The 5Th Annual Harry Potter Conference
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Harry Potter and the Order of the Phoenix
FADE IN EXT. - LITTLE WHINGING - NIGHT It is sunset. We drift through the clouds, approaching NUMBER FOUR, PRIVET DRIVE. We sail over the roof of NUMBER FOUR and continue on past it into the street. We drift down into an abandoned playground. A lone figure sits on the only unbroken swing.. It is HARRY POTTER. He appears deep in thought. Had he been watching more carefully, he would have seen the old MRS. FIGG watching him from her front porch. MRS. FIGG adjusts her porch chair in order to watch Harry better. The sound of harsh laughter reaches Harry's ears. He looks up. Dudley and his gang of followers are walking down the street, telling crude jokes and laughing. They ignore Harry and continue on out of sight. Harry gets to his feet and follows them. EXT. STREET - NIGHT Harry rounds the corner, only to find himself surrounded by Dudley's gang. DUDLEY Oh, it's you. GANG THUG #1 What should we do with him, Big D? Harry laughs. HARRY Big D? Cool name, but to me, you'll always be Ikkle Duddicums. DUDLEY Shut up! One of Dudley's gang steps in as if to punch Harry. Harry glares at him. The gang member pauses, then steps back again. DUDLEY Ooo, tough guy. Not so tough in your bed, are you? 2. HARRY What? MRS. FIGG stands up and goes to the edge of her porch. MRS. FIGG You boys go home now, or I'll be calling your parents! They pause and edge away from Harry. -
J. K. Rowling's Harry Potter: 14 Ways of Looking at Genius
J. K. Rowling: 14 Ways of Looking at Genius Item Type Book Authors Widdicombe, Toby Download date 30/09/2021 22:47:19 Link to Item http://hdl.handle.net/11122/12186 J. K. Rowling’s Harry Potter: 14 Ways of Looking at Genius Ed. Toby Widdicombe § Tobold Press § This is the book J. K. Rowling: 14 Ways of Looking at Genius. It was compiled and edited by Toby Widdicombe, Ph.D., Department of English, University of Alaska Anchorage in June and July 2021. This book is licensed under a Creative Commons by-nc-nd 4.0 license. See https://creativecommons.org/licenses/by-nc-nd/4.0/ for more and detailed information. The guidelines for this book are these: ✓ You may share the material in any medium or format as long as you give appropriate credit. ✓ You may not use the material for commercial purposes. ✓ If you remix or transform the material, you may not distribute the modified material. 2 Abbreviations CS Harry Potter and the Chamber of Secrets DH Harry Potter and the Deathly Hallows GF Harry Potter and the Goblet of Fire HBP Harry Potter and the Half-Blood Prince OP Harry Potter and the Order of the Phoenix PA Harry Potter and the Prisoner of Azkaban SS Harry Potter and the Sorcerer’s Stone 3 Contents Elsa Snodderly, “What Muggles and Magic Can Teach Us about Tolerance” 7 Roslyn White, “An Examination of Abuse in the Harry Potter Septet” 17 Jack Butto, “What Makes Harry Potter a Memorable Character?” 53 Mackenzie Lindeman, “The Production of a Functioning Society” 61 Charlene Ducut, “Sex, Sexuality, and Love in J. -
HARRY POTTER and the Order of the Phoenix
HARRY POTTER and the Order of the Phoenix J.K. ROWLING All rights reserved; no part of this publication may be reproduced or transmitted by any means, electronic, mechan- ical, photocopying or otherwise, without the prior permission of the publisher This digital edition first published by Pottermore Limited in 2012 First published in print in Great Britain in 2003 by Bloomsbury Publishing Plc Copyright © J.K. Rowling 2003 Cover illustrations by Claire Melinsky copyright © J.K. Rowling 2010 Harry Potter characters, names and related indicia are trademarks of and © Warner Bros. Ent. The moral right of the author has been asserted A CIP catalogue record of this book is available from the British Library ISBN 978-1-78110-011-0 www.pottermore.com by J.K. Rowling The unique online experience built around the Harry Potter books. Share and participate in the stories, showcase your own Potter-related creativity and discover even more about the world of Harry Potter from the author herself. Visit pottermore.com To Neil, Jessica and David, who make my world magical CONTENTS ONE Dudley Demented TWO A Peck of Owls THREE The Advance Guard FOUR Number Twelve, Grimmauld Place FIVE The Order of the Phoenix SIX The Noble and Most Ancient House of Black SEVEN The Ministry of Magic EIGHT The Hearing NINE The Woes of Mrs Weasley TEN Luna Lovegood ELEVEN The Sorting Hat’s New Song TWELVE Professor Umbridge THIRTEEN Detention with Dolores FOURTEEN Percy and Padfoot FIFTEEN The Hogwarts High Inquisitor SIXTEEN In the Hog’s Head SEVENTEEN Educational Decree Number -
"Leakycon Radio" Dedicated to Harry Potter Fans to Launch on Siriusxm
