Chronicles: 1 January–31 December 2007
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German Jewish Refugees in the United States and Relationships to Germany, 1938-1988
UNIVERSITY OF CALIFORNIA, SAN DIEGO “Germany on Their Minds”? German Jewish Refugees in the United States and Relationships to Germany, 1938-1988 A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in History by Anne Clara Schenderlein Committee in charge: Professor Frank Biess, Co-Chair Professor Deborah Hertz, Co-Chair Professor Luis Alvarez Professor Hasia Diner Professor Amelia Glaser Professor Patrick H. Patterson 2014 Copyright Anne Clara Schenderlein, 2014 All rights reserved. The Dissertation of Anne Clara Schenderlein is approved, and it is acceptable in quality and form for publication on microfilm and electronically. _____________________________________________________________________ _____________________________________________________________________ _____________________________________________________________________ _____________________________________________________________________ _____________________________________________________________________ Co-Chair _____________________________________________________________________ Co-Chair University of California, San Diego 2014 iii Dedication To my Mother and the Memory of my Father iv Table of Contents Signature Page ..................................................................................................................iii Dedication ..........................................................................................................................iv Table of Contents ...............................................................................................................v -
PICASSO Les Livres D’Artiste E T Tis R a D’ S Vre Li S Le PICASSO
PICASSO LES LIVRES d’ARTISTE The collection of Mr. A*** collection ofThe Mr. d’artiste livres Les PICASSO PICASSO Les livres d’artiste The collection of Mr. A*** Author’s note Years ago, at the University of Washington, I had the opportunity to teach a class on the ”Late Picasso.” For a specialist in nineteenth-century art, this was a particularly exciting and daunting opportunity, and one that would prove formative to my thinking about art’s history. Picasso does not allow for temporalization the way many other artists do: his late works harken back to old masterpieces just as his early works are themselves masterpieces before their time, and the many years of his long career comprise a host of “periods” overlapping and quoting one another in a form of historico-cubist play that is particularly Picassian itself. Picasso’s ability to engage the art-historical canon in new and complex ways was in no small part influenced by his collaborative projects. It is thus with great joy that I return to the varied treasures that constitute the artist’s immense creative output, this time from the perspective of his livres d’artiste, works singularly able to point up his transcendence across time, media, and culture. It is a joy and a privilege to be able to work with such an incredible collection, and I am very grateful to Mr. A***, and to Umberto Pregliasco and Filippo Rotundo for the opportunity to contribute to this fascinating project. The writing of this catalogue is indebted to the work of Sebastian Goeppert, Herma Goeppert-Frank, and Patrick Cramer, whose Pablo Picasso. -
The Night of Museums – a Boost Factor for the Cultural Dimension of Tourism in Bucharest
HUMAN GEOGRAPHIES – Journal of Studies and Research in Human Geography 8.1 (2014) 55–63. ISSN-print: 1843–6587/$–see back cover; ISSN-online: 2067–2284–open access www.humangeographies.org.ro (c) Human Geographies —Journal of Studies and Research in Human Geography (c) The authors THE NIGHT OF MUSEUMS — A BOOST FACTOR FOR THE CULTURAL DIMENSION OF TOURISM IN BUCHAREST Daniela Dumbrăveanua*, Anca Tudoricua, Ana Crăciuna a Faculty of Geography, University of Bucharest, Romania Abstract: Several media and research sources have recently flagged out and insisted significantly on a new process of concern to tourism planners in Bucharest. The Night of Bucharest Museums has initially been a quite isolated, museum focussed and rather individualistic