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Beaver News, 50(18)
astic from and arry abed March 30 1976 Voume No 18 were ams ite Council announces Leres John Linnell underi the tweIvehour Big goes will thIy courses nder By Elaine Maiperson By Lotsa Morals The Graduate Council has an- the full time to explore all Dr John Linnell Dean of the new schedule for 300 and ramifications of an idea College recently announced his %el to into effect at courses go Mr Stewart registrar com intentions to aid Dr Edward Gates College in the fall of 1976 President of the in his at- mented Im excited about the way College ath course will be offered once to Beavers the new plan opens up the schedule tempt improve security for of twelve single period We will certainly have fewer con system Beaver security is from to This flicts next year Fhe graduate average just average merely will the to plan help college students like to consolidate then average Dean Linnell commented efficient of more use But we have to take look at what class time by making fewer trips to assroom space and of faculty time we arc and where were and the campus The new schedule will going Under the new instructors make system attract more graduate students As decision based upon how it II be able to teach at least four will affect the see it the only problem will be the entire College corn- aduate courses over and above weathcr One snow closing will munity Lr normal load of three un block out month of classes Dean Linnell has de ided that yrgrduat courses Now well be radically hargrg Bcavcr Litsa Marlos senior English to teach seven courses each security -
By Jennifer M. Fogel a Dissertation Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy
A MODERN FAMILY: THE PERFORMANCE OF “FAMILY” AND FAMILIALISM IN CONTEMPORARY TELEVISION SERIES by Jennifer M. Fogel A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (Communication) in The University of Michigan 2012 Doctoral Committee: Associate Professor Amanda D. Lotz, Chair Professor Susan J. Douglas Professor Regina Morantz-Sanchez Associate Professor Bambi L. Haggins, Arizona State University © Jennifer M. Fogel 2012 ACKNOWLEDGEMENTS I owe my deepest gratitude to the members of my dissertation committee – Dr. Susan J. Douglas, Dr. Bambi L. Haggins, and Dr. Regina Morantz-Sanchez, who each contributed their time, expertise, encouragement, and comments throughout this entire process. These women who have mentored and guided me for a number of years have my utmost respect for the work they continue to contribute to our field. I owe my deepest gratitude to my advisor Dr. Amanda D. Lotz, who patiently refused to accept anything but my best work, motivated me to be a better teacher and academic, praised my successes, and will forever remain a friend and mentor. Without her constructive criticism, brainstorming sessions, and matching appreciation for good television, I would have been lost to the wolves of academia. One does not make a journey like this alone, and it would be remiss of me not to express my humble thanks to my parents and sister, without whom seven long and lonely years would not have passed by so quickly. They were both my inspiration and staunchest supporters. Without their tireless encouragement, laughter, and nurturing this dissertation would not have been possible. -
LUCY GETS the BALL ROLLING By
PUSHING THE BOUNDARIES OF HOUSEWIFERY: LUCY GETS THE BALL ROLLING by EUNICE A. OGLICE (Under the Direction of Dwight Brooks) ABSTRACT The 1950’s was an era that welcomed Lucy Ricardo into their homes. The comedy I Love Lucy premiered on Oct. 15, 1951, on CBS. This study seeks to demonstrate and illustrate how Lucy Ricardo battled patriarchy, which was common among TV sitcoms of the era. Primarily, this study aims to analyze Lucy Ricardo’s role as a woman who pushes the limits of patriarchy in I Love Lucy, by examining her dual roles of someone who defies patriarchy, yet show’s allegiance to it as well. A textual analysis of 14 I Love Lucy episodes will address the established mode of domesticity in I Love Lucy, as well as opportunities for challenges that Lucy takes advantage of. This study reveals a woman who denied her husband’s wishes to control her. Lucy stepped outside of the typical portrayal of married women who were supposed to submit to their husbands and follow their every wish. INDEX WORDS: I Love Lucy, Feminist theory, Patriarchy, Masculinity, Femininity, Sitcom, The 1950s, Housewifery, Ethnicity, American culture. PUSHING THE BOUNDARIES OF HOUSEWIFERY: LUCY GETS THE BALL ROLLING by EUNICE A. OGLICE B.S., The University of Tennessee, 2002 A Thesis Submitted to the Graduate Faculty of The University of Georgia in Partial Fulfillment of the Requirements for the Degree MASTER OF ARTS ATHENS, GEORGIA 2004 ©2004 Eunice A. Oglice All Rights Reserved PUSHING THE BOUNDARIES OF HOUSEWIFERY: LUCY GETS THE BALL ROLLING by EUNICE A. -