"LeakyCon Radio" Dedicated to Harry Potter Fans to Launch on SiriusXM Limited-run tribute channel transports fans into the world of Harry Potter from every angle as the final installment of the beloved and critically acclaimed film series hits theaters Nonstop coverage of the world's largest gathering of Harry Potter fans Channel also features interviews with Daniel Radcliffe, Emma Watson, Rupert Grint and other key players NEW YORK, July 12, 2011 /PRNewswire/ -- Sirius XM Radio (NASDAQ: SIRI) today announced that it will launch "LeakyCon Radio," a three-day channel that will celebrate the world of Harry Potter and pay tribute to its fans as the final film in the beloved series hits theaters. (Logo: http://photos.prnewswire.com/prnh/20101014/NY82093LOGO ) "LeakyCon Radio" premieres Friday, July 15 at 6:00 am ET — the day Harry Potter and the Deathly Hallows: Part 2 hits theaters — and airs through Monday, July 18 at 3:00 am ET on SiriusXM channel 141 and SiriusXM Internet Radio. Hosted by SiriusXM's Paul Bachmann and Kenny Curtis, the channel will broadcast from LeakyCon 2011, the Harry Potter fan convention taking place in Orlando, FL. "LeakyCon Radio" offers listeners a front row seat to the wide variety of panels and special events taking place throughout the weekend at the convention, including: Death Eater Recruitment and Training Jeopardy - Harry Potter and the Law; The Books vs. The Movies: What Was Left Out and Why It's Important; Fantastic Names & Where to Find Them: Lessons of Onomatology in Rowling's Harry Potter Series; The Past, Present, and Future of Muggle Quidditch; Cooking Demonstration: Butterbeer 101 and Bertie Botts Every Flavor Bean; and ...Now What? Life in the Potter fandom post Deathly Hallows: Part 2. -
Who Have I Transformed Into? (A)
Who Have I Transformed Into? (A) Host Instructions: Cut out the nametags below. (Note: Use only as many nametags as you have attendees. If you have more than twenty-four attendees, reuse some of the names or fill in the blank nametags provided below with additional character names.) ✁ Harry Potter Ron Weasley Hermoine Granger Aunt Petunia Uncle Vernon Dudley Dursley Rubeus Hagrid Professor McGonagall Professor Dumbledore Professor Snape Draco Malfoy Percy Weasley Voldemort Mr. Ollivander Neville Longbottom Ginny Weasley Hedwig Mad-Eye Moody Tonks Remus Lupin Mundungus Fletcher Fleur Delacour Dobby Luna Lovegood SCHOLASTIC TM/ ® SCHOLASTIC. Harry Potter ™ and © WB. Harry Potter Publishing Rights © JKR. Art by Jim Kay © 2017 Bloomsbury Publishing Plc. All Rights Reserved. HARRY POTTER characters, names and related indicia are trademarks of and © Warner Bros. Entertainment. All rights reserved. REPRODUCIBLE. NOT FOR SALE. The contents of this page may be photocopied and distributed for educational purposes, as long as it’s free of charge. scholastic.com/summer Who Have I Transformed Into? (B) Host: After attaching a nametag to each participant’s forehead, read the following: In Harry Potter and the Deathly Hallows, six of Harry Potter’s fellow wizards drink Polyjuice Potion and temporarily transform themselves into Harry Potter decoys in order to protect him from Voldemort and the Death Eaters. For this activity, pretend that you’ve taken a sip of Polyjuice Potion and transformed into a character from the world of Harry Potter. Now it’s up to you to figure out who you are! Rules: 1. When I say “go,” you will begin to move around the room asking each person you encounter a yes-or-no question (for example, “Am I a professor?” or “Do I wear glasses?”) to help you guess the name on your nametag. -
Spectacles of Light, Fire, and Fog: Artichoke and the Art of the Ephemeral
Spectacles of Light, Fire, and Fog: Artichoke and the Art of the Ephemeral Francisco LaRubia-Prado Georgetown University, Washington, DC, USA What does Christ’s crucifixion have in common with George Floyd’s video-recorded murder, Donald Trump’s reality TV-like Presidency, popular festivals like Mardi Gras, and the advertising and news media images that flood our daily existence? The answer is that all of the above have been considered “spectacles” by critics in various fields; and, in fact, they share key features when regarded as a “spectacle.” Furthermore, all have had — or can have — a significant impact at the individual, local, national, and/or global levels. 1 Historically, spectacle emerges as an as the sectarian conflict in Northern Ireland, inevitable phenomenon in any society, and is unemployment, violence, and gender crucial to promote a sense of identity and inequality— through stunning spectacles that community. It also provides education and place art at their core. Later in this essay, I will entertainment, and is used to enforce the law and examine some of these events. maintain the social order. Leading up to the present day, spectacle becomes even more The field of “Festival studies” has central to culture due to the increasing frequently analyzed how spectacle has the power importance of the mass media. Yet, spectacle to engage citizens in their communities while rejects any a priori ethical alignment; namely, it countering social isolation.3 In the belief that it can possess a bright or a dark character. Because would -
