Advertising Revenues

Total Page:16

File Type:pdf, Size:1020Kb

Advertising Revenues INVESTOR DAY 2004 Full Year Results Milan, 23rd March 2005 GROUP Fedele Confalonieri Chairman MEDIASET GROUP | Consolidated Results (€ml.) 2003 2004 ∆ % Net Consolidated Revenues 3,070.0 3,441.6 +12.1% EBIT 777.6 1,034.2 +32.9% NET PROFIT after Minorities 369.7 500.2 +35.3% Dividend per Share (€) 0.23 0.38 +65.2% | 3 | | 3 3| MEDIASET GROUP | Shareholdings at 31/12/2004 Mediaset Shareholdings Geografical Breakdown (Estimates at 31/12/ 2004) (Estimates at 31/12/ 2004) Retail Italy Germany Others 5.3% (ca. 250.000) 9.6% 8.2% France UK 7.5% 16.7% Fininvest MARKET 51.0% 43.7% ITALY 22.9% Usa 35.1% | 4 | | 4 | Broadcasting Pier Silvio Berlusconi Vice-Chairman and Head of Broadcasting MEDIASET: Audience Share Performance | 6 | MEDIASET 2004 | Audience in line with All-time highs 24 Hours audience in line with the latest 3 years, the best in Mediaset history: 43.0% Canal : 1st channel in Day Time: 22.5% Italia 1: 3rd channel in the latest 3 years: 11.2% Rete 4: Record audience in Prime Time since 1995: 8.9% Source: Auditel (Individuals) | 7 | | 7 | MEDIASET 2002-2005 | “Audience Guaranteed Period” Commercial Target (15-64 Years), 24 Hours 47.2% 46.5% 45.8% 46.4% 44.6% 44.6% 43.7% 43.5% 43.3% 43.6% 41.9% 41.3% 40.8% 38.4% S’02 A’02 S’03 A’03 S’04 A’04 S’05(*) A: Autumn S: Spring Source: Auditel (*) From 30/01/2005 to 12/03/2005 | 8 | | 8 | MEDIASET 2004 | Channel Ranking (24 Hours) 15-64 yrs 15-24 yrs 25-34 yrs 35-44 yrs CANALE 5 24.1 CANALE 5 27.9 CANALE 5 27.0 CANALE 5 24.6 RAI1 20.5 ITALIA 1 21.7 RAI 1 16.7 RAI 1 17.9 ITALIA 1 12.8 RAI 1 14.5 ITALIA 1 15.6 ITALIA 1 14.8 RAI 2 12.3 RAI 2 10.1 RAI 2 12.1 RAI 2 12.9 RAI 3 8.6 RAI 3 5.3 RAI 3 7.3 RAI 3 7.5 RETE 4 7.7 RETE 4 5.1 RETE 4 6.5 RETE 4 7.1 45-54 yrs 55-64 yrs 64+ yrs 4-14 yrs CANALE 5 23.0 RAI 1 26.8 RAI 1 31.1 ITALIA 1 27.7 RAI 1 22.5 CANALE 5 20.6 CANALE 5 19.4 CANALE 5 19.6 RAI 2 12.9 RAI 2 12.6 RETE 4 13.2 RAI 1 14.2 ITALIA 1 10.4 RAI 3 11.5 RAI 2 11.9 RAI 2 12.5 RAI 3 9.4 RETE 4 9.7 RAI 3 11.0 RAI 3 5.7 RETE 4 8.3 ITALIA 1 6.6 ITALIA 1 4.4 RETE 4 4.3 Source: Auditel | 9 | | 9 | MEDIASET 2005 | First Hints of PRIME TIME Audience Up until 12 /03/2005 43.8% INDIVIDUALS 44.0% 41.3% COMMERCIAL TARGET (15-64 Years) 45.9% Source: Auditel | 10 | | 10 | MEDIASET 2005 | First Hints of PRIME TIME Audience “Audience Guaranteed Period” from 30/1/2005 to 12/03/2005 41.1% INDIVIDUALS 46.8% 38.3% COMMERCIAL TARGET (15-64 Years) 49.1% Source: Auditel | 11 | | 11 | MEDIASET: TV Operation Profitability | 12 | | 12 | MEDIASET 2001-2004 | Total TV Costs Trend Growth vs Previous Year 8.3% +1.0% CAGR 2004 vs. 2001 1.2% 0.7% 1.1% 2001 2002 2003 2004 (*): Total TV Costs = Personnel Costs + TV Operating Costs + TV Rights D&A | 13 | | 13 | MEDIASET 2001-2004 | Operating Leverage (Index 100) 116.3 +9.1% 2004 vs 2003 TV Advertising Revenues 106.6 +1.2% 100 100 2004 vs 2003 103.1 101.8 100 100.7 Total TV Costs 2001 2002 2003 2004 | 14 | | 14 | MEDIASET 2001-2004 | Operating Leverage (Index 100) 143.8 +28.4% 2004 vs 2003 33.0% TV Operating Profit 112.2 28.0% 100 96.1 26.1% Profitability 25.2% 2001 2002 2003 