Deconstructing Indonesian Film for Semarang's City Branding As A
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4 Citizenship and Indonesian Ethnic Chinese in Post-1998 Films
Downloaded from <arielheryanto.wordpress.com> Citizenship and Indonesian ethnic Chinese in post-1998 films 71 Since 1998, we have seen a dramatic emergence of works that fill in this 4 Citizenship and Indonesian ethnic long-standing lacuna (see Cohen 2002; Samudera 2002; Allen 2003; Her yanto 2004a; Hoon 2004; Sen 2006). But we must quickly add that the Chinese in post-1998 films formal ending of the New Order that year is neither the sole nor the most important cause of the change. The racialized violence against the ethnic Ariel Heryanto Chinese in May 1998 (more to follow below) was a more important factor than President Suharto's resignation in triggering the trend. II!-what appears to be a response to the violence, a new recognition of Chinese Indonesians and their long history of civil predicaments has become one of the most popular features in contemporary literature, fine arts, and films. It must be noted that instead of simply filling a gap in the old category of 'official literature', the aesthetic configuration since'1998 has transformed Tan Peng Liang; 'The important thing is, when Indonesia gets its independence, the overall categorization. Banned literature is now widely available and and all of you occupy important positions in the government, never forget me. I reprinted. The disparaged 'pop' literature that circulates in the cultural want to live peacefully, no worrying, with my family'.J pages of newspapers and magazines has gained more'prestige and authority, (Sylado 1999: 360) making the distinction between popular and 'official' literature difficult or meaningless. Established writers have also published in these pop media. -
Exit Suharto: Obituary for a Mediocre Tyrant
benedict anderson EXIT SUHARTO Obituary for a Mediocre Tyrant n 1971, the indonesian presidential machine informed the public that Suharto and his wife were planning a mauso- leum for themselves on a spur of Mount Lawu, the dormant, 3,000m sacred volcano that lies to the east of the ci-devant royal IJavanese city of Surakarta.1 The site had been carefully chosen, respect- fully situated some metres below the early tombs of the Mangkunegaran dynasty—the second most insignificant of the four small Central Java principalities instituted by colonial authority in the late 18th and early 19th centuries. Mrs Tien Suharto—by then already quietly mocked as Tientje (Ten Per Cent)—claimed some connection with the little dynasty which had barely survived the revolution of 1945–49. For Suharto, who always insisted that he was of simple peasant stock, but was rumoured to be the illegitimate son of a Chinese tycoon, the site represented a social step up; and a normal one, since hypergamy was common among the army officer corps in the 1940s and after, and families were traditionally uxorilocal. Still, the construction of this expensive, unprecedented mau- soleum for the future dead had something creepy about it, since Suharto himself was a healthy 50-year-old at the time. I visited Surakarta in the spring of 1972, after the Suharto government had discovered that I had entered the country by roundabout methods and had informed me that I would be deported. After some negotiations, I was allowed two weeks to wind up my affairs and say farewell to friends. -
29 Peran Dinas Pariwisata Kota Semarang Dalam Upaya
Jurnal HISTORIA Volume 4, Nomor 1, Tahun 2016, ISSN 2337-4713 (e-ISSN 2442-8728) PERAN DINAS PARIWISATA KOTA SEMARANG DALAM UPAYA MELESTARIKAN GEDUNG LAWANG SEWU SEBAGAI OBJEK WISATA PENINGGALAN BELANDA DI KOTA SEMARANG JAWA TENGAH TAHUN 2011 – 2014 Ria Ari Minarti Program StudI Pendidikan Sejarah FKIP Universitas Muhammadiyah Metro Sumiyatun Program StudI Pendidikan Sejarah FKIP Universitas Muhammadiyah Metro email: [email protected] Abstrak Penelitian ini bertujuan untuk mengetahui peran dinas pariwisata kota Semarang dalam upaya melestarikan Gedung Lawang Sewu sebagai objek wisata peninggalan Belanda di kota Semarang Jawa Tengah. Jenis penelitian ini adalah kualitatif dengan menggunakan pendekatan fenomenologi. Teknik pengumpulan data yang digunakan adalah wawancara, observasi, kepustakaan dan dokumentasi. Teknik analisis data yang digunakan adalah model dari James Spradley. Hasil