The Adorabyssal Oracle
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Canadian Guiding Badges and Insignia Brownie Six/Circle Emblems
Canadian Guiding Badges And Insignia Brownie Six/Circle Emblems Following the introduction of the Brownie program to provide Guiding for younger girls, and after the decision to base the new program on The Brownie Story, a further decision was made in 1919 to subdivide a Brownie Pack into smaller groups consisting of six girls. These smaller groups within the Pack were known as Sixes and were identified by a Six emblem bearing the name of some mythical fairy- like person from folklore. [Reference: POR (British, 1919)] The original Six emblems were brown felt; later versions were brown cotton with the edges bound in brown. In 1995, the term “Sixes” was replaced by the term “Circles”, and the shape of the emblems was changed as well. In 1972, three of the original twelve Six emblems were retired and in 1995 four new ones were added. Page 1 V.2 Canadian Guiding Badges And Insignia Brownie Six/Circle Emblems SC0001 SC0002 Bwbachod Badge Discontinued 1919- 19? 19? - 1972 SC0003 SC0004 Djinn Introduced 1994 1995-2004 1994 SC0005 SC0006 Dryad Introduced 1994 1995- 1994 Page 2 V.2 Canadian Guiding Badges And Insignia Brownie Six/Circle Emblems SC0007 SC0008 SC0009 Elf 1919-19? 19? - 1995 1995- SC0010 SC0011 SC0012 Fairy 1919-19? 19? - 1995 1995- SC0013 SC0014 Ghillie Dhu Badge Discontinued 1919-19? 19? - 1972 Page 3 V.2 Canadian Guiding Badges And Insignia Brownie Six/Circle Emblems SC0015 SC0016 SC0017 Gnome 1995- 1919-19? 19? - 1995 SC0018 SC0019 Imp Badge Discontinued 1919-19? 19? - 1995 SC0020 SC0021 SC0022 Kelpie (formerly called Scottish -
MTG-Pl Documentation Release 0.10.1B
MTG-pl Documentation Release 0.10.1b Dominik Kozaczko & strefa-gry.pl Nov 12, 2018 Contents 1 Instrukcje 1 2 Tłumaczenie dodatków 3 2.1 Standard...............................................3 2.2 Modern................................................3 2.3 Pozostałe...............................................4 2.4 Specjalne karty............................................4 3 Warto przeczytac´ 5 4 Ostatnie zmiany 7 5 Ekipa 9 5.1 Origins................................................9 5.2 Battle for Zendikar.......................................... 25 5.3 Dragons of Tarkir........................................... 41 5.4 Uzasadnienie tłumaczen´....................................... 57 5.5 Innistrad............................................... 58 5.6 Dark Ascension........................................... 73 5.7 Avacyn Restored........................................... 83 5.8 Magic the Gathering - Basic Rulebook............................... 95 5.9 Return to Ravnica.......................................... 122 5.10 Gatecrash............................................... 136 5.11 Dragon’s Maze............................................ 150 5.12 Magic 2014 Core Set......................................... 159 5.13 Theros................................................ 171 5.14 Heroes of Theros........................................... 185 5.15 Face the Hydra!........................................... 187 5.16 Commander 2013.......................................... 188 5.17 Battle the Horde!.......................................... -
Black Shuck a Research Paper by Valerie Edwards
History Groups 1 & 2 Black Shuck A research paper by Valerie Edwards. Our latest task has been to write about a myth or legend associated with a place. For my story, I am returning to Suffolk, where I lived about 40 years ago, with the chilling tale of a ghostly dog by the name of Black Shuck! Those of a nervous disposition may prefer not to read on! The beast is said to roam the coastline and countryside of East Anglia, its name possibly derived from the old English word ‘succa’ meaning devil. For centuries, inhabitants of The Suffolk Coast have told tales of a large black dog with malevolent flaming eyes the size of saucers. The earliest surviving description of devilish black hounds is an account of an incident recorded in the Peterborough Abbey Chronicle (one version of the Anglo-Saxon Chronicle) around 1127. Tales like this are found all over the country, but my interest stems from evidence of the dog that can still be found in one of my favourite churches, at Blythburgh. This beautiful church, known as the Cathedral of the Marshes, can be seen from the A12, a few miles inland from Southwold. Black Shuck Blythburgh, “Cathedral of the Marshes” The story starts in Bungay, a small town about 10 miles from Blythburgh, on 4th August 1577, a day when there were several reports of a great thunder storm. Legend has it that a large black dog burst in through the doors of St Mary's Church in Bungay to a clap of thunder. It ran up the nave, past a large congregation, killing a man and boy and causing the church steeple to collapse through the roof, before moving on to Blythburgh Church where it mauled and killed more people. -
