DOCSLIB.ORG

Industrial Design and the Problem of Anoetic Technologies

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Industrial Design and the Problem of Anoetic Technologies Artefacts, Technicity and Humanisation industrial design and the problem of anoetic technologies Stephen James Thompson A thesis submitted to the University of Plymouth in partial fulfilment for the degree of DOCTOR OF PHILOSOPHY Trantechnology Research School of Computing, Communications & Electronics Faculty of Technology July 2008 2 Abstract Artefacts, Technicity and Humanisation industrial design and the problem of anoetic technologies Stephen james Thompson This thesis concerns the intellectual heritage and autonomy of West European and American industrial design as a discourse community at a moment when biotechnological developments are challenging the certainty of what it means to be human. Proceeding from the assumption that industrial design is an autonomous intellectual engagement played out through the interpretation of technology as an artefact, the thesis identifies how this is a critical moment for industrial designers, who appear to be unable to respond to a problem of the apparent disconnection and the progressive displacement of the human in reference to technology. The thesis identifies the cause of this as the understanding of the artefact, which has conventionally been placed at the centre of its analysis. The way that this has been constructed has not only impacted on design solutions but has led to a particular understanding of technology. lt is this understanding of the artefact that has ceased to be sustainable and has precipitated the crisis. The thesis argues that, by revisiting the artefact as a mutable consequence of culture, it is possible to relieve the problem by opening up the scope for finding new methodological approaches. These can be used to develop design strategies that are sufficiently subtle and coherent in their terms to engage with the open complexity of future discussions of the distributed and enacted human. 3 List of Contents Acknowledgements Author's declaration and word count Question Preamble Introduction Chapter one Industrial design and its autonomies 1.1 An autonomous conglomeration called industrial design 1.2 Industrial design and institutional regulation 1.3 Industrial design and technology 1.4 Industrial design and its intellectual community 1.5 Industrial design and the function of fluidity Chapter two Disconnection and the progressive displacement of the human reference in technology 2.1 The epistemological displacement of the human referent 2.2 Rupture: The crisis of biotechnology as a question of history 2.3 Strategies of reconnection Chapter three Reviewing history and the 'resolved' artefact as the keystone of analysis 3.1 Artefacts and evidence in industrial design histories 3.2 The problem of disembodied resolutions of the process of humanisation 4 3.3 The strategic lacunae and impact of the technological artefact based histories on the inclusion of culture Chapter four The artefact as a mutable consequence of culture 4.1 The 'resolved' technological artefact and the role of cultural networks 4.2 Cultural networks and the deficit of reductlvist methodologies 4.3 The strategic lacunae and impact of agency complexity and autopoiesls Chapter five Reconnecting the human and the technological: a speculative historiography 5.1 Topological domains and 'Machine Age' 5.2 From landscape to ecology 5.3 From corporeality to culture Chapter six Recovery towards autonomy: steps towards a fluid conception of human-technological relationships 6.1 The opportunities that biotechnology offers to the conceptualisation of technology 6.2 The Imperative of valence: The material site of interaction 6.3 Human and the enacted moment as a hybrid condition Chapter seven Three problematic approaches to the distributed human and enaction 7.1 Alienation 7.2 Technicity 7.3 Embodied interaction Chapter eight Dissolving the problem in the recovered voice: strategies for the management of fluidity 5 8.1 Granularity: a changed view of reality and not a changed reality 8.2 Artefactualising the body 8.3 Designing with the 'Body without Organs' 8.4 Design Scenario Conclusion Appendix 1 Coda: joey the Mechanical Boy An allegory eschewing closure, showing how process of humanisation is tied to the intellectual coherence of the complexity and granular sophistication in the conceptual and technical models held of the artefact as a component of the whole human. joey Introduction to the coda Joey.l Joey the Mechanical Boy: His story Joey.2 Joey the Mechanical Boy: The orthodox analysis Joey.3 Joey the Mechanical Boy: An unorthodox analysis References 6 Acknowledgements Thirty spokes share the wheel's hub. lt is the centre hole that makes it useful. Shape the clay into a vessel. lt is the space within that makes it useful. Cut doors and windows for a room; Therefore, profit comes from what is there; Usefulness from what Is not there. (Lao-Tzu) What is not here has changed me for ever. But some words must be found to find a way to reveal the network of assistance and love in which I have been fortunate to find myself over the course of the past five