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Slavery the Historical and Modern Perspectives
Slavery The Historical and Modern Perspectives The Angus Library and Archive Regent’s Park College, Pusey St, Oxford, OX1 2LB 31st October - 5th December 2013 The abolition movement has been linked to Baptist and Nonconformist history and heritage since the 17th century. The Angus Library and Archive unites an extraordinary collection of manuscripts, printed works, illustrations, and artefacts that give an insight into the activities of the anti-slavery movement. Our “Slavery: The Historical and Modern Perspectives” exhibition presents only a fraction of these never before seen resources. 1. The Debate on a Motion for the Abolition of the Slave-Trade, in the House of Commons (April 2nd, 1792) A copy of the debate held in Parliament, led by MP William Wilberforce that eventually caused a bill (the second to be introduced) to be passed to cease the Slave Trade. There was, however, an important amendment to the bills original form: that the ban would be ‘gradual’ making it almost worthless in actuality. 2. The first minutes book from the foundation and meetings of the Baptist Missionary Society (1792) This minutes book documents the foundation of the Society on October 2nd 1792 and records all its activities until the spring of 1799. Mentioned in the appointed committee are William Carey, Raymond Hogg as Treasurer and Andrew Fuller as Secretary. While the original purpose of the BMS was to “Christianise heathens”, missionaries often found themselves confronted with the realities of slavery in the British colonies and many joined the campaign for abolition. The West Indies Under British Colonial rule, the colonies of the West Indies were producers of major exports such as sugar and coffee. -
GLENEAGLE.Pdf
Fabric : 802752 Colour :Blue Dark Bunch : GLENEAGLE (C2494) Composition : 100 % WOOL Weave : Design : Hairline Weight : medium (260-320gr) G Width : 150 CM Fabric available Fabric : 802751 Colour :Grey Dark Bunch : GLENEAGLE (C2494) Composition : 100 % WOOL Weave : 2/2 Twill Design : Houndstooth Weight : medium (260-320gr) G Width : 150 CM Fabric available Page 1/11 Fabric : 802750 Colour :Blue Dark Bunch : GLENEAGLE (C2494) Composition : 100 % WOOL Weave : 2/2 Twill Design : Glen check Weight : medium (260-320gr) G Width : 150 CM Fabric available Fabric : 802749 Colour :Brown Dark Bunch : GLENEAGLE (C2494) Composition : 100 % WOOL Weave : Sharkskin Design : Glen check Weight : medium (260-320gr) G Width : 150 CM Fabric available Page 2/11 Fabric : 802748 Colour :Other Green Bunch : GLENEAGLE (C2494) Composition : 100 % WOOL Weave : 2/2 Twill Design : Prince of Wales Weight : medium (260-320gr) G Width : 150 CM Fabric available Fabric : 802747 Colour :Brown Medium Bunch : GLENEAGLE (C2494) Composition : 100 % WOOL Weave : 2/2 Twill Design : Glen check Weight : medium (260-320gr) G Width : 150 CM Fabric available Page 3/11 Fabric : 802746 Colour :Brown Medium Bunch : GLENEAGLE (C2494) Composition : 100 % WOOL Weave : 2/2 Twill Design : Check Weight : medium (260-320gr) G Width : 150 CM Fabric available Fabric : 802745 Colour :Brown Light Bunch : GLENEAGLE (C2494) Composition : 100 % WOOL Weave : 2/2 Twill Design : Check Weight : medium (260-320gr) G Width : 150 CM Fabric available Page 4/11 Fabric : 802744 Colour :Brown Light Bunch : GLENEAGLE -
Autumn Winter 19 Guide
