The Field Day Anthology of Irish Writing
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The Role of Cú Chulainn in Old and Middle Irish Narrative Literature with Particular Reference to Tales Belonging to the Ulster Cycle
The role of Cú Chulainn in Old and Middle Irish narrative literature with particular reference to tales belonging to the Ulster Cycle. Mary Leenane, B.A. 2 Volumes Vol. 1 Ph.D. Degree NUI Maynooth School of Celtic Studies Faculty of Arts, Celtic Studies and Philosophy Head of School: An tOllamh Ruairí Ó hUiginn Supervisor: An tOllamh Ruairí Ó hUiginn June 2014 Table of Contents Volume 1 Abstract……………………………………………………………………………1 Chapter I: General Introduction…………………………………………………2 I.1. Ulster Cycle material………………………………………………………...…2 I.2. Modern scholarship…………………………………………………………...11 I.3. Methodologies………………………………………………………………...14 I.4. International heroic biography………………………………………………..17 Chapter II: Sources……………………………………………………………...23 II.1. Category A: Texts in which Cú Chulainn plays a significant role…………...23 II.2. Category B: Texts in which Cú Chulainn plays a more limited role………...41 II.3. Category C: Texts in which Cú Chulainn makes a very minor appearance or where reference is made to him…………………………………………………...45 II.4. Category D: The tales in which Cú Chulainn does not feature………………50 Chapter III: Cú Chulainn’s heroic biography…………………………………53 III.1. Cú Chulainn’s conception and birth………………………………………...54 III.1.1. De Vries’ schema………………...……………………………………………………54 III.1.2. Relevant research to date…………………………………………………………...…55 III.1.3. Discussion and analysis…………………………………………………………...…..58 III.2. Cú Chulainn’s youth………………………………………………………...68 III.2.1 De Vries’ schema………………………………………………………………………68 III.2.2 Relevant research to date………………………………………………………………69 III.2.3 Discussion and analysis………………………………………………………………..78 III.3. Cú Chulainn’s wins a maiden……………………………………………….90 III.3.1 De Vries’ schema………………………………………………………………………90 III.3.2 Relevant research to date………………………………………………………………91 III.3.3 Discussion and analysis………………………………………………………………..95 III.3.4 Further comment……………………………………………………………………...108 III.4. -
Indiana University at Bloomington Official Lists of Graduates And
Indiana University at Bloomington Official Lists of Graduates and Honors Recipients 2018 - 2019 Dates Degrees Conferred June 30, 2018 July 27, 2018 August 18, 2018 August 31, 2018 September 30, 2018 October 31, 2018 November 8, 2018 November 30, 2018 December 15, 2018 January 31, 2019 February 14, 2019 February 28, 2019 March 31, 2019 April 30, 2019 May 3, 2019 May 4, 2019 May 9, 2019 1 ** DEGREE LISTINGS FOR STUDENTS WITH COMPLETE RESTRICTIONS ARE EXCLUDED FROM THE RELEASED OFFICIAL LIST OF GRADUATES ** 2 June Business June Business June Business B. S. in Business B. S. in Business B. S. in Business Aisen, Ari Nathaniel Eckhart, John C., Jr. Kuster, Samuel Marketing Finance Finance Accounting BEPP: Economic Consulting Armstrong, Kayla Nicole Business Analytics Accounting Levens, Julia Anne Technology Management Folsom, Anna Accounting Finance Finance Barco, Clark Tobias, Jr. Accounting With High Distinction Accounting With Honors in Business International Business Lifvendahl, Axel Thomas With High Distinction Foster, James Dean Marketing Accounting Borders, Ryan Harrison Information Systems Lin, Bonnie Professional Sales Accounting Marketing Fu, Weiying Finance Accounting Burton, La'Shira Aretha Technology Management Lisanti, Annabelle Leigh Accounting BEPP: Economic Consulting Ganas, Nicholas Apostolos International Business Bush, Quinn Andrew Finance Accounting International Business Liu, Jiawei Finance With High Distinction Accounting International Business With Honors in Business Technology Management Cheng, Hung Kit George, Mikaela -
Stories from Early Irish History