penelitian ini menunjukkan bahwa upaya pelestarian Gedung Lawang Sewu sebagai objek wisata peninggalan Belanda belum berjalan sebagaimana mestinya, hal ini dikarnakan upaya perlindungan cagar budaya Gedung Lawang Sewu sebagai cagar budaya belum dilakukan secara maksimal. Kata kunci: Pelestarian, Lawang Sewu, Wisata, Semarang Jawa Tengah. Abstract This study aims to determine the role of the agency in Semarang in an effort to preserve the Building Lwang Sewu as a tourist attraction by the Netherlands in Semarang, Central Java. This type of research is qualitative by using the phenomenological approach. Data collection techniques used were interviviews, observation, literature and documentation. Data analysis technique used is the modal of James Spardley. The result of this research shows that Lawang Sewu Building preservation effort as the tourist attraction of Netherlands heritage is not running as it should, it is because the protection of cultural heritage Lawang Sewu Building as a cultural heritage has not done optimally. -
SETTING HISTORY STRAIGHT? INDONESIAN HISTORIOGRAPHY in the NEW ORDER a Thesis Presented to the Faculty of the Center for Inte
SETTING HISTORY STRAIGHT? INDONESIAN HISTORIOGRAPHY IN THE NEW ORDER A thesis presented to the faculty of the Center for International Studies of Ohio University In partial fulfillment of the requirements for the degree Master of Arts Sony Karsono August 2005 This thesis entitled SETTING HISTORY STRAIGHT? INDONESIAN HISTORIOGRAPHY IN THE NEW ORDER by Sony Karsono has been approved for the Department of Southeast Asian Studies and the Center for International Studies by William H. Frederick Associate Professor of History Josep Rota Director of International Studies KARSONO, SONY. M.A. August 2005. International Studies Setting History Straight? Indonesian Historiography in the New Order (274 pp.) Director of Thesis: William H. Frederick This thesis discusses one central problem: What happened to Indonesian historiography in the New Order (1966-98)? To analyze the problem, the author studies the connections between the major themes in his intellectual autobiography and those in the metahistory of the regime. Proceeding in chronological and thematic manner, the thesis comes in three parts. Part One presents the author’s intellectual autobiography, which illustrates how, as a member of the generation of people who grew up in the New Order, he came into contact with history. Part Two examines the genealogy of and the major issues at stake in the post-New Order controversy over the rectification of history. Part Three ends with several concluding observations. First, the historiographical engineering that the New Order committed was not effective. Second, the regime created the tools for people to criticize itself, which shows that it misunderstood its own society. Third, Indonesian contemporary culture is such that people abhor the idea that there is no single truth. -
The Influence of Javanese Culture in Teaching Indonesian to Speakers of Other Languages (TISOL)
Friendly City 4 ‘From Research to Implementation For Better Sustainability’ IOP Publishing IOP Conf. Series: Earth and Environmental Science 126 (2018) 012091 doi:10.1088/1755-1315/126/1/012091 Cultural and social change of foreign students in Indonesia: The influence of Javanese Culture in Teaching Indonesian to Speakers of Other Languages (TISOL) Kundharu Saddhono Indonesian Language Education Departement, Faculty of Teacher Training and Education, Universitas Sebelas Maret, Jl. Ir. Sutami 36 A, Kentingan, Surakarta, 57126, Indonesia E-mail: [email protected] Abstract. Teaching Indonesian to Speakers of Other Languages (TISOL) program is increasingly in demand by people in various parts of the world. Foreign students learn a lot of Indonesian language in major cities in Indonesia. The purpose of this study is to explain the cultural and social changes of foreign students in Indonesia, especially in Java, which is following TISOL program. This study focused on the influence of Javanese culture on foreign students studying Indonesian in Java. Research method used is descriptive qualitative with ethnography approach. This research was conducted in TISOL program organized by in Central Java, East Java, and Yogyakarta. Sources of data used are documents and informants. The sampling technique used is purposive sampling. Purposive sampling is considered more capable to obtain complete data in the face of various realities. Data collection techniques are done by reviewing documents or records using content analysis techniques. Other techniques used are interview techniques with some students and lecturers to get data about the factors that affect the cultural and social changes of foreign students in Indonesia. Also, interviews were also conducted with teachers to request a different process in TISOL. -