NPRC) VIP List, 2009
Description of document: National Archives National Personnel Records Center (NPRC) VIP list, 2009 Requested date: December 2007 Released date: March 2008 Posted date: 04-January-2010 Source of document: National Personnel Records Center Military Personnel Records 9700 Page Avenue St. Louis, MO 63132-5100 Note: NPRC staff has compiled a list of prominent persons whose military records files they hold. They call this their VIP Listing. You can ask for a copy of any of these files simply by submitting a Freedom of Information Act request to the address above. The governmentattic.org web site (“the site”) is noncommercial and free to the public. The site and materials made available on the site, such as this file, are for reference only. The governmentattic.org web site and its principals have made every effort to make this information as complete and as accurate as possible, however, there may be mistakes and omissions, both typographical and in content. The governmentattic.org web site and its principals shall have neither liability nor responsibility to any person or entity with respect to any loss or damage caused, or alleged to have been caused, directly or indirectly, by the information provided on the governmentattic.org web site or in this file. The public records published on the site were obtained from government agencies using proper legal channels. Each document is identified as to the source. Any concerns about the contents of the site should be directed to the agency originating the document in question. GovernmentAttic.org is not responsible for the contents of documents published on the website. -
092607 Tv Land Celebrates the 50Th Anniversary of Leave It To
Contacts: Vanessa Reyes-Smith Rachel Sandler 310-752-8081 212-846-4412 [email protected] [email protected] GEE, WALLY!! TV LAND CELEBRATES THE 50TH ANNIVERSARY OF LEAVE IT TO BEAVER WITH 24 HOUR ON-AIR SALUTE BEGINNING SATURDAY, OCTOBER 6TH Marathon Features Show’s Rarely-Seen 1957 Pilot, “It’s A Small World” TV Land.com Offers Full Streaming Episodes, Exclusive Photos and Sweepstakes New York, NY – September 26, 2007 –- TV Land celebrates the 50th anniversary of one of television’s beloved family sitcoms, Leave It To Beaver, with a 24 hour marathon beginning on October 6th at 8:00PM ET/PT concluding on Sunday, October 7th at 8:00PM ET/PT. The marathon includes the rarely-seen 1957 pilot entitled “It’s a Small World” that features Jerry Mathers as the Theodore “Beaver” Cleaver; Paul Sullivan as Wally and Barbara Billingsley and Max Showalter as the parents June and Ward Cleaver. Additionally, veteran comedic actor Harry Shearer is seen in one of his very first roles as Frankie, a neighborhood tough guy. Leave It To Beaver is one of the first sitcoms to take a look at life from a seven-year old’s point of view. Much to the dismay of his parents, Ward and June, “Beaver” got himself into and out of one childhood jam after another. In addition to the All-American Cleavers, audiences fondly remember the shenanigans of Eddie Haskell who tried hard to sweet talk the adults all the while bullying Beaver and his pals. The show premiered on October 4, 1957 and followed “Beaver” and his brother, Wally through their adolescent years, with the series ending September 12, 1963 with Wally going off to college and “Beaver” starting his teenage years. -
Ross Reports Television Index
ROSS REPORTS TELEVISION INDEX SEPT 30-OCT 6, 1957 a VOLUME 9 NUMBER 40 PROGRAMS ADVERTISERS TALENT EDITOR: Jerry Leichter 551 Fifth Avenue New York I7 MUrray Hill 2-5910 PUBLISHED BY TELEVISION INDEX, INC. WEEKLY REPORT MIS WEEK -- NETWORK DEBUTS & HIGPITIGHTS Monday(Sertember 30) ABC- 4:30-5pm NYT, Mon thru Fri; LIVE DEBUT- Do You Trust Your Wife - LIVE from WABC-TV(NY), to the net. § Sponsors- Participating: see next Monthly Program Analyses. § Pkgr- Don Fedderson Productions(NY); Prod- Jim Morgan; Dir- Al Burton; Prog Anncr- Del Sharbutt; Writers- Roy Hammerman, Allen Robin, Cally Curtis. § Johnny Carson is star and host of the comedy -quiz program. Married couples compete as teams for a daily 4i1,000 cash prize, with thewinning couple continuing in competition until defeated. The programwas originally seen in a filmed version, starring Edgar Bergen, over the CBS net from Jan 3, 1956 thru !:arch 26, 1957. ABC- 5-5:30pm NIT; NET DEBUT - Superman- FILM from WABC-TV(NY) & WBEB(Chi) & KABC-TV(LA), 90 stations net and delayed. § Alternate Week Sponsors- 1) Hellog Co (All Cereals) thru Leo Burnett Co., Inc(Chi); Acct Exec- James B. Weber. 2) Sweets Co of America (Tootsie Rolls) thru Henry Eisen Advertising Agency(NY); Acct Exec- Henry Eisen. § Pkgr- Superman, Inc; Film Prod- Super- man Television Films, Inc., at Ziv Studios, Hollywood, Calif.; Exec Prod- Whit- ney Ellsworth; Dirs- Various; Dir of Photog- Joe Biros. § George Reeves stars in the dual role of Clark Kent, newspaper reporter, and as Superman; with Jack Larson as a cub reporter and Noel Neill as Lois Lane. -