2004 | 15 | | 15 | MEDIASET: Diversification Activities | 16 | | 16 | MEDIASET | Diversification Activities Telco Revenues Content Extension Teleshopping - Core Business - Merchandising Content providing Internet Teletext | 17 | | 17 | MEDIASET 2002-2004 | Total Revenues from Diversification 101.9 62.6 46.2 +62.8% +35.5% 2002 2003 2004 | 18 | | 18 | MEDIASET CENTRAL POSITIONING IN THE CONTENT MARKET | 19 | | 19 | New TV Content Market in Italy FTA Analog TV: Satellite TV : Cable: ADSL: UMTS: | 20 | | 20 | TV Strength in Italy 1999-2004: Total Audience (24 Hours) 9.095 9.284 8.848 8.915 9.140 8.630 224 TV Consumption (minutes per day) 234 1999 2000 2001 2002 2003 2004 Source: Auditel (24 hours, average minute) | 21 | | 21 | Leadership of FTA TV in Italy % of people Generalist TV Viewers 98.6 % Satellite TV Viewers 16.0 % Internet Users 28.8 % “LA TELEVISIONE GENERALISTA SI CONFERMA L’UNICO MEZZO IN GRADO DI PARLARE A TUTTI GLI ITALIANI” Rapporto Censis, January 2005 Source: Rapporto Censis, January 2005 | 22 | | 22 | Innovation of Generalist TV in Italy N° of PRIME-TIMEs with New Productions (*) February 2005 (28 days) 42 29 RAI MEDIASET 48% 40% (*) Fiction and Entertainment | 23 | | 23 | MEDIASET 2004 | More Unique Content 24 Hours Production (*) vs. Library 34% 51% 66% 49% 2000 2004 Production Library (*) Entertainment, Fiction, News | 24 | | 24 | MEDIASET 2005 | Programming Schedule Guidelines More Productions More News and Information Programs More Live Programs .. for an ever increasing TV “appeal” Mediaset stronger Mediaset more in competing efficient and against other therefore more platforms profitable | 25 | | 25 | CANALE 5| Prime Time Profit Contribution Analysis (Champions League, Index 100) COSTS GRP’s Champions League 100 100 Movies 60 115 Fiction 46 120 Entertainment 29 140 | 26 | | 26 | CANALE 5| A sample week in Springtime: 2004 vs 2005 Prime Time 2004 Fiction 2005 Sunday Monday Tuesda Movie Fiction Entertainment Movie Sunday Monday Tuesda y WednesdayChampions Thursday Movie League Fiction Entertainment Entertain. Entertainment Champions y Wednesday Thursday Friday League Entertainment Entertainment Saturday Entertainment Friday Entertainment Saturday | 27 | | 27 | MEDIASET: DTT Opportunity | 28 | | 28 | MEDIASET | DTT is launched on the TV market FTA Analog TV: DIGITAL TERRESTRIAL TV Satellite TV : Cable: ADSL: UMTS: | 29 | | 29 | MEDIASET | First Mover on DTT MEDIASET 6 RECORDS First to develop a Digital Terrestrial Network in only 9 months First to include Interactivity in TV Programs First to test Interactive and Enhanced Spots First to host 3rd -party content providers on its Multiplex First to launch a Free-to-Air channel for Kids First to launch PPV Offer | 30 | | 30 | MEDIASET | First Pre-paid card Offer on TV BENEFITS FOR VIEWERS BENEFITS FOR MEDIASET No dish required Focused Investments No Subscription Defensive Move “Pay for what you watch” Driver for DTT Penetration Additional Revenues | 31 | | 31 | MEDIASET | The Big “Serie A”, until 2007 Juventus Milan Inter Roma Sampdoria Atalanta Messina Livorno Siena 79.5% of Italian Football Supporters From 2007, Pre-emption Rights on: DTT, Satellite, Cable