1 ^EUNIVERJ//, ^:IOS- =s & oo 30 r>ETRr>p'S LAMENT. A Land of Heroes Stories from Early Irish History BY W. LORCAN O'BYRNE WITH SIX ILLUSTRATIONS BY JOHN E. BACON BLACKIE AND SON LIMITED LONDON GLASGOW AND DUBLIN n.-a INTEODUCTION. Who the authors of these Tales were is unknown. It is generally accepted that what we now possess is the growth of family or tribal histories, which, from being transmitted down, from generation to generation, give us fair accounts of actual events. The Tales that are here given are only a few out of very many hundreds embedded in the vast quantity of Old Gaelic manuscripts hidden away in the libraries of nearly all the countries of Europe, as well as those that are treasured in the Royal Irish Academy and Trinity College, Dublin. An idea of the extent of these manuscripts may be gained by the statement of one, who perhaps had the fullest knowledge of them the late Professor O'Curry, in which he says that the portion of them (so far as they have been examined) relating to His- torical Tales would extend to upwards of 4000 pages of large size. This great mass is nearly all untrans- lated, but all the Tales that are given in this volume have already appeared in English, either in The Publications of the Society for the Preservation of the Irish Language] the poetical versions of The IV A LAND OF HEROES. Foray of Queen Meave, by Aubrey de Vere; Deirdre', by Dr. Robert Joyce; The Lays of the Western Gael, and The Lays of the Red Branch, by Sir Samuel Ferguson; or in the prose collection by Dr. -
The Poem-Book of Gael. Translations from Irish Gaelic Poetry Into English
THE POEM-BOOK OF THE GAEL Mil ,|| líi £ £ O £ Iflíl iiil í 2- ?: Ji JP^ c ^ ^ r:u ^^ ilfil lílU' ^ llfÍJ ^íí Printed bj' Ballantyne, Hanson &>» Co. At the Uallantyne Press, Edinburgh THE POEM-BOOK OF THE GAEL Translations from Irish Gaelic Poetry into English Prose and Verse SELECTED AND EDITED BY ELEANOR HULL AUTHOR OF "THE CUCHULLIN SAGA IN IRISH LITERATURE" "A TEXT-BOOK OF IRISH LITERATURE," ETC. WITH A FRONTISPIECE LONDON CHATTO (^ WINDUS 1912 K^ r [A// rights reservci{\ CONTENTS ( Where not otherwise indicated, the translation or poetic setting is by the ciithor.) PAGE Introduction xv THE SALTAIR NA RANN, OR PSALTER OF THE VERSES í I. The Creation of the Universe . 3 II. The Heavenly Kingdom . II III. The Forbidden Fruit 20 IV. The Fall and Expulsion from Paradise 22 V. The Penance of Adam and Eve 31 VI. The Death of Adam .... 43 ANCIENT PAGAN POEMS The Source of Poetic Inspiration (founded on transla- tion by Whitley Stokes) 53 Amorgen's Song (founded on translation by John MacNeill) 57 25719? viii THE POEM-BOOK OF THE GAEL PAGE The Song of Childbirth . 59 Greeting to the New-born Babe 6i What is Love ? . 62 Summons to Cuchulain . Laegh's Description of Fairy-land 65 The Lamentation of Fand when she is about to leave Cuchulain 69 Mider's Call to Fairy- land 71 The Song of the Fairies . A. H. Leahy 73 The great Lamentation of Deirdre for the Sons of Usna 74 OSSIANIC POETRY First Winter-Song . Alfred Perciv al Graves 81 Second Winter-Song 82 In Praise of May . -
Aislinge Meic Conglinne = the Vision of Macconglinne : a Middle-Irish
VIRION KVNO MEYER Kí^-lo AISLINGE MEIC CONGLINNE THE VISION OF MacCONGLINNE A MIDDLE-IRISH WONDER TALE WITH A TEAXSLATIOy (BASED ON W. M. HEXNESSY'S), XOTES, AND A GLOSSARY BY KUNO MEYER ^VITH AX INTRODUCTION BY WILHELM WOLLNER LONDON DAVID NUTT, 270-271, STRAND 1892 ) (Riijhts of trandation and reprodurtion reserved. WHITLEY STOKES. CONTENTS. PREFACE. The famous Irish tale known as "The Vision of Mac- Conglinne" is now for the first time printed in the different versions which have come down to us. The longer of these versions, to which, on account of its literary merits, I have assigned the chief place, is taken from the huge vellum codex known as the Leahhar Breac, or Speckled Book, now preserved in the Royal Irish Academy, Dublin, by which it was published in fac- simile in 1876. This MS. was compiled from various sources in the fourteenth century. It is noteworthy that, with the exception of the Vision and a version of the mediteval legend of Alexander, the contents of this MS. are almost wholly ecclesiastical and religious. The second shorter version, printed infra, pp. 114-129, and translated on pp. 148-155, is taken from a paper MS. of the end of the sixteenth century, preserved in the library of Trinity College, Dublin, where it is classed H. 3. 18 (pp. 732-742). In printing the text, I have added a punctuation of my own. I have separated words according to the method followed by Windisch and Stokes. I have ex- tended contractions, using italics in all cases where there could be the smallest doubt as to the correctness of such extensions. -