Elusive European Monsters Alli Starry
1 SELKIE Seal by sea and sheds its skin to walk on land in human form. This creature comes from the Irish and Scottish and Faroese folklore to keep their women cautious of men from the sea. 0 375 750 Km 9 KELPIE 2 PHOUKA N A shapeshifting water spirit in the lochs and A shapeshifting goblin sighted by the top of rivers of Scotland. The kelpie is told to warn the River Liffey. Takes drunkards on a wild children away from dangerous waters and women night ride and dumps them in random places. 6 to be wary of strangers. The Kelpie commonly Can be a nice excuse for a takes the shape of a horse with backwards hooves night at the pub. as it carries off its victims. 5 1 3 9 2 8 8 BOLOT N IK 4 A swamp monster originating from Poland. The Bolotnik pretends to be a stepping LOCH NESS 3 stone in a swamp when people pass through, then MON STER moves; causing its victims to fall into the mud where they can then be devoured. Legend has it that Loch Ness, Scotland has plesiosaur living in its depths. Affectionately named Nessie, a fisherman once 7 CET US spotted her surfacing the 7 Cetus is a sea monster from Greek Mythology. loch and Cetus is a mix between the sea serpent and a snapped a Map By: Alli Starry Monster information from Wikipedia whale. Its tale has been passed down through fuzzy picture. Pictures from deviantart.com the ages of Grecian folktales. It now resides World Mercator Projection; WKID: 54004 among the stars as a constellation. -
Brae Lochaber Gaelic Oral Tradition and the Repertoire of John Macdonald, Highbridge
https://theses.gla.ac.uk/ Theses Digitisation: https://www.gla.ac.uk/myglasgow/research/enlighten/theses/digitisation/ This is a digitised version of the original print thesis. Copyright and moral rights for this work are retained by the author A copy can be downloaded for personal non-commercial research or study, without prior permission or charge This work cannot be reproduced or quoted extensively from without first obtaining permission in writing from the author The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the author When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given Enlighten: Theses https://theses.gla.ac.uk/ [email protected] BRAE LOCHABER GAELIC ORAL TRADITION AND THE REPERTOIRE OF JOHN MACDONALD, HIGHBRIDGE Andrew Esslemont Macintosh Wiseman A thesis submitted in fulfilment of the requirements for the degree of Master of Philosophy Celtic Department Faculty of Arts The University of Glasgow October 1996 © A.E.M. Wiseman 1996 ProQuest Number: 10992213 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a com plete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest ProQuest 10992213 Published by ProQuest LLC(2018). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States C ode Microform Edition © ProQuest LLC. -
Horse Motifs in Folk Narrative of the Supernatural
HORSE MOTIFS IN FOLK NARRATIVE OF THE SlPERNA TURAL by Victoria Harkavy A Thesis Submitted to the Graduate Faculty of George Mason University in Partial Fulfillment of The Requirements for the Degree of Master of Arts Interdisciplinary Studies Committee: ___ ~C=:l!L~;;rtl....,19~~~'V'l rogram Director Dean, College of Humanities and Social Sciences Date: ~U_c-ly-=-a2..!-.:t ;LC>=-----...!/~'fF_ Spring Semester 2014 George Mason University Fairfax, VA Horse Motifs in Folk Narrative of the Supernatural A Thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts at George Mason University by Victoria Harkavy Bachelor of Arts University of Maryland-College Park 2006 Director: Margaret Yocom, Professor Interdisciplinary Studies Spring Semester 2014 George Mason University Fairfax, VA This work is licensed under a creative commons attribution-noderivs 3.0 unported license. ii DEDICATION This is dedicated to my wonderful and supportive parents, Lorraine Messinger and Kenneth Harkavy. iii ACKNOWLEDGEMENTS I would like to thank my committee, Drs. Yocom, Fraser, and Rashkover, for putting in the time and effort to get this thesis finalized. Thanks also to my friends and colleagues who let me run ideas by them. Special thanks to Margaret Christoph for lending her copy editing expertise. Endless gratitude goes to my family taking care of me when I was focused on writing. Thanks also go to William, Folklore Horse, for all of the inspiration, and to Gumbie, Folklore Cat, for only sometimes sitting on the keyboard. iv TABLE OF CONTENTS Page Abstract .............................................................................................................................. vi Interdisciplinary Elements of this Study ............................................................................. 1 Introduction ........................................................................................................................ -
Kynomartyrion)
