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D2.8 GLAM-Wiki Collaboration Progress Report 2
Project Acronym: Europeana Sounds Grant Agreement no: 620591 Project Title: Europeana Sounds D2.8 GLAM-Wiki Collaboration Progress Report 2 Revision: Final Date: 30/11/2016 Authors: Brigitte Jansen and Harry van Biessum, NISV Abstract: Within the Europeana Sounds GLAM-wiki collaboration task, nine edit-a-thons were organised by seven project partners. These edit-a-thons were held in Italy, Denmark, Latvia, England, Greece, France and the Netherlands. This report documents each event, the outcomes and lessons learned during this task. Dissemination level Public X Confidential, only for the members of the Consortium and Commission Services Coordinated by the British Library, the Europeana Sounds project is co-funded by the European Union, through the ICT Policy Support Programme as part of the Competitiveness and Innovation Framework Programme (CIP) http://ec.europa.eu/information_society/activities/ict_psp/ Europeana Sounds EC-GA 620591 EuropeanaSounds-D2.8-GLAM-wiki-collaboration-progress-report-2-v1.0.docx 30/11/2016 PUBLIC Revision history Version Status Name, organisation Date Changes 0.1 ToC Brigitte Jansen & Harry 14/10/2016 van Biessum, NISV 0.2 Draft Brigitte Jansen & Harry 04/11/2016 First draft van Biessum, NISV 0.3 Draft Zane Grosa, NLL 09/10/2016 Chapter 3.5 0.4 Draft Laura Miles, BL 15/11/2016 Chapters 3.4, 3.8, 5.1, 7 0.5 Draft Karen Williams, State 17/11/2016 Chapters 3.9, 7 and University Library Denmark 0.6 Draft Marianna Anastasiou, 17/11/2016 Chapter 3.6 FMS 0.7 Draft Brigitte Jansen, Maarten 18/11/2016 Incorporating feedback by Brinkerink & Harry van reviewer and Europeana Biessum, NISV Sounds partner 0.8 Draft David Haskiya, EF 28/11/2016 Added Chapter 3.2.2 0.9 Final draft Maarten Brinkerink & 28/11/2016 Finalise all chapters Harry van Biessum, NISV 1.0 Final Laura Miles & Richard 30/11/2016 Layout, minor changes Ranft, BL Review and approval Action Name, organisation Date Sindy Meijer, Wikimedia Chapter Netherland 16/11/2016 Reviewed by Liam Wyatt, EF 24/11/2016 Approved by Coordinator and PMB 30/11/2016 Distribution No. -
The Holistic Portrait Peter Michael Hornung, Editor
88 THE HOLISTIC PORTRAIT By Peter Michael Hornung, Editor and Art Critic at “Politiken” Like other artists in our chaotically picture rich modern age, the painter Ralph Heimans also owes a professional debt to the art that preceded his own work his- torically. However, though he may have turned to it, asked it questions and drawn inspiration from it, he has never copied it. On the other hand, though, his personal standpoint as an artist is a result of the inspiration he drew from it. No one can create anything lasting and valuable without swearing some sort of oath to history, and any artist, even the most rebellious and experimental (or the opposite), must inscribe his or her work in a development, in which he or she serves as a link between past and future: between what went before and maybe influenced them, and what will come after and perhaps be coloured by them. This applies particularly to any artist who has chosen portrait painting as his or her sphere. In this field, the models extend far back in history. The need to be portrayed has existed for as long as there has been people with power and influ- ence: people who wished to be notably present, not only in their age, but also for posterity. Portraits are like memories. With the right degree of likeness they pos- sess the special capacity to make absent people present. Consideration for this likeness is also the reason why people still allow themselves to be painted, model- led, photographed, sketched etc. Heimans’ success as an artist in this historic genre lies not only in the fact that his paintings present a ‘likeness’, as it is referred to in the profession: in other words, that there is a clear and visible correspondence between the character appearing in the painting and the person who was the reason for that painting, and whom the painting must either remind us of or introduce us to. -
Peintures D'atmosphère De Krøyer À Hammershøi
