran A-List (Radio Edit) XMIXR Sisqo feat. Waka Flocka Flame A.D.I.D.A.S. (Clean Edit) Killer Mike ft Big Boi Aaroma (Bonus Version) Pru About A Girl The Academy Is... About The Money (Radio Edit) XMIXR T.I. feat. Young Thug About The Money (Remix) (Radio Edit) XMIXR T.I. feat. Young Thug, Lil Wayne & Jeezy About Us [Pop Edit] Brooke Hogan ft. Paul Wall Absolute Zero (Radio Edit) XMIXR Stone Sour Absolutely (Story Of A Girl) Ninedays Absolution Calling (Radio Edit) XMIXR Incubus Acapella Karmin Acapella Kelis Acapella (Radio Edit) XMIXR Karmin Accidentally in Love Counting Crows According To You (Top 40 Edit) Orianthi Act Right (Promo Only Clean Edit) Yo Gotti Feat. Young Jeezy & YG Act Right (Radio Edit) XMIXR Yo Gotti ft Jeezy & YG Actin Crazy (Radio Edit) XMIXR Action Bronson Actin' Up (Clean) Wale & Meek Mill f./French Montana Actin' Up (Radio Edit) XMIXR Wale & Meek Mill ft French Montana Action Man Hafdís Huld Addicted Ace Young Addicted Enrique Iglsias Addicted Saving abel Addicted Simple Plan Addicted To Bass Puretone Addicted To Pain (Radio Edit) XMIXR Alter Bridge Addicted To You (Radio Edit) XMIXR Avicii Addiction Ryan Leslie Feat. Cassie & Fabolous Music Page 2 of 247 Name Artist Addresses (Radio Edit) XMIXR T.I. Adore You (Radio Edit) XMIXR Miley Cyrus Adorn Miguel Adorn Miguel Adorn (Radio Edit) XMIXR Miguel Adorn (Remix) Miguel f./Wiz Khalifa Adorn (Remix) (Radio Edit) XMIXR Miguel ft Wiz Khalifa Adrenaline (Radio Edit) XMIXR Shinedown Adrienne Calling, The Adult Swim (Radio Edit) XMIXR DJ Spinking feat. -
Stan Magazynu Caĺ†Oĺıäƒ Lp Cd Sacd Akcesoria.Xls
CENA WYKONAWCA/TYTUŁ BRUTTO NOŚNIK DOSTAWCA ALLMAN BROTHERS BAND - AT FILLMORE EAST 159,99 SACD BERTUS ALLMAN BROTHERS BAND - AT FILLMORE EAST (NUMBERED 149,99 SACD MOBILE FIDELITY ALLMAN BROTHERS BAND - BROTHERS AND SISTERS (NUMBE 149,99 SACD MOBILE FIDELITY ALLMAN BROTHERS BAND - EAT A PEACH (NUMBERED LIMIT 149,99 SACD MOBILE FIDELITY ALLMAN BROTHERS BAND - IDLEWILD SOUTH (GOLD CD) 129,99 CD GOLD MOBILE FIDELITY ALLMAN BROTHERS BAND - THE ALLMAN BROTHERS BAND (N 149,99 SACD MOBILE FIDELITY ASIA - ASIA 179,99 SACD BERTUS BAND - STAGE FRIGHT (HYBRID SACD) 89,99 SACD MOBILE FIDELITY BAND, THE - MUSIC FROM BIG PINK (NUMBERED LIMITED 89,99 SACD MOBILE FIDELITY BAND, THE - THE LAST WALTZ (NUMBERED LIMITED EDITI 179,99 2 SACD MOBILE FIDELITY BASIE, COUNT - LIVE AT THE SANDS: BEFORE FRANK (N 149,99 SACD MOBILE FIDELITY BIBB, ERIC - BLUES, BALLADS & WORK SONGS 89,99 SACD OPUS 3 BIBB, ERIC - JUST LIKE LOVE 89,99 SACD OPUS 3 BIBB, ERIC - RAINBOW PEOPLE 89,99 SACD OPUS 3 BIBB, ERIC & NEEDED TIME - GOOD STUFF 89,99 SACD OPUS 3 BIBB, ERIC & NEEDED TIME - SPIRIT & THE BLUES 89,99 SACD OPUS 3 BLIND FAITH - BLIND FAITH 159,99 SACD BERTUS BOTTLENECK, JOHN - ALL AROUND MAN 89,99 SACD OPUS 3 CAMEL - RAIN DANCES 139,99 SHMCD BERTUS CAMEL - SNOW GOOSE 99,99 SHMCD BERTUS CARAVAN - IN THE LAND OF GREY AND PINK 159,99 SACD BERTUS CARS - HEARTBEAT CITY (NUMBERED LIMITED EDITION HY 149,99 SACD MOBILE FIDELITY CHARLES, RAY - THE GENIUS AFTER HOURS (NUMBERED LI 99,99 SACD MOBILE FIDELITY CHARLES, RAY - THE GENIUS OF RAY CHARLES (NUMBERED 129,99 SACD MOBILE FIDELITY -
Sindri & the Glacial Picnickers