Female Ulster Poets and Sexual Politics
Colby Quarterly Volume 27 Issue 1 March Article 3 March 1991 "Our Lady, dispossessed": Female Ulster Poets and Sexual Politics Jacqueline McCurry Follow this and additional works at: https://digitalcommons.colby.edu/cq Recommended Citation Colby Quarterly, Volume 27, no.1, March 1991, p.4-8 This Article is brought to you for free and open access by Digital Commons @ Colby. It has been accepted for inclusion in Colby Quarterly by an authorized editor of Digital Commons @ Colby. McCurry: "Our Lady, dispossessed": Female Ulster Poets and Sexual Politics "Our1/Our Lady, dispossessed": Female Ulster Poets and Sexual Politics by JACQUELINE MCCURRY OETRY AND POLITICS, like church and state, should be separated," writes P Belfast critic Edna Longley (185); in Eire and in Northern Ireland this is not the case: the marriage of church and state in the Republic has resulted in constitutional bans on divorce and on abortion; Northern Ireland's Scots Presbyterian majority continues to preventminority Irish-Catholic citizens from having full participationin society. Butwhile mencontinue to control church and state, women have begun to raise their voices in poetry and in protest. Northern Ireland's new poets, through the 1960s and 1970s, were exclusively male: Jan1es Simmons, Seamus Heaney, Michael Longley, Derek Mahon, Paul Muldoon, Seamus Deane, Frank Ormsby, Tom Paulin, and Ciaran Carson dominated the literary scene until the early 1980s. In 1982 Medbh McGuckian published her first book ofpoetry. Since then, she has published two additional collections and achieved international fame, while younger women poets like Janet Shepperson and Ruth Hooley have made their debuts in print. -
Eoghán Rua Ó Suilleabháin: a True Exponent of the Bardic Legacy
134 Eoghán Rua Ó Suilleabháin: A True Exponent of the Bardic Legacy endowed university. The Bardic schools and the monastic schools were the universities of their day; they bestowed privileges and Barra Ó Donnabháin Symposium: status on their students and teachers, much as the modern university awards degrees and titles to recipients to practice certain professions. There are few descriptions of the structure and operation of Eoghán Rua Ó Suilleabháin: A the Bardic schools, but an account contained in the early eighteenth century Memoirs of the Marquis of Clanricarde claims that admission True Exponent of the Bardic WR %DUGLF VFKRROV ZDV FRQÀQHG WR WKRVH ZKR ZHUH GHVFHQGHG from poets and had within their tribe “The Reputation” for poetic Legacy OHDUQLQJ DQG WDOHQW ´7KH TXDOLÀFDWLRQV ÀUVW UHTXLUHG VLF ZHUH Pádraig Ó Cearúill reading well, writing the Mother-tongue, and a strong memory,” according to Clanricarde. With regard to the location of the schools, he asserts that it was necessary that the place should “be in the solitary access of a garden” or “within a set or enclosure far out of the reach of any noise.” The structure containing the Bardic school, we are told, “was snug, low, hot and beds in it at convenient distances, each within a small apartment without much furniture of any kind, save only a table, some seats and a conveniency for he poetry of Eoghan Rua Ó Súilleabháin (1748-1784)— cloaths (sic) to hang upon. No windows to let in the day, nor any Tregarded as one of Ireland’s great eighteenth century light at all used but that of candles” according to Clanricarde,2 poets—has endured because of it’s extraordinary metrical whose account is given credence by Bergin3 and Corkery. -
Genre and Identity in British and Irish National Histories, 1541-1691
“NO ROOM IN HISTORY”: GENRE AND IDENTIY IN BRITISH AND IRISH NATIONAL HISTORIES, 1541-1691 A dissertation presented by Sarah Elizabeth Connell to The Department of English In partial fulfillment of the requirements for the degree of Doctor of Philosophy in the field of English Northeastern University Boston, Massachusetts April 2014 1 “NO ROOM IN HISTORY”: GENRE AND IDENTIY IN BRITISH AND IRISH NATIONAL HISTORIES, 1541-1691 by Sarah Elizabeth Connell ABSTRACT OF DISSERTATION Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in English in the College of Social Sciences and Humanities of Northeastern University April 2014 2 ABSTRACT In this project, I