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Engaging Young Adults to Read About Artworks
IT UNIVERSITY OF COPENHAGEN BACHELOR THESIS Engaging Young Adults to Read about Artworks Rethinking Interpretive Text through User-centered Design AUTHOR: LINDA ROGBERG SUPERVISOR: ANDERS SUNDNES LØVLIE MAY 2018 ABSTRACT Smartphones are becoming increasingly integrated in the museum experience, which paves the way for designers to experiment with alternative mediation processes. This paper presents a case study of the image recognition app Vizgu. The project is driven by a Research through Design approach, presenting a format for interpretive text of artworks in a locative media app. The format is based on a twofold design challenge. One, to design a story-editor tool that assists backend users to re-write interpretive texts. Two, to offer a redesign that supports the experience. Through a user-centered design approach, the format was tested and evaluated in three iterations with potential users. In the finale evaluation it was found that the story-editor tool could be used by inexperienced writers to re-write stories. Additionally, the re-written stories were evaluated in a prototype with users. It was evident that text must be presented in a manageable way with reduced amount of text, and that the stories must be written with a concrete language style using deictic writing to enhance the storytelling experience. To conclude, the results indicate that the format engages young adults to read about artworks. Yet, further research is necessary in order to make sufficient conclusions. 1 out of 72 TABLE OF CONTENTS 1. INTRODUCTION ............................................................................................................................................. -
Kapitler-Af-Købmagergades-Historie.Pdf
Kapitler af K0BMAGERGADES HISTORIE HENRY HELLSSEN Kapitler af K0BMAGERGADES HISTORIE 1850 II.JUNI 1950 L. LEVI SON J UNR. AKTIESELSKAB Indhold Et Vandløb siver mod Stranden. I Rokokomaleren og Olympens Gudeverden . .. 13 Hos Ludvig Holberg i Sukkerbagerens Bod. .. 15 Hans Holck, de fattiges Tolk. .. 19 Enkefru Mozart og hendes Mand. .. 22 Vintappersønnen, Greven af Griffenfeld . .. 3 I Fra Peder Oxe til Thorvald Larsen .......................... 35 Jomfru Thielo og hendes Elsker, Ruslands Gesandt. .. 44 Et Hus med mange Skæbner . .. 5I Johan Herman Wessel og Vintappersvenden .................... 56 H. C. Andersen's Forlægger. • . .. 59 Minder fra den gamle Fabrik . .. 62 L. Levison junr. gennem de 100 Aar .......................... 70 Rundetaam og Trinitatis. .. 77 Peter den Store paa Rundetaam. .. 88 Teatrets Folk passerer forbi i Vrimlen ........................ 94 Herman Bang besøger Københavns Redaktion .................. 100 Et Vandløb siver mod Stranden ABSALON ER IKKE KØBENHAVNS GRUNDLÆGGER. Længe, længe før Valdemar den Store skænkede sin Ungdomsven og Fostbroder Bispen Byen og det halve af Sokkelund Herred, har der ligget et Fiskerleje ved Sundet. Knytlinge Saga nævner første Gang København I043; Norges Konge, Magnus den Gode, havde i et Søslag ved Aarhus overvundet Svend Estridsøn, og denne flygtede med Resten af sin Flaade til Havn. Men Magnus forfulgte ham og slog ham paany. Svend Estridsøn maatte forlade sine Skibe og flygte over Land. Københavns ældste Bebyggelse gaar tilbage til Stenalderen. Man har fundet Re ster af en Boplads fra Egeskovperioden paa Bunden af Frihavnen. Den Gang var Sjælland landfast med Skaane. Da Øresund var dannet, laa der i hvert Fald en Bo plads langs Frederiksberggades Sydside. Mennesket synes at være indvandret til Danmark allerede i Tundratiden, 9000 Aar før vor Tidsregning. -
'Northern Gods in Marble'