DOG SACRIFICE IN ANCIENT AND MODERN GREECE: FROM THE SACRIFICE RITUAL TO DOG TORTURE (KYNOMARTYRION) Manolis G. Sergis Abstract: The article presents and discusses the custom of kynomartyrion (dog torture) which took place in the Greek lands until the 1980s. In many areas it stopped in the 1930s because of its cruelty. The author begins his discussion with the presentation of some elements that are related to the dog. More spe- cifically, the dog is an animal that entered the humanized environment long ago and belongs to the creatures whose nature is twofold because it is part of the human and the non-human worlds and it has been treated as twofold by at least the Indo-Europeans. It is also maintained that the liminal Hellenistic period was decisive for the formation of folk worship because of the religious syncre- tism and the invasion of demons that dominated in the Eastern Mediterranean. The author points out its remarkable similarities to ancient Greek and Roman (and Indo-European) fertile, cathartic and other sacrificial practices. Due to industrialization of agriculture and rationalization of the magical way of thought of the “traditional” peasant, performance of the custom was transformed into a folkloric, spectacular one with intensely violent and sadistic behaviour on the part of humans in the places where it still took place after 1960. The writer argues that violence was always an inherent characteristic of the custom. None- theless, the archaic, and later folk thinking ritualized the performance and attributed to it a different facet, devoid of any sacred elements, during the 20th century where its inherent violence was manifested in its raw essence. -
DIVINATION SYSTEMS Written by Nicole Yalsovac Additional Sections Contributed by Sean Michael Smith and Christine Breese, D.D
DIVINATION SYSTEMS Written by Nicole Yalsovac Additional sections contributed by Sean Michael Smith and Christine Breese, D.D. Ph.D. Introduction Nichole Yalsovac Prophetic revelation, or Divination, dates back to the earliest known times of human existence. The oldest of all Chinese texts, the I Ching, is a divination system older than recorded history. James Legge says in his translation of I Ching: Book Of Changes (1996), “The desire to seek answers and to predict the future is as old as civilization itself.” Mankind has always had a desire to know what the future holds. Evidence shows that methods of divination, also known as fortune telling, were used by the ancient Egyptians, Chinese, Babylonians and the Sumerians (who resided in what is now Iraq) as early as six‐thousand years ago. Divination was originally a device of royalty and has often been an essential part of religion and medicine. Significant leaders and royalty often employed priests, doctors, soothsayers and astrologers as advisers and consultants on what the future held. Every civilization has held a belief in at least some type of divination. The point of divination in the ancient world was to ascertain the will of the gods. In fact, divination is so called because it is assumed to be a gift of the divine, a gift from the gods. This gift of obtaining knowledge of the unknown uses a wide range of tools and an enormous variety of techniques, as we will see in this course. No matter which method is used, the most imperative aspect is the interpretation and presentation of what is seen. -
Sandy Shorts Early Summer 2014
The Cologne Schoolhouse on Cologne Ave. in the late 1800s Sandy Shorts Early Summer 2014. Volume 3, Issue 2 South Jersey Culture & History Center “The Most Metal Place in New Jersey” Absecon and Leeds Point.” The normal reaction is By Bobby McGruther “Oh, where is that near?” or something of the sort. I’ll tell them it’s near Atlantic City and they’ll I’ve had the privilege to do a bit of traveling in ask about casinos or whatever. That’s the usual. the last year. I took a break from school only to come This guy’s reaction was different. He looked at me back as a staff member and now as a student finish- shocked. Ithought maybe I had food in my beard or ing up my degree. In my travels I’ve learned that some something, but then he said it: “You live in the most people have a very different view of New Jersey than metal place in New Jersey! Like Jersey Devil bro!” you may think. I’m in a band that tours sometimes. We took a Contents break from touring to record an album, but when we Most Metal Place In NJ ..................................................... 1 were on the road I learned that I live in “the most Keeping the Music Alive ................................................... 2 metal place in Jersey.” Ong’s Hat ........................................................................... 3 When I tell people I’m from New Jersey, most Grasses of Paradise ............................................................ 3 look at me funny. “Wow, I don’t picture a guy like you Painting South Jersey .......................................................... 4 when I think of New Jersey.” They expect some guy Cheers .................................................................................. -