event which has progressively developed over the past ten years into a cultural process involving several cultural institutions. Among the institutions involved in this growing event museums are still predominant but not sole. Most of the participant members into the event have developed complex and dynamic programmes comprising sections of joint institutional events mostly having to do with exposing the public to local culture. This brief comparative analysis of this progressive event development identifies changes to the extent and with particular regard to the cultural dimension of it in close connection to the potential of local tourism development. This paper is mainly attempting to answer the question regarding to what extent the public of such event has become tourist. The paper also aims to focus on more specific aspects and issues concerning the main aim by sketching a brief overview regarding the attitudes and perceptions of people regularly attending an event such the European Night of Museums in Bucharest. -
Kunsthändler Und -Sammler Art Dealers and Collectors
Kunsthändler und -sammler Art dealers and collectors Die Eigentümergeschichte der Kunstwerke aus dem Bestand des Museum Berggruen bildet das Leitmotiv der Ausstellung. Die Namen derer, die mit e history of ownership of the artworks from the collection of the Museum den Werken in Berührung kamen oder deren Eigentum sie waren, lesen sich Berggruen is the leitmotif of the exhibition. e names of those who came wie ein „Who is Who“ der Kunstwelt der ersten Häle des 20. Jahrhunderts: into contact with the works or who owned them read like a "Who's Who" of Kunsthändler wie Alfred Flechtheim, Paul Rosenberg, Daniel-Henry Kahn- the art world of the rst half of the 20th century: Art dealers such as Alfred weiler oder Karl Buchholz, die Klee-Enthusiastin Galka Scheyer sowie die Flechtheim, Paul Rosenberg, Daniel-Henry Kahnweiler or Karl Buchholz, Sammler Alphonse Kann, Douglas Cooper und Marie-Laure Comtesse the Klee-enthusiast Galka Scheyer as well as the art collectors Alphonse de Noailles. Kann, Douglas Cooper and Marie-Laure Comtesse de Noailles. Die Kunstwerke rufen damit nicht nur ihre Besitzer und Eigentümer in e artworks do not only remind us of their owners and proprietors, whose Erinnerung, deren Lebensgeschichte in historische Ereignisse eingebettet biographies is embedded in historical events. eir provenances also express ist. Ihre Provenienzen drücken auch die Vielfalt der emen aus, welche die the variety of themes that shape the history of 20th century art: the popula- Geschichte von Kunst im 20. Jahrhunderts prägen: die Popularisierung der risation of Modernism, the development of the international art market, the Moderne, die Entwicklung des internationalen Kunstmarktes, die Emigra- emigration of art dealers and collectors and the translocation of artworks, tion von Kunsthändlern und Sammlern und die Translokation von Kunst- the art policy and the art looting of the National Socialists between 1933 werken, die Kunstpolitik und der Kunstraub der Nationalsozialisten and 1945. -
Museum Berggruen Di Benedetta Baldessarelli E Margherita Savino Indice
Museum Berggruen di Benedetta Baldessarelli e Margherita Savino Indice • Heinz Berggruen (1914 -2007) • L’Edificio e i recenti restauri • La collezione • 1. “Picasso ed il suo tempo dal 1897 al 1972” • 2. L’organizzazione • 3. Gli altri artisti e Picasso • Confronti • Osservazioni Heinz Berggruen (1914 Berlino -2007 Berlino) Heinz Berggruen con il dipinto di Pablo Picasso “Large Reclining Nude” del 1942 (il dipinto è esposto al primo piano del museo) Cenni biografici • Mercante d'arte e collezionista • In America, l’uomo – di genitori ebrei – si era rifugiato nel 1936 per sottrarsi al regime nazista. • Arrivò nel 1947 a Parigi, dove aprì la sua prima galleria d'arte. Nella capitale francese diventò famoso grazie alla sua professione di gallerista e alla sua amicizia con Pablo Picasso. • Nel 1980, decise di abbandonare la direzione della rinomata Paris Gallery per dedicarsi soltanto all’acquisto di opere. • Dopo la morte (2007) i suoi quattro figli e la moglie Bettina annunciano la loro intenzione di supportare il museo. “Il primo quadro che ho acquistato in vita mia fu un lavoro di Paul Klee – racconta H. Berggruen, “avevo 25 anni ed ero in viaggio di nozze da San Francisco a New York… A Chicago mi offrirono un acquerello del grande pittore…Era intitolato Perspektiv Spuk (Fantasma), era di piccole dimensioni, del 1920 e lo pagai 200 dollari, e per me fu l’inizio di una storia d’amore. Paul Klee, Perspektiv Spuk (1920) L’Edificio e i recenti restauri Il Palazzo Stueler, che ospita la collezione Berggruen, si trova nel quartiere di Charlottenburg (di fronte al castello), nella zona Ovest di Berlino. -