e ADSL Total Investment: Less then 1% of Mediaset MARKET CAP Source: Mediaset, Eurisko, Sinottica 2004-1, Makno 2004; Nielsen, Monitor Calcio 2003-2004 | 32 | | 32 | | 33 | | 33 | Advertising Giuliano Adreani CEO MEDIASET | Advertising Market Revenues 144 134 142 137 132 124 111 100 1997 1998 1999 2000 2001 2002 2003 2004 (Basis 100 – homogeneous media basis) | 35 | | 35 | MEDIASET | Publitalia Advertising Revenues 9.1% 2,869.1 2,630.4 (€ml.) 2003 2004 | 36 | | 36 | MEDIASET | 9M vs 4Q Advertising Revenues +10.1% +8.7% +6.8% +4.3% ADV ADV mkt mkt 9 Months 4Q | 37 | | 37 | MEDIASET | 2004 Italian TV Advertising Market Growth 2004 vs 2000 TOTAL ADV MARKET +2.4% +17.4% -3.3% - 10.0% PRESS Source: Adex Nielsen Estimates On an Homogeneous basis excluding ALL MUSIC and CNR | 38 | | 38 | MEDIASET | Advertising by Sector 2004 (ml€) 2004 vs 2003 MEDIA & PUBLISHING 259 +26.7% TELECOM 290 +25.9% AUTOMOTIVE 295 +19.2% FINANCE/INSURANCE 88 +13.5% NON FOOD 441 +5.4% FOOD 813 -5.5% | 39 | | 39 | MEDIASET | 2004 Breakdown by Sectors 3.0% 3.1% Finance Media & publishing 7.3% 9.0% TLC 8.4% 10.1% 9.6% Automotive 10.3% Non Food 16.4% 15.4% Food 32.0% 28.3% Others Sectors 23.3% 23.8% 2002 2004 | 40 | | 40 | MEDIASET | New Clients Acquisition Policy Active Clients New Clients in 2004 2003 1,069 New Clients 291 2004 1,104 Revenues 88.9 ml € | 41 | | 41 | PUBLITALIA: First Hints on 2005 | 42 | PUBLITALIA | First Hints on 2005 ADVERTISING REVENUES (January / February) +7.7% +2.0% 460.8 470.0 427.9 (€ml.) 2003 2004 2005 | 43 | | 43 | MEDIASET | Advertising by Sector (January / February) 2005 (ml€) 2005 vs 2004 RETAIL 5 +98.5% TELECOM 45 +11.2% MEDIA & PUBLISHING 58 +6.3% AUTOMOTIVE 66 +3.4% | 44 | | 44 | SPANISH ADVERTISING | 45 | TELECINCO | 2004 Spanish Advertising Market Growth 2004 vs 2003 TOTAL ADV. MARKET +10.4% TV +15.0% MAGAZINES +10.5% RADIO +6.3% PRESS +5.9% Source: InfoAdex, “Conventional Media” (Publishing, radio, TV, Outdoor, Internet, cinema) | 46 | | 46 | TELECINCO | Publiespana Advertising Revenues 762.7 644.8 633.7 579.0 567.4 (ml) 20002001 2002 2003 2004 | 47 | | 47 | Financials Marco Giordani CFO MEDIASET GROUP | Consolidated Results (€ml.) 2003 2004 ∆ % Net Consolidated Revenues 3,070.0 3,441.6 +12.1% Operating Costs (1,281.3) (1,467.2) EBITDA 1,788.7 1,974.4 Amortisation & Depreciation (967.9) (892.4) EBIT pre Goodwill Amortisation 820.8 1,082.0 Tele5 Goodwill Amortisation (43.2) (47.8) EBIT 777.6 1,034.2 +33.0% Pre-Tax Profit and Minorities 675.1 994.8 NET PROFIT after Minorities 369.7 500.2 +35.3% | 49 | | 49 | MEDIASET GROUP | Consolidated Results 2004 2004 2004 Consolidation (€ml.) Consolidated Mediaset Telecinco Effects Net Consolidated Revenues 3,441.6 2,649.4 793.4 (1.2) EBITDA 1,974.4 1,513.0 461.6 0.0 margin 57.4% 57.1% 58.2% EBIT 1,034.2 788.3 294.0 (47.8) margin 30% 29.8% 37.1% Net Profit 500.2 435.9 112.3* (47.8) (*): excluding Minorities | 50 | | 50 | ITALIAN BUSINESS FINANCIALS | 51 | | 51 | MEDIASET ITALIAN BUSINESS | P&L Results (€ml.) 2003 2004 ∆ % Net Consolidated Revenues 2,424.9 2,649.4 +9.3% Operating Costs 1,001.3 1,136.4 EBITDA 1,423.6 1,513.0 Rights Amortisation (657.2) (598.1) EBITDA Adj.
