Heroes, Gods and Monsters of Celtic Mythology Ebook
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Canadian Guiding Badges and Insignia Brownie Six/Circle Emblems
Canadian Guiding Badges And Insignia Brownie Six/Circle Emblems Following the introduction of the Brownie program to provide Guiding for younger girls, and after the decision to base the new program on The Brownie Story, a further decision was made in 1919 to subdivide a Brownie Pack into smaller groups consisting of six girls. These smaller groups within the Pack were known as Sixes and were identified by a Six emblem bearing the name of some mythical fairy- like person from folklore. [Reference: POR (British, 1919)] The original Six emblems were brown felt; later versions were brown cotton with the edges bound in brown. In 1995, the term “Sixes” was replaced by the term “Circles”, and the shape of the emblems was changed as well. In 1972, three of the original twelve Six emblems were retired and in 1995 four new ones were added. Page 1 V.2 Canadian Guiding Badges And Insignia Brownie Six/Circle Emblems SC0001 SC0002 Bwbachod Badge Discontinued 1919- 19? 19? - 1972 SC0003 SC0004 Djinn Introduced 1994 1995-2004 1994 SC0005 SC0006 Dryad Introduced 1994 1995- 1994 Page 2 V.2 Canadian Guiding Badges And Insignia Brownie Six/Circle Emblems SC0007 SC0008 SC0009 Elf 1919-19? 19? - 1995 1995- SC0010 SC0011 SC0012 Fairy 1919-19? 19? - 1995 1995- SC0013 SC0014 Ghillie Dhu Badge Discontinued 1919-19? 19? - 1972 Page 3 V.2 Canadian Guiding Badges And Insignia Brownie Six/Circle Emblems SC0015 SC0016 SC0017 Gnome 1995- 1919-19? 19? - 1995 SC0018 SC0019 Imp Badge Discontinued 1919-19? 19? - 1995 SC0020 SC0021 SC0022 Kelpie (formerly called Scottish -
Indiana University at Bloomington Official Lists of Graduates And
Indiana University at Bloomington Official Lists of Graduates and Honors Recipients 2018 - 2019 Dates Degrees Conferred June 30, 2018 July 27, 2018 August 18, 2018 August 31, 2018 September 30, 2018 October 31, 2018 November 8, 2018 November 30, 2018 December 15, 2018 January 31, 2019 February 14, 2019 February 28, 2019 March 31, 2019 April 30, 2019 May 3, 2019 May 4, 2019 May 9, 2019 1 ** DEGREE LISTINGS FOR STUDENTS WITH COMPLETE RESTRICTIONS ARE EXCLUDED FROM THE RELEASED OFFICIAL LIST OF GRADUATES ** 2 June Business June Business June Business B. S. in Business B. S. in Business B. S. in Business Aisen, Ari Nathaniel Eckhart, John C., Jr. Kuster, Samuel Marketing Finance Finance Accounting BEPP: Economic Consulting Armstrong, Kayla Nicole Business Analytics Accounting Levens, Julia Anne Technology Management Folsom, Anna Accounting Finance Finance Barco, Clark Tobias, Jr. Accounting With High Distinction Accounting With Honors in Business International Business Lifvendahl, Axel Thomas With High Distinction Foster, James Dean Marketing Accounting Borders, Ryan Harrison Information Systems Lin, Bonnie Professional Sales Accounting Marketing Fu, Weiying Finance Accounting Burton, La'Shira Aretha Technology Management Lisanti, Annabelle Leigh Accounting BEPP: Economic Consulting Ganas, Nicholas Apostolos International Business Bush, Quinn Andrew Finance Accounting International Business Liu, Jiawei Finance With High Distinction Accounting International Business With Honors in Business Technology Management Cheng, Hung Kit George, Mikaela -
Camelot -.: Carton Collector
Mitos y Leyendas - Camelot (236) cartoncollector.cl 001 UR Draig Goch 081 R Levantar Muerto 161 V Paiste 002 UR Clídna 082 R Vampiro de Almas 162 V Dragón del Monte 003 UR Morgause 083 R Alas del Murciélago 163 V Blue Ben 004 UR Arthur Pendragón 084 R Regresar la Espada 164 V Serpopardo 005 UR Duelo de Dragón 085 R Coronación 165 V Glatisant 006 UR Seducción 086 R Excalibur Liberada 166 V Gwiber 007 UR Invocar Corrupción 087 R Torneo 167 V Rhydderch 008 UR Garra de Cristal 088 R Letanía del Rayo 168 V Tlachtga 009 MR Dragón Blanco 089 R Aura Bendita 169 V Ceasg 010 MR Gwyn ap Nudd 090 R Llamar a los Antiguos 170 V Lady Blanchefleur 011 MR Fuath 091 R Licántropos Rampantes 171 V Bugul