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Soluzioni Hospitality Scopri I Prodotti Maxital
SOLUZIONI HOSPITALITY SCOPRI I PRODOTTI MAXITAL ® ELECTRONIC ENGINEERING LO SAPEVI? Con il passaggio allo standard di trasmissione DVB-T2 (HEVC H.265) previsto per giugno 2022, tutte le televisioni che non supportano tale codifica non saranno più in grado di ricevere alcun canale. L’utilizzo di una centrale modulare permette di assicurare la visione di tutti i canali anche dopo lo switch off senza dover sostituire i televisori o dover installare ricevitori in ogni stanza! A SERVIZIO DEGLI OSPITI Maxital offre soluzioni complete e personalizzabili per la realizzazione di impianti per la distribuzione centralizzata dei servizi televisivi da satellite, da digitale terrestre o dati all’interno di contesti Hospitality come hotel, campeggi, strutture commerciali, ospedali o carceri, dove sono distribuiti segnali televisivi tradizionali con l’aggiunta di segnali in lingua straniera. SOLUZIONI PERSONALIZZATE PER HOTEL Scegli la soluzione Hospitality TV-SAT di MAXITAL che fa per te. Con l’utilizzo di una centrale modulare è possibile ricevere e distribuire canali satellitari, canali TivùSAT o entrambi, ottenendo il meglio dei canali TV-SAT sia italiani che stranieri. QUALI SERVIZI È POSSIBILE DISTRIBUIRE? FTA (Free SAT) PIATTAFORMA TIVÙSAT “Free-to-air” (FTA), sta ad indicare la trasmissione “free”, Tivùsat la piattaforma digitale satellitare gratuita italiana ovvero gratuita e non criptata di contenuti televisivi e/o nata per integrare il digitale terrestre dove non è presente radiofonici agli utenti. una buona copertura. Tivùsat trasmette dai satelliti Hot Bird Le soluzioni FTA offrono ua vasta scelta di canali (13° Est) e richiede l’utilizzo di una smartcard tivùsat che internazionali per poter soddisfare ogni richiesta degli ospiti. -
Manuale D'uso CAM Certificata Tivùsat 4K Ultra HD
Manuale d’uso CAM certificata tivùsat 4K Ultra HD Indice 1. Introduzione pag. 03 2. Avvertenze per la vostra sicurezza pag. 03 3. Installazione pag. 04 4. Risoluzione dei problemi pag. 06 5. Architettura del Menù della CAM certificatativù sat 4K Ultra HD pag. 06 6. Restrizioni legali pag. 07 7. Contatti pag. 07 8. Assistenza, garanzie e malfunzionamenti pag. 07 9. Dichiarazione CE pag. 07 LOGHI, SIGNIFICATI ED AVVERTENZE Il logo DVB indica la conformità del prodotto alle specifiche dello standard DVB. La scritta DVB ed il logo DVB sono marchi registrati dal DVB Project. Il logo “CI+ ECP” indica la conformità del prodotto alle specifiche mi- nime dello standard CI+ ECP. Nello specifico, ECP sta per “Enhanced Content Protection”, un sistema di sicurezza avanzato di protezione dei contenuti. Se il vostro apparato non supporta il sistema di pro- tezione avanzato ECP, è possibile che alcuni contenuti trasmessi dall’emittente televisiva con questo sistema avanzato non vengano resi disponibili. Il logo “CI+ ECP” è un marchio registrato dal “CI+ LLP”. Smaltimento – Informazioni all’utente finale Il simbolo del bidoncino sbarrato indica che è vietato disperdere que- sto prodotto nell’ambiente o gettarlo nei comuni rifiuti urbani misti. Chi non rispetta tale regola è sanzionabile secondo legislazione vi- gente. Un corretto smaltimento dell’apparecchio consente di evitare potenziali danni all’ambiente e alla salute umana, nonché di facilitare il riciclaggio dei componenti e dei materiali contenuti in esso, con un conseguente risparmio di energia e risorse. Il produttore istituisce un sistema di recupero dei Rifiuti da Apparecchiature Elettriche ed Elettroniche (RAEE) del prodotto oggetto di raccolta separata e sistemi di trattamento, avvalendosi di impianti conformi alle dispo- sizioni vigenti in materia. -