DRESD ARTISANS OF BLACK TIE Autumn/Winter 2019 Cloth selection: Dormeuil & Alumo Made in Europe *** TIER I $3,000 - $5,000 ~ Example black tie ensemble ~ Ceremonial 2-piece suit in black wool barathea, self covered buttons, peak lapels faced in black silk satin. - Ceremonial dress shirt in white cotton, signature 9cm collar, french cuffs, self bib front, concealed placket, matching monogrammed pocket square. - Ceremonial 6.5cm hand finished classic butterfly bow tie in black silk satin. - Ceremonial whole cut oxford dress shoes in patent black leather. *** Suite 220, 33 Pirie Street Adelaide SA 5000, Australia Phone: +61 423 399 978 WWW.DRESD.COM.AU !1 of !3 DRESD ARTISANS OF BLACK TIE Autumn/Winter 2019 Cloth selection: Dormeuil & Alumo Made in Europe *** TIER II $5,000 - $7,000 ~ Example black tie ensemble ~ Ceremonial jacket in black cotton & silk velvet, self covered buttons, self faced peak lapels. - Ceremonial trouser in black wool & silk twill. Ceremonial dress shirt in white cotton, signature 9cm collar, french cuffs, self bib front, concealed placket, matching monogrammed pocket square. - Ceremonial 6.5cm hand finished classic butterfly bow tie in black silk satin. - Ceremonial whole cut oxford dress shoes in patent black leather. ~ Evening dress change ~ Evening dress shirt in black cotton, signature 9cm collar, french cuffs, self bib front, concealed placket, matching monogrammed pocket square. - Evening 6cm hand finished pointed butterfly bow tie in black silk faille. *** Suite 220, 33 Pirie Street Adelaide SA 5000, Australia Phone: +61 423 399 978 WWW.DRESD.COM.AU !2 of !3 DRESD ARTISANS OF BLACK TIE Autumn/Winter 2019 Cloth selection: Dormeuil & Alumo Made in Europe *** TIER III $7,000 - $9,000 ~ Example black tie ensemble ~ Ceremonial jacket in black wool & silk jacquard, self covered buttons, self faced peak lapels. -
Himachal Futuristic Communications Limited
HIMACHAL FUTURISTIC COMMUNICATIONS LIMITED STATEMENT OF UNPAID DIVIDEND FOR THE YEAR 2017‐18 FOLIO NO NAME ADDRESS WARRANT NO NET AMOUNT 00005049 AFZAL AMIRALI PATEL AGA ALY MANOR, 2ND FLOOR, FLAT NO.‐11, AGA HALL, NESBIT ROAD, MAZGOAN, MUMBAI 400010 232223 3.00 00005084 TAPAN KUMAR NAG HATUDEWAN, KATWA ROAD P.O. & DIST‐BURDWAN WEST BENGAL 713101 232224 6.00 00005116 RAYOMAND DINYAR MARFATIA M‐62 CUSHROW BANG SHAHID BHAGAT SINGH ROAD MUMBAI 400039 232225 6.00 00005153 SUSHILA BAID A‐63, SHREE KUNJ 51, DOBSON ROAD HOWRAH WEST BENGAL 711101 232226 108.00 00005203 PRODIP KUMAR BANERJEE 169 C S MUKHERJEE STREET P O KONNAGAR DISTT HOOGHLY, WEST BENGAL 712235 232227 6.00 00005211 ANANTHA SATYAVENI YANNAMANI W/O YANNAMANI VENKATA RAMA RAO DULLA, KADIAM MANDALAM EAST GODAVARI DISTT. A.P. 533234 232228 3.00 00005239 VINAY KUMAR SETHIA 156 SANTHOME HIGH ROAD MYLAPORE CHENNAI 600004 232229 6.00 00005261 DINU THAKKAR IN‐TIME INVESTMENTS 47 TOMRIND LANE, RAJABAHADUR MANSION 2ND FLOOR FORT, MUMBAI 400023 232230 42.00 00005334 SACHIN KASERA C‐188, BIRLA SAGAR COLONY PO : PORBANDAR ‐ 2 360576 232231 6.00 00005417 BUDDHA DEV KOAR 2 NO GURUDASHI PARA WEST 1 LANE, BURDWAN WEST BENGAL 713101 232233 30.00 00005480 JEHANBUX BOMI BHANDARA JEHANGIR MANSION FLAT NO 5, 1ST MARINE STREET, MUMBAI 400020 232235 3.00 00005535 HIMANSHU M MOGHE GOLDEN HEIGHTS, 4TH FLOOR ANANT PATIL ROAD DADAR, MUMBAI 400028 232236 6.00 00005542 VEENA ISSRANI PLOT NO 108, SECTOR‐2 GANDHIDHAM, KUTCH GUJARAT 370201 232237 6.00 00005586 NILESH J SHAH 12, SHRI KRISHNA ASHISH 6TH FLOOR, 137, GARODIA NAGAR GHATKOPAR, MUMBAI 400077 232238 6.00 00005588 SHRIKANT BAJAJ C/O SHRI SATI IRON TRADERS BEHIND L.I.C. -
