Rock of Ages Part 3 751 曲、合計時間:2:09:29:58 、3.16 GB

Total Page:16

File Type:pdf, Size:1020Kb

Rock of Ages Part 3 751 曲、合計時間:2:09:29:58 、3.16 GB Rock of Ages part 3 751 曲、合計時間:2:09:29:58 、3.16 GB アーティスト アルバム 曲数 合計時間 21st Century Schizoid Band Live In Italy 1 7:06 808 State 24 Hour Party People 1 3:53 Adam F Colours 2 13:47 Future Soul 3 1 7:44 Afrika Bambaataa Dark Matter Moving At The Speed Of Light 1 5:02 Afrika Bambaataa Feat. Gary Numan & MC Chatt… Dark Matter Moving At The Speed Of Light 1 4:58 AFX Hangable Auto Bulb 2 9:57 Alan Parsons Project Eye In The Sky 1 7:18 Alice aLICE PERSONaL JUKE BOX 1 3:57 Viaggio in Italia 2 9:19 Amon Tobin (Cujo) Adventures In Foam 1 6:09 Andrea Bocelli Romanza 1 4:06 Sogno 1 4:44 Viaggio Italiano 1 3:13 Andrea Parker Kiss My Arp 2 11:13 Anekdoten From Within 3 15:36 Gravity 4 25:28 Nucleus (Remastered) 3 25:21 Vemod 4 30:34 Angela Aki Home 6 28:21 Kiss Me Good-Bye 2 10:03 Annie Haslam Annie Haslam 1 3:35 Annie Lennox Medusa 1 5:16 Anti Pop Consortium Tragic Epilogue 1 4:13 Aphex Twin ...I Care Because You Do 1 6:07 51/13 1 7:57 Classics 1 7:11 drukqs 3 5:17 drukqs (disc two) 3 4:58 Selected Ambient Works, Vol. II (Disc 1) 1 4:39 Apocalyptica Reflections 1 3:23 Apollo 440 Electro Glide in Blue 1 4:30 Aqualung Deep Blue 2 8:16 Arti E Mestieri Estrazioni 1 5:35 Asia Asia 2 8:39 Astor Piazzolla Piazzolla Original Soundtracks 1 4:49 The Balanescu Quartet Possessed 2 7:33 Band Aid 20 Do They Know It's Christmas? 1 5:07 Barratt Waugh I Love you, Goodbye 4 14:16 BEAT CRUSADERS SEXCITE 1 3:54 Beck Guero 1 3:22 Odelay 2 9:09 BEN FOLDS FIVE Reinhold Messner 1 3:23 Bice Cloudy Sky 1 4:00 Björk Homogenic 2 9:28 iTunes Originals - Björk 1 4:11 Bjork Selmasongs 1 5:29 Black Wonderful Life 1 4:47 Blackmore's Night Shadow Of The Moon 2 10:04 Under A Violet Moon 3 11:33 Blink-182 Blink-182: Greatest Hits 1 3:47 Bloc Party Silent Alarm 1 3:22 Silent Alarm Remixed (iTunes Version) 1 5:49 Two More Years - Single 1 4:27 Boards Of Canada Hi Scores 2 11:16 Trans Canada Highway 2 6:30 Bon-Bon Blanco 愛のナースカーニバル 1 3:57 Bonnie Pink So Wonderful 2 7:24 Boom Boom Satellites ON 5 24:28 Bowery Electric Beat 1 3:45 Brand X (East) Schizoid Dimension: Tribute To King Crimson 2 10:33 Brian Wilson Smile [Bonus Tracks] 1 4:39 1 / 8 ページ Rock of Ages part 3 アーティスト アルバム 曲数 合計時間 Buffalo Daughter, Towa Tei & Tycoon Tosh Flash 1 4:45 C+C Music Factory Gonna Make You Sweat 1 4:06 Caroline Lavelle Brilliant Midnight 2 10:52 Centrozoon The Scent Of Crash & Burn 1 3:28 The Chemical Brothers Block Rockin' Beats 1 5:00 Chin Do Hyun Cabaret Young Star 1 2:59 Chris Isaak Heart Shaped World 1 4:49 The Christians Colour 1 7:04 Christy He Was Beautiful 1 3:51 Claudio Baglioni Oltre 2 8:50 cobalt cobalt 1 4:36 Coldplay A Rush of Blood To the Head 1 3:48 Covenant Skyshaper 5 25:47 Crazy Ken Band Tiger & Dragon 1 4:11 Crowded House Recurring Dream 1 3:55 Daft Punk Discovery 1 3:56 Homework 2 9:28 Human After All 2 9:32 Daniel Binelli, Tango de Buenos Aires 1 7:05 David Holmes This Films Crap Lets Slash The Seats 1 8:09 David Sylvian MONSTER Original soundtrack 1 4:21 The First Day 1 6:06 David Torn Cloud About Mercury 1 7:09 The Departure Dirty Words [Bonus Tracks] 2 7:03 Derek Bailey Guitar, Drums 'n' Bass 1 1:35 Dick Dale Calling Up Spirits 3 9:57 Die Warzau Big Electric Metal Bass Face 1 6:25 Disco Rigido 2 6:16 Digital Metal Box Set (Disc 1) 1 5:46 Dino Saluzzi Andina 1 8:11 Once upon a time - Far away in North 1 12:51 Dip in the pool Christmas 2004 1 4:34 DJ Krush Stepping Stones: The Self-Remixed Best (Sounds… 2 9:23 Tragicomic 1 4:38 DJ Rap Learning Curve 2 7:59 