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Aird Gallery Robert Houle
ROBERT HOULE LOOKING FOR THE SHAMAN CONTENTS INTRODUCTION by Carla Garnet ARTIST STATEMENT by Robert Houle ROBERT HOULE SELECTED WORKS A MOVEMENT TOWARDS SHAMAN by Elwood Jimmy INSTALL IMAGES PARTICIPANT BIOS LIST OF WORKS ABOUT THE JOHN B. AIRD GALLERY ROBERT HOULE CURRICULUM VITAE (LONG) PAMPHLET DESIGN BY ERIN STORUS INTRODUCTION BY CARLA GARNET The John B. Aird Gallery will present a reflects the artist's search for the shaman solo survey show of Robert Houle's within. The works included are united by artwork, titled Looking for the Shaman, their eXploration of the power of from June 12 to July 6, 2018. dreaming, a process by which the dreamer becomes familiar with their own Now in his seventh decade, Robert Houle symbolic unconscious terrain. Through is a seminal Canadian artist whose work these works, Houle explores the role that engages deeply with contemporary the shaman plays as healer and discourse, using strategies of interpreter of the spirit world. deconstruction and involving with the politics of recognition and disappearance The narrative of the Looking for the as a form of reframing. As a member of Shaman installation hinges not only upon Saulteaux First Nation, Houle has been an a lifetime of traversing a physical important champion for retaining and geography of streams, rivers, and lakes defining First Nations identity in Canada, that circumnavigate Canada’s northern with work exploring the role his language, coniferous and birch forests, marked by culture, and history play in defining his long, harsh winters and short, mosquito- response to cultural and institutional infested summers, but also upon histories. -
The Gospel and Globalization
the Gospel and Globalization Exploring the Religious Roots of a Globalized World Edited by Michael W. Goheen Erin G. Glanville Regent College Press • Geneva Society Vancouver, B.C., Canada THE GOSPEL AND GLOBALIZATION: EXPLORING THE RELIGIOUS ROOTS OF A GLOBALIZED WORLD Copyright © 2009 Regent College Publishing All rights reserved. Published 2009 by REGENT COLLEGE PUBLISHING 5800 University Boulevard / Vancouver, British Columbia V6T 2E4 / Canada / www.regentpublishing.com with GENEVA SOCIETY www.genevasociety.org Cover image by Ben Goheen Typeset by Dan Postma No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the publisher or the Copyright Licensing Agency. Views expressed in works published by Regent College Publishing are those of the authors and do not necessarily represent the official position of Regent College (www.regent-college.edu). Library and Archives Canada Cataloguing in Publication The Gospel and globalization : exploring the religious roots of a globalized world / edited by Michael W. Goheen and Erin G. Glanville. Includes bibliographical references. ISBN 978-1-57383-440-7 1. Globalization—Religious aspects—Christianity. 2. Globalization— Religious aspects—Islam. 3. Capitalism—Religious aspects—Christianity. 4. Capitalism—Religious aspects—Islam. 5. Globalization—Moral and ethical aspects. 6. Globalization—Economic aspects. 7. Christian ethics. 8. World politics. I. Goheen, Michael W., 1955- II. Glanville, Erin G., 1980- BL65.G55G68 2009 201’.7 C2009-902767-4 For Phoebe Shalom, because the future is secure Table of Contents Preface 7 Introduction 11 Michael W. Goheen and Erin G. -
BC's Faith-Based Postsecondary Institutions
Made In B.C. – Volume II A History of Postsecondary Education in British Columbia B.C.’s Faith-Based Postsecondary Institutions Bob Cowin Douglas College April 2009 The little paper that keeps growing I had a great deal of fun in 2007 using some of my professional development time to assemble a short history of public postsecondary education in British Columbia. My colleagues’ interest in the topic was greater than I had anticipated, encouraging me to write a more comprehensive report than I had planned. Interest was such that I found myself leading a small session in the autumn of 2008 for the BC Council of Post Secondary Library Directors, a group that I enjoyed meeting. A few days after the session, the director from Trinity Western University, Ted Goshulak, sent me a couple of books about TWU. I was pleased to receive them because I already suspected that another faith-based institution, Regent College in Vancouver, was perhaps BC’s most remarkable postsecondary success. Would Trinity Western’s story be equally fascinating? The short answer was yes. Now I was hooked. I wanted to know the stories of the other faith-based institutions, how they developed and where they fit in the province’s current postsecondary landscape. In the ensuing months, I poked around as time permitted on websites, searched library databases and catalogues, spoke with people, and circulated drafts for review. A surprisingly rich set of historical information was available. I have drawn heavily on this documentation, summarizing it to focus on organizations rather than on people in leadership roles. -