''The Year of the Millennium'' Mullen High School 4Th and Blaine Mullen, Tie 69152 Enrollment 2000: 102
''The Year of the Millennium'' Mullen High School 4th and Blaine Mullen, tiE 69152 Enrollment 2000: 102 . 0, I' ) : . .. .. • • he cla55 of 2000 a5 they began: (front) Gordon Mallory, Amber Brown, Mell55a Phllllp5, Phillip Munn, Marla Younkin, Dana Hampton (middle) lenl5e Hampton, Dee Dee Neumeyer, Ryan Frye, Jame5 Warren, Scott 15om, Travl5 Warren, David Mattson, Trent LaBore (back) Mr5. Brown, acob Schubert, Kenton Young. Patrick Sullivan, Lln5el Boyer, Joel Travnlcek, TJ Swendener, Jay 015on. Andy Ander5, Wade Neben (not pictured: ~teph Wright, Kre5ta Sherman, Nlccl Boot5, Stacie Olm5ted) Bronco zooo SUfi ecator As5lStilnt MIPr ... Advisor • • ••.....••• .•. 11rs. Tere51 """- Top: Gov. Johanns visited Mullen on Nov. 29. He spoke to the senior class about ed ucation, his career and the future of Ne braska. Right: Wade puts on his thinking cap. Lower left: "I've missed the luau some where; could you point me In the direction of the roasted pig?" Lower right: "Was that All-Conference football . .. or volleyball?" People 3 Yvonne Andrews, business/computer Nancy Beitel, Jr.High English/speech Robert Beitel, social studies/guidance Dan Brost, Science Mike Brown, PE/health/Driver Ed Crlstl Buckles, speech/language pathologist Teresa Finney, English/Journalism Scott Jones, Science Mike Miller, math Tamara Nelson, family/Consumer Sciences Angel Renninger, band/vocal music Jennifer Rice, library Melanie Samms, Spanish Wayne Sides, Industrial Tech Dusty Stephenson, art (not pictured: Barb Mcllnay, special education) Faculty Bruce Blanchard Chuck Hafer Pam Ginkens, business manager superlntendent;elem. principal high school principal high school secretary Board of Education (front) Wanda Simonson, president Lyle Phillips, vice presi dent Sue Pearman, treasur er (back) Marvin Cox, secretary Margaret Boyer, mem ber Marni Anders, member Administration 5 Support Staff (below left) Lunch Program Personnel: Kathy Lelbhart, Julie Pfeiffer, head cook Midge Harding. -
Leave to Beaver Show
Leave to beaver show Its reception led to a new first-run, made-for-cable series, The New Leave It to Beaver (–), with Beaver and Production · Themes and recurring · Cancellation and · Media information. Comedy · The misadventures of a suburban boy, family and friends. Videos. Leave It to Beaver -- Trailer for Leave It to Beaver: The Complete Series. Comedy · The Cleavers are an all-American family living in Ohio - wise father Ward, loving .. Barbara Billingsley who played Aunt Martha, was the original June Cleaver in the television show "Leave It to Beaver" (). See more». I knocked on a door and a woman answered. I told her, "You must be lost, let me know you where the kitchen is. It's been 56 years since a cute little munchkin named Theodore entered our lives as "The Beaver" in an all-American show about suburban. Leave It to Beaver is one of the first primetime sitcom series written from a child's point of view. Like several television dramas and sitcoms of. One common criticism of Leave It to Beaver is that June, the Cleaver the first season of the show; she started wearing heels at the suggestion. Leave It to Beaver also went out on its own terms, as we will see. Let's take a look at some fascinating facts about the show that will make you. One of television's most iconic series, 'Leave It to Beaver' follows the adventures of inquisitive but often naive Theodore "The Beaver" Cleaver. Along with. The very first episode of classic television show Leave it to Beaver almost never made it on air, according to the show's star Jerry Mathers. -
Take a Look Temperatures in the Mld-70S
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Gender in Teievision Sitcoms in the 1950S