Noz 012 MR Balin dos Espadas 092 R Yelmo Montadragón 172 V Gancanagh 013 MR Bridei I 093 R Hacha de los Bosques 173 V Guinevak 014 MR Incinerar 094 R Clarent 174 V John de la Costa 015 MR Relámpago Faérico 095 R Primera Excalibur 175 V Korrigan 016 MR Bendición de Armas 096 R Cementerio Dragón 176 V Addanc 017 MR Cortamundos 097 R Isla de Avalón 177 V Wight 018 MR Nido de Uolot 098 R Cementerio Impuro 178 V Cu Sith 019 M Dragón Inferno 099 R Guardia Gozosa 179 V Palamades 020 M Merlín Ambrosius 100 C Cockatriz 180 V Agravain 021 M Sir Perceval 101 C Wyvern Negro 181 V Gaheris 022 M Auberón 102 C Ave Boobrie 182 V Lucán 023 M Oilliphéist 103 C Stollenwurm 183 V Sir Héctor 024 M Lancelot del Lago 104 C Vouivre 184 V Mark de Cornwall 025 M Morgana de la Sombra 105 C Dragón de Dalry 185 V Olwen 026 M Claíomh Solais 106 C Roba Almas 186 V Pellinore 027 M Dullahan -
Celtic Egyptians: Isis Priests of the Lineage of Scota
Celtic Egyptians: Isis Priests of the Lineage of Scota Samuel Liddell MacGregor Mathers – the primary creative genius behind the famous British occult group, the Hermetic Order of the Golden Dawn – and his wife Moina Mathers established a mystery religion of Isis in fin-de-siècle Paris. Lawrence Durdin-Robertson, his wife Pamela, and his sister Olivia created the Fellowship of Isis in Ireland in the early 1970s. Although separated by over half a century, and not directly associated with each other, both groups have several characteristics in common. Each combined their worship of an ancient Egyptian goddess with an interest in the Celtic Revival; both claimed that their priestly lineages derived directly from the Egyptian queen Scota, mythical foundress of Ireland and Scotland; and both groups used dramatic ritual and theatrical events as avenues for the promulgation of their Isis cults. The Parisian Isis movement and the Fellowship of Isis were (and are) historically-inaccurate syncretic constructions that utilised the tradition of an Egyptian origin of the peoples of Scotland and Ireland to legitimise their founders’ claims of lineal descent from an ancient Egyptian priesthood. To explore this contention, this chapter begins with brief overviews of Isis in antiquity, her later appeal for Enlightenment Freemasons, and her subsequent adoption by the Hermetic Order of the Golden Dawn. It then explores the Parisian cult of Isis, its relationship to the Celtic Revival, the myth of the Egyptian queen Scota, and examines the establishment of the Fellowship of Isis. The Parisian mysteries of Isis and the Fellowship of Isis have largely been overlooked by critical scholarship to date; the use of the medieval myth of Scota by the founders of these groups has hitherto been left unexplored. -
Elusive European Monsters Alli Starry
1 SELKIE Seal by sea and sheds its skin to walk on land in human form. This creature comes from the Irish and Scottish and Faroese folklore to keep their women cautious of men from the sea. 0 375 750 Km 9 KELPIE 2 PHOUKA N A shapeshifting water spirit in the lochs and A shapeshifting goblin sighted by the top of rivers of Scotland. The kelpie is told to warn the River Liffey. Takes drunkards on a wild children away from dangerous waters and women night ride and dumps them in random places. 6 to be wary of strangers. The Kelpie commonly Can be a nice excuse for a takes the shape of a horse with backwards hooves night at the pub. as it carries off its victims. 5 1 3 9 2 8 8 BOLOT N IK 4 A swamp monster originating from Poland. The Bolotnik pretends to be a stepping LOCH NESS 3 stone in a swamp when people pass through, then MON STER moves; causing its victims to fall into the mud where they can then be devoured. Legend has it that Loch Ness, Scotland has plesiosaur living in its depths. Affectionately named Nessie, a fisherman once 7 CET US spotted her surfacing the 7 Cetus is a sea monster from Greek Mythology. loch and Cetus is a mix between the sea serpent and a snapped a Map By: Alli Starry Monster information from Wikipedia whale. Its tale has been passed down through fuzzy picture. Pictures from deviantart.com the ages of Grecian folktales. It now resides World Mercator Projection; WKID: 54004 among the stars as a constellation. -