Chronology of Daphne Odjig's Life: Attachment #1
Chronology of Daphne Odjig’s life: Attachment #1 Excerpt p.p. 137 – 141 The Drawings and Paintings of Daphne Odjig: A Retrospective Exhibition by Bonnie Devine Published by the National Gallery of Canada in collaboration with the Art Gallery of Sudbury, 2007 1919 Born 11 September at Wikwemikong Unceded Indian Reserve, Manitoulin Island, Ontario, the first of four children, to Dominic Odjig and his English war bride Joyce Peachy. Odjig’s widowed grandfather, Jonas Odjig, lives with the family in the house he had built a generation earlier and which still stands in Wikwemikong today. The family is industrious and relatively prosperous by reserve standards. Jonas Odjig is a carver of monuments and tombstones; Dominic is the village constable. The family also farms their land, raises cows, pigs, and chickens and owns a team of horses. 1925 Begins school at Jesuit Mission in Wikwemikong. An avid student, she turns the family’s pig house into a play school where she teaches local children to read and count. When they tire of her instruction she converts the play school into a play church and hears their confessions. The family is musical. Daphne plays the guitar; Dominic the violin. They all enjoy sing-a-longs and music nights listening to a hand-cranked phonograph. She develops a life-long love of opera singing. She is athletic and participates in the annual fall fairs at Manitowaning, the nearest off-reserve town, eight miles away, taking prizes in running and public speaking. Art is her favourite subject and she develops the habit of sketching with her grandfather and father, both of whom are artistic. -
Annual Report Fiscal Year 2010 July 1, 2009–June 30, 2010
Annual Report Fiscal Year 2010 July 1, 2009–June 30, 2010 For the 2009–2010 fiscal year, Tacoma Art Museum presented a series of exhibitions focusing on its mission of “emphasizing the art and artists of the Northwest” alongside nationally and internationally acclaimed artists across all media. The summer of 2009 began with the dynamic pairing of jewelry exhibitions, Ornament as Art: Avant-Garde Jewelry from the Helen Williams Drutt Collection, the only West Coast venue of the major exhibi- tion organized by the Museum of Fine Arts, Houston, and Loud Bones: The Jewelry of Nancy Worden, which was curated by Ta- coma Art Museum. The autumn exhibitions included A Concise History of Northwest Art, featuring highlights of the museum’s Northwest art collection and exploring the development of the region’s art from the 1890s to the present. Joe Feddersen: Vital Signs, organized by Hallie Ford Museum of Art at Willamette University, presented a retrospective look at Native American art- ist Joe Feddersen, a nationally acclaimed printmaker, basket maker, and glass artist. One of the museum’s most treasured col- lections was featured in The Movement of Impressionism: Europe, America, and the Northwest, a survey of how a painting style spread from late 19th-century Paris to the Northwest. The museum’s works by Edgar Degas, Camille Pissarro, and Pierre-Au- guste Renoir along with works by Everett Shinn, Maurice Prendergast, and others were supplemented by important loans of Northwest impressionists. The winter season featured The Secret Language of Animals, a two-gallery exhibition exploring the changing ways artists used animals as symbols for human relationships across three centuries of American and European art. -
2021 Catalog 2 3
2020- 2021 1 Hillsdale College 2020 - 2021 Catalog 2 3 Welcome to Hillsdale College independent, four-year college in south-central Michigan, Hillsdale College offers the An rigorous and lively academic experience one expects of a tier-one liberal arts college, and it stands out for its commitment to the enduring principles of the Western tradition. Its core curriculum embodies this commitment through required courses in disciplines such as history, literature, science and politics in order to develop in students the “philosophical habit of mind” essential to sound education. Likewise, majors at Hillsdale are a rigorous and searching extension of these commitments. Ranging from classics or music to chemistry or business, academic fields of concentration build upon the core curriculum, deepening and specifying students’ appreciation for and understanding of the liberal arts. Hillsdale College is dedicated to intellectual inquiry and to learning, and it recognizes essential human dignity. Ordered liberty, personal responsibility, limited government, free enterprise and man’s moral, intellectual and spiritual nature illuminate this dignity and identify the service of the College to its students, the nation, and the Western intellectual and religious tradition. Far-ranging by design and incisive by method, study at Hillsdale College is intellectually demanding. Students work closely with faculty who guide them in their studies, helping students to prepare for a lifetime of accomplishment, leadership, and learning. For more information about Hillsdale College or to arrange a visit, call the Admissions Office at (517) 607-2327, or e-mail [email protected]. • College, founded in 1844, is an independent, coeducational, resi- Hillsdale dential, nonsectarian college for about 1,460 students. -