build on the scholarship that has challenged the historiographic revolution model to question the valorization of the early modern humanist narrative history’s sophistication and historiographic advancement in direct relation to its concerted efforts to shed the purportedly pious, credulous, and naïve materials and methods of medieval history. As I demonstrate, the methodologies available to early modern historians, many of which were developed by medieval chroniclers, were extraordinary flexible, able to meet a large number of scholarly and political needs. I argue that many early modern historians worked with medieval texts and genres not because they had yet to learn more sophisticated models for representing the past, but rather because one of the most effective ways that these writers dealt with the political and religious exigencies of their times was by adapting the practices, genres, and materials of medieval history. I demonstrate that the early modern national history was capable of supporting multiple genres and reading modes; in fact, many of these histories reflect their authors’ conviction that authentic past narratives required genres with varying levels of facticity. -
Heroes, Gods and Monsters of Celtic Mythology Ebook
HEROES, GODS AND MONSTERS OF CELTIC MYTHOLOGY PDF, EPUB, EBOOK Fiona Macdonald,Eoin Coveney | 192 pages | 01 May 2009 | SALARIYA BOOK COMPANY LTD | 9781905638970 | English | Brighton, United Kingdom Heroes, Gods and Monsters of Celtic Mythology PDF Book This book is not yet featured on Listopia. The pursuit was a long one, and Caorthannach knew St. Danu DAH-noo. Details if other :. Co Kerry icon Fungie the Dolphin spotted after fears he was dead. The pair is said to whip the horses with a human spinal cord. Though the saint was desperately thirsty, he refused to drink from the poisoned wells and prayed for guidance. Scota SKO-tah. Showing The Dullahan rides a headless black horse with flaming eyes, carrying his head under one arm. He is said to have invented the early Irish alphabet called Ogham. Patrick when he banished the snakes out of Ireland. Cancel Reply. One monster, however, managed to escape — Caorthannach, the fire-spitter. Comments Show Comments. Carman is the Celtic goddess of evil magic. Leanan Sidhe would then take her dead lovers back to her lair. Ancient site of Irish Kings and the Tuatha de Danann. Now the Fomori have returned to their waters and transformed into sea monsters who prey on humans. Bay KIL-a. Patrick would need water to quench his thirst along the way, so she spitfire as she fled, and poisoned every well she passed. Several of the digital paintings or renderings for each of the archetypes expressed by various artists. According to Irish folklore, Sluagh are dead sinners that come back as malicious spirits. -
Co. Londonderry – Historical Background Paper the Plantation
Co. Londonderry – Historical Background Paper The Plantation of Ulster and the creation of the county of Londonderry On the 28th January 1610 articles of agreement were signed between the City of London and James I, king of England and Scotland, for the colonisation of an area in the province of Ulster which was to become the county of Londonderry. This agreement modified the original plan for the Plantation of Ulster which had been drawn up in 1609. The area now to be allocated to the City of London included the then county of Coleraine,1 the barony of Loughinsholin in the then county of Tyrone, the existing town at Derry2 with adjacent land in county Donegal, and a portion of land on the county Antrim side of the Bann surrounding the existing town at Coleraine. The Londoners did not receive their formal grant from the Crown until 1613 when the new county was given the name Londonderry and the historic site at Derry was also renamed Londonderry – a name that is still causing controversy today.3 The baronies within the new county were: 1. Tirkeeran, an area to the east of the Foyle river which included the Faughan valley. 2. Keenaght, an area which included the valley of the river Roe and the lowlands at its mouth along Lough Foyle, including Magilligan. 3. Coleraine, an area which included the western side of the lower Bann valley as far west as Dunboe and Ringsend and stretching southwards from the north coast through Macosquin, Aghadowey, and Garvagh to near Kilrea. 4. Loughinsholin, formerly an area in county Tyrone, situated between the Sperrin mountains in the west and the river Bann and Lough Neagh on the east, and stretching southwards from around Kilrea through Maghera, Magherafelt and Moneymore to the river Ballinderry. -