Study on Mechanical Behaviour of Lantana-Camara Fiber Reinforced EPOXY Based Composites Bhupender1, Anil Kumar2
International Research Journal of Engineering and Technology (IRJET) e-ISSN: 2395 -0056 Volume: 04 Issue: 04 | April-2017 www.irjet.net p-ISSN: 2395-0072 Study on Mechanical Behaviour of Lantana-Camara Fiber Reinforced EPOXY Based Composites Bhupender1, Anil Kumar2 1PG student, Dept. of Mechanical Engineering, OITM, Juglan, Hisar, Haryana, India. 2Assistant Professor, Dept. of Mechanical Engineering, OITM, Juglan, Hisar, Haryana, India. ---------------------------------------------------------------------***--------------------------------------------------------------------- Abstract - Environmental awareness today motivates the properties such as tensile, flexural and impact strengths, researchers, worldwide on the studies of natural fiber stiffness and fatigue properties, which enable the structural reinforced polymer composite and cost effective option to design to be more versatile. Due to their many advantages synthetic fiber reinforced composites. The availability of they are widely used in aerospace industry, mechanical natural fibers and ease of manufacturing have tempted engineering applications (internal combustion engines, researchers to try locally available inexpensive fibers and to thermal control, machine components), electronic packaging, study their feasibility of reinforcement purposes and to what automobile, and aircraft structures and mechanical extent they satisfy the required specifications of good components (brakes, drive shafts, tanks, flywheels, and reinforced polymer composite for different applications. There pressure vessels), process industries equipment requiring are many potential natural resources, which India has in resistance to high-temperature corrosion, dimensionally abundance. Most of it comes from the forest and agriculture. stable components, oxidation, and wear, offshore and Lantana-Camara is one such natural resource whose potential onshore oil exploration and production, marine structures, as fiber reinforcement in polymer composite has not been sports, leisure equipment and biomedical devices [3, 4]. -
Pricelist for : Web - Standard Jan 2020 - Valid Until Mar 15 2020
Pricelist for : Web - Standard Jan 2020 - Valid until Mar 15 2020 Prices include base fabric and digital printing. No setup/ hidden costs. Prices inc VAT Create your fabric today at www.fashion-formula.com Natural Fibres Fabric Code Fabric Name Composition Colour Weight Face Popular For Width (mm) Sample FQ 40 - 300 m 20-39m 10-19m 4-9m 1-3m CF001 SATIN 100% COTTON White 240 Satin ✂️ 1350 £3.25 £12.80 £20.65 £21.90 £26.25 £30.00 £33.15 CF002 DRILL 100% COTTON White 250 Twill ✂️ 1400 £3.25 £10.00 £18.75 £21.25 £22.50 £27.50 £29.40 CF004 POPLIN 100% COTTON White 130 Plain ✂️ 1400 £3.25 £12.00 £20.65 £22.50 £26.25 £27.50 £30.00 CF005 PANAMA 100% COTTON White 210 Panama ✂️ 1400 £3.25 £12.00 £19.40 £20.65 £21.90 £27.50 £30.00 CF006 LIGHT TWILL 100% COTTON White 210 Twill ✂️ 1400 £3.25 £11.60 £20.00 £21.25 £22.50 £25.65 £28.70 CF007 TOP SATEEN 100% COTTON White 170 Satin ✂️ 1350 £3.25 £11.60 £20.65 £22.50 £25.00 £28.75 £30.65 CF008 MELINO LINEN 93% CO 7% LINEN White 228 Panama ✂️ 1350 £3.25 £12.40 £20.65 £22.50 £25.00 £29.40 £31.90 CF009 LIMANI LINEN 90% CO 10% LINEN White 250 Panama ✂️ 1350 £3.25 £12.80 £23.15 £26.25 £30.00 £32.50 £35.00 CF011 CALICO COTTON 100% COTTON White 155 Plain ✂️ 1400 £3.25 £8.00 £16.25 £18.15 £20.00 £21.90 £23.75 GOTS ORGANIC CF014 COTTON PANAMA 100% COTTON Natural 309 Panama ✂️ 1400 £3.25 £12.00 £20.65 £22.50 £25.00 £28.75 £31.90 NATURAL CF016 HEAVY DENIM 100% COTTON White 395 Twill ✂️ 1400 £3.25 £12.80 £23.15 £26.25 £28.75 £31.25 £32.25 CF017 COTTON SLUB 100% COTTON White 150 Slub -
