DOCSLIB.ORG

Various EDM A2 Mp3, Flac, Wma

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Various EDM A2 Mp3, Flac, Wma Various EDM A2 mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Electronic Album: EDM A2 Country: UK Released: 2013 Style: IDM, Breakbeat, Techno, Electro, Drum n Bass MP3 version RAR size: 1158 mb FLAC version RAR size: 1673 mb WMA version RAR size: 1350 mb Rating: 4.5 Votes: 786 Other Formats: MPC APE MP3 AC3 VOC MP2 DMF Tracklist 1 –Alain Kepler Submerged Pulsar 4:49 2 –Black Narcissus Dyna 4 4:50 3 –Rob Kidley Men Part 2 4:25 4 –Rob Kidley Data Sync 4:26 5 –J. K.* Coronet (Zombi2 Mix) 4:34 6 –Jidomatix Origo-Tech 4:40 7 –Jidomatix Ph Lop 4:39 8 –Steel Erector 3aremaster 4:26 9 –Co Mendez I’m Unemployed (Man Up Mix) 4:24 10 –Numerology Songs Fre Que Ncy 3:09 11 –Heidi Lord Beyond 0 3:30 12 –+10 Covu 3:07 13 –Trevor Dags Ukraine 3:34 Barcode and Other Identifiers Barcode: 666908022522 Comments about EDM A2 - Various Gelgen The man is not Aphex Twin (Fact) he is indeed a man called Jodey Kendrick and he was on Rephlex. He plays gigs at Colundi events if you don't believe me and has played Bangface. This album is just stunning. It is everything Braindance (or so called "idm") should be. It's packed full with mesmerizing riffs, flanged drum breaks and eerie vocals. Very rewarding, very clever. Fenrinos This is bona fide aphex twin, you are lying to yourself if it is not him. No one else has the level of skillz to pull this sh*t off. Paster Except that it is not. This is Jodey Kendrick mate : ) Prince Persie Honestly tracks 3 to 9 which i would label as "breaky acid" if this could exist sound like some tracks of Drukqs or remixes by AFX on MEN 1, with less madness but more loudness (10 years later, hey). Moswyn (ana)lord have mercy this is a killer release. i'm glad to see rephlex is still killing the game. it would be cool to find out the identity/ies of the artists on here we could track down their other releases. the mysterious tomfoolery is infuriating and gratifying at the same time. this easter egg hunt will be going on for a while. Freighton It's all Kendrick's material. Uranneavo Thankyou Sir, if you're bang on the money like I suspect you are then I reckon this is some of his finest stuff.... JUST DO IT Don't know who this is, Don't wish to get involved in all the speculation.But i will say this is one hell of a release, Starts on a real cold electro tip, And within a few songs goes bonkers....And i mean bonkers.I feel the flow gets a little bogged down at the end, With the inclusion of some weird ambient tracks, But overall its a killer collection.Does anybody know where EDM A1 is?????????? Obong I think it's some ironic cynical prank/dig at the furore over the hideously monikered "EDM" explosion in America, all these anonymous spotty teenage herberts with piss poor stage names making really brash, empty & crass dance music whilst stating how Aphex Twin is so influential on their "art". I'm not againt numpty-ness in music either - Breakcore was mad, loud, fast, fun & irreverent yet fiercely underground, The commercial media never started frothing at the mouth about a new international dance explosion like they'd had a klaxon let off in their ear when Shitmat hit the fan. Rephlex must feel like Nirvana felt after the Bush "administration" got voted in. Gavin Rossdale, what a c**t. Nto Surprised no-one has commented on this, it's another Rephlex sponsored thing I reckon and the only artist on it who has any backstory is Jodey Kendrick so a few or even all could be attributed to him but there are a smattering of tracks that sound so in tune with the style typical of the Analord and Tuss material....it's really hard not to think a couple of these aliases could be that ginger Cornish fella who people get quite giddy about on this Discogs thing. Let's be having yr theories now please, or just some plain clutching at straws will do...... Related Music albums to EDM A2 by Various Heidi - RA.035 Geotheory - Submerged Southern Tech Singers - Campus Party Songs Narcissus - The Window Burst - Origo Pulsar - Time Travel (Mix) Heidi - Heidi, Capítulo 8, ¿a dónde ha ido Pitchi? obnoXIuz - Kanske Dags Att Tänka Om?.