Reports and Financials As at 31 December 2015
Financials Rai 2015 Reports and financials 2015 December 31 at as Financials Rai 2015 Reports and financials as at 31 December 2015 2015. A year with Rai. with A year 2015. Reports and financials as at 31 December 2015 Table of Contents Introduction 5 Rai Separate Financial Statements as at 31 December 2015 13 Consolidated Financial Statements as at 31 December 2015 207 Corporate Directory 314 Rai Financial Consolidated Financial Introduction Statements Statements 5 Introduction Corporate Bodies 6 Organisational Structure 7 Letter to Shareholders from the Chairman of the Board of Directors 8 Rai Financial Consolidated Financial Introduction 6 Statements Statements Corporate Bodies Board of Directors until 4 August 2015 from 5 August 2015 Chairman Anna Maria Tarantola Monica Maggioni Directors Gherardo Colombo Rita Borioni Rodolfo de Laurentiis Arturo Diaconale Antonio Pilati Marco Fortis Marco Pinto Carlo Freccero Guglielmo Rositani Guelfo Guelfi Benedetta Tobagi Giancarlo Mazzuca Antonio Verro Paolo Messa Franco Siddi Secretary Nicola Claudio Board of Statutory Auditors Chairman Carlo Cesare Gatto Statutory Auditors Domenico Mastroianni Maria Giovanna Basile Alternate Statutory Pietro Floriddia Auditors Marina Protopapa General Manager until 5 August 2015 from 6 August 2015 Luigi Gubitosi Antonio Campo Dall’Orto Independent Auditor PricewaterhouseCoopers Rai Financial Consolidated Financial Introduction Statements Statements 7 Organisational Structure (chart) Board of Directors Chairman of the Board of Directors Internal Supervisory -
Tv2000: Un Modello Privato
Tv2000: un modello privato di servizio pubblico Facoltà di Comunicazione e Ricerca sociale Corso di laurea in Comunicazione, valutazione e ricerca sociale per le organizzazioni Cattedra di Sociologia della Comunicazione Candidato Filippo Passantino 1655721 Relatore Christian Ruggero A/A 2018/2019 Indice + Introduzione………………………………………………………………….. P. 4 Cap. 1 – La televisione sociale in Italia 1.1. Una nuova narrazione del sociale: il caso del “Coraggio di vivere” ......…. P. 6 1.2. Gli approfondimenti sociali nelle emittenti pubbliche oggi ………………. P. 8 1.3. Gli approfondimenti sociali nella televisione commerciale ......…….......... P. 12 1.4. Gli approfondimenti sociali su Tv2000 ...……………………...…………. P. 14 1.5. Il servizio pubblico è fornito solo dalla televisione pubblica? …………… P. 16 Cap. 2 – Dal satellite al digitale: la novità sociale di Tv2000 nella televisione italiana 2.1 Storia e mission della televisione della Cei: da Sat2000 a Tv2000…….... P. 20 2.2 Il “servizio pubblico” negli approfondimenti di Tv2000……................... P. 21 2.3 L’approfondimento a trazione sociale: “Siamo Noi” ……........................ P. 24 2.4 Da cronisti a players, una “missione possibile”: l’impegno per i profughi nel Kurdistan e a Lesbo ...…………………...……………………………...... P. 29 2.5 Comunicare il sociale: il piano marketing…….......................................... P. 33 2.6 Ascolti e target di riferimento: il pubblico di Tv2000………......….......... P. 35 Cap. 3 – La prospettiva sociale dell’informazione: il Tg2000 3.1 L’informazione del tg di Tv2000 …...………………………...…….. P. 41 3.2 Le storie di solidarietà in un “post” …………….………………..…. P. 44 3.3 Le buone notizie tra Tg1 e Tg2000 …...………….…………………. P. 45 2 Cap. 4 – La comunicazione social(e) di Tv2000 4.1 La presenza di Tv2000 sui social network ……………………………... -
Micro-Costs: Inertia in Television Viewing∗