Lange Nacht Der Museen JUNGE WILDE & ALTE MEISTER
31 AUG 13 | 18—2 UHR Lange Nacht der Museen JUNGE WILDE & ALTE MEISTER Museumsinformation Berlin (030) 24 74 98 88 www.lange-nacht-der- M u s e e n . d e präsentiert von OLD MASTERS & YOUNG REBELS Age has occupied man since the beginning of time Cranach’s »Fountain of Youth«. Many other loca- – even if now, with Europe facing an ageing popula- tions display different expression of youth culture tion and youth unemployment, it is more relevant or young artist’s protests: Mail Art in the Akademie than ever. As far back as antiquity we find unsparing der Künste, street art in the Kreuzberg Museum, depictions of old age alongside ideal figures of breakdance in the Deutsches Historisches Museum young athletes. Painters and sculptors in every and graffiti at Lustgarten. epoch have tackled this theme, demonstrating their The new additions to the Long Night programme – virtuosity in the characterisation of the stages of the Skateboard Museum, the Generation 13 muse- life. In history, each new generation has attempted um and the Ramones Museum, dedicated to the to reform society; on a smaller scale, the conflict New York punk band – especially convey the atti- between young and old has always shaped the fami- tude of a generation. There has also been a genera- ly unit – no differently amongst the ruling classes tion change in our team: Wolf Kühnelt, who came up than the common people. with the idea of the Long Night of Museums and The participating museums have creatively picked who kept it vibrant over many years, has passed on up the Long Night theme – in exhibitions, guided the management of the project.We all want to thank tours, films, talks and music. -
How Can Visitors Be Better Distributed in Terms Of
CASE CARDS HOW CAN VISITORS BE BETTER DISTRIBUTED IN TERMS OF TIMING AND LOCATION? Locatify Who Locatify, IS What Ultra-wideband technology (UWB) Where Borgarnes, Iceland When ongoing Description Locatify is an Icelandic software company that offers storytelling and gamification solutions through mobile apps and location-based technologies. Among Locatify’s offers there are treasure hunt games and tour guide apps, white-label/custom enterprise apps, indoor positioning systems and a Content Management System (CMS) allowing clients to manage their own app content. Locatify was founded by Steinunn-Anna Gunnlaugsdóttir and Leifur Björn Björnsson in 2009 and since then it has delivered more than 100 mobile apps and enabled more than 20,000 projects in 30 countries. Locatify’s headquarters are located in Iceland with a sales office in Amsterdam. Two major Locatify offers to museums and other cultural institutions are audio guides and experience-based apps. Both are tailored to deliver unique visitor experience through AR technologies, gamification, storytelling and other ways of engaging the visitor but it can also be used for data collection and visitor flow control. Locatify’s solutions include Firebase analytics: demographic reporting (who the users are, their age, gender, etc.) and location-based data (user behaviour in terms of dwell time, peak-time flow, zone-based visibility). In their turn, visitor distribution challenges can be tackled through indoor positioning and way-finding options offered by Locatify. A technology which comprises everything aforementioned and which popularity is spreading in the museum realm is the ultra-wideband technology (UWB). Museums and UWB Locatify’s blog reveals the advantages of UWB technology usage in museums. -
Taternik 2 1968