years or so. Sometimes the actors in this network are visible in the thesis; however, more often they have provided a subtle and invisible web of magic, which has held everything together. Some actors deserve a particular public acknowledgement here, of course, not least among these my supervisors Professor Michael Punt and Robert Pepperell, who have become my friends and who have shared their intellectual insight with such extraordinary generosity and patience. That I cannot find the appropriate words to express my gratitude adequately will hardly surprise them. lt is also important to mention Professor David Jeremiah and Professor David Smith, who provided some of the impetus and confidence required at the start of this project. Thanks are due to friends and colleagues at University of Wales Institute, Cardiff and University of Wales, Newport, including Professors Gaynor Kavanagh, Paul Seawright and Anne Carlisle, who have been both generous and gracious in making it possible for me to undertake the research while I have continued to teach in their various Faculties. Thanks, of course, to Mike Phillips and my research colleagues in Transtechnology at the University of Plymouth, whose challenge and support have been invaluable and to Dr Kieran Lyons for his companionship on this particular road trip. Thanks and love are also due to my Ma and Pa for their perpetual support and for their generous contributions to my library. But of all the actors in this brief life to whom I owe the most, it is Yvonne, whose sustaining belief and tolerance have ultimately made this whole project possible. Thanks to other actors, Alfie and Emmett, entering and exiting stage left and right at frequent intervals to offer joyous distraction. And finally to Don and his Dancing Wu Li Masters, whose light was not shining (at least on this plane) to share in the pleasure of typing this last line before I submit the thesis. Thank you 7 Author's Declaration At no time during the registration for the degree of Doctor of Philosophy has the author been registered for any other University award without prior agreement of the Graduate Committee. This study was financed with the assistance of the University of Wales, Newport and from the University of Wales Institute, Cardiff. A number of relevant seminars· and conferences were regularly attended at which work was often presented; externafinstltutions were visited for consultation purposes and several papers prepared for publication. The events and conferences at which this research has been directly shared are: • THOMPSON, S. 2007. 'Mind the Gap: Technology as soma'. Journal of Human-Cantered Systems. vol. 4, no. 21. London: Springer. • Science in the Dock - Art in the Stocks. March 2006. Public Lecture. ESRC Social Science Week. Exeter: Terracina Gallery. Research Symposium 11. February 2006. Cardiff: University of Wales Institute, Cardiff. Research Symposium 11. February 2006. Cardiff: University of Wales Institute, Cardiff; School of Art and Design. • Weareb/e Futures Conference 2005. September 2005. Caerleon: University of Wales, Newport. • Theatres of Science Conference 2004. September 2004. Ponty Pridd: University of Glamorgan. 1st Jntemational Design and Engagability Conference (IDEC). July 2004. Binningham: University of Central England. DATA lntemational Research Conference 2004. July 2004. The Design and Technology Association. Sheffield: Sheffield Hallam University. • New Synergias between Science, Litereture and the Arts. July 2004. Science and Literature Society. Paris: University of Paris. Spring Research Symposium. February 2004. London: University of the Arts, London. and also Transtechnology Research Seminars. 2005-2008. University of Plymouth. Word count of main body of thesis: 82,282 words Stephen Thompson J!!IY.. l.O.Q.I3 8 Question What intellectual moves are necessary for industrial designers to 'talk' about biotechnologies in terms that have some continuity with their history? 9 Preamble If we superimpose E=mc! on a new awareness of Nature, seeing it as the unbeatable model of elegant and economical design, we begin to believe that less can indeed be more, and an unconscious slippage back in the direction of mysticism gets under way. Accepting the hypothesis that the brighter we get, the more we can do with less, it presently follows that if this is a good thing, then doing much more with much less must be an even better thing. Then, if we cautiously extend the evolutionary line in the direction of infinity we come to the interesting realisation that the ultimate goal of technology has to be doing everything with nothing. This, of course, is precisely what God did, as reported in the admirable concise account in the book of Genesis. One wonders if the conjunction of mineral reserves being depleted to an eventual vanishing point, and the real goal of technology doing everything with nothing, is serendipity or something more. The more immediate problem, I suppose, is how do we determine when to start closing down the design schools? (George Nelson, 1979) The origins of this thesis An abiding interest in the way that people interact with technologies drew me into the study and practice of industrial design.