The Development of Baptist Thought in the Jamaican Context
THE DEVELOPMENT OF BAPTIST THOUGHT IN THE JAMAICAN CONTEXT A Case Study by MICHAEL OLIVER FISHER Thesis submitted in partial fulfillment of the requirements for the Degree of Master of Arts (Theology) Acadia University Spring Convocation 2010 © by MICHAEL OLIVER FISHER, 2010. CONTENTS ACKNOWLEDGMENTS………………………………………………...................................…………… vi LIST OF ABBREVIATIONS…………………………………………………………….………………..…. vii ABSTRACT……………………………………………………………………………………………….…...… viii INTRODUCTION……………………………………………………………………………....……………..... 1 CHAPTERS: 1. BAPTIST LIFE AND THOUGHT AS CONTEXT…………………………………………... 5 1.1 The Polygenetic Nature of Baptist Origins……………….…………… 7 1.2 A Genetic History of Baptist Thought…………………………………… 13 1.3 General Patterns in Baptist Thought…………………………….…….... 25 1.4 Relevant Themes in Baptist Life and Thought……......………...…... 34 2. THE HISTORY OF BAPTISTS IN JAMAICA………………….…………………………....... 41 2.1 A Chronological History of Jamaica………………..…………..………… 42 2.2 An Introduction to the Baptist Mission……....……………….………… 51 2.2.1 American Influences…………………..…………………………….. 53 2.2.2 British Influences……………………...……………………………… 59 2.3 The Development of the Baptist Mission in Jamaica...………….…. 72 3. FOUNDATIONS OF AFRO‐CHRISTIAN THOUGHT IN JAMAICA……………….… 91 3.1 Bases of Jamaican Religious Thought………………………...………..... 93 3.1.1 African Religious Traditions……………………………...….…… 94 3.1.2 Missiological Religious Thought…………………………….…... 101 3.2 The Great Revival and the Rise of Afro‐Christian Theology......... 118 3.3 Features of Jamaica Religious -
A Mighty Experiment: the Transition from Slavery To
A MIGHTY EXPERIMENT: THE TRANSITION FROM SLAVERY TO FREEDOM IN JAMAICA, 1834-1838 by ELISABETH GRIFFITH-HUGHES (Under the Direction of Peter C. Hoffer) ABSTRACT When Britain abolished slavery, in 1834, it did not grant immediate freedom to the slaves, but put in place an apprenticeship period of four to six years depending upon occupation designation. This period, along with compensation of 6 million pounds, was awarded to the planters for their property losses. It was meant to be used to "socialize" the former slaves and convert them from enslaved to wage labor. The British government placed the task of overseeing the apprenticeship period in the hands of a force of stipendiary magistrates. The power to punish the work force was taken from the planters and overseers and given to the magistrates who ruled on the complaints brought by planters, overseers, and apprentices, meted out punishments, and forwarded monthly reports to the governors. Jamaica was the largest and most valuable of the British West Indian possessions and consequently the focus of attention. There were four groups all with a vested interest in the outcome of the apprenticeship experiment: the British government, the Jamaican Assembly, the planters, and the apprentices. The thesis of this work is that rather than ameliorating conditions and gaining the cooperation they needed from their workers, the planters responded with coercive acts that drove the labor force from the plantations. The planters’ actions, along with those of a British government loathe to interfere with local legislatures after the experience of losing the North American colonies, bear much of the responsibility for the demise of the plantation economy in Jamaica. -