TOURIST OF THE YEAR Sindri & The Glacial Picnickers Sin Fang made Album of the Year, Song of the Year, and is posing as the Tourist of the Year. THE GRAPEVINE MUSIC AWARDS Issue 01 × 2014 January 10 - February 6 YOUR FREE COPY The Reykjavík Grapevine Issue 1 — 2014 2 Editorial | Anna Andersen Many Icelanders around me were pretty upset last “reports” predictions from these völvas. “I mean, ev- didn’t make it to Iceland, leaving Icelanders in the ASK YOUR VÖLVA month when the Associated Press ran a story about eryone basically knows it’s just a bunch of journalists dark, unexposed to rationalism. an “elf lobby” joining environmentalist in their strug- having fun, using their purported insight to predict The real problem with the elf story, as I Anna’s 36th Editorial gle to block road construction across a lava field. the future,” he wrote. see it, is the fact that it’s been so hammed up. Whata The story, which contained some factual Feeling unsure about this, I called the was once a quirky and enjoyable part of our cultural errors, played up the idea that Icelanders (A) believe editor of Vikan, one of Iceland’s oldest magazines, heritage has now been overplayed. We’re sick of the in elves and (B) take this belief so seriously that they which has been printing völva’s predictions since the elf story. We’re sick of having to explain it to people might halt road construction for fear of retribution 1970s. She confirmed, Vikan has always worked with who read a few lines from some international wire from the elves that supposedly have a church there real seers and the one the magazine currently works service looking for traction. -
Plöntunæringar- Og Áburðarfræði Friðrik Pálmason Plöntunæringar- Og Áburðarfræði
Friðrik Pálmason Plöntunæringar- og áburðarfræði Friðrik Pálmason Plöntunæringar- og áburðarfræði Höfundur bókarinnar Friðrik Pálmar Pálmason er fæddur þann 16. apríl 1935 í Reykjavík. Friðrik er cand. agro. 1960 og lic. agro. 1965 frá Landbúnaðarháskólanum í Kaupmannahöfn. Störf: Sérfræðingur við Rannsóknastofnun landbúnaðarins 1967-77 og 1981-2005. Kennari við Búvísindadeild Bændaskólans á Hvanneyri 1965-66 og 1977-81, forstöðumaður Rannsóknastofu Bændaskólans á sama tíma. Kenndi plöntulífeðlisfræði við líffræðiskor verkfræði- og raunvísindadeildar HÍ 1967-76. Félagsstörf: Varaformaður Íslandsdeildar Norræna Búvísindafélagsins (Nordiske Jordbrugsforskeres Forening, NJF)1968-76. Fulltrúi Íslands í stjórn jarðvegsskorar NJF 1972-80. Form. Félags íslenskra náttúrufræðinga 1969-70. Ritstörf: Auk licentiatritgerðar um sextíu greinar og ritgerðir á fræðasviði höfundar Í ritnefnd Búnaðarblaðsins 1965-68 og Íslenskra landbúnaðarrannsókna 1969-73. Ritstjóri Búvísinda. Icelandic Agricultural Sciences 1988-2002. Útgefandi: Landbúnaðarháskóli Íslands. 1. útgáfa í maí 2013 ISBN 13 978-9979-881-19-3 Bók þessa má eigi afrita með neinum K WWLQHPDPHèOH\¿~WJHIDQGD Y( Ǧ ( 2 W>PEdhEZ/E'ZͲK'hZZ&Z/͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘ϰ &KZD>/͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘ϰ ,ĞŝŵŝůĚŝƌ͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘ϱ -
Embodied Listening and the Music of Sigur Rós Peter Elsdon