Peintures d’atmosphère de Krøyer à Hammershøi Septembre-octobre 2021 Sommaire AVANT-PROPOS ·························································································· 2 Comment j’ai rencontré la peinture d’atmosphère du Danemark 2 L’exposition « Peintures d’atmosphère de Krøyer à Hammershøi » 4 LES ŒUVRES EXPOSÉES ················································································ 6 Peintures d’extérieurs ·············································································· 6 P..J., « Une artiste sur le ponton près d’Helsingør » ························· 6 Laurits Tuxen, « L’homme qui cherche de l'ambre sur la plage»······ 7 Erik Henningsen, « Des pécheurs demandent leur chemin » ············ 9 Søren Bjulf, « Marché aux Poissons à Copenhague » ······················· 10 Hans Kruuse, « La plage de Skagen » ················································ 11 Oscar Herschend, « Ambiance neige » ·············································· 12 Peintures d’intérieurs ··············································································· 13 Christen Lyngbo, « Femme plumant l'oie de Noël » ························ 13 Peter Ilsted ······················································································· 14 « La famille de l’artiste un jour de pluie » ······························· 15 « Maison de pêcheur à Hornbæk » ········································· 16 Christian Aigens, « Vue sur le Fjord de Vejle » ······························· 17 Christian Aigens, « Vue sur la mer » ··············································· -
Hans Christian Andersen and His Social Reception in Austria
Hans Christian Andersen and his Social Reception in Austria Sven Hakon Rossel Professor, University of Vienna Abstract This article documents Hans Christian Andersen’s gradual development from being a young unknown Danish writer to becoming socially accepted and acknowledged as an integral part of Austrian social and artistic life. The point of departure is his second novel Kun en Spillemand (Andersen, 1837/1988; Only a Fiddler) of which two chapters are set in Vienna. This process of so-called acculturation, i.e. the appropriation of various social, psychological and cultural elements of the country visited, begins with Andersen’s first stay in Austria in 1834 – the first of altogether six visits – and finds its climax in 1846, when he is invited to give a reading of his fairy tales at the imperial castle in Vienna. It is noteworthy that this process to a large degree was the result of a planned strategy on Andersen’s behalf. Before arriving in Vienna, he procured letters of recommendation and upon arrival he systematically made friends with the city’s most important artistic and intellectual personalities. Another strategic move, of course, was to choose Vienna as a partial setting for his most successful novel in the German-speaking world. Introduction: Only a Fiddler In Hans Christian Andersen’s second novel, Kun en Spillemand (Andersen, 1837/1988; Only a Fiddler), a Bildungsroman like his other five novels, one of the characters, a Danish physician living in the Austrian capital Vienna, compares Austria with Denmark and arrives at this conclusion: The inhabitants of Vienna possess so much, both that which is good and that which is petty- minded, they have this in common with the inhabitants of Copenhagen, the difference being that the Viennese possess more liveliness. -
Téléchargez Le Dossier De Presse
Ouverture Contact presse : Musée Claudine Colin Communication Marmottan au public T. +33 (0)1 42 72 60 01 - www.claudinecolin.com en 2021 • Christelle Maureau Monet [email protected] ACADÉMIE DES BEAUX-ARTS L’HEURE BLEUE DE PEDER SEVERIN KRØYER Musée Marmottan Monet – L’Heure bleue de Peder Severin Krøyer Dossier de presse 1 Peder Severin Krøyer, La Plage au sud de Skagen, 1883 - Huile sur toile, 137 x 122 cm, Kiel, Kunsthalle zu Kiel © Kunsthalle zu Kiel, Photo : Foto-Renard, Kiel L’inscription portée sur la toile « À H.D. de S.K. 9. Oct. 1906 » est le témoignage d’un cadeau de l’artiste au peintre, poète et écrivain Holger Drachmann, à l’occasion de son soixantième anniversaire, c’est-à-dire vingt-trois ans après qu’elle ait été peinte. Il s’agit d’une œuvre exceptionnelle dans la production de Krøyer, inspirée du mouvement « romantique naturaliste » qui se nourrit de l’idée que la nature est investie d’une force divine et que tout émane de cette force. SOMMAIRE 04 I – Avant-propos 06 II – Communiqué de presse 08 III – Peder Severin Krøyer, l’un des plus grands peintres de la peinture danoise de son temps 12 IV – L’heure bleue 14 V – Parcours de l’exposition 32 VI – Partenariats scientifiques du musée Marmottan Monet 33 VII – Autour de l’exposition 34 VIII – Visuels presse 38 IX – Commissariat – Scénographie 40 X – Programmation 2021 – 2022 45 XI – Informations pratiques I AVANT-PROPOS L’art des pays du Nord est riche de peintres très talentueux. Depuis quelques décennies, on assiste, en France, à une redécouverte progressive de cette école. -