Load more

Recommended publications
  • Lord Sumption and the Values of Life, Liberty and Security: Before and Since the COVID-19 Outbreak John Coggon ‍
    Extended essay J Med Ethics: first published as 10.1136/medethics-2021-107332 on 12 July 2021. Downloaded from Lord Sumption and the values of life, liberty and security: before and since the COVID-19 outbreak John Coggon Correspondence to ABSTRACT In public spheres beyond government, values Professor John Coggon, Centre Lord Sumption, a former Justice of the Supreme Court, have been raised and debated. Perhaps inevitably, for Health, Law, and Society, University of Bristol Law School, has been a prominent critic of coronavirus restrictions given the nature and prominence of different plat- Bristol, BS8 1HH, UK; regulations in the UK. Since the start of the pandemic, he forms for public discourse, particular voices and john. coggon@ bristol. ac. uk has consistently questioned both the policy aims and the views have found particularly privileged place in regulatory methods of the Westminster government. He critical discussions of pandemic responses in the Received 15 February 2021 UK. Among these are the arguments of Lord Sump- Accepted 19 May 2021 has also challenged rationales that hold that all lives are of equal value. In this paper, I explore and question Lord tion, a former Justice of the Supreme Court. Lord Sumption’s views on morality, politics and law, querying Sumption is an eloquent and vocal critic of the the coherence of his broad philosophy and his arguments restrictions regulations (and related points of offi- regarding coronavirus regulations with his judicial cial guidance) that have been implemented since decision in the assisted- dying case of R (Nicklinson) v March 2020. These regulations have significantly Ministry of Justice.
    [Show full text]
  • Master Bibliography
    SELECTED ITEMS OF MEDIA COVERAGE Selected Broadcast Comment Witness on BBC Radio 4 the Moral Maze, broadcast live at 2000 Wednesday 16th June 2010 Debate chaired by Quentin Cooper with Sir David King, Chris Whitty and Richard Davis, Material World, Radio 4 1630 Thursday 3rd January 2008 [on directions for science and innovation] Debate chaired by Sarah Montague with Tom Shakespeare, Today Programme, Radio 4 0850-0900, Friday Tuesday 4th September 2007 [on role of public in consultation on new technologies] D. Coyle, et al, Risky Business, Radio 4 ‘Analysis’ documentary, broadcast 11 December 2030, 14 December 2130, 2003 [interview on the precautionary principle] Tom Feilden, Political Interests in Biotechnology Science, Today Programme, Radio 4 0834-0843, Friday 19th September 2003 [on exercise of pressure in relation to GM Science Review Panel]. Roger Harrabin, Science Scares, Interview on the Today Programme, BBC Radio 4 0832, 10th January 2002 [on EEA report on risk and precaution]. ‘Sci-Files’, Australian National Radio, October 2000 [interview on risk, uncertainty and GM]. ‘Risk and Society’, The Commission, BBC Radio 4, 2000, 11 October 2000 [commission witness on on theme of risk and society] Selected Press Coverage of Work Andrew Jack, Battle Lines, Financial Times Magazine, 24th June 2011 [on need for tolerance of scepticism about science] Paul Dorfman, Who to Trust on Nuclear, Guardian, 14th April 2011 Charles Clover, Britain’s nuclear confidence goes into meltdown, Sunday Times, 20th March 2011 [on potential for a global sustainable
    [Show full text]
  • The Production of Religious Broadcasting: the Case of The
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by OpenGrey Repository The Production of Religious Broadcasting: The Case of the BBC Caitriona Noonan A thesis submitted in fulfilment of the requirements of the degree of Doctor of Philosophy. Centre for Cultural Policy Research Department of Theatre, Film and Television University of Glasgow Glasgow G12 8QQ December 2008 © Caitriona Noonan, 2008 Abstract This thesis examines the way in which media professionals negotiate the occupational challenges related to television and radio production. It has used the subject of religion and its treatment within the BBC as a microcosm to unpack some of the dilemmas of contemporary broadcasting. In recent years religious programmes have evolved in both form and content leading to what some observers claim is a “renaissance” in religious broadcasting. However, any claims of a renaissance have to be balanced against the complex institutional and commercial constraints that challenge its long-term viability. This research finds that despite the BBC’s public commitment to covering a religious brief, producers in this style of programming are subject to many of the same competitive forces as those in other areas of production. Furthermore those producers who work in-house within the BBC’s Department of Religion and Ethics believe that in practice they are being increasingly undermined through the internal culture of the Corporation and the strategic decisions it has adopted. This is not an intentional snub by the BBC but a product of the pressure the Corporation finds itself under in an increasingly competitive broadcasting ecology, hence the removal of the protection once afforded to both the department and the output.