FROELICK GALLERY Joe Feddersen Born 1953 Omak, WA
FROELICK GALLERY Joe Feddersen Born 1953 Omak, WA Tribal Affiliation The Confederated Tribes of The Colville Reservation (Okanagan and Lakes) Education 1989 Master of Fine Arts, University of Wisconsin, Madison, WA 1983 BFA Printmaking, University of Washington, Seattle, WA 1979 A.A. Applied Arts, Wenatchee Valley College, Wenatchee, WA Solo Exhibitions 2021 Inhabited Landscapes, Froelick Gallery, Portland, OR 2020 Two Generations: Joe Feddersen and Wendy Red Star, Schneider Museum of Art, Southern Oregon University, Ashland, OR 2019 Echo, Froelick Gallery, Portland, OR Echo, Pacific Northwest College of Art, Portland, OR 2018 Cultural Abstractions, curated by Todd Clark, Umpqua Valley Arts Association, Roseburg, OR Joe Feddersen, Graves Gallery, Wenatchee Valley College, Wenatchee, WA 2017 Flotilla, Froelick Gallery, Portland, OR 2015 Canoe Journeys, Froelick Gallery, Portland, OR 2014 Matrix, Spokane Falls Community College, Spokane ,WA 2013 Charmed, Froelick Gallery, Portland, OR 2012 Role Call, Froelick Gallery, Portland, OR Terrain, Larson Gallery, Yakima Valley Community College, Yakima, WA (catalogue) Transitions, MAC Gallery, Wenatchee Valley College, Wenatchee, WA 2010 Codex, Froelick Gallery, Portland, OR Codex, Evergreen Gallery, TESC, Olympia WA, (catalogue) Vital Signs, Hallie Ford Museum, Willamette University, Salem, OR 2009 Vital Signs, Tacoma Art Museum, Tacoma, WA, organized by Hallie Ford Museum of Art Codex, Evergreen Gallery, Evergreen State College, Olympia, WA 2008 Vital Signs, Missoula Art Museum, Missoula, MT, -
MAT Score Recipient Codes
MAT Score Recipient Codes United States Alabama 2762 Alabama Library Association Montgomery Loan Board 1002 Alabama State University Montgomery School of Graduate Studies 2683 Amridge University Montgomery Admissions Office 2356 Athens State University Athens Records Office 1005 Auburn University Auburn Graduate School 1004 Auburn University Montgomery Office of Graduate Study 1006 Birmingham Southern College Birmingham Graduate Program 4388 Columbia Southern University Orange Beach Registrar’s Office 1000 Faulkner University Montgomery Graduate Enrollment Office 2636 Heritage Christian University Florence Graduate Admissions 2303 Jacksonville State University Jacksonville College of Graduate Studies 3353 Kingdom College Headland Admissions 4121 Miles College Birmingham Office of Admissions 1009 Samford University Birmingham Office of Admissions 9794 Samford University Birmingham School of Nursing 1011 Spring Hill College Mobile Graduate Program 2718 Talladega College Talladega Office of Admissions 1013 Troy University Troy Graduate Admissions 1015 Tuskegee University Tuskegee Office of Admissions 1017 University of Alabama Birmingham Graduate School 2320 University of Alabama Gadsden Graduate School Office Office of Graduate 1018 University of Alabama Huntsville Admissions 1012 University of Alabama Tuscaloosa Graduate School Office 1008 University of Mobile Mobile Office of Graduate Program 2324 University of Montevallo Montevallo Office of Graduate Study 2312 University of North Alabama Florence Office of Admissions 1019 University -
Indian Art in the 1990S Ryan Rice
Document generated on 09/25/2021 9:32 p.m. RACAR : Revue d'art canadienne Canadian Art Review Presence and Absence Redux: Indian Art in the 1990s Ryan Rice Continuities Between Eras: Indigenous Art Histories Article abstract Continuité entre les époques : histoires des arts autochtones Les années 1990 sont une décennie cruciale pour l’avancement et le Volume 42, Number 2, 2017 positionnement de l’art et de l’autonomie autochtones dans les récits dominants des états ayant subi la colonisation. Cet article reprend l’exposé des URI: https://id.erudit.org/iderudit/1042945ar faits de cette période avec des détails fort nécessaires. Pensé comme une DOI: https://doi.org/10.7202/1042945ar historiographie, il propose d’explorer chronologiquement comment les conservateurs et les artistes autochtones, et leurs alliés, ont répondu et réagi à des moments clés des mesures coloniales et les interventions qu’elles ont See table of contents suscitées du point de vue politique, artistique, muséologique et du commissariat d’expositions. À la lumière du 150e anniversaire de la Confédération canadienne, et quinze ans après la présentation de la Publisher(s) communication originale au colloque, Mondialisation et postcolonialisme : Définitions de la culture visuelle , du Musée d’art contemporain de Montréal, il UAAC-AAUC (University Art Association of Canada | Association d'art des V reste urgent de faire une analyse critique des préoccupations contemporaines universités du Canada) plus vastes, relatives à la mise en contexte et à la réconciliation de l’histoire de l’art autochtone sous-représentée. ISSN 0315-9906 (print) 1918-4778 (digital) Explore this journal Cite this article Rice, R. -