Load more

Recommended publications
  • Highland Games. Kilts Galore. Help: Graduating
    THEFriday, October 10, 2014 - Volume 61.5 14049 Scenic Highway,BAGPIPE Lookout Mountain, Georgia, 30750 www.bagpipeonline.com Burning at Help: Graduating and the Stage Highland Games. Kilts Galore. Headed into Law BY KRISITE JAYA BY MARK MAKKAR Burning at the Stage took place Life after Covenant can either be on Thursday (10/3) night. The exciting or foreboding, but hear- Overlook was crowded with music ing from people who are already performances, friends huddling there always helps in lighting the around straw-bales, and marshmal- path that is to come. During the lows roasting atop fire pits. Alumni Law Career Panel, organized by who happened to be in town for the Center for Calling & Career, Homecoming contributed to the students listened to three Covenant festivities, exchanging squeals and alumni who have pursued work in hugs with familiar faces. The event, the field of law since graduating. according to the Senior Class Dr. Richard R. Follet introduced Cabinet member Sam Moreland, the meeting by stating that “Cov- “has taken different forms over the enant has a list of 60 graduates that years, but tends to have the ele- have gone into some kind of law ments of music, the Overlook, fire after graduating from Covenant.” and s’mores, and relaxed fellowship Three of them were able to make as commonalities.” it to the Panel. Josh Reif, John Many have long associated the Huisman, and Pete Johnson shared event with the Homecoming tradi- stories about when they were at tion, but Burning at the Stage is an BYGARRET SISSON Around 150 people attended was featured as the announcer.
    [Show full text]
  • Négociations Fondation Maeght : Entre Célébrations Monaco - Union Européenne Et Polémique R 28240 - F : 2,50 € Michel Roger S’Explique
    FOOT : SANS FALCAO ET JAMES, QUELLES AMBITIONS POUR L’ASM ? 2,50 € Numéro 135 - Septembre 2014 - www.lobservateurdemonaco.mc SOCIÉTÉ USINE D’INCINÉRATION : LES SCÉNARIOS POSSIBLES ECOLOGIE CHANGEMENT CLIMATIQUE : POURQUOI IL FAUT RÉAGIR CULTURE NÉGOCIATIONS FONDATION MAEGHT : ENTRE CÉLÉBRATIONS MONACO - UNION EUROPÉENNE ET POLÉMIQUE R 28240 - F : 2,50 € MICHEL ROGER S’EXPLIQUE 3 782824 002503 01350 pour lui Solavie pag Observateur 09/2014.indd 2 08/09/14 15:51 LA PHOTO DU MOIS CRAINTES epuis des mois, dans certains milieux, on ne parle que de ça. En principauté, le lancement des négociations avec l’Union européenne (UE) inquiète pas mal de monde. Notamment les professions libérales qui craignent Dde voir tomber le presque total monopole qu’ont les Monégasques sur ces professions très encadrées réglementairement. « Ceci entraînerait à très court terme la disparition de notre profession telle qu’elle existe depuis des siècles. Ce qui est très préoccupant. D’autant plus que ce sera la même chose pour les médecins, les architectes, les experts-comptables monégasques… », a expliqué à L’Obs’ le bâtonnier de l’ordre des avocats de Monaco, Me Richard Mullot. Une crainte qui a poussé les avocats, les dentistes, les médecins et les architectes à se réunir pour réfléchir à la création d’un collectif. Objectif : défendre auprès du gou- vernement leurs positions et leurs spécificités qui restent propres à chaque profession. En face, le gouvernement cherche à rassurer. Dans l’interview qu’il a accordée à L’Obs’, le ministre d’Etat, Michel Roger, le répète. Il est hors de ques - tion de brader ce qui a fait le succès de la princi- pauté : « Il n’y aura pas d’accord si Monaco devait perdre sa souveraineté ou si ses spécificités devaient être menacées.