    [Show full text]
  • The Idea of the Labyrinth
    ·THE IDEA OF · THE LABYRINTH · THE IDEA OF · THE LABYRINTH from Classical Antiquity through the Middle Ages Penelope Reed Doob CORNELL UNIVERSITY PRESS ITHACA AND LONDON Open access edition funded by the National Endowment for the Humanities/Andrew W. Mellon Foundation Humanities Open Book Program. Copyright © 1990 by Cornell University First printing, Cornell Paperbacks, 1992 Second paperback printing 2019 All rights reserved. Except for brief quotations in a review, this book, or parts thereof, must not be reproduced in any form without permission in writing from the publisher. For information, address Cornell University Press, Sage House, 512 East State Street, Ithaca, New York 14850. Visit our website at cornellpress.cornell.edu. Printed in the United States of America ISBN 978-0-8014-2393-2 (cloth: alk. paper) ISBN 978-1-5017-3845-6 (pbk.: alk. paper) ISBN 978-1-5017-3846-3 (pdf) ISBN 978-1-5017-3847-0 (epub/mobi) Librarians: A CIP catalog record for this book is available from the Library of Congress An open access (OA) ebook edition of this title is available under the following Creative Commons license: Attribution-NonCommercial-NoDerivatives 4.0 International (CC BY-NC-ND 4.0): https://creativecommons.org/licenses/ by- nc-nd/4.0/. For more information about Cornell University Press’s OA program or to download our OA titles, visit cornellopen.org. Jacket illustration: Photograph courtesy of the Soprintendenza Archeologica, Milan. For GrahamEric Parker worthy companion in multiplicitous mazes and in memory of JudsonBoyce Allen and Constantin Patsalas Contents List of Plates lX Acknowledgments: Four Labyrinths xi Abbreviations XVll Introduction: Charting the Maze 1 The Cretan Labyrinth Myth 11 PART ONE THE LABYRINTH IN THE CLASSICAL AND EARLY CHRISTIAN PERIODS 1.
    [Show full text]
  • Saturday, July 7, 2018 | 15 | WATCH Monday, July 9
    6$785'$<-8/< 7+,6,6123,&1,& _ )22' ,16,'( 7+,6 :((. 6+233,1* :,1(6 1$',<$ %5($.6 &KHFNRXW WKH EHVW LQ ERWWOH 683(50$5.(7 %(67 %8<6 *UDE WKH ODWHVW GHDOV 75,(' $1' 7(67(' $// 7+( 58/(6 :H FKHFN RXW WRS WUDYHO 1$',<$ +XVVDLQ LV D KDLUGU\HUV WR ORRN ZDQWDQGWKDW©VZK\,IHHOVR \RXGRQ©WHDWZKDW\RX©UHJLYHQ WRWDO UXOHEUHDNHU OXFN\§ WKHQ \RX JR WR EHG KXQJU\§ JRRG RQ WKH PRYH WKHVH GD\V ¦,©P D 6KH©V ZRQ 7KLV UHFLSH FROOHFWLRQ DOVR VHHV /XFNLO\ VKH DQG KXVEDQG $EGDO SDUW RI WZR YHU\ %DNH 2II SXW KHU IOLS D EDNHG FKHHVHFDNH KDYH PDQDJHG WR SURGXFH RXW D VOHZ RI XSVLGH GRZQ PDNH D VLQJOH FKLOGUHQ WKDW DUHQ©W IXVV\HDWHUV GLIIHUHQW ZRUOGV ¤ ,©P %ULWLVK HFODLU