Bring Me the Head of Frank Sinatra! Credit, and That He Keeps Three Loaded Double- in Early 1988
BRING ME THE HEAD OF FRANK “Old No. 6-7/8.” Screw those guys. Really. SINATRA! Jimmy's Bar Introduction If the group is already an adventuring party, then it stands to reason they will be in a tavern. If not, This is a module for 4-6 player characters of level well, they might as well meet at a tavern. 4-6. It is set in a gonzo post-apocalyptic past- Specifcally, Three-Arm Jimmy's, on the Hoboken future. waterfront. What that means, in practical terms, is that it is Three Arm Jimmy's is the sort of generic tavern set in the world presented in Gamma World or that unimaginative Game Masters always start Mutant Future (Encounter Critical could also easily modules in. It's got a bar, manned by Jimmy be used, although the setting is Earth, rather than himself—the extra arm comes in very handy for Vanth or Asteroid 1618). Statistics in this module pulling beers. The bar serves cheap but adequate will be given in Mutant Future terms. beer, a variety of rotgut liquors, most of which are nasty-ass industrial ethanol with a few drops of Other systems can be used, of course: since it favoring agents, and standard bar food, such as has been said that First Edition Gamma World salty deep-fried starchy things, onion rings, was the best edition of Dungeons and Dragons, pickled eggs, and the ubiquitous rat-on-a-stick D&D would work fne, as would Paranoia, Call of (show players Illustration #1). In addition to Cthulhu, Arduin, or an-only-slightly-variant Spawn Jimmy, there will be a waitress and a of Fashan, for instance. -
Ntral Railroad
: •-.- ,: . nor .Vrranprmfnil 356, - , utral Railroad I . Mpta/irao! "Uajruo. iJuolii.iiB, .,„. - „ . , .. nte Irnitih arirt ilir"ttfh Iff. »., . ' . .. 'r^&jJR i f|. ring uitqtinletl f«i UIIIM -.* i itoraT*w Ji.|»»y, PfaWeHr.jwaj; je;l«M •».( VUKlnla. fluww H •. - . • jt.tilav Wifl'fli.jHi'ti ne^fnl atsil We.tn. ii , i.. I'.alnmurr am. Uhit '•'•>',», . • ' ', ~,•i j, s. * n.:«. |l (Vni.«iOr,h>.l.HileMtaai»v.v'l niUH.KSTO\VX, JEfFERSON COUXTY, VIRGINIA, nil, a <'rnlt«l Ibrt'Mh IB. ,>.•'., I Itwie IP Tana on ,| l |,.,. i tin. trad the 25,. 1856. ll,,!,,! w.., ,. 11,.,-Milatd » - ~ I-AIMMIIIC NUNTIMHMTit. n. \v. m;ititi;uB, BALTIMORE LOCK HOSPITAL. Kn'inM™ TiUri'it Mfrr riign, innu.il of «n« POLJTIGAL ,,,'mV., ,,,.,.„»..„ In all POETRX. rtng-t* hin lirt-ii ii'ii.l m loob ormifonl Tha Killmor's an.l Donabon Ol»»nrf HPott- hranchr* of IKe In.nranci* Ro«ln^«n anil I. tor. Joiiruioti* jiratiuo Itct .press Upou llio'ihroe Bri.t tilts the nmnlt WM, I- •, I I, .>..!,< VI.IH1I -•-. LIFE, AND PIIIK IN8UB- lEIl OP THIS ORUCtmATED laurf, KT , rrcentl) trrsl'J » tron undom- . l i n-.'i.i-it. i> «;...nt,i . A; In nttjr «ninunl» n,put. 4. in Hi.. 11.ml,,1,1 tffft* i\\f mn«i Certain, Hfw«0jr, thil Mr. J. I! lltnotm, nf (M.nl.f, •* p»)« in honur of thrlr c»n<JiJ«»'» 1'reri- •iid oolr effectual ttnrAy In I h* wot til for »T I* P" AT1I T «« II CUT. I'rr.ljeutuf t^e,.Amer- PVfNiM-i «**>;*• ''Tmif^rg'fyi *•*"•* -*•.» , ,,„.,. -
Fairy Tales; Their Origin and Meaning
Fairy Tales; Their Origin and Meaning John Thackray Bunce The Project Gutenberg EBook of Fairy Tales; Their Origin and Meaning by John Thackray Bunce Copyright laws are changing all over the world. Be sure to check the copyright laws for your country before downloading or redistributing this or any other Project Gutenberg eBook. This header should be the first thing seen when viewing this Project Gutenberg file. Please do not remove it. Do not change or edit the header without written permission. Please read the "legal small print," and other information about the eBook and Project Gutenberg at the bottom of this file. Included is important information about your specific rights and restrictions in how the file may be used. You can also find out about how to make a donation to Project Gutenberg, and how to get involved. **Welcome To The World of Free Plain Vanilla Electronic Texts** **eBooks Readable By Both Humans and By Computers, Since 1971** *****These eBooks Were Prepared By Thousands of Volunteers!***** Title: Fairy Tales; Their Origin and Meaning Author: John Thackray Bunce Release Date: June, 2005 [EBook #8226] [This file was first posted on July 3, 2003] Edition: 10 Language: English Character set encoding: iso-8859-1 *** START OF THE PROJECT GUTENBERG EBOOK, FAIRY TALES; THEIR ORIGIN AND MEANING *** E-text prepared by David Deley FAIRY TALES, THEIR ORIGIN AND MEANING With Some Account of Dwellers in Fairyland BY JOHN THACKRAY BUNCE INTRODUCTORY NOTE. The substance of this volume was delivered as a course of Christmas Holiday Lectures, in 1877, at the Birmingham and Midland Institute, of which the author was then the senior Vice-president.