The Founding of Ireland and Scotland
HOW IRELAND AND SCOTLAND WAS SETTLED A Jewish tribe left Egypt and settled in Ireland. They were called the Milesians and were the ruling class of Ireland. They evidently moved into Scotland and the throne of Ireland was moved under the reign of King Fergus. The Scotland lived in the mountain area of Scotland and were called the Scots. This article will proof that the Scotish people were a tribe of the Jews and they held the sceptre. The Jewish in Palestine did not have the sceptre after the captivity of Judah 500 B.C. Brief history of Ancient Ireland 1709 B.C. -The Parthalonnians are credited for being the first settlers of Ireland. The Parthalonians, whoever they may have been, ruled Ireland intermittently until 1709 BCE, when a tragedy befell them at the hands of Phoenician Formorians. 1492 B.C. – Nemedians were the Fir Bolgs. The island was then invaded by Nemedians from Scythia who lived in Ireland. The Nemedians were ruled by the Formorians for much of this period. A portion of the Nemedians escaped during their sojourn in the land and returned in 1492 BC as the Fir- Bolgs. The FirBlogs were later given as a place of settlement the Aran Islands under a King named Aengus. Formanians settled on another island. 1456 B.C -.DAN IN NORTH IRELAND Tuatha De Danaan settled Northern Ireland. The immigration of Dan to Ireland came in waves. A contingent of the famous Tuatha de Danaan (“Tribe of Dan”) arrived in Ireland 1456 B.C. and ruled for 440 years until 1016 BCE. -
Horse Motifs in Folk Narrative of the Supernatural
HORSE MOTIFS IN FOLK NARRATIVE OF THE SlPERNA TURAL by Victoria Harkavy A Thesis Submitted to the Graduate Faculty of George Mason University in Partial Fulfillment of The Requirements for the Degree of Master of Arts Interdisciplinary Studies Committee: ___ ~C=:l!L~;;rtl....,19~~~'V'l rogram Director Dean, College of Humanities and Social Sciences Date: ~U_c-ly-=-a2..!-.:t ;LC>=-----...!/~'fF_ Spring Semester 2014 George Mason University Fairfax, VA Horse Motifs in Folk Narrative of the Supernatural A Thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts at George Mason University by Victoria Harkavy Bachelor of Arts University of Maryland-College Park 2006 Director: Margaret Yocom, Professor Interdisciplinary Studies Spring Semester 2014 George Mason University Fairfax, VA This work is licensed under a creative commons attribution-noderivs 3.0 unported license. ii DEDICATION This is dedicated to my wonderful and supportive parents, Lorraine Messinger and Kenneth Harkavy. iii ACKNOWLEDGEMENTS I would like to thank my committee, Drs. Yocom, Fraser, and Rashkover, for putting in the time and effort to get this thesis finalized. Thanks also to my friends and colleagues who let me run ideas by them. Special thanks to Margaret Christoph for lending her copy editing expertise. Endless gratitude goes to my family taking care of me when I was focused on writing. Thanks also go to William, Folklore Horse, for all of the inspiration, and to Gumbie, Folklore Cat, for only sometimes sitting on the keyboard. iv TABLE OF CONTENTS Page Abstract .............................................................................................................................. vi Interdisciplinary Elements of this Study ............................................................................. 1 Introduction ........................................................................................................................ -
The Adorabyssal Oracle