LQWR D FRORVVDO FDNH\UROO VR PXFK VR WKDW WKH ZHHN EHIRUH 5(/$; DQG ,©P %DQJODGHVKL§ WKH FRRNERRNV DQG LV DOZD\V LQYHQW D ILVK ILQJHU ODVDJQH ZH FKDW VKH KDG DOO WKUHH *$0(6 $336 \HDUROG H[SODLQV ¦DQG UHDOO\ VZDS WKH SUDZQ LQ EHJJLQJ KHU WR GROH RXW IUDJUDQW &RQMXUH XS RQ WKH WHOO\ ¤ SUDZQ WRDVW IRU FKLFNHQ DQG ERZOIXOV RI ILVK KHDG FXUU\ EHFDXVH ,©P SDUW RI WKHVH 1DGL\D +XVVDLQ PDJLFDO DWPRVSKHUH WZR DPD]LQJ ZRUOGV , KDYH ¦VSLNH§ D GLVK RI PDFDURQL ¦7KH\ ZHUH DOO RYHU LW OLNH WHOOV (//$ FKHHVH ZLWK SLFFDOLOOL ¤ WKH ¨0XPP\ 3OHDVH FDQ ZH KDYH 086,& QR UXOHV DQG QR UHVWULFWLRQV§ :$/.(5 WKDW 5(/($6(6 ZRPDQ©V D PDYHULFN WKDW ULJKW QRZ"© , ZDV OLNH ¨1R +HQFH ZK\ WKUHH \HDUV RQ IURP IRRG LV PHDQW +RZHYHU KHU DSSURDFK WR WKDW©V WRPRUURZ©V GLQQHU ,©YH :H OLVWHQ WR WKH ZLQQLQJ *UHDW %ULWLVK %DNH 2II WR EH IXQ FODVKLQJDQG PL[LQJ IODYRXUVDQG MXVW FRRNHG LW HDUO\ \RX©YH JRW ODWHVW DOEXPV WKH /XWRQERUQ
    [Show full text]
  • University of Dundee BBC Moral Maze Lawrence, John; Visser, Jacky
    University of Dundee BBC moral maze Lawrence, John; Visser, Jacky; Reed, Chris Published in: Computational Models of Argument - Proceedings of COMMA 2018 DOI: 10.3233/978-1-61499-906-5-465 Publication date: 2018 Licence: CC BY-NC Document Version Peer reviewed version Link to publication in Discovery Research Portal Citation for published version (APA): Lawrence, J., Visser, J., & Reed, C. (2018). BBC moral maze: Test your argument. In S. Modgil, K. Budzynska, J. Lawrence, & K. Budzynska (Eds.), Computational Models of Argument - Proceedings of COMMA 2018 (Vol. 305, pp. 465-466). (Frontiers in Artificial Intelligence and Applications; Vol. 305). IOS Press. https://doi.org/10.3233/978-1-61499-906-5-465 General rights Copyright and moral rights for the publications made accessible in Discovery Research Portal are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognise and abide by the legal requirements associated with these rights. • Users may download and print one copy of any publication from Discovery Research Portal for the purpose of private study or research. • You may not further distribute the material or use it for any profit-making activity or commercial gain. • You may freely distribute the URL identifying the publication in the public portal. Take down policy If you believe that this document breaches copyright please contact us providing details, and we will remove access to the work immediately and investigate your claim. Download date: 25. Sep. 2021 Computational Models of Argument 465 S. Modgil et al. (Eds.) © 2018 The authors and IOS Press.