    [Show full text]
  • Physicality of the Analogue by Duncan Robinson BFA(Hons)
    Physicality of the Analogue by Duncan Robinson BFA(Hons) Submitted in the fulfilment of the requirements for the degree of Master of Fine Arts. 2 Signed statement of originality This Thesis contains no material which has been accepted for a degree or diploma by the University or any other institution. To the best of my knowledge and belief, it incorporates no material previously published or written by another person except where due acknowledgment is made in the text. Duncan Robinson 3 Signed statement of authority of access to copying This Thesis may be made available for loan and limited copying in accordance with the Copyright Act 1968. Duncan Robinson 4 Abstract: Inside the video player, spools spin, sensors read and heads rotate, generating an analogue signal from the videotape running through the system to the monitor. Within this electro mechanical space there is opportunity for intervention. Its accessibility allows direct manipulation to take place, creating imagery on the tape as pre-recorded signal of black burst1 without sound rolls through its mechanisms. The actual physical contact, manipulation of the tape, the moving mechanisms and the resulting images are the essence of the variable electrical space within which the analogue video signal is generated. In a way similar to the methods of the Musique Concrete pioneers, or EISENSTEIN's refinement of montage, I have explored the physical possibilities of machine intervention. I am working with what could be considered the last traces of analogue - audiotape was superseded by the compact disc and the videotape shall eventually be replaced by 2 digital video • For me, analogue is the space inside the video player.
    [Show full text]
  • UNIVERSITÀ DEGLI STUDI DI MILANO Facoltà Di Scienze Matematiche, Fisiche E Naturali Intelligent Dance Music
    UNIVERSITÀ DEGLI STUDI DI MILANO Facoltà di Scienze Matematiche, Fisiche e Naturali Corso di Laurea in Scienze e Tecnologie della Comunicazione Musicale Intelligent Dance Music: analisi formale comparativa tramite reti di Petri Relatore Ing. Luca Andrea Ludovico Correlatore Dott. Adriano Baratè Tesi di Laurea di Elena Melcarne Matr. 678930 Anno Accademico 2007-2008 1 2 Ringraziamenti Ringrazio, prima di tutti, i miei genitori che in ogni istante hanno saputo garantirmi la fiducia ed il sostegno senza i quali non sarei arrivata fin qui. Ringrazio anche i miei fratelli, Barbara e Stefano, che mi hanno premurosamente accudito e supportato sin da piccola e, per i loro saggi consigli nei momenti più critici della mia carriera universitaria. Ringrazio il Dott. Adriano Baratè e l’Ing. Luca Andrea Ludovico per la loro disponibilità e cordialità. Un grazie particolare anche a Dario, amico caro, che non ha mancato di essermi vicino nonostanze la distanza. Infine, un grazie a Francesco per essermi sempre accanto. Per il suo grande aiuto nella stesura della tesi e soprattutto perché contribuisce, di giorno in giorno, a saziare la mia curiosità musicale. 3 Indice Premesse 1 1 Musica elettronica: dalle origini ai nostri giorni 3 1.1 Introduzione ............................................................................................ 3 1.2 Russolo e l’arte dei rumori ..................................................................... 4 1.3 Musica elettronica di matrice colta ........................................................ 7 1.3.1 Da Parigi a Colonia: Musique concrète e elektronische Musik ................................... 8 1.3.2 Il minimalismo classico ........................................................... 11 1.4 Una nuova concezione di musica elettronica ..................................... 12 1.4.1 La metamorfosi dell’elettronica ........................................... 13 1.5 Chicago e Detroit: dalla house alla techno .........................................