Micro-costs: Inertia in television viewing∗ Constan¸caEsteves-Sorenson Fabrizio Perretti Yale University Bocconi University January 2012 Abstract We document substantial default effects despite negligible switching costs in a novel setting: television program choice in Italy. Despite the low costs of clicking the remote and of searching across only six channels and despite viewers extensive experience with the decision, show choice depends strongly on whether viewers happened to watch the previous programme on the channel. Specifically, (i) male and female viewership of the news depends on whether the preceding programme appealed to men or women, and (ii) a show's audience increases by 2-4% with an increase of 10% in the demand for the preceding program. These results are robust to endogenous scheduling. This behaviour appears most consistent with procrastination in switching, which stations fully exploit in their scheduling. ∗Corresponding author: Constan¸caEsteves-Sorenson, Yale School of Management, 135 Prospect Street, New Haven, CT, 06520 ([email protected]). We thank Stefano DellaVigna, Steven Tadelis and Catherine Wolfram for their valuable advice. We also thank Gregorio Caetano, Arthur Campbell, Urmila Chat- terjee, Keith Chen, Judy Chevalier, Liran Einav, Pedro Gardete, Jeff Greenbaum, Rachita Gullapalli, Ahmed Khwaja, Botond K}oszegi,Kory Kroft, Rosario Macera, Alex Mas, Amy Nguyen-Chyung, Miguel Palacios, Gisela Rua, Rob Seamans, Olav Sorenson, Betsy Stevenson, Justin Wolfers and participants in the Berkeley Psychology & Economics, Berkeley Haas School of Business, Emory Goizueta Business School, Melbourne Business School, University of Pennsylvania Wharton School, University of Toronto Rotman School of Management, and Yale School of Management seminars for valuable suggestions at different stages of this project. -
Data Switchoff Viterbo
Date e Comuni - Switch -off Digitale Terrestre Provincia di Viterbo Comune Data Provincia Tv Acquapendente 22/11 Viterbo Canale 5, Italia 1, Rai 1, Rai 2, Rai 3, Rete 4, La7 23/11 Canale 5, Italia 1, Rai 1, Rai 2, Rai 3, Rete 4 Arlena di Castro 22/11 Viterbo Canale 5, Italia 1, Rai 1, Rai 2, Rai 3, Rete 4, La7 Bagnoregio 22/11 Viterbo La7, Rai 3 23/11 Canale 5, Italia 1, Rai 1, Rai 2, Rai 3, Rete 4 30/11 La7 Barbano Romano 22/11 Viterbo Canale 5, Italia 1, Rai 1, Rai 2, Rai 3, Rete 4 Bassano Romano 22/11 Viterbo Canale 5, Italia 1, Rai 1, Rai 2, Rai 3, Rete 4 30/11 La7 Bassano in Teverina 23/11 Viterbo Canale 5, Italia 1, Rai 1, Rai 2, Rai 3, Rete 4 30/11 La7, Rai 1, Rai 3 Blera 22/11 Viterbo Canale 5, Italia 1, Rai 1, Rai 2, Rai 3, Rete 4 23/11 Rai 1, Rai 2, Rai 3 Bolsena 22/11 Viterbo Canale 5, Italia 1, Rai 1, Rai 2, Rai 3, Rete 4, La7 Bomarzo 23/11 Viterbo Rai 1, Rai 2, Rai 3, Canale 5, Italia 1, Rete 4 30/11 La7 Calcata 23/11 Viterbo Canale 5, Italia 1, Rai 1, Rai 2, Rai 3, Rete 4 Canepina 22/11 Viterbo Rai 1, Rai 2, Rai 3 23/11 Canale 5, Italia 1, Rete 4 Canino 22/11 Viterbo Rai 1, Rai 2, Rai 3, Canale 5, Italia 1, Rete 4 Capodimonte 22/11 Viterbo Canale 5, Italia 1, Rete 4, La7 23/11 Rai 1, Rai 2, Rai 3 Capranica 22/11 Viterbo Rai 1, Rai 2, Rai 3 Caprarola 22/11 Viterbo Canale 5, Italia 1, Rai 1, Rai 2, Rai 3,Rete 4 Carbognano 30/11 Viterbo La7 Castel Sant'Elia 23/11 Viterbo Canale 5, Italia 1, Rai 1, Rai 2, Rai 3, Rete 4 Castiglione in Teverina 22/11 Viterbo La7 23/11 Canale 5, Italia 1, Rai 1, Rai 2, Rai 3, Rete 4 Celleno 22/11 -
"Mediaset Days" Opens in Turin: Two Days of Celebration, Entertainment and Information for the Arrival in Piedmont of the New Digital Tv