Heteronormal’
52 forum 368 Kultur Fantastically ‘Heteronormal’ How the Potter franchise enforces heteronormativity amongst its young readership and how we can change it Anne Engels With the opening of Fantastic Beasts and Where criticism. However, what I am more interested in to Find Them in cinemas last month, the Harry is how this material continues to promote an ex- Potter franchise has grown once again by another tremely gender-biased view. Let us reflect on this: clever strike of Warner Bros. and co. Unlike previ- on a very basic level the Harry Potter series is a ous spin-offs, such as thePottermore website or the coming-of-age story focusing on the psychological recently released play Harry Potter and the Cursed and physical development of a heterosexual teen- Child Parts 1 and 2, this film takes place outside the age-boy wizard. And now, we have Fantastic Beasts familiar Potter universe. It takes its audience out of and Where to Find Them: five more films that will the familiar British boarding school environment (presumably) focus on a male heterosexual protago- and into the wider world of magic. It breaks with nist. The conscious decision of Warner Bros. and co. the nuclear universe where magic was concentrated not to make this film about, for example, Harry’s in scenes in and around Hogwarts, and transplants it daughter or Luna Lovegood is evidence enough that into 1920s New York. It moves away from a British Warner Bros. is reproducing the outdated heteronor- environment and the Harry Potter-focused narra- mative male-female binary. -
Cultural Politics in Harry Potter: Life, Death and the Politics of Fear
Provided by the author(s) and NUI Galway in accordance with publisher policies. Please cite the published version when available. Title Death and how to deal with it in the Harry Potter series Author(s) Alderete Diez, Pilar Publication Date 2019-08-29 Alderete-Diez, Pilar. (2019). Death and how to deal with it in Publication the Harry Potter series. In Rubén Jarazo-Álvarez & Pilar Information Alderete-Diez (Eds.), Cultural Politics in Harry Potter: Life, Death and the Politics of Fear. New York: Routledge. Publisher Routledge Link to publisher's https://doi.org/10.4324/9780429322792 version Item record http://hdl.handle.net/10379/15466 DOI http://dx.doi.org/10.4324/9780429322792 Downloaded 2021-09-27T03:00:38Z Some rights reserved. For more information, please see the item record link above. Cultural Politics in Harry Potter: Life, Death and Politics of Fear Cultural Politics in Harry Potter: Life, Death and Politics of Fear Rubén Jarazo-Álvarez Pilar Alderete-Diez It’s our choices, Harry, that show what we truly are, far more than our abilities , (Professor Dumbledore, Chamber of Secrets 1998, 245) Table of Contents Preface Acknowledgements A Note on Abbreviated Book Titles List of Contributors SECTION 1. Wizarding (Bio)politics and Intersected Discourses 1. The Chosen One(s): Ethnic Election and Contemporary English National Identity in J.K. Rowling’s Harry Potter Series. Chellyce Birch 2. Squibs, Disability and Having a Place at Hogwarts School of Witchcraft and Wizardry. Maureen Saraco 3. A Magic Manic Pixie Dream Girl? Luna Lovegood and the Concept of Postfeminism. Maria Nilson 4. -
Harry Potter and the Adolescent Reader: Representations of Empowered Female Characters and Their Implications on the Lives of Adolescents
HARRY POTTER AND THE ADOLESCENT READER: REPRESENTATIONS OF EMPOWERED FEMALE CHARACTERS AND THEIR IMPLICATIONS ON THE LIVES OF ADOLESCENTS Caitlin Michele McTaggart A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF EDUCATION May 2011 Committee: Dr. Tim Murnen Dr. Cindy Hendricks Dr. Raymond Schuck ii AKNOWLEDGEMENTS This thesis is dedicated to my mother, who took me to the library when I was a child and instilled in me a love of reading. And to my father, who bought me my first Harry Potter book. I would also like to acknowledge all of the support and guidance provided by those members who served on my committee: Dr. Tim Murnen, Dr. Cindy Hendricks, and Dr. Raymond Schuck. Each of you offered help, advice, direction, and encouragement in your own unique way, which I thank you very much for. I want to especially acknowledge my chair, Dr. Tim Murnen. Thank you for inspiring me in class to write about these young adolescent women, and for never giving up faith in me. iii TABLE OF CONTENTS Page CHAPTER I. INTRODUCTION .......................................................................................... 1 Introduction.... ........................................................................................................... 1 Statement of Problem ................................................................................................ 4 Research Question .................................................................................................... -
The Case of Harry Potter