FABRICS/ DYING Dictionary
FABRICS/ DYING dictionary ACRYLIC BABYCORD Acrylic fabric is a manufactured fiber with a soft wool-like feel and Babycord is a ribcord fabric with a very small and thin rib line. The an uneven finish. It is used widely in knits as the fabric has the same fabric is often lighter and softer than normal or corduroy fabric. It is cozy look as wool. Acrylic fabric is favored for a variety of reasons very soft and comfortable, and is often made in a stretch quality. it is warm, quite soft, holds color well, is both stain and wrinkle resistant and it doesn’t itch. These qualities make acrylic a great BLEND substitute for wool. A blend fabric or yarn is made up of more than one fibre. In the yarn, two or more different types of fibres are used to form the yarn. ALPACA Blends are used to create a more comfortable fabric with a softer Alpaca wool comes from a South American animal that roams the feel. A good example is a cotton/wool blend; the mixture of cotton mountain slopes of Ecuador, Peru, Bolivia and Chile. The fleece and wool will prevent the fabric from being excessively warm and from an alpaca is similar to wool or mohair, but is softer, silkier, and will make the fabric softer to the skin. warmer. Because alpaca wool takes much longer to grow it is often more expensive and exclusive. However, garments made from this BOUCLE fabric are stronger and more comfortable. The term boucle is derived from the French word boucle, which literally means “to curl”. -
Abel, Isabel Multiple Harness Patterns from the Early 1700'S 717 Adelson
Abel, Isabel AymaraMultiple HarnessWeaving, Patterns Ceremonial from Textiles the Early of 1700'sColonial and 19th 717 Adelson, Laurie, Tracht Arthur Century Bolivia 951 Adrosko, Rita Natural Dyes and Home Dyeing 360 Aiken Marie Finger Weaves and Simple Looms 915 Aitkenhead, James Craft Encounters, a decade of Fibre influences 955 Albaum, Charlet Ojo de Dios - Eye of God 578 Albers, Anna On Weaving 463 Albers, Anna On Designing 621 Albers, Anna On Designing 713 Albers, Anna On Weaving 734 Albers, Anni On Designing 1046 Albers, Joseph Interaction of Color 685 Alberta Agriculture Money Making Ventures for Community Organizations 436 Alberta Agriculture Wool and Sheepskins 580 Alberta Culture Children's Weaving Notes - Technical 424 Alderman & Wertenberger Handwoven Tailormade 321 Alderman, Sharon A Handweaver's Notebook 655 Alderman, Sharon Mastering Weave Structures 873 Alexander, M Weaving Handcraft 396 Allard, Mary Rug Making - Techniques and Design 201 Allen, Edith Weaving You Can Do 461 Allen, Heather L. Weaving Contermpory Rag Rugs 842 Allen, Helen Louise American and European Hand Weaving Revised 171 American Craft Museum Felting (REF) 1043 Amos, Alden Big Book of Handspinning 854 Anderson, Gordon, Towner Beiderwand 443 Andrews, Mary The Fundamentals of Weaving, 1991 Banff, Alta Book #1 520 Andrews, Mary The Fundamentals of Weaving Book #3 605 Andrews, Mary The Fundamentals of Weaving, 1991 Banff, Alta Book #2 720 Appleton, Leroy American Indian Design & Decoration 978 Art Magazine In Praise of Hands 152 Ashenhurst, T.R. Design in -