Learning Similarity Lawang Sewu Using Context for Third Grade Lower Secondary School Students
Advances in Social Science, Education and Humanities Research (ASSEHR), volume 247 International Conference on Science and Education and Technology 2018 (ISET 2018) Learning Similarity Lawang Sewu using Context for Third Grade Lower Secondary School Students Achmad Fahrurozi1, Suci Maesaroh2, Imam Suwanto3, Farida Nursyahidah4 1,2,3,4 Faculty of Mathematics and Natural Science Education and Information Technology, University of PGRI Semarang, 50125, Indonesia 4Corresponding author e-mail: [email protected] Abstract This study aims to produce a learning trajectory by using the context of Lawang Sewu in helping students to understand the concept of similarity. The approach used in this research was Realistic Mathematics Education, in Indonesian version is called by PMRI. Subject of the study is the third-grade students of SMP 37 Semarang, Central Java, Indonesia, involving 6 students who were chosen in heterogeneous capabilities. The methodology used is a design research consisting of three phases, namely the preliminary design, the design experiment, and the retrospective analysis. However, this study only shows the results in the design experiment phase, in particular on a pilot experiment. Data collection was done through several techniques, namely: video recordings, photograph, students work result, and students interview during learning. Student learning activities consist of four activities, namely observing the Lawang Sewu video, identifying two similar shapes, identifying the requirements of two similar shapes, and solving a contextual problem related to similarity. The results of this study indicate that through a series of activities that have been designed could help to stimulate students understanding of similarity concept by using Lawang Sewu context. Key words: Similarity, Design Research, PMRI, Lawang Sewu Context 1. -
Does Multicultural Indonesia Include Its Ethnic Chinese? 257
256 WacanaWacana Vol. 13Vol. No. 13 2 No. (October 2 (October 2011): 2011) 256—278 DEWI ANGGRAENI, Does multicultural Indonesia include its ethnic Chinese? 257 Does multicultural Indonesia include its ethnic Chinese? DEWI ANGGRAENI Abstract Multiculturalism in Indonesia is predominantly concerned with various regional cultures in the country, which continue to exist, and in some cases, to develop and progress. These cultures meet and interact in the context of a unitary national, Indonesian culture. There are however people who or whose ancestors originate from outside Indonesia, the major ones being Chinese and Arabs. They brought with them the cultures and mores of their lands of origin and to varying degrees integrated them into those of the places they adopted as homes. This article discusses how the Chinese who opted for Indonesian citizenship and nationality, fared and fare in Indonesia’s multicultural society, what problems slowed them in their path, and what lies behind these problems. Keywords Multicultural, cultural plurality, ethnic Chinese, peranakan, indigenous, migration, nationalism, VOC, New Order, Muslim, Confucianism, ancestry, Cheng Ho, pecinan, Chinese captaincy. What is multiculturalism? In Australia, the United States, and Canada, the media started to use the term multiculturalism from the late 1960s to the early 1970s to describe the nature of the society in their respective countries. It is worth noting that Australia, the United States and Canada have been immigrant-receiving nations where immigrants have had a very significant role in nation building and in economic growth. WorldQ.com explains the concept well and defines multiculturalism or DEWI ANGGRAENI is a writer of fiction and non-fiction. -
Discourse of Chinese Indonesia in Ernest Prakasa’S Show in Stand up Comedy Indonesia Farahdiba R