Reimagining Religion in a Contemporary Context: The Case of Harry Potter Natania Bloch Program in Jewish Studies November 3, 2020 Thesis Advisor: Elias Sacks, Program in Jewish Studies & Department of Religious Studies Honors Council Representative: Samuel Boyd, Program in Jewish Studies & Department of Religious Studies Committee Members: Susan Kent, Department of History Samira Mehta, Program in Jewish Studies & Department of Women and Gender Studies “After all, to the well-organized mind, death is but the next great adventure.” -Albus Dumbledore For Athena-- Thank you for lighting my divine spark. זיכרונו לברכה 1 Table of Contents ACKNOWLEDGEMENTS .................................................................................................................................................. 3 PREFACE ......................................................................................................................................................................... 4 INTRODUCTION .............................................................................................................................................................. 5 CHAPTER ONE: A JEWISH PERSPECTIVE ON RELIGION ................................................................................................. 10 INTRODUCTION......................................................................................................................................................... 10 JUDITH PLASKOW .................................................................................................................................................... -
The Contradictory Communities of Wizard Rock
Identity, Rhetoric and Behavior: The Contradictory Communities of Wizard Rock by Kelli Rohlman, B.M. A Thesis In MUSICOLOGY Submitted to the Graduate Faculty of Texas Tech University in Partial Fulfillment of the Requirements for the Degree of MASTER OF MUSIC Approved Dr. Christopher J. Smith Chair Professor Angela Mariani Dr. Thomas Cimarusti Ralph Ferguson Dean of the Graduate School December, 2010 Copyright 2010, Kelli Rohlman Texas Tech University, Kelli Rohlman, December 2010 ACKNOWLEDGMENTS In the December 2003 issue of O Magazine, American critic and writer Bell Hooks said “Life-transforming ideas have always come to me through books.” The Harry Potter book series is one that many would claim has changed their lives in one way or another, and I am no exception. I would first like to thank, with the utmost respect and admiration, author J.K. Rowling for her literature that has inspired such a flourishing, creative, and beautiful community of fans. I would then like to register my complete gratitude to each of my informants; without their cooperation, generosity, and eagerness to share their incredible talents and expertise, this thesis would not have been possible. I would like to thank the hundreds of “wizards” that I have met or communicated with along my journey for their undying enthusiasm. I would also like to thank, specifically, Dinah Russell of the Wizrocklopedia.com for her assistance in general community support for my research. Thank you to Melissa Anelli of The Leaky Cauldron website and Pottercast for her accessibility and for answering all of my questions about Harry, A History on multiple occasions. -
Bellwether 54, Fall 2002
Bellwether Magazine Volume 1 Number 54 Fall 2002 Article 1 Fall 2002 Bellwether 54, Fall 2002 Follow this and additional works at: https://repository.upenn.edu/bellwether Part of the Veterinary Medicine Commons Recommended Citation (2002) "Bellwether 54, Fall 2002," Bellwether Magazine: Vol. 1 : No. 54 , Article 1. Available at: https://repository.upenn.edu/bellwether/vol1/iss54/1 This paper is posted at ScholarlyCommons. https://repository.upenn.edu/bellwether/vol1/iss54/1 For more information, please contact [email protected]. No.54 • Fall 2002 ® School of Veterinary Medicine UNIVERSITY OF PENNSYLVANIA BellwetherTHE NEWSMAGAZINE OF THE UNIVERSITY OF PENNSYLVANIA SCHOOL OF VETERINARY MEDICINE The New Animal Bloodmobile Page 4 Inside 2From the Dean 6 Scott Building Dedicated 11 V.M.D.Notes 25 Feline Symposium 31 Dr.Deubler’s Birthday 12 Alumni Weekend 16 Commencement A Message from the Dean Despite the awful tragedy of September 11, new gifts and pledges with $13.4 million raised $3 million grant from the Ellison Foundation 2001, anthrax threats to homeland security, by June 30, 2002. In cash receipts, we had our for studying gene manipulation in nematode Osama bin Laden, the down turn in the econ- second best year ever at $8.1 million. We were parasites, and Dr. Narayan Avadhani received a omy, Enron, WorldCom, and ImClone, it is especially fortunate to attract significant new $500,000 grant from NIH to purchase state-of- nice to be in support for the Teaching and Research Build- the-art equipment for proteomics. the position ing, securing $7.5 million in new commit- Finally, I am very pleased to share with you of reporting ments from individuals and private founda- that we are at last making progress in revising some very tions.