‘NORTHERN GODS IN MARBLE’ The Romantic Rediscovery Marble of Norse Mythology [ KNUT LJØGODT ABSTRACT The Norse myths were rediscovered in the late 18th century, and became important to contemporary culture during the first half of the 19th century. The Romantics discussed the usage of themes from Norse mythology; soon, these themes became widespread in art and literature. Their popularity is closely connected with the national ideals and political situations of the period, but they were often given individual artistic interpretations. The ] Romantic interest in Norse myths and heroes held sway over artists and writers throughout the 19th century. KEYWORDS Norse myths, Norse heroes, pagan religion, Knud Baade, Romanticism vs Classicism. Introduction Karen Blixen’s short story ‘Sorrow-Acre’, published in Winter’s Tales (1942) takes place at a Danish country estate in the late 18th century. During a conversation between the baron and his nephew, they discuss Classical versus Norse mythol- ogy. The young man has discovered the Norse myths through a recently pub- lished work: ‘He mentioned the name of the author, Johannes Ewald, and recited a couple of the elevated verses.’ The book he refers to is Ewald’s play The Death of Balder (1775). He goes on to praise the Norse gods: ‘And I have wondered, while I read,’ he went on after a pause, still moved by the lines he himself had declaimed, ‘that we have not till now understood how much our Nordic my- thology in moral greatness surpasses that of Greece and Rome. If it had not been for the physical beauty of the ancient gods, which have come down to us in marble, no modern mind could hold them worthy of worship. -
The Holistic Portrait Peter Michael Hornung, Editor
88 THE HOLISTIC PORTRAIT By Peter Michael Hornung, Editor and Art Critic at “Politiken” Like other artists in our chaotically picture rich modern age, the painter Ralph Heimans also owes a professional debt to the art that preceded his own work his- torically. However, though he may have turned to it, asked it questions and drawn inspiration from it, he has never copied it. On the other hand, though, his personal standpoint as an artist is a result of the inspiration he drew from it. No one can create anything lasting and valuable without swearing some sort of oath to history, and any artist, even the most rebellious and experimental (or the opposite), must inscribe his or her work in a development, in which he or she serves as a link between past and future: between what went before and maybe influenced them, and what will come after and perhaps be coloured by them. This applies particularly to any artist who has chosen portrait painting as his or her sphere. In this field, the models extend far back in history. The need to be portrayed has existed for as long as there has been people with power and influ- ence: people who wished to be notably present, not only in their age, but also for posterity. Portraits are like memories. With the right degree of likeness they pos- sess the special capacity to make absent people present. Consideration for this likeness is also the reason why people still allow themselves to be painted, model- led, photographed, sketched etc. Heimans’ success as an artist in this historic genre lies not only in the fact that his paintings present a ‘likeness’, as it is referred to in the profession: in other words, that there is a clear and visible correspondence between the character appearing in the painting and the person who was the reason for that painting, and whom the painting must either remind us of or introduce us to. -
Danmarks Kunstbibliotek the Danish National Art Library
Digitaliseret af / Digitised by Danmarks Kunstbibliotek The Danish National Art Library København / Copenhagen For oplysninger om ophavsret og brugerrettigheder, se venligst www.kunstbib.dk For information on copyright and user rights, please consult www.kunstbib.dk . o. (ORPORATfON OF Londoi 7IRTG7ILLE1? IgpLO G U i OF THE LOAN COLLECTIO o f Picture 1907 PfeiCE Sixpence <Art Gallery of the (Corporation o f London. w C a t a l o g u e of the Exhibition of Works by Danish Painters. BY A. G. TEMPLE, F.S.A., Director of the 'Art Gallery of the Corporation of London. THOMAS HENRY ELLIS, E sq., D eputy , Chairman. 1907. 3ntrobuction By A. G. T e m p l e , F.S.A, H E earliest pictures in the present collection are T those of C arl' Gustav Pilo, and Jens Juel. Painted at a time in the 1 8 th century when the prevalent and popular manner was that better known to us by the works o f the notable Frenchmen, Largillibre, Nattier, De Troy and others, these two painters caught something o f the naivété and grace which marked the productions of these men. In so clear a degree is this observed, not so much in genre, as in portraiture, that the presumption is, although it is not on record, at any rate as regards Pilo, that they must both have studied at some time in the French capital. N o other painters of note, indigenous to the soil o f Denmark, had allowed their sense of grace such freedom to so express itself. -