    [Show full text]
  • BBC Religion & Ethics Review
    BBC Religion & Ethics Review December 2017 1 TABLE OF CONTENTS 1. FOREWORD ......................................................................................................................................................................... 3 2. INTRODUCTION .............................................................................................................................................................. 5 3. THE ROLE OF THE BBC ............................................................................................................................................... 8 4. THE CHALLENGES WE FACE ............................................................................................................................... 11 5. HOW WE WILL RESPOND .................................................................................................................................... 14 6. CHANGING HOW WE DO THINGS ............................................................................................................. 26 7. APPENDICES ...................................................................................................................................................................... 30 2 1. FOREWORD The start of a new Charter period is a good time for the BBC to assess how we are delivering on the religious and ethical aspects of our public service mission. We know – our research tells us – that today’s audiences are interested in learning more in this area. People of all ages, and of all faiths and none,
    [Show full text]
  • Lawyers in the Moral Maze
    Volume 49 Issue 4 Article 4 2004 Lawyers in the Moral Maze Mark A. Sargent Follow this and additional works at: https://digitalcommons.law.villanova.edu/vlr Part of the Accounting Law Commons, Legal Ethics and Professional Responsibility Commons, and the Securities Law Commons Recommended Citation Mark A. Sargent, Lawyers in the Moral Maze, 49 Vill. L. Rev. 867 (2004). Available at: https://digitalcommons.law.villanova.edu/vlr/vol49/iss4/4 This Symposia is brought to you for free and open access by Villanova University Charles Widger School of Law Digital Repository. It has been accepted for inclusion in Villanova Law Review by an authorized editor of Villanova University Charles Widger School of Law Digital Repository. Sargent: Lawyers in the Moral Maze 2004] LAWYERS IN THE MORAL MAZE MARK A. SARGENT* I. INTRODUCTION T HE Securities and Exchange Commission's Standards of Professional Conduct for Attorneys1 represent an attempt to solve a problem. The problem is that ethical obligations, state law and self-interest apparently do not give lawyers sufficient incentives to report law violations by corporate managers "up the ladder" to appropriate decisionmakers within the corpo- rate client, or to disclose illegality to regulators. That problem is consid- ered serious, because it is believed to have resulted in lawyers' at least passive complicity in managerial wrongdoing. That complicity violated lawyers' fiduciary obligation to their corporate client and betrayed their public trust as gatekeepers, thereby contributing to the recent epidemic of corporate fraud and corporate governance failures. Let's assume, for the sake of argument, that the problem, as just defined, is real and serious.
    [Show full text]
  • Reading and Viewing List Recommended by Teachers : Y13 to Higher Education
    Reading and Viewing List recommended by Teachers : Y13 to Higher Education Please also check out https://www.gresham.ac.uk/schools for a wide range of lectures online in all subject areas, including Law, Media, Epidemiology as well as all the ‘standard’ academic subjects. Mathematics Author/Publisher Any books by… Matt Parker Any books by… Simon Singh The Tipping Point Malcolm Gladwell How an idea takes hold… Music Music- A Very Short Introduction Nicholas Cook A History of Western Music Donald Grout Music in Everyday Life Tia DeNora Stylistic Harmony Anna Butterworth ‘Western Music’ Encyclopaedia Britannica How to Listen to Jazz Ted Gioia Jazz Bob Blumenthal A Student’s Guide to Harmony and Counterpoint Hugh Benham History Rethinking History Keith Jenkins The Pursuit of History John Tosh Select your own historical topic and read around it as much as possible- internet searches, documentaries etc. Sapiens Yuval Noah Harari ‘Grand-Sweep’ of human history. Fascinating, readable and long. Will keep you going! Homo Deus Yuval Noah Harari As above. The future based on past patterns of human behaviour. Bess of Hardwick Mary S Lovell Well researched. Great life of a great woman. A History of the World in 100 Objects Neil MacGregor 100 objects from the British Museum, and what they show us about human civilisation. Art: AQA Art and Design Student Handbook Nelson Thornes (publisher) This is Modern Art Matthew Collins A World of History of Art Honour and Fleming Ways of Seeing John Berger Art Now 4 Hans Werner Holzwarth Illustration Now Julius Wiedermann
    [Show full text]
  • DN Master Doc COMMISSIONING GUIDELINES SPRING 2011