Embodied listening and the music of Sigur Rós Peter Elsdon Introduction In 1990 Susan McClary and Robert Walser appealed for a musicology which could account for the effects of rock, or as they put it: ‘a greater willingness to try to circumscribe an effect metaphorically, to bring one’s own experience as a human being to bear in unpacking musical gestures, to try to parallel in words something of how the music feels’ (McClary and Walser 1990, 288-9). McClary and Walser were arguing for attempts to validate ‘physically and emotionally oriented responses to music’ (287), which they saw as crucial to any understanding of rock, but uncomfortable modes of response for musicology to deal with. Around the time of the McClary/Walser article, musicologists were questioning the body’s exclusion from discourse, and theorising ways in which it might be better integrated into musicological thought (Leppert 1993, Walser 1991). Since that time much scholarly work has been produced which interrogates the role of the body in musicking, work represented for instance by an examination of the idea of gesture (Gritten and King 2006, Davidson 1993). The bodies under examination in this discourse have been those of performers, but increasing attention is being focused on how performers experience the production of music. Fred Everett Maus has recently termed this approach an ‘analytical somaesthetics’, following Richard Shusterman (Maus 2010). This article uses facets of embodiment theory to interrogate the music of Icelandic band Sigur Rós, a group who seem to affect audience and critics alike in a way that is highly unusual for rock music. -
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Revista Arte Críticas participantes // enlaces // contacto sobre arte críticas Agenda Búsqueda tipo de búsqueda música artículos // críticas // debates // entrevistas // todos artículos octubre La era del hielo 2016 por Patricio Durán Este año se cumplió una década de la edición mundial de Agætis Byrjun, la obra emblemática de Sigur Rós, una de las bandas que definieron el sonido post-rock. ‘Sigur Rós’ significa ‘rosa de la victoria’. No se molesten en buscar algún significado en particular, el nombre de la banda es el de la hermana menor del cantante y guitarrista Jónsi Birgisson, nacida el mismo día en que se formó el grupo. De hecho, es uno de los nombres femeninos más comunes en Islandia, la tierra de donde proviene el cuarteto que en este momento se está tomando un “descanso indefinido” mientras los integrantes se dedican a sus trabajos en solitario y a pasar más tiempo con sus familias. Sigur Rós se formó en 1994 en la capital islandesa, Reykjavik. Comenzó como un trío con Jónsi Birgisson junto a Georg Hólm (bajo) y Ágúst ISSN:1853-0427 Gunnarsson (batería). Con esta formación grabaron un primer disco, Von en 1997 (‘von’ significa ‘esperanza’). En su debut nos encontramos con un Sigur Rós extraño, distinto a lo que vendría después. Plagado de momentos ambient donde sólo se escuchan voces y sonidos metálicos y electrónicos, junto a composiciones más bien oscuras que proponen un clima tenebroso. Este primer trabajo revela la influencia del minimalismo en el grupo. A lo largo de varias canciones podemos notar la repetición de una pequeña idea con variaciones casi imperceptibles.