THE ADORABYSSAL ORACLE The Adorabyssal Oracle is an oracle deck featuring the cutest versions of mythological, supernatural, and cryptozoological creatures from around the world! Thirty-six spooky cuties come with associated elements and themes to help bring some introspection to your day-to-day divinations and meditations. If you’re looking for something a bit more playful, The Adorabyssal Oracle deck doubles as a card game featuring those same cute and spooky creatures. It is meant for 2-4 players and games typically take 5-10 minutes. If you’re interested mainly in the card game rules, you can skip past the next couple of sections. However you choose to use your Adorabyssal Deck, it is my hope that these darkly delightful creatures will bring some fun to your day! WHAT IS AN ORACLE DECK? An Oracle deck is similar to, but different from, a Tarot deck. Where a Tarot deck has specific symbolism, number of cards, and a distinct way of interpreting card meanings, Oracle decks are a bit more free-form and their structures are dependent on their creators. The Adorabyssal Oracle, like many oracle decks, provides general themes accompanying the artwork. The basic and most prominent structure for this deck is the grouping of cards based on elemental associations. My hope is that this deck can provide a simple way to read for new readers and grow in complexity from there. My previous Tarot decks have seen very specific interpretation and symbolism. This Oracle deck opens things up a bit. It can be used for more general or free-form readings, and it makes a delightful addition to your existing decks. -
Genre and Identity in British and Irish National Histories, 1541-1691
“NO ROOM IN HISTORY”: GENRE AND IDENTIY IN BRITISH AND IRISH NATIONAL HISTORIES, 1541-1691 A dissertation presented by Sarah Elizabeth Connell to The Department of English In partial fulfillment of the requirements for the degree of Doctor of Philosophy in the field of English Northeastern University Boston, Massachusetts April 2014 1 “NO ROOM IN HISTORY”: GENRE AND IDENTIY IN BRITISH AND IRISH NATIONAL HISTORIES, 1541-1691 by Sarah Elizabeth Connell ABSTRACT OF DISSERTATION Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in English in the College of Social Sciences and Humanities of Northeastern University April 2014 2 ABSTRACT In this project, I build on the scholarship that has challenged the historiographic revolution model to question the valorization of the early modern humanist narrative history’s sophistication and historiographic advancement in direct relation to its concerted efforts to shed the purportedly pious, credulous, and naïve materials and methods of medieval history. As I demonstrate, the methodologies available to early modern historians, many of which were developed by medieval chroniclers, were extraordinary flexible, able to meet a large number of scholarly and political needs. I argue that many early modern historians worked with medieval texts and genres not because they had yet to learn more sophisticated models for representing the past, but rather because one of the most effective ways that these writers dealt with the political and religious exigencies of their times was by adapting the practices, genres, and materials of medieval history. I demonstrate that the early modern national history was capable of supporting multiple genres and reading modes; in fact, many of these histories reflect their authors’ conviction that authentic past narratives required genres with varying levels of facticity. -
Fairy and Folk Tales of the Irish Peasantry, by 1
Fairy and Folk Tales of the Irish Peasantry, by 1 Fairy and Folk Tales of the Irish Peasantry, by William Butler Yeats This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org Title: Fairy and Folk Tales of the Irish Peasantry Author: William Butler Yeats Editor: William Butler Yeats Release Date: October 28, 2010 [EBook #33887] Language: English Fairy and Folk Tales of the Irish Peasantry, by 2 Character set encoding: ISO-8859-1 *** START OF THIS PROJECT GUTENBERG EBOOK FAIRY AND FOLK TALES *** Produced by Larry B. Harrison, Brian Foley and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/American Libraries.) FAIRY AND FOLK TALES OF THE IRISH PEASANTRY. EDITED AND SELECTED BY W. B. YEATS. THE WALTER SCOTT PUBLISHING CO., LTD. LONDON AND FELLING-ON-TYNE. NEW YORK: 3 EAST 14TH STREET. INSCRIBED TO MY MYSTICAL FRIEND, G. R. CONTENTS. THE TROOPING FAIRIES-- PAGE The Fairies 3 Frank Martin and the Fairies 5 The Priest's Supper 9 The Fairy Well of Lagnanay 13 Teig O'Kane and the Corpse 16 Paddy Corcoran's Wife 31 Cusheen Loo 33 The White Trout; A Legend of Cong 35 The Fairy Thorn 38 The Legend of Knockgrafton 40 A Donegal Fairy 46 CHANGELINGS-- The Brewery of Egg-shells 48 The Fairy Nurse 51 Jamie Freel and the Young Lady 52 The Stolen Child 59 THE MERROW-- -