    COMMISSIONING GUIDELINES SPRING 2012 1: THE COMMISSIONING PROCESS..............................................................................2 1:1 TIMETABLE.........................................................................................................2 1:2 HOW TO SUBMIT AN IDEA TO RADIO 4...........................................................3 1:3 RESPONSES TO PROPOSALS.........................................................................5 1:4 HOW THE COMMISSIONING BRIEFS WORK...................................................7 1:5 FAQ ABOUT THE COMMISSIONING PROCESS & PROTEUS.........................9 1:6 BBC GUIDELINES & COMPLIANCE.................................................................11 1:7 CHECKLIST FOR DRAMA AND SCRIPTED COMEDY....................................12 1:8 SUPPORTING MATERIALS FOR DRAMA AND COMEDY..............................13 2: THE BBC RADIO 4 AUDIENCE.................................................................................15 3: DRAMA COMMISSIONING BRIEFS..........................................................................17 4: COMEDY & ENTERTAINMENT COMMISSIONING BRIEFS.....................................46 5: SPECIALIST FACTUAL BRIEFS...............................................................................60 6: GENERAL FACTUAL BRIEFS...................................................................................79 7: SPECIAL EVENTS AND SEASONS...........................................................................96 8: WORKING WITH BBC RADIO 4................................................................................98
    [Show full text]
  • Art & Finance Report 2019
    Art & Finance Report 2019 6th edition Se me Movió el Piso © Lina Sinisterra (2014) Collect on your Collection YOUR PARTNER IN ART FINANCING westendartbank.com RZ_WAB_Deloitte_print.indd 1 23.07.19 12:26 Power on your peace of mind D.KYC — Operational compliance delivered in managed services to the art and finance industry D.KYC (Deloitte Know Your Customer) is an integrated managed service that combines numerous KYC/AML/CTF* services, expertise, and workflow management. The service is supported by a multi-channel web-based platform and allows you to delegate the execution of predefined KYC/AML/CTF activities to Deloitte (Deloitte Solutions SàRL PSF, ISO27001 certified). www2.deloitte.com/lu/dkyc * KYC: Know Your Customer - AML/CTF: Anti-Money Laundering and Counter-Terrorism Financing Empower your art activities Deloitte’s services within the Art & Finance ecosystem Deloitte Art & Finance assists financial institutions, art businesses, collectors and cultural stakeholders with their art-related activities. The Deloitte Art & Finance team has a passion for art and brings expertise in consulting, tax, audit and business intelligence to the global art market. www.deloitte-artandfinance.com © 2019 Deloitte Tax & Consulting dlawmember of the Deloitte Legal network The Art of Law DLaw – a law firm for the Art and Finance Industry At DLaw, a dedicated team of lawyers supports art collectors, dealers, auctioneers, museums, private banks and art investment funds at each stage of their project. www.dlaw.lu © 2019 dlaw Art & Finance Report 2019 | Table of contents Table of contents Foreword 14 Introduction 16 Methodology and limitations 17 External contributions 18 Deloitte CIS 21 Key report findings 2019 27 Priorities 31 The big picture: Art & Finance is an emerging industry 36 The role of Art & Finance within the cultural and creative sectors 40 Section 1.
    [Show full text]
  • Commissioning Guidelines Spring 2017
    COMMISSIONING GUIDELINES SPRING 2017 1. TIMETABLE 2 2. HOW THE COMMISSIONING ROUND WORKS 3 3. CHECKLIST FOR SUPPORTING MATERIAL 11 4. DRAMA COMMISSIONING BRIEFS 13 5. COMEDY COMMISSIONING BRIEFS 31 6. ARTS COMMISSIONING BRIEFS 42 7. FACTUAL COMMISSIONING BRIEFS 48 8. SPECIAL EVENTS & SEASONS BRIEF 67 9. BBC EDITORIAL GUIDELINES & COMPLIANCE 69 10. THE RADIO 4 AUDIENCE 70 1 1. TIMETABLE Drama and Comedy Guidelines published Week commencing 19 December Briefing in the Radio Theatre, London 30 January Proteus open for drama and comedy submissions Briefing in MediaCityUK, Salford 01 February Phase 1 deadline for pre-offers Midday 22 February Phase 1 results published in Proteus Week commencing 13 March Phase 2 deadline for final offers Midday 12 April Phase 2 results of final offers published in Proteus End of July Factual and Arts Guidelines published Week commencing 19 December Briefing in the Radio Theatre, London 20 February Proteus open for factual and arts submissions Briefing in MediaCityUK, Salford 22 February Phase 1 deadline for pre-offers and batch tenders Midday 09 March Phase 1 results published in Proteus Week commencing 03 April Phase 2 deadline for final offers Midday 11 May Phase 2 results of final offers and batch tenders End of July published in Proteus 2 2. HOW THE COMMISSIONING ROUND WORKS Everything in this commissioning round is open to competition. Any department or company with suitable expertise may submit proposals for any area of output. We are taking two distinct approaches to commissioning. Each of them has two phases. Specific ideas Drama and Comedy programmes – and some Factual programmes – are being commissioned in the traditional Radio 4 manner, in which we invite you to submit proposals for specific ideas.
    [Show full text]