Encyklopédia Kresťanského Umenia
Marie Žúborová - Němcová: Encyklopédia kresťanského umenia Daňo Juraj - (2007) do výtvarného života vstúpil tesne po 2. svetovej vojne; v tvorbe prekonal niekoľko vývojových zmien, od kompozícií dôsledne a detailne interpretujúcich farebné a tvarové bohatstvo krajiny, cez krajinu s miernou farebnou, tvarovou i rukopisnou expresionistickou nadsádzkou, až ku kompozíciám redukujúcim tvary na ich geometrickú podstatu; tak v krajinárskych, ako aj vo figurálnych kompozíciách, vyskytujúcich sa v celku jeho tvorby len sporadicky, farebne dominuje modro – fialovo – zelený akord; po prekonaní experimentálneho obdobia, v ktorom dospel k výrazne abstrahovanej forme na hranici informačného prejavu, sa upriamoval na kompozície, v ktorých sa kombináciou techník usiloval o podanie spoločensky závažnej problematiky; vytvoril aj celý rad monumentálno-dekoratívnych kompozícií; od roku 1952 bol členom východoslovenského kultúrneho spolku Svojina, zároveň členom skupiny Roveň; v roku 1961 sa stal členom Zväzu slovenských výtvarných umelcov; od roku 1969 pôsobil ako umelec v slobodnom povolaní; v roku 1984 mu bol udelený titul zaslúžilého umelca J. Daňo: Horúca jeseň J. Daňo: Za Bardejovom Heslo DANO – DAR Strana 1 z 22 Marie Žúborová - Němcová: Encyklopédia kresťanského umenia J. Daňo J. Daňo: Drevenica Heslo DANO – DAR Strana 2 z 22 Marie Žúborová - Němcová: Encyklopédia kresťanského umenia J. Daňo: J. Daňo Heslo DANO – DAR Strana 3 z 22 Marie Žúborová - Němcová: Encyklopédia kresťanského umenia J. Daňo: Ulička so sypancom J. Daňo: Krajina Daňový peniaz - Zaplatenie dane cisárovi dánska loď - herring-buss Dánsko - dánski ilustrátori detských kníh - pozri L. Moe https://en.wikipedia.org/wiki/Category:Danish_children%27s_book_illustrators M Christel Marotta Louis Moe O Ib Spang Olsen dánski krajinári - Heslo DANO – DAR Strana 4 z 22 Marie Žúborová - Němcová: Encyklopédia kresťanského umenia http://en.wikipedia.org/wiki/Category:Danish_landscape_painters dánski maliari - pozri C. -
Travelling in a Palimpsest
MARIE-SOFIE LUNDSTRÖM Travelling in a Palimpsest FINNISH NINETEENTH-CENTURY PAINTERS’ ENCOUNTERS WITH SPANISH ART AND CULTURE TURKU 2007 Cover illustration: El Vito: Andalusian Dance, June 1881, drawing in pencil by Albert Edelfelt ISBN 978-952-12-1869-9 (digital version) ISBN 978-952-12-1868-2 (printed version) Painosalama Oy Turku 2007 Pre-print of a forthcoming publication with the same title, to be published by the Finnish Academy of Science and Letters, Humaniora, vol. 343, Helsinki 2007 ISBN 978-951-41-1010-8 CONTENTS PREFACE AND ACKNOWLEDGEMENTS. 5 INTRODUCTION . 11 Encountering Spanish Art and Culture: Nineteenth-Century Espagnolisme and Finland. 13 Methodological Issues . 14 On the Disposition . 17 Research Tools . 19 Theoretical Framework: Imagining, Experiencing ad Remembering Spain. 22 Painter-Tourists Staging Authenticity. 24 Memories of Experiences: The Souvenir. 28 Romanticism Against the Tide of Modernity. 31 Sources. 33 Review of the Research Literature. 37 1 THE LURE OF SPAIN. 43 1.1 “There is no such thing as the Pyrenees any more”. 47 1.1.1 Scholarly Sojourns and Romantic Travelling: Early Journeys to Spain. 48 1.1.2 Travelling in and from the Periphery: Finnish Voyagers . 55 2 “LES DIEUX ET LES DEMI-DIEUX DE LA PEINTURE” . 59 2.1 The Spell of Murillo: The Early Copies . 62 2.2 From Murillo to Velázquez: Tracing a Paradigm Shift in the 1860s . 73 3 ADOLF VON BECKER AND THE MANIÈRE ESPAGNOLE. 85 3.1 The Parisian Apprenticeship: Copied Spanishness . 96 3.2 Looking at WONDERS: Becker at the Prado. 102 3.3 Costumbrista Painting or Manière Espagnole? . -
Indledning Inledning