Table of Contents Monsters 56
Table Of Contents Monsters 56 . Rylkar 4 . Banshrae 56 . Rylkar Harridan 5 . Beastwraith 57 . Rylkar Madclaw 5 . Deerwraith 58 . Rylkar Tormentor 6 . Ratwraith 58 . Rylkspawn Swarm 7 . Wolfwraith 60 . Satyrs 8 . Bhaergala 60 . Bargda 9 . Bile Wrapped in Beauty 61 . Gabharchinn 10 . Blight 62 . Marsyan 10 . Melon Blight 64 . Sidhe 10 . Pumpkin Blight 64 . Dullahan 11 . Corrupture 66 . Nemanon 12 . Dearg-due 68 . Sluagh 14 . Dryads 70 . Splinterwaif 14 . Briarwitch Dryad 71 . Uncle Skeleton 16 . Deadwood Revenant 73 . Unicorns 17 . Gulthias Dryad 73 . Black Unicorn 18 . Rhyzalich Dryad 75 . Bloodlance 20 . Fairies 77 . Shadow Unicorn 20 . Aorial 79 . Water Horses 21 . Bevhensie 79 . Mourioche 22 . Boowray 80 . Nuckelavee 23 . Terropo 81. Tangie 24 . Fenhound 82 . Wrath of Nature 25 . Feral Yowler 82 . Calvary Creekrotter 26 . Filth Son 83 . Cinderswarm 27 . Gruesome Lurker 84 . The Fey in Ravnica 28 . Hags 28 . Elder Hags 29 . Termagant Hags 30 . Grandmother Griselda 32 . Jacks 32 . Jack-in-Irons This supplement is the third in a series of supplements 33 . Jack Around dedicated to expanding on the bestiary of fey creatures 34 . Jacky Longlegs available to Dungeon Masters. For its companion pieces, 36 . Jolly Jack check out Fey Compendium I: Spirits of the Feywild, Fey 37 . Springheel Jack Compendium II: Hags, and Fey Compendium IV: Winter Fey 38 . Spryjack 39 . Joystealer 40 . Mishocair Ghosts 40 . Bocanach 41 . Cariad Ysbryd 42 . Fear Gorta 43 . Lhiannan Shee 44 . Saugh 45 . Moonrat DUNGEONS & DRAGONS, D&D, Wizards of the Coast, 46 . Moonrat Alpha Forgotten Realms, Ravenloft, Eberron, the dragon 46 . Moonrat Baron ampersand, Ravnica and all other Wizards of the Coast 47 . -
Univerzita Karlova V Praze Fakulta Humanitních Studií
Univerzita Karlova v Praze Fakulta humanitních studií OBOR: STUDIUM HUMANITNÍ VZDĚLANOSTI Bakalá řská práce na téma: TROJFUNKČNÍ STRUKTURA V IRSKÉ MYTOLOGII Autorka: Martina Tajbnerová Vedoucí práce: Dr Dalibor Antalík 2006 Prohlašuji, že jsem práci vypracovala samostatn ě s použitím uvedené literatury a souhlasím s jejím eventuálním zve řejn ěním v tišt ěné nebo elektronické podob ě. V Písku dne……. …………………………. 2 OBSAH I.Úvod …………………………………………………………………………………………4 II. Rešerše: a)Idea Indoevropanství…………………………………………………………….6 b)Trojfunk ční struktura u Dumézila ………………………………………………8 c)T ři funkce………………………………………………………………………14 d)Dumézilovy poznatky o trojfunk ční struktu ře u ostrovních Kelt ů………..……20 e)Navazující práce Françoise Le Roux…………………………………………..26 f)Navazující práce Jaana Puhvela………………………………………………..30 III. Samotná práce: a) Keltové………………………………………………………………………..33 b) Nejstarší irské literární památky………………………………………………34 c) T ři poklady Tuatha de Danaan ů a t ři nartské dary…………………………….37 d) Válka funkcí – II. bitva na Mag Tuired?……………………………………...38 e) T ři funkce v mytologii-rozd ělení……………………………………………...41 e1)1.fce-právní a magická:Nuada a Manannan………43 e2)2. fce-vále čná a bojová: Ogma……………………48 e3).3.fce- prosperity a plodnosti: Dagda ……………..50 f)Lug-multifunk ční postava..……………………………………………………..54 IV. Záv ěr……………………………………………………………………………………..57 V.Seznam použité literatury ………………………………………………………………...59 VI. P říloha ……………………………………………………………………………………61 3 I. ÚVOD Tato bakalá řská práce si klade za cíl prokázat trojfunk ční rozd ělení boh ů v keltské mytologii a stru čně popsat jednotlivé funkce (svrchovanost, sílu fyzickou a bojovou a plodnost) a jim p říslušné postavy vystupující v irských mýtech. Celá studie vychází z teorie Georgese Dumézila, která p ředpokládá, že takzvaná trojfunk ční struktura je p řízna čná pouze pro mýty indoevropských národ ů.