Taternik www.pza.org.pl Spis treści Droga wiedzie przez Aiguille du Midi (J. Nyka) 49 Ignacy Dcmeyko w Andach (E. Eche- varrid C.) ....... 50 Polacy na siedmiu tysiącach (J. Wala) . 53 Na Szczyt Engelsa wprost ścianą (G. I. Szałajew) 56 II Polska Wyprawa w Wysoki Atlas (E. Temlak) 58 Z Wysokim Atlasem — sam na sam — (A. Mróz) 62 Polski obóz w Alpach Retyckich (H. Furmanik) 64 Piz Badile 1937—1963 (A. Stanoch) . 65 Polskie przejście ściany Piz Badile (A. Skłodowski) ....... 67 Aiguille Blanche — w zimie (J. Poręba) 69 „Panorama Tatr" — największe malo widło tatrzańskie (A. Chowański) . 70 Sylwester na Raptawickiej Turni (B. Uchrnański) 74 Kazalnica, styczeń 1968 (W. Jedliński) . 77 Zgrupowanie KDL — marzec 1968 (A. Mróz) 79 Śladami Polaków (J. Nyka) .... 79 Alpinizm w Estońskiej SRR (P. Varep) 80 Nowe drogi w Tatrach 81 Speleologia, taternictwo jaskiniowe . 83 Z życia Klubu Wysokogórskiego . 86 Wypadki i ratownictwo 87 Z żałobnej karty 88 W skrócie 91 Z piśmiennictwa 92 Notatki i ciekawostki 93 Przednia okładka: Gierlach, Ganek i grań Kończy stej — widok z Niżnich Rysów. Fot. Ryszard Ziemak W skałkach skończyła się już ■zima — można roz począć treningi. Zjazd z Wroniej Baszty. Fot. Lucjan Saduś www.pza.org.pl Taternik ORGAN KLUBU WYSOKOGÓRSKIEGO Rocznik 44 Warszawo 1968 Nr 2 (199) Droga wiedzie przez Aiguille du Midi Ta zima nie zapowiadała się nadzwyczajnie. Problemy tatrzańskie wy dawały się być wyczerpane, a wyjazd naszej ekipy w Alpy długo stał pod znakiem zapytania. Tymczasem rzeczywistość okazała się inna. Kolejno zaczęły napływać wieści o wielkich dokonaniach w Tatrach. Droga Heinricha na wschodniej ścianie Mnicha, Raptawicka Turnia w najkrótsze dni roku, „Chrobakówka" na Kazalnicy, wreszcie droga Kowalewskiego na Młynarczyku.. -
Modern Paintings, Drawings, Sculptures : Arp
Modern paintings, drawings, sculptures : Arp ... [et al.], donated by private collectors, artists and American & European dealers for the benefit of the Thirtieth Anniversary Fund of the Museum of Modern Art, New York : public auction ... April 27 ... Parke Bernet Galleries, Inc., New York, 1960 Date 1960 Publisher Parke-Bernet Galleries, inc. Exhibition URL www.moma.org/calendar/exhibitions/3407 The Museum of Modern Art's exhibition history— from our founding in 1929 to the present—is available online. It includes exhibition catalogues, primary documents, installation views, and an index of participating artists. MoMA © 2017 The Museum of Modern Art FIFTY MODERN PAINTINGS AND SCULPTURES ESPECIALLY DONATED FOR THE BENEFIT OF THE 30TH ANNIVERSARY FUND OF The Museum of Modern Art NEW YORK PUBLIC AUCTION WEDNESDAY APRIL 27 AT 8:30 P.M. PARKE-BERNETGALLERIES INC 980 MADISON AVENUE NEW YORK 1960 MUSEUMO? MODERN PAINTINGS DRAWINGS SCULPTURES ARP BRAQUE CEZANNE CHAGALL DUBUFFET GIACOMETTI GRIS JAWLENSKY KANDINSKY KLEE LEGER MAILLOL MATISSE MIRO MOORE PICASSO PRENDERGAST RENOIR UTRILLO AND OTHER NOTABLE ARTISTS DONATED BY Private Collectors Artists and American& EuropeanDealers FOR THE BENEFIT OF THE THIRTIETH ANNIVERSARY FUND OF The Museum of Modern Art NEW YORK Public Autlion Wednesday April 27 at 8:30 p. m. PARKE-BERNET GALLERIES INC New York i960 MOlfllN* ART LIBRARY EXHIBITION AND SALE AT THE PARKE-BERNET GALLERIES INC 980 Madison Avenue New York 21 TRAFALGAR 9-83OO Public Exhibition — Admission $1 Saturday, April 23 from 10 a.m. to 5 p. m. Sunday, April 24 from 2 to 6 p. m. Monday, April 25 from 10 a. -
The Album Polish Art and the Writing of Modernist Art History of Polish 19Th-Century Painting
Anna Brzyski Constructing the Canon: The Album Polish Art and the Writing of Modernist Art History of Polish 19th-Century Painting Nineteenth-Century Art Worldwide 3, no. 1 (Spring 2004) Citation: Anna Brzyski, “Constructing the Canon: The Album Polish Art and the Writing of Modernist Art History of Polish 19th-Century Painting,” Nineteenth-Century Art Worldwide 3, no. 1 (Spring 2004), http://www.19thc-artworldwide.org/spring04/284-constructing-the- canon-the-album-polish-art-and-the-writing-of-modernist-art-history-of-polish-19th-century- painting. Published by: Association of Historians of Nineteenth-Century Art Notes: This PDF is provided for reference purposes only and may not contain all the functionality or features of the original, online publication. ©2004 Nineteenth-Century Art Worldwide Brzyski: The Album Polish Art and the Writing of Modernist Art History of Polish 19th-Century Painting