Discourse of Chinese Indonesia in Ernest Prakasa’s Show in Stand Up Comedy Indonesia Farahdiba R. Fitri ABSTRACT Chinese problem experienced by Chinese Indonesian has begun to rise in media nowadays, especially in comedy stage. The new category of comedy genre in Indonesia, Stand Up Comedy, has successfully brought these problem into public. Through one of Stand Up Comedians from Chinese Indonesian, Ernest Prakasa, who usually delivers his jokes about his life as Chinese and its cultures, this thesis aims to find out how the discourses of Chinese Indonesian are represented and (re)constructed through Ernest Prakasa’s show in Stand Up Comedy Indonesia through Ernest’s show ‘Ernest Prakasa and The Oriental Bandits’. For the method and theory, the researcher uses the theory of Critical Discourse Analysis-Historical Approach by Ruth Wodak which focuses not only on linguistics aspect of Ernest’s show but also relating it to discourse and historical aspect of Chinese Indonesian. This analysis will be divided into four parts. In the first part, Ernest’s show will be analyzed using five discursive strategies. In the second, third and fourth part, the analysis examines the intertextual and interdiscursive relationship between text (Ernest’s show transcript), genre and discourse. I also relate the text with sociopolitical and historical context of Ernest and Chinese-Indonesian discourse. I found that through Ernest’s jokes, there is strategy of ‘positive-self and negative-other presentation’ which used by Ernest as counter discourse to change the existing dichotomy into Chinese as ‘the self’ and indigene as ‘the other’. Keywords: CDA; Chinese-Indonesian; Discourse; Jokes; Racism; Stand Up Comedy 1. -
The Problem Change Function of Heritage Building at the Old Cities in Central Java
ISSN 2411-958X (Print) European Journal of Sep. Dec. 2017 ISSN 2411-4138 (Online) Interdisciplinary Studies Vol.9 Nr. 1 The Problem Change Function of Heritage Building at the Old Cities in Central Java Edy Darmawan Titien Woro Murtini Architecture Department, Engineering Faculty, Diponegoro University Abstract The old city is the commercial center in Semarang City in The Dutch Government. It can be seen from the buildings a relic history of hotel, warehouse, and also religious buildings. Almost all this building still exist, but they were unable to function properly. Even some buildings are used as shed byt the rightful owner of the land. The use of building be a barn it gives the impression slum and not safe to the old city. The flood problem in the old city who lack of after causing the quality of the environment in the old city get worse. This condition certainly disturb the face of the city and made the building worthless again. If managed well, those buildings in ancient old city this can be icon historic for Semarang City. One concept which can be applied to overcome these issues is to conservation old buildings to be new functions as the best possible. This concept chosen because see that function old buildings are no right again when maintained, so we needed sought the use of more worthy economically for old buildings historic not to stopped and remain maintained. The purpose of this research is studying characteristic model the concept of conservation old buildings and produce model design as an application from the concept of conservation of any old buildings. -
Soe Hok Gie Dalam Pergerakan Mahasiswa Tahun 1942-1969
Jurnal Program Studi Sejarah STKIP PGRI Sidoarjo GENTA Vol. 2 No. 2, September 2014 ISSN : 2337-9707 SOE HOK GIE DALAM PERGERAKAN MAHASISWA TAHUN 1942-1969 (SOE HOK GIE IN YEAR 1942-1969 STUDENT MOVEMENT) Rizal Amirido [email protected] J. Priyanto Widodo F.X Wartoyo Program Studi Pendidikan Sejarah STKIP PGRI Sidoarjo Jl. Jenggala Kotak Pos 149 Kemiri Sidoarjo Abstrak Dalam penelitian ini, peneliti menggunakan metode sejarah (History Method). Metode sejarah (History Method), yaitu merekonstruksi tentang masa lampau melalui proses menguji dan menganalisis secara kritis kejadian peninggalan masa lampau berdasarkan data-data yang ada. Adapun rumusan masalah dalam penelitian ini adalah 1). Bagaimana Sosok Sok Hok Gie semasa kecil ?. 2) Bagaimana pemikiran dan pengaruh Sok Hok Gie dalam pergerakan mahasiswa? 