    [Show full text]
  • Immersion Into Noise
    Immersion Into Noise Critical Climate Change Series Editors: Tom Cohen and Claire Colebrook The era of climate change involves the mutation of systems beyond 20th century anthropomorphic models and has stood, until recent- ly, outside representation or address. Understood in a broad and critical sense, climate change concerns material agencies that im- pact on biomass and energy, erased borders and microbial inven- tion, geological and nanographic time, and extinction events. The possibility of extinction has always been a latent figure in textual production and archives; but the current sense of depletion, decay, mutation and exhaustion calls for new modes of address, new styles of publishing and authoring, and new formats and speeds of distri- bution. As the pressures and re-alignments of this re-arrangement occur, so must the critical languages and conceptual templates, po- litical premises and definitions of ‘life.’ There is a particular need to publish in timely fashion experimental monographs that redefine the boundaries of disciplinary fields, rhetorical invasions, the in- terface of conceptual and scientific languages, and geomorphic and geopolitical interventions. Critical Climate Change is oriented, in this general manner, toward the epistemo-political mutations that correspond to the temporalities of terrestrial mutation. Immersion Into Noise Joseph Nechvatal OPEN HUMANITIES PRESS An imprint of MPublishing – University of Michigan Library, Ann Arbor, 2011 First edition published by Open Humanities Press 2011 Freely available online at http://hdl.handle.net/2027/spo.9618970.0001.001 Copyright © 2011 Joseph Nechvatal This is an open access book, licensed under the Creative Commons By Attribution Share Alike license. Under this license, authors allow anyone to download, reuse, reprint, modify, distribute, and/or copy this book so long as the authors and source are cited and resulting derivative works are licensed under the same or similar license.
    [Show full text]
  • A University of Sussex Phd Thesis Available Online Via
    A University of Sussex PhD thesis Available online via Sussex Research Online: http://sro.sussex.ac.uk/ This thesis is protected by copyright which belongs to the author. This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the Author The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the Author When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given Please visit Sussex Research Online for more information and further details 1 You Sound Like A Broken Record: A practice led interrogation of the ontological resonances of vinyl record culture. Paul G Nataraj PhD – Creative and Critical Practice University of Sussex December 2016 2 I hereby declare that this thesis has not been and will not be submitted in whole or in part to another University for the award of any other degree. Signature………………………………………………………………………………… 3 ACKNOWLEDGEMENTS This work is dedicated to my Dad, Dr. V. Nataraj. Thank you to my family Mum, Peter, Sophie and Claire. But especially my wonderful wife Sarah, without you I could never have finished this. Your kindness and patience are a constant inspiration. I’d also like to shout out my Longanese brother David Boon, for his constant belief in the music. Thanks also to my supervisors, Dr. Martin Spinelli and Professor Michael Bull. You have been impeccable in your support and advice, and your skill as teachers and mentors is second to none.