La Baie De Salerno, 1865 Huile Sur Toile, Signée Et Datée 80 X 95 Cm PO
LOT IMAGE DESIGNATION ESTIMATIONS 201 Frederik Ludvig Storch (1805 - 1883) 4500 / 5500 La baie de Salerno, 1865 Huile sur toile, signée et datée 80 x 95 cm POUR ENCHERIR SUR CE LOT, INSCRIVEZ-VOUS A LA VENTE « NUMISMATIQUE, SCEAUX, BIJOUX ANCIENS ET MODERNES, ORFEVRERIE, TABLEAUX DANOIS » DE 14H 202 Wilhelm Andersen (1867 - 1945) 500 / 600 Nature morte aux vases chinois Huile sur toile signée. 65 x 60 cm POUR ENCHERIR SUR CE LOT, INSCRIVEZ-VOUS A LA VENTE « NUMISMATIQUE, SCEAUX, BIJOUX ANCIENS ET MODERNES, ORFEVRERIE, TABLEAUX DANOIS » DE 14H 203 Emanuel Larsen (1823 - 1859) 3000 / 4000 Vue de Kattegat au large des côtes danoises Huile sur papier marouflé sur panneau, datée Septembre 1855 38 x 54 cm POUR ENCHERIR SUR CE LOT, INSCRIVEZ-VOUS A LA VENTE « NUMISMATIQUE, SCEAUX, BIJOUX ANCIENS ET MODERNES, ORFEVRERIE, TABLEAUX DANOIS » DE 14H 204 Carl Neumann (1833 - 1891) 2500 / 3500 Paysage marin, 1874 Huile sur papier marouflé sur toile, signée sur châssis et datée. 35 x 53 cm POUR ENCHERIR SUR CE LOT, INSCRIVEZ-VOUS A LA VENTE « NUMISMATIQUE, SCEAUX, BIJOUX ANCIENS ET MODERNES, ORFEVRERIE, TABLEAUX DANOIS » DE 14H 205 Einar Wegener (1882 - 1931) 2500 / 3500 Paysage de Munkebjerg, au Danemark, 1908 Huile sut toile signée et datée 40 x 56 cm POUR ENCHERIR SUR CE LOT, INSCRIVEZ-VOUS A LA VENTE « NUMISMATIQUE, SCEAUX, BIJOUX ANCIENS ET MODERNES, ORFEVRERIE, TABLEAUX DANOIS » DE 14H 206 Niels Bredal (1841 - 1888) 4000 / 5000 Vue d'un forum romain depuis le Capitole, au loin le Coliseum, 1869 Huile sur toile signée et datée 41 x 53 cm POUR ENCHERIR SUR CE LOT, INSCRIVEZ-VOUS A LA VENTE « NUMISMATIQUE, SCEAUX, BIJOUX ANCIENS ET MODERNES, ORFEVRERIE, TABLEAUX DANOIS » DE 14H Page 1 de 13 LOT IMAGE DESIGNATION ESTIMATIONS 207 Louis Gurlitt. -
Malerier Og Tegninger 1 - 126
FINE ART + ANTIQUES International auction 872 1 - 547 FINE ART + ANTIQUES International auction 872 AUCTION 30 May - 1 June 2017 PREVIEW Wednesday 24 May 3 pm - 6 pm Thursday 25 May Public Holiday Friday 26 May 11 am - 5 pm Saturday 27 May 11 am - 4 pm Sunday 28 May 11 am - 4 pm Monday 29 May 11 am - 5 pm or by appointment Bredgade 33 · DK-1260 Copenhagen K · Tel +45 8818 1111 · Fax +45 8818 1112 [email protected] · bruun-rasmussen.com 872_antik_s001-013_start.indd 1 04/05/17 18.37 Lot 66 DEADLINE FOR CLAIMING ITEMS: WEDNESDAY 21 JUNE Items bought at Auction 872 must be paid no later than eight days from the date of the invoice and claimed on Bredgade 33 by Wednesday 21 June at the latest. Otherwise, they will be moved to Bruun Rasmussen’s storage facility at Baltikavej 10 in Copenhagen at the buyer’s expense and risk. This transportation will cost DKK 150 per item VAT included, and storage will cost DKK 150 per item per week VAT included. SIDSTE FRIST FOR AFHENTNING: ONSDAG DEN 21. JUNI Effekter købt på auktion 872 skal være betalt senest 8 dage efter fakturadatoen og afhentet i Bredgade 33 senest onsdag den 21. juni. I modsat fald bliver de transporteret til Bruun Rasmussens lager på Baltikavej 10 i Københavns Nordhavn for købers regning og risiko. Transporten koster 150 kr. pr. effekt inkl. moms, og opbevaringen koster 150 kr. pr. effekt pr. påbegyndt uge inkl. moms. 872_antik_s001-013_start.indd 2 04/05/17 18.37 DAYS OF SALE ________________________________________________________ FINE ART + ANTIQUES Tuesday 30 May 4 pm Paintings -
Art Bulletin of Nationalmuseum Stockholm Volume 26:1