Recommended publications
  • Tina Venturi
    Tina Venturi Milano email: [email protected] blog: tinaventuri.it/blog website: tinaventuri.it telefono +39 347 730 6038 Tv Varietà 2012/16 Talent’s today – Membro giuria del 1996/97 Scherzi a parte – Canale 5 talent – Produzione Asa Polaris – 1996/97 State bboni – Antenna 3 Canale Italia 1996 Su le mani – Rai Uno 2004 Il Duello – Rai 2 1995 Quelli che il calcio – Rai Tre 1998 No panic! – Junior Tv 1995 La stangata – Italia 1 1998 Fantastica italiana – Rai Uno 1995 Telethon – Telemontecarlo – voce 1998 Comicissimo – Happy Channel 1993 Freddie Mercury – Italia 1 – voce 1997/98 Milano Bolgia Umana – Rai Uno 1993 Travolti da un insolito capodanno – 1997 Il Muro – Odeon Tv Italia 1 – voce 1997 Gran festa – Canale 10 Serie Tv e web 2016 ToyBoy – serie web tv – in lavorazione 2016 Virtuous Circle – serie web tv – in lavorazione 2015/16 Clouds – serie web animata – autrice e doppiatrice 2010/14 Love XXL – serie web tv – autrice e attrice 2010 Quelli dell’intervallo – Disney Channel – Regia di Laura Bianca 2009 Piloti – Rai Due – Regia di Celeste Laudisio 2009 Lo scontrino alla cassa – Regia di Ivaldo Rulli 2009 Quelli dell'intervallo “At Home 2” (già Fiore e Tinelli) – 1a serie – La signora Serena – Regia di Paolo Massari 2008 Fiore e Tinelli – 3a serie – Ginevra in “Amici e nemici”e altri episodi – Disney Channel – Regia di Paolo Massari 2008 Finalmente soli – Vari episodi – Canale 5 2004 Love Bugs – Italia 1 2004 Finalmente soli – 5a serie – Seduto sull'altra sponda – Canale 5 – Regia di Francesco Vicario 1998/01 Casa Vianello – Vari episodi – Canale 5 1998 La dottoressa Giò 2 – Rete 4 – Regia di Filippo De Luigi 1990 Cristina III (Cri Cri) CV Tina Venturi - p.
    [Show full text]
  • Reports and Financials As at 31 December 2015
    Financials Rai 2015 Reports and financials 2015 December 31 at as Financials Rai 2015 Reports and financials as at 31 December 2015 2015. A year with Rai. with A year 2015. Reports and financials as at 31 December 2015 Table of Contents Introduction 5 Rai Separate Financial Statements as at 31 December 2015 13 Consolidated Financial Statements as at 31 December 2015 207 Corporate Directory 314 Rai Financial Consolidated Financial Introduction Statements Statements 5 Introduction Corporate Bodies 6 Organisational Structure 7 Letter to Shareholders from the Chairman of the Board of Directors 8 Rai Financial Consolidated Financial Introduction 6 Statements Statements Corporate Bodies Board of Directors until 4 August 2015 from 5 August 2015 Chairman Anna Maria Tarantola Monica Maggioni Directors Gherardo Colombo Rita Borioni Rodolfo de Laurentiis Arturo Diaconale Antonio Pilati Marco Fortis Marco Pinto Carlo Freccero Guglielmo Rositani Guelfo Guelfi Benedetta Tobagi Giancarlo Mazzuca Antonio Verro Paolo Messa Franco Siddi Secretary Nicola Claudio Board of Statutory Auditors Chairman Carlo Cesare Gatto Statutory Auditors Domenico Mastroianni Maria Giovanna Basile Alternate Statutory Pietro Floriddia Auditors Marina Protopapa General Manager until 5 August 2015 from 6 August 2015 Luigi Gubitosi Antonio Campo Dall’Orto Independent Auditor PricewaterhouseCoopers Rai Financial Consolidated Financial Introduction Statements Statements 7 Organisational Structure (chart) Board of Directors Chairman of the Board of Directors Internal Supervisory
    [Show full text]
  • Micro-Costs: Inertia in Television Viewing∗
    Micro-costs: Inertia in television viewing∗ Constan¸caEsteves-Sorenson Fabrizio Perretti Yale University Bocconi University January 2012 Abstract We document substantial default effects despite negligible switching costs in a novel setting: television program choice in Italy. Despite the low costs of clicking the remote and of searching across only six channels and despite viewers extensive experience with the decision, show choice depends strongly on whether viewers happened to watch the previous programme on the channel. Specifically, (i) male and female viewership of the news depends on whether the preceding programme appealed to men or women, and (ii) a show's audience increases by 2-4% with an increase of 10% in the demand for the preceding program. These results are robust to endogenous scheduling. This behaviour appears most consistent with procrastination in switching, which stations fully exploit in their scheduling. ∗Corresponding author: Constan¸caEsteves-Sorenson, Yale School of Management, 135 Prospect Street, New Haven, CT, 06520 ([email protected]). We thank Stefano DellaVigna, Steven Tadelis and Catherine Wolfram for their valuable advice. We also thank Gregorio Caetano, Arthur Campbell, Urmila Chat- terjee, Keith Chen, Judy Chevalier, Liran Einav, Pedro Gardete, Jeff Greenbaum, Rachita Gullapalli, Ahmed Khwaja, Botond K}oszegi,Kory Kroft, Rosario Macera, Alex Mas, Amy Nguyen-Chyung, Miguel Palacios, Gisela Rua, Rob Seamans, Olav Sorenson, Betsy Stevenson, Justin Wolfers and participants in the Berkeley Psychology & Economics, Berkeley Haas School of Business, Emory Goizueta Business School, Melbourne Business School, University of Pennsylvania Wharton School, University of Toronto Rotman School of Management, and Yale School of Management seminars for valuable suggestions at different stages of this project.