PRESS RELEASE "MEDIASET DAYS" OPENS IN TURIN: TWO DAYS OF CELEBRATION, ENTERTAINMENT AND INFORMATION FOR THE ARRIVAL IN PIEDMONT OF THE NEW DIGITAL TV Saturday 16 and Sunday 17 May in Piazza San Carlo For the first time, Mediaset has organised a big outdoor event for television viewers: "Mediaset Days". Two days of music, entertainment and information to celebrate, along with the Piedmont Regional Council and local authorities, the digital switchover in western Piedmont. On 20 May 2009 in Turin, Cuneo and 600 municipalities in the region, the so-called switchover will be introduced, the first phase in the transition of the TV system from analogue to digital-terrestrial. To mark the arrival of a richer and more modern TV in the homes of almost 3 million Italians, Mediaset will construct in Piazza San Carlo a digital village: for two days, Saturday 16 and Sunday 17 May, citizens will have an opportunity to see the new system in operation which, in addition to improving the existing channels, will enhance the viewing experience. It will also show all the new channels and services that can be received with the digital terrestrial system. The installation will be open from 10am to 8pm on both Saturday and Sunday, and will also be visited by numerous stars and presenters from Mediaset's channels who will come to Turin and entertain the public in Piazza San Carlo. In addition, "Mediaset Days" will also be two days of celebration and entertainment. Saturday 16 May at 9pm Amici in Concerto A live show with the finalists of Amici 2009 Presented by Maria De Filippi Sunday 17 May at 3pm Boing Video Dance Music and dance with the Dancers of Wannadance, the Boing game-show Sunday 17 May at 4pm Grande Fratello Live Talk-show with the participants of Grande Fratello 9 Presented by Barbara D'Urso As well as: Selection for Grande Fratello 10 Screen tests open to all Sunday all day 1 The digital village in Piazza San Carlo is organised in five areas: - The Mediaset generalist channels area Canale 5, Italia 1 and Retequattro in their new digital formats. -
Reconciling Cultural Diversity and Free Trade in the Digital Age: a Cultural Analysis of the International Trade in Content Items Claire Wright
The University of Akron IdeaExchange@UAkron Akron Law Review Akron Law Journals July 2015 Reconciling Cultural Diversity and Free Trade in the Digital Age: A Cultural Analysis of the International Trade in Content Items Claire Wright Please take a moment to share how this work helps you through this survey. Your feedback will be important as we plan further development of our repository. Follow this and additional works at: http://ideaexchange.uakron.edu/akronlawreview Part of the International Law Commons, and the International Trade Law Commons Recommended Citation Wright, Claire (2008) "Reconciling Cultural Diversity and Free Trade in the Digital Age: A Cultural Analysis of the International Trade in Content Items," Akron Law Review: Vol. 41 : Iss. 2 , Article 3. Available at: http://ideaexchange.uakron.edu/akronlawreview/vol41/iss2/3 This Article is brought to you for free and open access by Akron Law Journals at IdeaExchange@UAkron, the institutional repository of The nivU ersity of Akron in Akron, Ohio, USA. It has been accepted for inclusion in Akron Law Review by an authorized administrator of IdeaExchange@UAkron. For more information, please contact [email protected], [email protected]. Wright: Reconciling Cultural Diversity and Free Trade WRIGHT_FINAL 3/23/2009 2:40 PM RECONCILING CULTURAL DIVERSITY AND FREE TRADE IN THE DIGITAL AGE: A CULTURAL ANALYSIS OF THE INTERNATIONAL TRADE IN CONTENT ITEMS Claire Wright* I. Introduction ....................................................................... 