3).Bagaimana Peranan Sok Hok Gie pada pergerakan mahasiswa tahun 1942-1969? Kata Kunci : Sosok Soe Hok Gie, Tokoh Pergerakan Mahasiswa. Abstract In this study, researchers used the historical method (Method History). Method history (History Method), which is about reconstructing the past through the testing process and critically analyze past events relic based on the data available. The formulation of the problem in this study is 1). How Sok Hok Gie figure as a child?. 2) How does the thinking and influence Sok Hok Gie in the student movement? 3) The role .Bagaimana Sok Hok Gie in the student movement of 1942 to 1969? Keywords: Figure of Soe Hok Gie, People Student Movement. 152 Jurnal Program Studi Sejarah STKIP PGRI Sidoarjo GENTA Vol. 2 No. 2, September 2014 ISSN : 2337-9707 1. Latar Belakang Kondisi dan basis pergerakan mahasiswa kala itu tumbuh tidak dapat dilepaskan dari konteks pergolakan politik yang ada. -
Mcgregor on Schaefer and Wardaya, '1965: Indonesia and the World, Indonesia Dan Dunia'
H-Diplo McGregor on Schaefer and Wardaya, '1965: Indonesia and the World, Indonesia Dan Dunia' Discussion published by Seth Offenbach on Sunday, August 31, 2014 Bernd Schaefer, Baskara T. Wardaya, eds. 1965: Indonesia and the World, Indonesia Dan Dunia. Bilingual edition. Jakarta: Gramedia Pustaka Utama, 2013. xvii + 459 pp. $28.00 (paper), ISBN 978-979-22-9872-7. Reviewed by Katherine McGregor (Melbourne University) Published on H-Diplo (August, 2014) Commissioned by Seth Offenbach International Complicity in the 1965 Indonesian Anti-Communist Pogroms The book 1965: Indonesia and the World edited by Bernd Schaefer and Baskara T. Wardaya makes an important contribution to scholarly understandings of the anti-communist violence in Indonesia by bringing together scholars with a range of linguistic skills to examine international complicity for this violence. Although the editors agree that Indonesians were most responsible for the violence, they argue that foreign governments were complicit and should share some of the responsibility for encouraging or standing by as the violence unfolded. There are still relatively few detailed scholarly studies of the 1965 violence although this is beginning to change due to the new possibilities for doing oral history on this topic since the fall of the Suharto regime in 1998. Most studies have taken either a local or national approach to understanding the violence in terms of the role of the military and/or a variety of anti-communist coalitions.[1] Bradley Simpson’s Economists with Guns: Authoritarian Development and US-Indonesian Relations, 1960-1968 (2008) and Wardaya’sIndonesia Melawan Amerika: Konflik Perang Dingin 1953-1963 (2008), drawing on recently declassified U.S. -
Generating History: Violence and the Risks of Remembering for Families of Former Political Prisoners in Post-New Order Indonesia
Generating History: Violence and the Risks of Remembering for Families of Former Political Prisoners in Post-New Order Indonesia by Andrew Marc Conroe A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (Anthropology and History) in The University of Michigan 2012 Doctoral Committee: Professor E. Webb Keane Jr., Chair Professor Nancy K. Florida Professor Rudolf Mrazek Professor Andrew J. Shryock ! © Andrew Marc Conroe _________________________ 2012 For Karen ""!! Acknowledgements A great number of individuals deserve thanks for the support, guidance, insight, and friendship they provided to me throughout this project. My first debt of gratitude is to the former political prisoners, children and grandchildren of former political prisoners, and activists in Jogjakarta who opened their doors to me, welcomed or tolerated my questions, and shared their thoughts and experiences with me; I am admiring of their courage, resilience, and spirited engagement with the complexities and contradictions of their experiences. I would certainly not have made it this far without the love and unflagging support of my family. My parents, Harriet and Henry Conroe, got the ball rolling many years ago through their encouragement, love of learning, and open-mindedness about their son’s international peregrinations. I’ve been lucky to have my brothers, Gabriel and Daniel Conroe, with whom to share adventures, stories, and music over the years. Jack Wittenbrink provided my teenaged self with a first glimmer of understanding of ethnographic sensibilities and the joys of feeling out-of-place. Elizabeth Nicholson’s accounts of shadow puppet theater and komodo dragons first turned my eyes and ears and thoughts in the direction of Indonesia.