Indledning Inledning Skagen, som er Danmarks nordligste punkt, Skagen, som är Danmarks nordligaste punkt, har gennem årene tiltrukket mange kunstnere har genom åren dragit till sig många konstnä - på grund af de særlige lysforhold og de male - rer på grund av de säregna ljusforhållandena riske motiver i landskab og befolkning. I årene och de malerimässiga motiven i landskap och fra ca. 1875-1920 var her en ganske særlig pro - befolkning. Ungefär kring 1875-1920 fanns här duktiv og dygtig 'Kunstnerkoloni' og mange en helt enastående produktiv och duktig af disse malere er stadig populære og kendt konstnärskoloni, och många av de målare som verden over. ingick i den är fortfarande omtyckta och I Skagen fandt de mange malere og for - kända i hela varlden. fat tere, trods fælles motivkreds og inspiration, I Skagen finner de många målarna och hver sin stil og kolorit og skildrede forskellige for fattarna, trots gemensam motivkrets och nuancer af det farverige liv i det lille lokal- inspiration, var sin stil och kolorit. De skildrar samfund. Kunstnerkolonien blev en base med olika nyanser i det färgstarka livet bland orts - et fælles grundlag i arbejdet og diskussion- befolkningen och i konstnärskolonin, som blir erne om de nye strømninger indenfor kunst en gemensam grund för arbete och diskussio - og politik. Særligt gjorde impressionisterne – en ner med utgangspunkt från de nya ström ning - gruppe franske malere: Monet, Degas, Renoir, arna inom konsten och politiken. I synner het Sisley, Pissaro m.fl. et stort indtryk på bl.a. gör impressionisterna – en grupp franska må - Krøyer og Tuxen. Disse franskmænd gik imod lare: Monet, Degas, Renoir, Sisley, Pissarro det officielle kunstsyn og viste helt nye udtryk med flera, som opponerar sig mot den offici - både i motiver og farveanvendelse. -
The Case of 13 Wikipedia Instances
Interaction Design and Architecture(s) Journal - IxD&A, N.22, 2014, pp. 34-47 The Impact of Culture On Smart Community Technology: The Case of 13 Wikipedia Instances Zinayida Petrushyna1, Ralf Klamma1, Matthias Jarke1,2 1 Advanced Community Information Systems Group, Information Systems and Databases Chair, RWTH Aachen University, Ahornstrasse 55, 52056 Aachen, Germany 2 Fraunhofer Institute for Applied Information Technology FIT, 53754 St. Augustin, Germany {petrushyna, klamma}@dbis.rwth-aachen.de [email protected] Abstract Smart communities provide technologies for monitoring social behaviors inside communities. The technologies that support knowledge building should consider the cultural background of community members. The studies of the influence of the culture on knowledge building is limited. Just a few works consider digital traces of individuals that they explain using cultural values and beliefs. In this work, we analyze 13 Wikipedia instances where users with different cultural background build knowledge in different ways. We compare edits of users. Using social network analysis we build and analyze co- authorship networks and watch the networks evolution. We explain the differences we have found using Hofstede dimensions and Schwartz cultural values and discuss implications for the design of smart community technologies. Our findings provide insights in requirements for technologies used for smart communities in different cultures. Keywords: Social network analysis, Wikipedia communities, Hofstede dimensions, Schwartz cultural values 1 Introduction People prefer to leave in smart cities where their needs are satisfied [1]. The development of smart cities depends on the collaboration of individuals. The investigation of the flow [1] of knowledge created by the individuals allows the monitoring of city smartness. -
Artline / ARTLAB
XXXXXXXX artline / ARTLAB OM ARTLINE OG ARTLAB 5 IndgangssIden tIl aRTLINE / aRTLAB 5 Opgavebank, leksikon, analyseværktøj og notesbog 5 INTRODUKTION TIL ARTLINE 7 FoRsIden tIl aRTLINE 7 Indhold i aRTLINE 8 Søgefunktion 8 Kunstværker 8 Forfatterbiografier 9 ARTLAB 10 Kunstværkets præsentationsside 10 opgavemodul 11 Brug af aRTLINE i undervisningen 11 FoRFATTERe OG CITATER i ARTLINE 12 KUnStVæRKeR i ARTLINE / ARTLAB 15 illUStrationer 18 4 aRtlIne / aRTLAB om ARTLINE OG ARTLAB ARTLINE og ARTLAB er hhv. en dynamisk tidslinje, der giver overblik over de lit- terære perioder fra oldtiden til i dag, og et interaktivt kunstlaboratorium. Projektet er blevet til i samarbejde mellem ARoS, Statens Museum for Kunst, Vestsjællands Kunstmuseum og Gyldendal. Tidslinjen ARTLINE består af 15 litteraturhistoriske perioder med 100 kunst- værker og 160 forfatterbiografier af danske og verdenslitterære forfattere og tidens tænkere. Forfatterbiografierne indeholder også et litterært eller filosofisk citat, som man kan få læst op. Til alle kunstværker og forfatterbiografier er der knyttet to opgaver, som lægger op til at gå på