The Black Dog: Origins and Symbolic Characteristics of the Spectral Canine
The Black Dog The Black Dog: Origins and Symbolic Characteristics of the Spectral Canine Adam Zmarzlinski Jagiellonian University Abstract The Black Dog is a folklore staple, easily recognizable by its mangy back hair, ominous pres- ence, and ember-filled eyes. It is also a symbolic narrative tool in pop culture, as seen in Arthur Conan Doyle’s The Hound of the Baskervilles. However, it did not emerge from a void; Black Dog lore stems from Ulysses’ Argos, continues through the Aesopian dogs, and borrows the- matic nuances from werewolves, but its foundations stand firmly on the backs of mythology’s noble hounds: Cerberus and Fenrir, who provide literary and psychological symbolism via their representation of the subconscious triumvirate (superego, ego, and id), temporal triumvirate (past, present, and future), and the Jungian shadow. Furthermore, Cerberus’ role—whose im- age, I argue, is most influential—as a guardian, not of the boundary between life and death, but between reality and fantasy, is the primordial father of the allegory of self-perpetuating imagination, of which the Black Dog is a vital fragment. Keywords: Black Dog, cultural chaos, fantasy, myth, narrative, Cerberus, symbolism Introduction n the 1943 winter-issue of the Hosier Folklore Bulletin, Robert G. McGuire, a local journalist, recounts a curious story of a man named Johnnie, who at the time of the telling of his tale was older. While a young lad in Detroit, Johnnie accompanied his Imother across the Irish section of the city, dubbed Corktown, to visit her friend, Mary. Johnnie recounts, We’d not gone far…before Mother said, “Something’s wrong, Johnnie,” and a few steps after that, we saw a black dog running in front of us.
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