    [Show full text]
  • TV Channel Monitoring
    TV Channel Monitoring The channels below are monitored in real- time, 24/7. United States 247 channels NATIONAL A&E Comedy Central Fuse ABC CW FX ABC Family Destination America GAC AHC Discovery Galavision (GALA) AMC Discovery Fit & Health Golf Channel Animal Planet Discovery ID GSN BBC America Disney Channel Hallmark Channel BET DIY HGTV Big Ten Network E! History Channel Biography Channel ESPN HLN Bloomberg News ESPN 2 HSN BRAVO ESPN Classic IFC Cartoon Network ESPN News ION CBS ESPN U Lifetime CBS Sports Food Network LOGO Cinemax East Fox 5 MLB CMT Fox Business MSG Network CNBC Fox News MSNBC CNBC World Fox Sports 1 MTV CNN Fox Sports 2 MTV2 My9 Science Channel Travel Channel National Geographic ShowTime East truTV NBA Spike TV TV1 NBC SyFy TV Guide NBC Sports (Versus) TBN TV Land NFL TBS Univision NHL TCM USA Nickelodeon Telemundo VH1 Nicktoons Tennis Channel VH1 Classic OLN The Cooking VICELAND Oprah Winfrey Net. Channel WE Ovation The Hub WGN America Oxygen Time Warner Cable WLIW QVC TLC YES REELZ TNT New York ABC (WABC) Fox (WNYW) Univision (WXTV) CBS (WCBS) MyNetworkTV (WWOR) CW (WPIX) NBC (WNBC) Los Angeles ABC (KABC) CW (KTLA) NBC (KNBC) CBS (KCBS) FOX (KTTV) Univision (KMEX) Baltimore ABC (WMAR-DT) Fox (WBFF-DT) NBC (WBAL-DT CBS (WJZ-DT) MyNetworkTV CW (WNUV-DT) (WUTB-DT) Chicago ABC (WLS-DT) Fox (WFLD-DT) Univision (WGBO- CBS (WBBM-DT) NBC (WMAQ-DT) DT) CW (WGN-DT) San Diego ABC (KGTV) FOX (KSWB) The CW (KFMB) CBS (KFMB) NBC (KNSD) Univision (KBNT) The United Kingdom 74 Channels 4Music Home Nick Toons 5 star Horror Channel
    [Show full text]
  • TV Fiction Production in the European Union European Audiovisual Observatory (Council of Europe), Strasbourg, 2017
    TV fiction production in the European Union TV fiction production in the European Union European Audiovisual Observatory (Council of Europe), Strasbourg, 2017 Director of publication Susanne Nikoltchev, Executive Director Author Gilles Fontaine, Head of Department for Market Information Proofreading Anthony A. Mills Press and public relations Alison Hindhaugh, [email protected] Publisher European Audiovisual Observatory 76 Allée de la Robertsau, 67000 Strasbourg, France Tel.: +33 (0)3 90 21 60 00 Fax. : +33 (0)3 90 21 60 19 [email protected] http://www.obs.coe.int Cover layout ALTRAN, Neuilly-sur-Seine, France Please quote this publication as TV fiction production in the European Union, European Audiovisual Observatory, Strasbourg, 2017 © European Audiovisual Observatory (Council of Europe), Strasbourg, July 2017 If you wish to reproduce tables or graphs contained in this publication please contact the European Audiovisual Observatory for prior approval. Opinions expressed in this publication are personal and do not necessarily represent the view of the European Audiovisual Observatory, its members or the Council of Europe. This report was prepared in partnership with the Media Intelligence Service of the European Broadcasting Union and with the support of the European Commission. TV fiction production in the European Union Gilles Fontaine Table of contents 1. Main findings ............................................................................................................ 1 2. Introduction .............................................................................................................