    [Show full text]
  • Rock of Ages Part 3 751 曲、合計時間：2:09:29:58 、3.16 GB
    Rock of Ages part 3 751 曲、合計時間：2:09:29:58 、3.16 GB アーティスト アルバム 曲数 合計時間 21st Century Schizoid Band Live In Italy 1 7:06 808 State 24 Hour Party People 1 3:53 Adam F Colours 2 13:47 Future Soul 3 1 7:44 Afrika Bambaataa Dark Matter Moving At The Speed Of Light 1 5:02 Afrika Bambaataa Feat. Gary Numan & MC Chatt… Dark Matter Moving At The Speed Of Light 1 4:58 AFX Hangable Auto Bulb 2 9:57 Alan Parsons Project Eye In The Sky 1 7:18 Alice aLICE PERSONaL JUKE BOX 1 3:57 Viaggio in Italia 2 9:19 Amon Tobin (Cujo) Adventures In Foam 1 6:09 Andrea Bocelli Romanza 1 4:06 Sogno 1 4:44 Viaggio Italiano 1 3:13 Andrea Parker Kiss My Arp 2 11:13 Anekdoten From Within 3 15:36 Gravity 4 25:28 Nucleus (Remastered) 3 25:21 Vemod 4 30:34 Angela Aki Home 6 28:21 Kiss Me Good-Bye 2 10:03 Annie Haslam Annie Haslam 1 3:35 Annie Lennox Medusa 1 5:16 Anti Pop Consortium Tragic Epilogue 1 4:13 Aphex Twin ...I Care Because You Do 1 6:07 51/13 1 7:57 Classics 1 7:11 drukqs 3 5:17 drukqs (disc two) 3 4:58 Selected Ambient Works, Vol. II (Disc 1) 1 4:39 Apocalyptica Reflections 1 3:23 Apollo 440 Electro Glide in Blue 1 4:30 Aqualung Deep Blue 2 8:16 Arti E Mestieri Estrazioni 1 5:35 Asia Asia 2 8:39 Astor Piazzolla Piazzolla Original Soundtracks 1 4:49 The Balanescu Quartet Possessed 2 7:33 Band Aid 20 Do They Know It's Christmas? 1 5:07 Barratt Waugh I Love you, Goodbye 4 14:16 BEAT CRUSADERS SEXCITE 1 3:54 Beck Guero 1 3:22 Odelay 2 9:09 BEN FOLDS FIVE Reinhold Messner 1 3:23 Bice Cloudy Sky 1 4:00 Björk Homogenic 2 9:28 iTunes Originals - Björk 1 4:11 Bjork Selmasongs
    [Show full text]
  • Connecting Time and Timbre Computational Methods for Generative Rhythmic Loops Insymbolic and Signal Domainspdfauthor
    Connecting Time and Timbre: Computational Methods for Generative Rhythmic Loops in Symbolic and Signal Domains Cárthach Ó Nuanáin TESI DOCTORAL UPF / 2017 Thesis Director: Dr. Sergi Jordà Music Technology Group Dept. of Information and Communication Technologies Universitat Pompeu Fabra, Barcelona, Spain Dissertation submitted to the Department of Information and Communication Tech- nologies of Universitat Pompeu Fabra in partial fulfillment of the requirements for the degree of DOCTOR PER LA UNIVERSITAT POMPEU FABRA Copyright c 2017 by Cárthach Ó Nuanáin Licensed under Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 Music Technology Group (http://mtg.upf.edu), Department of Information and Communication Tech- nologies (http://www.upf.edu/dtic), Universitat Pompeu Fabra (http://www.upf.edu), Barcelona, Spain. III Do mo mháthair, Marian. V This thesis was conducted carried out at the Music Technology Group (MTG) of Universitat Pompeu Fabra in Barcelona, Spain, from Oct. 2013 to Nov. 2017. It was supervised by Dr. Sergi Jordà and Mr. Perfecto Herrera. Work in several parts of this thesis was carried out in collaboration with the GiantSteps team at the Music Technology Group in UPF as well as other members of the project consortium. Our work has been gratefully supported by the Department of Information and Com- munication Technologies (DTIC) PhD fellowship (2013-17), Universitat Pompeu Fabra, and the European Research Council under the European Union’s Seventh Framework Program, as part of the GiantSteps project ((FP7-ICT-2013-10 Grant agreement no. 610591). Acknowledgments First and foremost I wish to thank my advisors and mentors Sergi Jordà and Perfecto Herrera. Thanks to Sergi for meeting me in Belfast many moons ago and bringing me to Barcelona.