Fabric Fiber Content
Fabric Types, Count & Fiber Content Zweigart Linen Count Content Belfast 32 100% linen Afghans - 100% Polyacrylic Cashel 28 100% linen Abby 18ct Alba 14ct Almanac 14ct Cork 19 100% linen Anne Cloth 18ct Baby Snuggle 18ct Country Home 18ct Dublin 25 100% linen Diamond 18ct Gloria 14ct Hearthside 14ct Edinborough 36 100% linen Honeycomb 18ct Novara 14ct Patrice 14ct Fine Linen 45 55% linen + 45% cotton Afghans - 100% Cotton Glasgow 28 100% linen Anne Cloth 18ct Augusta 14 ct Novara 14ct Kingston 50 100% linen Teresa 14ct Newcastle 40 100% linen Afghans- Misc Normandie 55% cotton + 45% linen Pastel LinenD 28 52% cotton + 48% linen Gloria 14ct 70% rayon + 30% linen Pearl Linen 20, 25, 28 60% polyester + 40% linen Merino 28ct 100% Wool Mosaik 18ct 52% cotton + 42% rayon Patterned Count Content Tannenbaum 18ct 52% cotton + 42% rayon Cottage Huck 14 100% cotton Aida Weave Count Content Belinda 20 52% cotton + 48% rayon Diana 20 52% cotton + 48% rayon Aida 8, 11, 14, 16, 18 100% cotton Newport 28 100% linen Country AidaD 7 100% polyacrylic Sambuca 28 60% polyester + 40% linen Damask Aida 11,14,18 52% cotton + 48% rayon Saronno 28 52% cotton + 48% rayon GoldauD 7 55% rayon + Shenandoah 28 55% linen + 45% rayon 40% cotton + 5% metallic Hardanger 22 100% cotton Canvas Count Content Hearthstone 14 60% cotton + 40% linen Congress 24 100% cotton Herta 6 100% cotton Congressa 24 100% cotton Huck 14 100% cotton Cordova 22 100% cotton Klostern 7 60% rayon + 40% cotton Double Mesh 5, 6.5, 7.5, 10, 12, Linen Hardanger 22 100% linen 14, 16, 18, 20 100% cotton -
J. Besson B. Chevannes the Continuity
J. Besson B. Chevannes The continuity-creativity debate : the case of Revival Argues that the attempts to polarize the debate around Caribbean culture into an African continuity versus a creole creativity position is misplaced. The authors use Revivalism as an example of both continuity in African-derived Myalim and an on-going process of re-creation. In: New West Indian Guide/ Nieuwe West-Indische Gids 70 (1996), no: 3/4, Leiden, 209-228 This PDF-file was downloaded from http://www.kitlv-journals.nl JEAN BESSON & BARRY CHEVANNES THE CONTINUITY-CREATIVITY DEBATE: THE CASE OF REVIVAL INTRODUCTION The republication of Sidney Mintz and Richard Price's classic work, An Anthropological Approach to the Afro-American Past (1976), under the new title The Birth of African-American Culture (1992), clearly indicates that the debate on the African cultural heritage is still alive. In the Preface to their republished essay, Mintz and Price (1992:viii-ix) outline this de- bate in terms of reactions to their first edition, which advanced a linguistic model of underlying African "grammatical" principles and a dynamic process of Caribbean culture-building to replace the more static approach of African cultural survivals advanced by M.J. Herskovits (e.g. 1937, 1941; Herskovits & Herskovits 1947): The argument aimed to build on the insights of Herskovits and his peers. But it was greeted in some quarters by a - for us - surprising hostility, accompanied by the charge that it denied the existence of an African heritage in the Americas. It seemed that many such reactions originated in a desire to polarize Afro-Americanist scholarship into a flatly "for" or "against" position in regard to African cultural retentions.