"An Island Once Again: the Postcolonial Aesthetics of Contemporary Irish Poetry"
Colby Quarterly Volume 37 Issue 2 June Article 8 June 2001 "An Island Once Again: The Postcolonial Aesthetics of Contemporary Irish Poetry" Jefferson Holdridge Follow this and additional works at: https://digitalcommons.colby.edu/cq Recommended Citation Colby Quarterly, Volume 37, no.2, June 2001, p.189-200 This Article is brought to you for free and open access by Digital Commons @ Colby. It has been accepted for inclusion in Colby Quarterly by an authorized editor of Digital Commons @ Colby. Holdridge: "An Island Once Again: The Postcolonial Aesthetics of Contemporar IIAn Island Once Again: The Postcolonial Aesthetics of Contemporary Irish Poetry" By JEFFERSON HOLDRIDGE World is the ever nonobjective to which we are subject as long as the paths of birth and death, blessing and curse keep us transported into Being. Martin Heidegger, The Origin ofthe Work ofArt Flames have only lungs. Water is all eyes. The earth has bone for muscle.... But anxiety can find no metaphor to end it. A.K. Ramanujan, "Anxiety" HE POSITION OF THE SUBJECT, of history and landscape are the central Tthemes of any essay on the aesthetics of contemporary Irish poetry and often provoke as many questions as answers. To give specific weight to some broad theoretical analysis, this essay shall closely examine a selection of works. Before detailed discussion of the texts, the idea of a postcolonial aes thetic should be defined. The two important frames are provided first by a correlation between Fanon and Kant and second by various ideas of the psy choanalytical sublime. Politically, there are three Fanonite/Kantian stages to what is here termed the postcolonial sublime; it is an aesthetic that aligns Fanon's dialectic of decolonization, from occupation, through nationalism, to liberation with Kant's three stages of sublimity, that is, from balance between subject and object, through aesthetic violence upon the internal sense, to tran scendent compensation. -
ML 4080 the Seal Woman in Its Irish and International Context
Mar Gur Dream Sí Iad Atá Ag Mairiúint Fén Bhfarraige: ML 4080 the Seal Woman in Its Irish and International Context The Harvard community has made this article openly available. Please share how this access benefits you. Your story matters Citation Darwin, Gregory R. 2019. Mar Gur Dream Sí Iad Atá Ag Mairiúint Fén Bhfarraige: ML 4080 the Seal Woman in Its Irish and International Context. Doctoral dissertation, Harvard University, Graduate School of Arts & Sciences. Citable link http://nrs.harvard.edu/urn-3:HUL.InstRepos:42029623 Terms of Use This article was downloaded from Harvard University’s DASH repository, and is made available under the terms and conditions applicable to Other Posted Material, as set forth at http:// nrs.harvard.edu/urn-3:HUL.InstRepos:dash.current.terms-of- use#LAA Mar gur dream Sí iad atá ag mairiúint fén bhfarraige: ML 4080 The Seal Woman in its Irish and International Context A dissertation presented by Gregory Dar!in to The Department of Celti# Literatures and Languages in partial fulfillment of the re%$irements for the degree of octor of Philosophy in the subje#t of Celti# Languages and Literatures (arvard University Cambridge+ Massa#husetts April 2019 / 2019 Gregory Darwin All rights reserved iii issertation Advisor: Professor Joseph Falaky Nagy Gregory Dar!in Mar gur dream Sí iad atá ag mairiúint fén bhfarraige: ML 4080 The Seal Woman in its Irish and International Context4 Abstract This dissertation is a study of the migratory supernatural legend ML 4080 “The Mermaid Legend” The story is first attested at the end of the eighteenth century+ and hundreds of versions of the legend have been colle#ted throughout the nineteenth and t!entieth centuries in Ireland, S#otland, the Isle of Man, Iceland, the Faroe Islands, Norway, S!eden, and Denmark.