    [Show full text]
  • Tharunka for 2014
    Week 13 - Week 14, Semester 2, 2014 First Published 1953 Volume 60, No. 14 University of NSW’s Independent Student Newspaper 2 EDITORIAL UNSW Tyree Energy Technologies Building Roof Solar Panels Image credit: Neerav Bhatt Editorial: A letter to the present and future Vice-Chancellors of UNSW Welcome to the last issue of Tharunka for 2014. Professor Hilmer has repeatedly refused to take a stand been a selfish Vice-Chancellor, and this University will In more ways than one, it’s the end of an era for on fossil fuel divestment, even as the Australian Na- not miss you. UNSW, as we bid farewell to outgoing Vice-Chancellor, tional University made international headlines with its The incoming Vice-Chancellor, Professor Ian Jacobs Professor Fred Hilmer, who will retire in early 2015 af- decision to stop investing in energy companies which of the University of Manchester, now has the opportu- are slowly corroding our planet. ter spending nine years in the top job at UNSW, seeing nity to show leadership in shaping a truly collaborative UNSW invests $50 million in fossil fuel stocks his salary rise above $1 million a year in the process. University that undertakes real consultation with its around the globe, $44 million of which is invested in What is remarkable about his tenure at UNSW is largest stakeholder: students. Australian equities. Universities occupy a unique role that Professor Hilmer was appointed to the role with Professor Jacobs, the tenure of your predecessor has as the progenitors of innovation and advancements in the business acumen of having been at the helm of a shown that UNSW is an institution that can weather society, and UNSW itself is a world leader in renewable major Australian company, Fairfax, during it’s slow and the strongest of mismanagement storms.
    [Show full text]
  • God Is an Astronaut Scott Weiland and the Wildabouts Blapk Book Lodge & Förtress Kafka Tamura Alcest Paul Smith & the I
    •elektor U D Sa. 05.09.20151 Luxor. Köln von Albert Koch GOD IS AN NEU AUF VINYL ASTRONAUT Sa. 05.09.20151 Underground, Köln Und weitergeht tische Gebrodel einen anhaltenden bum schrieb Umiliani damals: SCOTT WEILAND AND es mit Richard D. Groove legt. Vieles andere auf „Die elektronischen Synthesizer THE WILDABOUTS James'im vergan- dem Album ist Musique concrete, eröffnen eine neue Sicht auf die So. 06.09.2015 | MTC, Köln genen Jahr groß Abstraktionen von nicht identifi- Zukunft der Musik." Gleichzeitig angekündigter zierbaren Soundquellen, die betonte er, dass er diese Zukunft BLAPK BOOK LODGE Archivausgrabungsreihe. Diesmal Maximin zusätzlich mit Dubeffek- nicht im Gebrauch des Synthesizers & FÖRTRESS veröffentlicht Aphex Twin unter ten verfremdet. Doppel-LP mit als Ersatz für und Imitation von Sa. 12.09.20151 Studio 672. Köln seinem alter Alter Ego AFX. ORPHA- Download-Code. • Orchesterinstrumenten sah, wie NED DEEJAY SELEK 2006-08 (Warp/ * * * * + ^^^MBIK1_BIBMB> das in den Anfangstagen nicht sel- KAFKA TAMURA Rough Trade) ist der erste Release ten getan wurde. Umiliani orakelt, So. 13.09.2015 | Luxor, Köln als AFX seit der „Analord"-i2-lnch- Wenn man die dass die neue Synthesizer-Musik ALCEST Serie der Jahre 2003 bis 2005. Und Musikerin SALLY das Ende des tonalen Systems und special guest: Lantlos genau an diese Zeit schließt dieser DIGE beurteilen will, der traditionellen Musiksprache So. 13.09.20151 Gebäude 9, Köln EP-/LP-Hybride an. Hier zeigt schadet es über- bedeuten könnte. Und so klingen sich James weitaus wagemutiger als haupt nicht, über die 13 Tracks auf L'UOMO NELLO PAUL SMITH & auf dem SYRO-Album vom vergan- ihren Hintergrund als bildende SPAZIO: Miniaturen zwischen Fin- THE INTIMATIONS genen Jahr und nicht so meta-jazzy Künstlerin und Designerin infor- gerübungen und ausgearbeiteten So.