Fall Issue 08
FRIENDSHIP ISSUE 10 November 2020 // Fall Issue 8 “Friendship is unnecessary, like philosophy, like art...It has no survival value; rather it is one of those things which give value to survival.” C.S. Lewis In Memoriam of the Community House Brother Moving Out By Derek Hiemstra “What’s up, short stuff?” I’d ask as he walked in the door. “What’s up, tall stuff?” he’d reply. It was stupid. Sometimes we’d change it up: “What’s up, big guy?” I’d say. “What’s up, small guy?” he’d reply. I’m still looking for the death and resurrection, or the incarnation, or the trinity, agape,orthekingdom of God in my front hallway. I know that’s unrelated but I’ve got my eyes open. Adrian is a brick-layer, and he looks like it. Sturdy, stolid. Dark brown hair in a mohawk, dark full beard. Often, he’d wear a light blue shirt with a white, handwritten script on it. The shirt read, “Y’all need Jesus” on the front, and he claims that some friends of his bought it for him as a joke. Maybe we don’t need one, but I like to think everyone should enjoy an Adrian now and then. Just for the solidity of it. Adrian and I went for a run one afternoon in Pacifc Spirit Park. And that’s just one fun thing he does. He also covered my rent once (I paid him back in full, thank you) and he thought out loud in front of me that if I sold my body on Craigslist it could help me make rent next time. -
PUBLIC ACCOUNTS 2000/01 Ministry Abbreviations
PublicAccounts 2000/01 SupplementaryInformation DetailedSchedulesofPayments PublicAccounts 2000/01 SupplementaryInformation DetailedSchedulesofPayments FortheFiscalYearEnded March31,2001 Detailed Schedules of Payments for the Fiscal Year Ended March 31, 2001 (Unaudited) Contents Page Ministry Abbreviations.................................................................................................................................... 5 Summary of Payments .................................................................................................................................... 6 Members of the Legislative Assembly Compensation ....................................................................................... 7 Schedules of Salary and Travel Expenses for: Ministers ............................................................................................................................................... 10 Deputy Ministers and Associate Deputy Ministers................................................................................... 10 Order–In–Council, Other Appointees and Employees not Appointed under the Public Service Act........... 11 Other Employees................................................................................................................................... 19 Grants and Contributions................................................................................................................................ 26 Other Suppliers ............................................................................................................................................. -
AXEL UWE SCHOEBER Curriculum Vitae Life
AXEL UWE SCHOEBER Curriculum Vitae Life events Born in Ponoka, Alberta on June 18, 1955. Canadian citizen. Raised in Vancouver, British Columbia. Married Karen in March, 1977. Two children: a girl (Kayely), born in 1982, ordained with Canadian Baptists of Western Canada, but now a retail manager in Regina, Saskatchewan; a boy (Trevor), born in 1987, B.A.in economics at the University of Victoria and a banker. Coached 4 Penticton Boys Youth Soccer Teams to Interior Championships (2000-03) Professional Work Elementary Teacher (Grade 5) in Lillooet, British Columbia, 1976-78 Pastor, Jasper Park Baptist Church, Jasper, Alberta, 1982-85 Chaplain, Seton General Hospital, Jasper, Alberta, 1983-85 (part-time) Pastor, Bowness Baptist Church, Calgary, Alberta, 1986-92 Pastor, First Baptist Church, Penticton, British Columbia, 1992-2003 Adjunct Professor in History and Theology, Carey Theological College, Vancouver, British Columbia, 2000-2008 Pastor, First Baptist Church, Victoria, British Columbia, 2003-2008 Associate Professor of Supervised Ministry, Carey Theological College, Vancouver, British Columbia, 2009-present Schooling Prince of Wales Secondary School, Vancouver, British Columbia. Graduated 1972. History Book Prize. Bachelor of Elementary Education, University of British Columbia, 1976. Concentration in History and Elementary Social Studies Pedagogy. Diploma in Christian Studies, Regent College, Vancouver, British Columbia, 1979. Book Prize for Highest Grade Point Average. Master of Divinity, Regent College, 1981. Book Prizes for Hebrew and for Highest Grade Point Average. Master of Theology, Regent College, 1987. 300 page historical thesis on the nature of Paul’s adversaries referred to in the book of Colossians (based on the Greek text). Doctor of Ministry, Faith Lutheran Seminary, Tacoma, Washington.