401 II. Background Information.................................................... 415 A. Cultural Diversity on the Global Level ....................... 415 B. International Media Conglomerates ............................ 420 C. Global Content Markets .............................................. 428 D. Digital Technology ..................................................... 432 III. Cultural Studies ................................................................. 439 A. Cultural Studies as a Discipline ................................. -
MEDIASET S.P.A. (Incorporated with Limited Liability Under the Laws of the Republic of Italy) €375,000,000 5.125 Per Cent
Prospectus MEDIASET S.P.A. (incorporated with limited liability under the laws of the Republic of Italy) €375,000,000 5.125 per cent. Notes due 24 January 2019 The issue price of the €375,000,000 5.125 per cent. Notes due 24 January 2019 (the "Notes") of Mediaset S.p.A. (the "Issuer") is 99.463 per cent. of their principal amount. Unless previously redeemed or purchased and cancelled, the Notes will be redeemed at their principal amount on 24 January 2019. The Notes are subject to redemption in whole at their principal amount at the option of the Issuer at any time in the event of certain changes affecting taxation in the Republic of Italy. See "Terms and Conditions of the Notes — Redemption and Purchase". The Notes will bear interest from 24 October 2013 at the rate of 5.125 per cent. per annum payable annually in arrear on 24 January each year commencing on 24 January 2014. Payments on the Notes will be made in Euros without deduction for or on account of taxes imposed or levied by the Republic of Italy to the extent described under "Terms and Conditions of the Notes — Taxation". An investment in the Notes involves certain risks. For a discussion of these risks, see "Risk Factors" on page 3. This Prospectus has been approved by the Commission de Surveillance du Secteur Financier (the "CSSF"), in its capacity as competent authority in Luxembourg, as a prospectus under the Luxembourg Law of 10 July 2005 on Prospectuses for Securities (the "Luxembourg Prospectus Law"), which implements Directive 2003/71/EC (the "Prospectus Directive" as amended, which includes the amendments made by Directive 2010/73/EU). -
Must-Carry Rules, and Access to Free-DTT
Access to TV platforms: must-carry rules, and access to free-DTT European Audiovisual Observatory for the European Commission - DG COMM Deirdre Kevin and Agnes Schneeberger European Audiovisual Observatory December 2015 1 | Page Table of Contents Introduction and context of study 7 Executive Summary 9 1 Must-carry 14 1.1 Universal Services Directive 14 1.2 Platforms referred to in must-carry rules 16 1.3 Must-carry channels and services 19 1.4 Other content access rules 28 1.5 Issues of cost in relation to must-carry 30 2 Digital Terrestrial Television 34 2.1 DTT licensing and obstacles to access 34 2.2 Public service broadcasters MUXs 37 2.3 Must-carry rules and digital terrestrial television 37 2.4 DTT across Europe 38 2.5 Channels on Free DTT services 45 Recent legal developments 50 Country Reports 52 3 AL - ALBANIA 53 3.1 Must-carry rules 53 3.2 Other access rules 54 3.3 DTT networks and platform operators 54 3.4 Summary and conclusion 54 4 AT – AUSTRIA 55 4.1 Must-carry rules 55 4.2 Other access rules 58 4.3 Access to free DTT 59 4.4 Conclusion and summary 60 5 BA – BOSNIA AND HERZEGOVINA 61 5.1 Must-carry rules 61 5.2 Other access rules 62 5.3 DTT development 62 5.4 Summary and conclusion 62 6 BE – BELGIUM 63 6.1 Must-carry rules 63 6.2 Other access rules 70 6.3 Access to free DTT 72 6.4 Conclusion and summary 73 7 BG – BULGARIA 75 2 | Page 7.1 Must-carry rules 75 7.2 Must offer 75 7.3 Access to free DTT 76 7.4 Summary and conclusion 76 8 CH – SWITZERLAND 77 8.1 Must-carry rules 77 8.2 Other access rules 79 8.3 Access to free DTT -