    [Show full text]
  • I Limiti Della Pubblicità Televisiva Lucia Canzi E Michele Cavuoti
    Consumatori in cifre I limiti della pubblicità televisiva Lucia Canzi e Michele Cavuoti Premessa In Italia la regolamentazione della pubblicità in televisione è costituita da una serie di leggi, decreti, regolamenti e codici di comportamento che stabiliscono i limiti quantitativi dei messaggi pubblicitari rispetto all’intera programmazione. Il principale riferimento normativo è la Legge 223/90, in alcune parti mo- dificata e integrata dalla più recente Legge Gasparri (Legge 112/2004) e poi confluita nel Testo Unico per la Radiotelevisione (D.Lgs. 177/2005). A questo si aggiungono alcune leggi relative a specifici argomenti, il Codice di Autoregola- mentazione tv e Minori e il Codice di Autodisciplina Pubblicitaria. Il problema dell’ingombro pubblicitario in televisione è comunque un argo- mento sempre oggetto di discussioni e interpretazioni più o meno restrittive e che coinvolge molti soggetti e interessi contrapposti. Dal punto di vista del mercato, l’affollamento pubblicitario televisivo costi- tuisce un problema se mette in discussione la distribuzione delle risorse pubbli- citarie con le altre forme di comunicazione e principalmente con la stampa. Dal punto di vista del consumatore, il punto critico sta nella fruibilità del mezzo televisivo, vale a dire nella possibilità di seguire in modo continuativo il programma prescelto. È chiaro che a volte questa fruibilità viene a mancare: è il caso di partite di calcio o film interrotti, o di programmi all’interno dei quali l’ingombro pubblicitario è tale da renderne sgradevole la visione. È principalmente per un problema di fruibilità della televisione da parte del consumatore che Altroconsumo ha deciso di svolgere uno specifico studio sul- l’argomento.
    [Show full text]
  • Presentazione Di Powerpoint
    MIGRANTI E LAVORO NELL’INFORMAZIONE ITALIANA (Gennaio – Giugno 2020) Seminario di Formazione “Media e migrazioni: analizzare i linguaggi e trovare nuove narrazioni” 8 ottobre 2020 - Bologna TRE APPROFONDIMENTI MIGRANTI E LAVORO MIGRANTI E ALLARME SANITARIO: IL CASO DELLA COMUNITÀ CINESE A INIZIO PANDEMIA RIPERCUSSIONI DEL CASO GEORGE FLOYD IN ITALIA CAMPIONE Edizioni Prime Time dei telegiornali di sette emittenti generaliste: Rai Uno, Rai Due, Rai Tre, Rete 4, Canale 5, Italia 1, La 7 Dieci quotidiani di diverso orientamento culturale: Avvenire, Il Corriere della Sera, Il Fatto Quotidiano, Il Foglio, Il Giornale, Il Sole 24 ore, La Repubblica, La Stampa, La Verità, Libero quotidiano. Periodo: dal 1° gennaio al 30 giugno 2020. MIGRANTI E LAVORO ATTENZIONE DELLE VARIE RETI AL LAVORO DEI MIGRANTI 82 Notizie Network/Rete Durata Notizie % Durata RAI 1.27.27 55,6% TG1 0.23.21 14,8% TG2 0.14.24 9,2% TG3 0.49.42 31,6% MEDIASET 0.45.23 28,8% TG4 0.09.55 6,3% TG5 0.26.07 16,6% STUDIO APERTO 0.09.21 5,9% LA 7 0.24.31 15,6% TG La7 0.24.31 15,6% Totale 2.37.21 100,0% SETTORI E PROFESSIONI RAPPRESENTATE NEI TG AGRICOLTURA Braccianti 46,4% SERVIZI ALLA PERSONA Colf e Badanti 30,4% RISTORAZIONE E PRODUZIONE ALIMENTARE Ristoratori, cuochi 6,4% Commercianti, sarti, COMMERCIO-ARTIGIANATO 5,6% piccoli artigiani LOGISTICA Rider 4,8% Artisti, musicisti, attori, CULTURA/SPETTACOLO/SPORT 3,2% atleti, educatori SANITÀ Medici, biologi 2,4% TECNOLOGIA Imprenditori 0,8% FOCUS TEMATICO DELLE NOTIZIE DEI TG Netta prevalenza del taglio politico nei servizi in tutte le emittenti.