The Danish Golden Age – an Acquisitions Project That Became an Exhibition Magnus Olausson Director of Collections Art Bulletin of Nationalmuseum Stockholm Volume 26:1 Art Bulletin of Nationalmuseum, Stockholm, © Copyright Musei di Strada Nuova, Genova Martin van Meytens’s Portrait of Johann is published with generous support from the (Fig. 4, p. 17) Michael von Grosser: The Business of Nobility Friends of the Nationalmuseum. © National Gallery of Art, Washington D.C. Open © Österreichisches Staatsarchiv 2020 (Fig. 2, Access image download (Fig. 5, p. 17) p. 92) Nationalmuseum collaborates with Svenska Henri Toutin’s Portrait of Anne of Austria. A © Robert Wellington, Canberra (Fig. 5, p. 95) Dagbladet, Bank of America Merrill Lynch, New Acquisition from the Infancy of Enamel © Wien Museum, Vienna, Peter Kainz (Fig. 7, Grand Hôtel Stockholm, The Wineagency and the Portraiture p. 97) Friends of the Nationalmuseum. © Rijksmuseum, Amsterdam/Public Domain (Fig. 2, p. 20) Graphic Design Cover Illustration © Christies, 2018 (Fig. 3, p. 20) BIGG Daniel Seghers (1590–1661) and Erasmus © The Royal Armoury, Helena Bonnevier/ Quellinus the Younger (1607–1678), Flower CC-BY-SA (Fig. 5, p. 21) Layout Garland with the Standing Virgin and Child, c. Four 18th-Century French Draughtsmen Agneta Bervokk 1645–50. Oil on copper, 85.5 x 61.5 cm. Purchase: © The Metropolitan Museum of Art, New York, Wiros Fund. Nationalmuseum, NM 7505. NY/Public Domain (Fig. 7, p. 35) Translation and Language Editing François-André Vincent and Johan Tobias Clare Barnes and Martin Naylor Publisher Sergel. On a New Acquisition – Alcibiades Being Susanna Pettersson, Director General. Taught by Socrates, 1777 Publishing © The Metropolitan Museum of Art, New York, Ludvig Florén, Magnus Olausson, and Martin Editors NY/Public Domain (Fig. -
Peintures D'atmosphère De Krøyer À Hammershøi
Peintures d’atmosphère de Krøyer à Hammershøi Septembre-octobre 2021 Sommaire AVANT-PROPOS ·························································································· 2 Comment j’ai rencontré la peinture d’atmosphère du Danemark 2 L’exposition « Peintures d’atmosphère de Krøyer à Hammershøi » 4 LES ŒUVRES EXPOSÉES ················································································ 6 Peintures d’extérieurs ·············································································· 6 P..J., « Une artiste sur le ponton près d’Helsingør » ························· 6 Laurits Tuxen, « L’homme qui cherche de l'ambre sur la plage»······ 7 Erik Henningsen, « Des pécheurs demandent leur chemin » ············ 9 Søren Bjulf, « Marché aux Poissons à Copenhague » ······················· 10 Hans Kruuse, « La plage de Skagen » ················································ 11 Oscar Herschend, « Ambiance neige » ·············································· 12 Peintures d’intérieurs ··············································································· 13 Christen Lyngbo, « Femme plumant l'oie de Noël » ························ 13 Peter Ilsted ······················································································· 14 « La famille de l’artiste un jour de pluie » ······························· 15 « Maison de pêcheur à Hornbæk » ········································· 16 Christian Aigens, « Vue sur le Fjord de Vejle » ······························· 17 Christian Aigens, « Vue sur la mer » ··············································· -
Kommuneplan 2021 Frederiksbergs Plan for En Bæredygtig Byudvikling Kommuneplan 2021
] [FORSLAG REDEGØRELSE KOMMUNEPLAN 2021 FREDERIKSBERGS PLAN FOR EN BÆREDYGTIG BYUDVIKLING KOMMUNEPLAN 2021 Forsidefoto: Frederiksberg Hospital, hovedindgangen. 2 | REDEGØRELSE | KOMMUNEPLAN 2021 KOMMUNEPLAN 2021 INDHOLD INDLEDNING ......................................................................... 5 HIDTIDIG PLANLÆGNING OG UDVIKLING ................................ 6 BEFOLKNINGSUDVIKLING ...................................................... 14 BOLIGER OG BOLIGTILVÆKST ................................................. 19 BYUDVIKLING OG LOKALISERING ............................................ 25 BÆREDYGTIG BYUDVIKLING OG KLIMA ................................... 26 GRØN STRUKTUR .................................................................. 34 MILJØBESKYTTELSE ............................................................... 38 MOBILITET ............................................................................ 46 UDDANNELSE ....................................................................... 47 ERHVERV .............................................................................. 48 DETAILHANDEL ..................................................................... 50 BEVARINGSVÆRDIGE BYGNINGER ........................................... 67 KULTURMILJØER ................................................................... 69 KOMMUNEPLANENS FORHOLD TIL ANDEN PLANLÆGNING ....... 90 REDEGØRELSE | KOMMUNEPLAN 2021 | 3 KOMMUNEPLAN 2021 4 | REDEGØRELSE | KOMMUNEPLAN 2021 KOMMUNEPLAN 2021 INDLEDNING HVAD ER EN KOMMUNEPLAN? En kommuneplan -