    [Show full text]
  • Cyclic Defrost Magazine Issue 11
    SUSPEND YOUR DISBELIEF! UPDATE ##### “Guaranteed to turn heads” FLUX “Caribou’s new album is fan-fucking-tastic" RIP & BURN #### “It still sounds like nothing else on Featuring members of: the planet” MODEST MOUSE,THE BETA BAND MUSIC WEEK BLOOD BROTHERS, BUILT TO SPILL “Fresh and groundbreaking... FREE ASSOCIATION,AIRBORN AUDIO a welcome PITCHFORKMEDIA PRETTY GIRLS MAKE GRAVES return from the 8.4/10 influential artist” “A highly ANTI-POP CONSORTIUM organic blend of MURDER CITY DEVILS underground hip-hop and and indie-rock” ROOTS MANUVA STYLUS B+ FORMERLY DAN SNAITH’S “Short, blunt and skitless, AGCT seethes with everything post-aught genre-fucking needs” NEW ALBUM OUT NOW ON SELF-TITLED DEBUT OUT NOW ON ISSUE 11 CONTENTS CDITORIAL 4 COVER DESIGNER: JOE SCERRI/LAKE LUSTRE Hola! Welcome to issue eleven. This issue is our first mass assault on Europe with by Bim Ricketson two thousand copies touching down at Sonar 2005 in Barcelona along with a double CD sampler of Australian music courtesy of Austrade and the Australia Council. Perhaps 8 VELURE you are one of the lucky folk sitting back in the Catalunyan sun sipping on cava sud- We welcome your contributions and contact: by Anna Burns denly discovering that there is some great music on the other side of the world, or PO Box a2073 10 MONKFLY/FREQUENCY LAB alternately you are sitting snug and warm on a couch under a doona in share house- Sydney South by Angela Stengel hold in wintery St Kilda or Newtown wondering ‘where can I get a copy of this CD?’.
    [Show full text]
  • Byetone Raster-Noton Alemania
    SÁBADO 2 DE MAYO Aphex Twin Rephlex / Warp Records UK Aphex Twin, AFX, The Tuss, Polygon Window, Caustic Window, The Dice Man…. múltiples nombres para un sólo hombre: Richard D. James, una de las figuras más influyentes e innovadoras de los últimos 25 años. Creció en Cornwall (Inglaterra) donde ya desde muy pequeño comenzó a demostrar sus capacidades con experimentos electrónicos llegando a ganar un premio escolar por tocar una melodía con un Spectrum y un televisor alterado. En 1991 fundó Rephlex Records y lanzó su primer trabajo, se mudó a Londres y comenzó una imparable carrera ascendente publicando material bajo sus innumerables alias tanto en Warp Records como Rephlex. Desde Selected Ambient Works hasta Druqks pasando por clásicos como Ventolin, Come to Daddy o la serie Analord. Un artista excéntrico y controvertido, un personaje influyente que ha trascendido en innumerables ocasiones los límites del underground electrónico a base de trabajo y genialidades. Sus colaboraciones con el también genial Chris Cuningham nos han brindado algunos de los mejores trabajos audiovisuales hasta la fecha: Windowlicker, Come To Daddy o Rubber Johnny son algunas de las obras donde se ponen al descubierto sus locuras y cualidades. Acid, IDM, techno, ambient…. son algunos de los géneros que Aphex Twin domina a la perfección y en los que ha jugado y juega un papel fundamental como evolucionador y visionario. Rodeado por multitud de leyendas, con una perfección milimétrica en el dominio de viejos sintetizadores y la creación de nuevos sonidos y dotado de una de las mentes más inquietas y creativas que existen en la escena musical, Aphex Twin sigue creando, a día de hoy, registros en las fronteras de las normas aceptadas de la música.
    [Show full text]