Images of Dissent, Persistence of an Ideal: Gender in TeIevision Sitcoms in the 1950s. by Rachel S.M. Yates A thesis submitted to the Department of Kistory in conformity with the requirements for the degree of Master of Arts Queen's University Kingston, Ontario October, 1997 copyright 8 Rachel S.M. Yates, 1997 National Library Bib!iothèque nationale (*Iof Canada du Canada Acquisitions and Acquisitions et Bibliographie Sewices services bibliographiques 395 Wellington Street 395, nie Wellington OttawaON KIAON4 Ottawa ON KIA ON4 Canada canada YœIr &? vmRifemnce Our dle Notre rEi18mUa The author has granted a non- L'auteur a accordé une licence non exclusive licence allowing the exclusive permettant à la National Library of Canada to Bibliothèque nationale du Canada de reproduce, loan, distribute or sell reproduire, prêter, distribuer ou copies of this thesis in microform, vendre des copies de cette thèse sous paper or electronic formats. la fome de microfichelfihn, de reproduction sur papier ou sur format électronique. The author retains ownership of the L'auteur conserve la propriété du copyright in this thesis. Neither the droit d'auteur qui protège cette thèse. thesis nor substantial extracts fiom it Ni la thèse ni des extraits substantiels may be printed or otherwise de celle-ci ne doivent être imprimés reproduced without the author's ou autrement reproduits sans son permission. autorisation. ABSTRACT This study se& to expand the understanding of postwar gender codes through an exploration of the domestic ideal in television sitcoms of the era. Its sigdcance lies in the intersection of history with television studies and postwar social science perspectives. -
Beaver Is ALL Boy by MARGARET Mcmanus 'Jrnmmriygrm ¦•II Srndlctm NEW YORK, N
Beaver Is ALL Boy By MARGARET McMANUS 'jrnmmriygrm ¦•II SrndlctM NEW YORK, N. Y.—The elegance of the suites of the Waldorf Towers, pinnacle of the .Waldorf- Astoria here, Is reserved for a special breed. When In Manhattan, Maurice Chevalier always stays at the Towers. So do Ginger Rogers, Ethel Merman and many other distinguished ladies and gentlemen of the theater. I called at the Waldorf Towers the other day • and visited with a blue-eyed, freckle-faced kid \y - of was sprawled out 10 who on a red brocade ssSSisk* m _ JF sofa, apparently as at home as if he were strad- \ Hr*- 7 Jt dling a fence back home in Van Nuys, Calif. c <* Jerry Mathers, “Beaver Cleaver,” the star of Leave It to Beaver, 7:30 p.m., Thursdays, ABC—- 7, has the wide-eyed, Innocent face of an angel However, anyone who has even a bowing ac- quaintance with little boys knows instantly this innocence is fraud , This Star Is All Boy the 10-year-old world Is •• All the mischief of n v in those eyes and in the grin. But glory be, and *2**l hallelujah, the boy seems to be a bright, pre- cocious imp, not a 10-year-old television star As he dug his dusty brown shoes into the red hSmuSimm brocade, he was also punching at Tony Dow, who plays the part of Willy Cleaver, Beaver’s LEAVE IT TO TOM — Jerry Mathers, alder brother, in the television series. star of ABC-TV's popular Leave It to Tony, 15, is a pleasant, well-mannered boy, Beaver, gets some tips from Mark sitting at the other end of the sofa, treating Twain's Tom Sawyer Jerry as an.older brother would, with forbear- ance and kindly tolerance. -
Jerry Mathers Reveals How He Overcame Painful Neuropathy
JUNE/JULY 2011 BY SUSANNAH GORA Jerry Mathers Reveals How He Overcame Painful Neuropathy When neuropathy signs and symptoms began to appear, the Leave It to Beaver star received an unexpected diagnosis. ~is is how he saved his own life. He'll always be known as "The Beaver"—and that's just swell. "It's something I'm very proud of," says actor Jerry Mathers, 62, of portraying Theodore "Beaver" Cleaver, the adorable kid America loved to watch get into scrapes and out of them. Leave it to Beaver originally ran from 1957 to 1963 and has aired in reruns ever since. Along the way, the classic sitcom has become one of the most iconic TV shows of all time. Young viewers learned a few lessons from the way "The Beav" handled himself. We can still learn a lot—about how to greet health challenges with a positive attitude—from Mathers. As the host of a new patient- education video and guidebook for the American Academy of Neurology (AAN) Foundation, he's spreading awareness about neuropathy, a painful neurologic condition that affects millions of Americans, including Mathers. His health problems began in the 1990s. After starring in the sequel TV series The New Leave It To Beaver, Mathers branched out into other professional opportunities. "I bought a few companies," he says, "one of which was a catering business. We were famous for a 60-foot-long dessert table." Soon enough, the sweet temptations proved too much for Mathers to resist. "I put on about 70 pounds," he says. That's when he started noticing strange sensations.