opdagelse i ARTLINES litteraturhistoriske perioder i samtiden og på tværs af tidslinjen. I kunstlaboratioriet ARTLAB går man i dybden med ét kunstværk og ét lit- terært citat i samspil, fra de enkelte litteraturhistoriske perioder, og løser opgaver. Der er værkanalyser af samtlige kunstværker i ARTLAB. Formålet med ARTLINE og ARTLAB er at give eleverne indsigt i litteratur- historiens centrale kunstværker, forfattere/tænkere og litterære værker – med mulighed for at lave sammenlignende analyser synkront og diakront på tidslinjen ud fra konkrete temaer, motiver og stilistiske træk. Eleverne får et overblik over de litteraturhistoriske perioder og de vigtigste litterære- og kunstneriske tendenser, der udspiller sig i de forskellige epoker. -
Template for Phd Dissertations
Navigation, findability and the usage of cultural heritage on the web an exploratory study Fransson, Jonas Publication date: 2014 Document version Early version, also known as pre-print Citation for published version (APA): Fransson, J. (2014). Navigation, findability and the usage of cultural heritage on the web: an exploratory study . Download date: 11. okt.. 2021 Navigation, findability and the usage of cultural heritage on the web: an exploratory study JONAS FRANSSON A B Navigation, findability and the usage of cultural heritage on the web: an exploratory study JONAS FRANSSON PhD thesis from Royal School of Library and Information Science, Denmark C CIP – Cataloguing in Publication Fransson, Jonas Navigation, findability and the usage of cultural heritage on the web: an exploratory study / Jonas Fransson. – Copenhagen: Royal School of Library and Information Science, Copenhagen University, 2014. 284 p. Available online: http://forskning.ku.dk/search/publicationdetail/?id=190156da- e8cc-4a10-a75b-10b2da2807e6 ISBN 978-87-7415-325-2 ISBN 978-87-7415-325-2 © Copyright Jonas Fransson 2014 All rights reserved D Navigation, hittbarhet och användningen av kulturarv på webben: en explorativ studie Jonas Fransson Ph.d.-afhandling fra Det Informationsvidenskabelige Akademi E Acknowledgments The process leading to this thesis started during my studies in Library and Information Science at Lund University, in 2002. I got hold of a copy of “The laws of the web” written by Bernando A. Huberman (2001). His patterns of behaviour on an aggregate level fascinated me, and it still does. Later in 2009 at the Royal School of Library and Information Science (RSLIS), University of Copenhagen, I was happy to be able to proceed with a doctoral project on users’ web behaviour and findability in a cultural context. -
A Systematic Review of Scholarly Research on the Content of Wikipedia
“The sum of all human knowledge”: A systematic review of scholarly research on the content of Wikipedia Mostafa Mesgari John Molson School of Business, Concordia University, Montreal, Canada [email protected] Chitu Okoli John Molson School of Business, Concordia University, Montreal, Canada [email protected] Mohamad Mehdi Computer Science, Concordia University, Montreal, Canada [email protected] Finn Årup Nielsen DTU Compute, Technical University of Denmark, Kongens Lyngby, Denmark [email protected] Arto Lanamäki Department of Information Processing Science, University of Oulu, Oulu, Finland [email protected] This is a postprint of an article accepted for publication in Journal of the American Society for Information Science and Technology copyright © 2014 (American Society for Information Science and Technology). The paper can be cited as: Mesgari, Mostafa, Chitu Okoli, Mohamad Mehdi, Finn Årup Nielsen and Arto Lanamäki (2014). “The sum of all human knowledge”: A systematic review of scholarly research on the content of Wikipedia. Journal of the American Society for Information Science and Technology (Forthcoming since April 2014). Abstract Wikipedia might possibly be the best-developed attempt thus far of the enduring quest to gather all human knowledge in one place. Its accomplishments in this regard have made it an irresistible point of inquiry for researchers from various fields of knowledge. A decade of research has thrown light on many aspects of the Wikipedia community, its processes, and content. However, due to the variety of the fields inquiring about Wikipedia and the limited synthesis of the extensive research, there is little consensus on many aspects of Wikipedia’s content as an encyclopedic collection of human knowledge.