    [Show full text]
  • MEDIASET | Update on DTT Development in Italy
    M e d i a s e t G r o u p October 2004 Digital Terrestrial TV MEDIASET | Update on DTT Development in Italy DigitalDigital Number of DTT multiplexes (every multiplex can host 4-6 channels) NetworksNetworks 6 1 mux 5 § Decoders Decoders 4 3 3 § 2 mux 2 New New 1 mux ChannelsChannels § § 1 mux Italy Spain Finland Norway InteractivityInteractivity United Kingdom Germany PayPay--perper--ViewView | 2 | MEDIASET | Update on DTT Development in Italy § Mediaset owns the transmission DigitalDigital NetworksNetworks infrastructure to broadcast § The network, is made up of over 1800 sites nationwide (4500 transmitters), Decoders Decoders ensuring a 99% analog coverage of the country § A minimum investment required to NewNew ChannelsChannels switch from analog to digital Population Coverage transmission > 63%, 75% by end of 2004 § Mediaset is already covering over > 63%, InteractivityInteractivity 63% of the country with one Digital 70% by end of 2004 Multiplex > 57%, § Total Estimated Investment 2003 - PayPay--perper--ViewView 2004: 70ml€ > 63%, 75% by end of 2004 | 3 | MEDIASET | Update on DTT Development in Italy § 720.000 MHP Decoders already sold in nearly 6 months DigitalDigital NetworksNetworks § Price between 0 € and 199€ (net of 150€ State Contribution) § No more State subsidies available in 2004 DecodersDecoders 700000 600000 500000 NewNew Channels SOLD OUT Channels 400000 300000 InteractivityInteractivity 200000 100000 0 Pay-per- View Pay-per- View Feb. Mar. Apr May. Giu Jul Sep Oct. | 4 | MEDIASET | Update on DTT Development in Italy Estimates
    [Show full text]
  • Diapositiva 1
    CANALE 27 DTT TUTTO SU UN SOLO CANALE Crescono gli ascolti dei canali digitali Gennaio 2013 11.6% 13.3% Gennaio 2014 Rai1, Rai2, Rai3, Canale5, Italia1, Rete4, La7 Canali dal 21 al 31 Fonte: Auditel – Individui 07.00 – 02.00 Una crescita costante AUDIENCE NEL MINUTO MEDIO 20000 18.746 18000 16.826 15.857 15.768 +18% Gen14 vs Ott13 16000 14000 ott-13 nov-13 dic-13 gen-14 Fonte: Auditel – Individui 07.00 – 02.00 Una crescita costante COPERTURA GIORNALIERA ottobre 2013 1.441 +22% Gen14 vs Ott13 gennaio 2014 1.764 0 200 400 600 800 1000 1200 1400 1600 1800 2000 Migliaia Fonte: Auditel – Individui 07.00 – 02.00 La giornata con ClassTV è sempre in crescita Ascolti minuto medio Gennaio14 vs Ottobre13 13.7% 21.9% 19.6% 23.4% 10.7% Fonte: Auditel – Individui 07.00 – 02.00 L’intrattenimento di ClassTV La qualità dell’intrattenimento 60.000 50.000 48.767 41.779 40.000 38.985 33.714 30.000 28.177 26.550 25.562 25.538 23.519 23.195 21.548 21.356 20.000 13.993 13.549 10.000 0 Sky Sky Fox Prime Sky Fox/HD Sky Class Tv Sky Sky Sky Sky Sky Sky Cinema 1 Cinema Crime/HD Time Class Cinema Cinema Film Cinema Cinema +1 Cinema Cinema Cinema Cinema Hits TV Comedy Family +24 Max Passion Max +1 Classics Fonte: Auditel – Individui 07.00 – 02.00 Il target Maschi Colti e Ricchi 42,0% Femmine 15,1% 58,0% < 14 anni Classe Media 1,6% 37,8% 15/24 anni Solo Adulti 2,4% 4,4% 25/34 anni Famiglie Giovani 5,2% 4,6% 35/44 anni 13,9% Maggioranza 31,9% 45/54 anni Basso 18,9% 6,3% 55/64 anni R.A.
    [Show full text]
  • Mediaset Group 2018 Consolidated Annual Report
    MEDIASET S.p.A. - via Paleocapa, 3 - 20121 Milan Share Capital Euros 614,238,333.28 fully paid up Tax Code, VAT number and inscription number in the Milan Enterprises Register: 09032310154 Website: www.mediaset.it Table of Contents Consolidated Financial Statements 2018 Directors’ report on operations Corporate Boards ..................................................................................................... 1 Financial Highlights .................................................................................................. 2 Directors’ Report on Operations ................................................................................ 5 General economic trends ........................................................................................... 9 Development in the legislative framework in the television sector ............................... 10 Mediaset shares ..................................................................................................... 13 Significant Events and Key Corporate Transaction for the year ................................... 15 The Main Group companies ...................................................................................... 20 Group Profile and Performance Review by Business Segment ..................................... 21 Consolidated Performance by Geographical Area and Business Segment Economic Results ............................................................................................. 57 Balance Sheet and Financial Position .................................................................