Virksomhedsregnskab 2000
VIRKSOMHEDSREGNSKAB 2000 STATENS MUSEUM FOR KUNST LÆSEVEJLEDNING LÆSEVEJLEDNING Endelig er der knyttet en række bilag til virksom- Virksomhedsregnskabet for 2000 er udformet i over- hedsregnskabet. Bilagene uddyber museets anskaf- ensstemmelse med Vejledning i udarbejdelse af virk- felser af kunstværker, museets forskningsprojekter, somhedsregnskaber, Finansministeriet, januar 1998. museets og forskernes udgivelser samt museets del- tagelse i udstillinger uden for museet i regnskabs- Virksomhedsregnskabets opbygning året. Virksomhedsregnskabet består af otte kapitler: Kapitel 1 beskriver kort museets formål og primære Regnskabspraksis og opgørelsesmetode opgaver. I kapitel 2 giver museet sin generelle beret- Regnskabet er udformet som et udgiftsbaseret regn- ning om året 2000 såvel aktivitetsmæssigt som øko- skab, hvilket er det almindelige regnskabsprincip i nomisk og de forventninger, der er til de kommende staten. Alle udgifter er registreret på varernes og år. Kapitel 3 opstiller en skematisk oversigt over de tjenesteydelsernes leveringstidspunkt. resultatmål, som var fastlagt i museets resultatkon- trakt for 1998-2001. Opfyldelsen af målene bliver Driftsregnskab m.m. i kapitel 4 er udarbejdet i yderligere kommenteret i beretningen og kapitel 5. løbende priser, således at der er sammenhæng med I kapitel 4 afgives museets driftsregnskab, bevil- opgørelserne i statsregnskabet og med bevillingslo- lingsafregning og regnskabsmæssige forklaringer – vene. De formålsopdelte driftsregnskaber samt de nærmere principper for opstilling og afgivelse af effektivitets- og produktivitetsmål i kapitel 5 er regnskab beskrives senere i denne læsevejledning. udarbejdet i faste 2000-priser. Driftsregnskabet viser sammenhæng mellem ind- tægter og udgifter registreret på finanslovens § Som andre statsvirksomheder er der i museets ud- 21.33.21 Statens Museum for Kunst. I kapitel 5 gifts- og indtægtsbevilling indlagt beløb til dækning uddybes museets resultater på de otte hovedformål, af afskrivninger. -
International Yearbook of Aesthetics Volume 18 | 2014 IAA Y Earbook
International Yearbook of Aesthetics Volume 18 | 2014 IAA Yearbook edited by Krystyna Wilkoszewska The 18th volume of the International Yearbook of Aesthet- ics comprises a selection of papers presented at the 19th International Congress of Aesthetics, which took place edited by Krystyna Wilkoszewska in Cracow in 2013. The Congress entitled “Aesthetics in Action” was in- tended to cover an extended research area of aesthet- ics going beyond the fine arts towards various forms of human practice. In this way it bore witness to the transformation that aesthetics has been undergoing for a few decades at the turn of the 20th and 21st centuries. edited by Krystyna Wilkoszewska International Yearbook of Aesthetics 2014 Volume 18 | 2014 ISBN 978-83-65148-21-6 International Association for Aesthetics International Association for Aesthetics Association Internationale d'Esthetique Wydawnictwo LIBRON | www.libron.pl 9 788365148216 edited by Krystyna Wilkoszewska edited by Krystyna Wilkoszewska Proceedings of the 19th International Congress of Aesthetics, Cracow 2013 International Yearbook of Aesthetics Volume 18 | 2014 International Association for Aesthetics Association Internationale d'Esthetique Cover design: Joanna Krzempek Layout: LIBRON Proofreading: Tim Hardy ISBN 978-83-65148-21-6 © Krystyna Wilkoszewska and Authors Publication financed by Institute of Philosophy of the Jagiellonian University Every efort has been made to obtain permission to use all copyrighted illustrations reproduced in this book. Table of contents Krystyna Wilkoszewska