TV Channel Monitoring
TV Channel Monitoring The channels below are monitored in real- time, 24/7. United States 247 channels NATIONAL A&E Comedy Central Fuse ABC CW FX ABC Family Destination America GAC AHC Discovery Galavision (GALA) AMC Discovery Fit & Health Golf Channel Animal Planet Discovery ID GSN BBC America Disney Channel Hallmark Channel BET DIY HGTV Big Ten Network E! History Channel Biography Channel ESPN HLN Bloomberg News ESPN 2 HSN BRAVO ESPN Classic IFC Cartoon Network ESPN News ION CBS ESPN U Lifetime CBS Sports Food Network LOGO Cinemax East Fox 5 MLB CMT Fox Business MSG Network CNBC Fox News MSNBC CNBC World Fox Sports 1 MTV CNN Fox Sports 2 MTV2 My9 Science Channel Travel Channel National Geographic ShowTime East truTV NBA Spike TV TV1 NBC SyFy TV Guide NBC Sports (Versus) TBN TV Land NFL TBS Univision NHL TCM USA Nickelodeon Telemundo VH1 Nicktoons Tennis Channel VH1 Classic OLN The Cooking VICELAND Oprah Winfrey Net. Channel WE Ovation The Hub WGN America Oxygen Time Warner Cable WLIW QVC TLC YES REELZ TNT New York ABC (WABC) Fox (WNYW) Univision (WXTV) CBS (WCBS) MyNetworkTV (WWOR) CW (WPIX) NBC (WNBC) Los Angeles ABC (KABC) CW (KTLA) NBC (KNBC) CBS (KCBS) FOX (KTTV) Univision (KMEX) Baltimore ABC (WMAR-DT) Fox (WBFF-DT) NBC (WBAL-DT CBS (WJZ-DT) MyNetworkTV CW (WNUV-DT) (WUTB-DT) Chicago ABC (WLS-DT) Fox (WFLD-DT) Univision (WGBO- CBS (WBBM-DT) NBC (WMAQ-DT) DT) CW (WGN-DT) San Diego ABC (KGTV) FOX (KSWB) The CW (KFMB) CBS (KFMB) NBC (KNSD) Univision (KBNT) The United Kingdom 74 Channels 4Music Home Nick Toons 5 star Horror Channel -
TV Fiction Production in the European Union European Audiovisual Observatory (Council of Europe), Strasbourg, 2017
TV fiction production in the European Union TV fiction production in the European Union European Audiovisual Observatory (Council of Europe), Strasbourg, 2017 Director of publication Susanne Nikoltchev, Executive Director Author Gilles Fontaine, Head of Department for Market Information Proofreading Anthony A. Mills Press and public relations Alison Hindhaugh, [email protected] Publisher European Audiovisual Observatory 76 Allée de la Robertsau, 67000 Strasbourg, France Tel.: +33 (0)3 90 21 60 00 Fax. : +33 (0)3 90 21 60 19 [email protected] http://www.obs.coe.int Cover layout ALTRAN, Neuilly-sur-Seine, France Please quote this publication as TV fiction production in the European Union, European Audiovisual Observatory, Strasbourg, 2017 © European Audiovisual Observatory (Council of Europe), Strasbourg, July 2017 If you wish to reproduce tables or graphs contained in this publication please contact the European Audiovisual Observatory for prior approval. Opinions expressed in this publication are personal and do not necessarily represent the view of the European Audiovisual Observatory, its members or the Council of Europe. This report was prepared in partnership with the Media Intelligence Service of the European Broadcasting Union and with the support of the European Commission. TV fiction production in the European Union Gilles Fontaine Table of contents 1. Main findings ............................................................................................................ 1 2. Introduction .............................................................................................................