    [Show full text]
  • Ecco La Lista Delle Frequenze E Dei Canali Nazionali E Regionali
    Ecco la lista delle frequenze e dei canali Nazionali e Regionali Canali Nazionali Mux 1 Rai (è il primo multiplex delle zone raggiunte dallo switch-off dove vengono trasmessi i canali generalisti della televisione pubblica, quindi Rai Uno, Rai Due, Rai Tre, Rai News, e le radio Radio Uno, Radio Due, Radio Tre). Canale: 24 | Banda: UHF | Polarizzazione: H | MHz: 498 | Ripetitore: Castaldia Canale: 05 | Banda: VHF | Polarizzazione: H | MHz: 177,5 | Ripetitore: M. Venda (Rai Veneto) Mux 2 Rai (è il secondo multiplex dove vengono trasmessi i canali tematici della televisione pubblica: Rai Sport 1, Rai Sport 2, Tv 2000, la radio FD Leggera, FD Auditorium). Canale: 30 | Banda: UHF | Polarizzazione: H | MHz: 546 | Ripetitore: Castaldia Mux 3 Rai (è il terzo multiplex dove vengono trasmessi i canali temetici della televisione pubblica: Rai YoYo, Rai Movie, Rai Premium, Rai Gulp, Rai 4). Canale: 26 | Banda: UHF | Polarizzazione: H | MHz: 514 | Ripetitore: Castaldia Mux 4 Rai (è il quarto multiplex diffuso anche nelle aree di switch-off dove vengono trasmessi i canali tematici e in alta definizione della televisione pubblica: Rai Storia, Rai 5, Rai Test HD). Canale: 40 | Banda: UHF | Polarizzazione: H | MHz: 626 | Ripetitore: Castaldia Mux Timb 1 (è il primo mux di Telecom Italia Media dove vengono trasmessi vari canali: La 5, Mediaset Extra, Real Time, Sportitalia, Sportitalia 2, Sportitalia 24, QVC). Canale: 47 | Banda: UHF | Polarizzazione: H | MHz: 682 | Ripetitore: Castaldia Mux Timb 2 (è il secondo mux di Telecom Italia Media dove vengono trasmessi i canali: Dahlia Sport, Dahlia Calcio, Dahlia Extreme, Dahlia Adult). Canale: 60 | Banda: UHF | Polarizzazione: H | MHz: 786 | Ripetitore: Castaldia Mux Timb 3 (è il terzo mux di Telecom Italia Media dove vengono trasmessi i canali: La7, La7d, Mtv, Mtv+, Frisbee, K2 plus, K2 extra).
    [Show full text]
  • TS 101 231 Codes Register (2021-03)
    TS 101 231 Codes Register (2021-03) Television systems; Register of Country and Network Identification (CNI) and of Video Programming System (VPS) codes This document is an extract of ETSI Technical Specification TS 101 231. Table A.1. lists the code registrations for the PDC system whilst Tables B.1. and B.2. list the codes registered for the VPS system. These tables are updated regularly and maintained on the ETSI Portal site. The codes should be interpreted according to the full TS 101 231 document that is available free on the ETSI website. New entries are in red, changed entries are in blue in the tables. Recent Code Registration History 05/03/2021: 10 NextMedia France channels added in PDC Table A.1. 10/04/2019: 15 NPO (Netherlands) channels renamed/reassigned as future use in PDC Table A.1. 19/03/2019: Netherlands channel ’TV538’ registered to SBS future use 3129 in PDC Table A.1. 13/03/2019: ‘TF1 Serie Films’ and ‘TFX’ added to PDC Table A.1. 26/02/2019: ‘France 5’ added to PDC Table A.1. 10/01/2019: Three new French channels added to PDC Table A.1. 12/10/2017: Ten Canal+ channels added to PDC Table A.1. 11/10/2017: Three new RTL Netherlands channels added to PDC Table A.1. 03/10/2017: New Luxembourgois channels added to PDC Table A.1. 22/09/2017: New Belgian registration for ‘SBSplus’ added to PDC Table A.1. 2 TS 101 231 Codes Register (2021-03) Annex A (informative): Register of CNI codes for Teletext based systems Table A.1: Register of Country and Network Identification (CNI) codes for Teletext based systems 8/30 8/ 30 X/
    [Show full text]