Nineteenth-Century Art Worldwide 3, no. 1 (Spring 2004) Constructing the Canon: The Album Polish Art and the Writing of Modernist Art History of Polish 19th-Century Painting by Anna Brzyski In November 1903, the first issue of a new serial album, entitled Polish Art (Sztuka Polska), appeared in the bookstores of major cities of the partitioned Poland. Printed in a relatively small edition of seven thousand copies by the firm of W.L. Anczyc & Co., one of the oldest and most respected Polish language publishers, and distributed to all three partitions by the bookstores of H. Altenberg in Lvov (the album's publisher) and E. Wende & Co. in Warsaw, the album was a ground-breaking achievement. It was edited by Feliks Jasieński and Adam Łada Cybulski, two art critics with well-established reputations as supporters and promoters of modern art. -
Biotopia 2019 Annual Review Biotopia 2019 Annual Review
BIOTOPIA 2019 ANNUAL REVIEW BIOTOPIA 2019 ANNUAL REVIEW EXPLORE LIFE. FOREWORD BIOTOPIA Michael John Gorman Mission and values Founding Director 7 4–5 BIOTOPIA BIOTOPIA CONTRIBUTORS FACTS & FIGURES Förderkreis BIOTOPIA e.V. Team (Friends Society) 98–102 80–87 Boards International Advisory Board 103 88–93 Chronicle BIOTOPIA Partners 104–107 94–95 Image Credits A MUSEUM IN 108–109 DEVELOPMENT Imprint 8–77 112 I. IN THE SPOTLIGHT Seeing the bigger picture 10–27 VI. COMMUNICATION BIOTOPIA – analogue and digital III. ARCHITECTURE 74–77 II. EXHIBITION An innovative museum The development of the in a historic palace complex IV. NETWORK exhibition concept 36–45 Bavaria-wide network for 28–35 nature studies and V. EVENTS environmental education Highlights and preview 46–49 50–73 around the world to protect our environment and combat climate change and biodiversity loss in 2019 has given reason for optimism. Never before have platforms for public engage- FOREWORD ment with life sciences and the environment been more essential to public life, a healthy democracy and the protection of the environment. Never before has scientific knowledge been under such a threat from the ‘weaponised lies’ spread by conspiracy theorists and extremist groups through social media. On 31 December 2019, the WHO first alerted the world to ‘a cluster of cases of pneumonia of unknown cause detected in Wuhan City, Hubei Province of China’. The consequences have transformed our world beyond recognition and will echo far into the future. The ensuing public discourse about Covid-19, and the confusion of fact and fiction, have demonstrated the vital importance of institutions like BIOTOPIA in providing a public platform for life sciences communication and an informed discussion with the public. -
Resume (Pdf, Ca. 700Kb)
Nina Weber Awards Publications/Clients Exhibitions *Vise~Versa Artist Residency *Clark Creative (US) * »Auf_Bruch« Leipzig, GER (2015) - June 2010 Brooklyn, USA scholarship (India 2013) *Hazelina Marketing (Ger) * Haitian Benefit Exhibition - July 2010 South Carolina, USA ... *Greater China Illustration Awards *Hide Magazine (Germany) Savannah, USA (2015) *Group exhibition at the Certificate of Excellence (Hong Kong, *Hilton Hotel (US) * Vise~Versa foundation »Long Night of Museums« Mainland China, Macao, Taiwan, 2012) *Ilür, Illu and Art Mag (Germany) (permanent collection), India 2014 Wilhelmspalais Stuttgart, GER (2008) *Society of Illustrators Los Angeles *Indigo Magazine (Europe) * Greater China Illustration Awards *Group exhibition leaf.artmag #01 3 Certificates of Merit (US, 2011) *Kindermund Publishing House Hong Kong, Shenzhen, »Kunst und KulturWerkHaus Zigarre« *Read it Loud! Foundation (US) (Germany) Hangzhou and Taiwan (2012) Heilbronn, GER (2007) Certificate of Merit (US, 2010) *Misfit Press (US) *Public Sketchbook?! * »DeSigns« *Creative Quarterly (US, 2010) *Oliveda (Switzerland) Sketchbook Tour through Europe Merz Akademie Stuttgart * Artistic Honors Scholarship (US, 2009) *Paradigmata Magazine (Austria) exhibition in Stgt, Germany with Caroline Isella (2006/2007) *Racken Marketing (Germany) *Illustration West 49 *Fulda-Mosocho-Project *Soma-Tech GmbH (Germany) Gallery Nucleus Art Against Female Gemital Mutilation *STW Automotive (Germany) Los Angeles, USA (2011) internationally traveling group *What`s up Annapolis Magazine