DJ Tiesto In My Memory 1 5:02 Dominique Visse Toru Takemitsu Songs 1 2:59 Double Blue 1 4:34 Dread Zeppelin Un-Led-Ed 4 16:39 The Dream Academy Somewhere In The Sun... Best of The Dream Aca… 1 5:19 Duran Duran Thank You 1 5:34 Dynamix II Electro Megamix 1 3:17 Editors The Back Room 4 14:28 Einstürzende Neubauten Nnnaaammm Remix By Darkus 1 5:57 Eivind Aarset Electronique Noire 2 11:45 Light Extracts 2 11:10 El Presidente El Presidente 3 11:03 Elektric Music Elektric Music (Japanese Import) 1 3:34 Esperanto_Plus 1 5:44 Elsa La Femme De Ma Vie 1 5:28 Eluvium Talk Amongst The Trees 2 6:56 Emerson, Lake & Palmer Black Moon 1 4:49 Emilie Simon Végétal 1 3:28 Eminem 8 Mile (Music from and Inspired by the Motion Pi… 1 5:20 Enya A Day Without Rain (Japan) 1 3:47 Amarantine 1 3:12 Everything But the Girl Walking Wounded 2 10:23 The Faint Danse Macabre 2 6:56 Fatboy Slim Rockafeller Skank Single CD 1 4:02 Filippa Giordano Filippa 1 5:03 Flying Saucer Attack Chorus 1 5:40 France Cartiney Sensation 1 2:32 Francis Jauvain Accordina 2 11:25 Franz Ferdinand Franz Ferdinand 3 10:03 2 / 8 ページ Rock of Ages part 3 アーティスト アルバム 曲数 合計時間 Franz Ferdinand You Could Have It So Much Better 3 9:33 Friends, Lover And Family Avantgardism Drum'n'bass (Disc 1) 1 8:56 Front 242 Front By Front 2 10:03 Frou Frou Details 3 13:49 Fudge Tunnel Fudge Tunnel's First Movement: Hate Songs in E … 2 10:24 FUJI TELEVISION SOCCER LEGENDS V.A. 1 3:18 The Futureheads The Futureheads 3 6:12 Gang Of Four Return The Gift 1 3:27 Garbage Garbage 2 8:10 Version 2.0 2 8:48 Gary Brooker with the Drifters BtP Christmas 2005 1 4:21 Gary Numan Hybrid 1 4:33 George Michael Listen Without Prejudice 1 7:15 GMT and Hinda Hicks g:mt Original Soundtrack 3 13:52 Goldie Saturnzreturn (Disc 2) 1 5:53 Gondwana Xenophon 1 5:12 Gorillaz Demon Days 1 3:41 Gregorian The Masters of Chant 1 3:41 H.Fujiwara+S.Osawa Feat.Crysta Lost Child 1 6:40 Heaven 17 Before After 1 3:24 Herbie Hancock Future 2 Future 1 4:16 Hidden Agenda Whatever Happened To..... 1 5:29 Imogen Heap Speak For Yourself 3 12:21 In the Nursery Anatomy of a Poet 3 12:34 Infadels We Are Not the Infadels 9 35:34 Infusion Six Feet Above Yesterday 3 12:59 Jack Bruce Monkjack 4 20:34 James Blunt Back To Bedlam 3 11:39 Jane Birkin Lost Song 1 4:34 Jeff Greinke In Another Place 1 5:34 Jerry Goldsmith Total Recall 1 3:35 Jesu Silver 1 7:02 John Foxx Shifting City 1 4:15 Jon Hassell Maarifa Street 1 4:23 Jon Hassell and Bluescreen Dressing for Pleasure 2 9:43 Joy Machine The Best That Never Was 1 4:22 Joyce Nelson Angelo E Joyce 1 2:25 JUDY AND MARY J・A・M 1 3:35 Julia Fordham Heart 1 3:43 Julian Lennon Photograph Smile 1 4:21 Julien Clerc Julien Déménage : Accoustique 2 5:15 Junkie XL Junkie XL - Today 5 27:17 Juno Reactor Shango 2 12:19 K.M.F.D.M. "What Do You Know, Deutschland?" 1 3:37 Uaioe 1 3:19 KAKO Takashi "Is Paris Burning" 1 2:44 KAO トリップ - Single 1 4:09 KARAK Silent Days 1 3:45 Karl Bartos Communication 1 5:37 Karl Jenkins Palladio 1 3:47 Kasabian Kasabian [Bonus Tracks] 1 3:35 Kate ST John Indescribable 2 5:38 Kayak Close To The Fire 2 9:43 Keane Hopes And Fears 2 7:33 Under the Iron Sea 10 40:19 Killing Joke Millennium 1 6:09 King Crimson Vrooom Vrooom 1 3:03 KOKIA ブレンパワード O.S.T.1 1 4:21 Kraftwelt Electric Dimension 2 12:04 Kronos Quartet Kronos Quartet - Sculthorpe - Sallinen - Glass -… 1 2:52 Kurtis Mantronik I Sing The Body Electro 2 8:28 L'Arc~en~Ciel ark 1 6:01 Laibach WAT 1 4:18 Lanterna Lanterna 1 4:57 3 / 8 ページ Rock of Ages part 3 アーティスト アルバム 曲数 合計時間 Leningrad Cowboys Happy Together 1 2:50 Lenny Kravitz Are You Gonna Go My Way 1 3:31 Limbomaniacs Stinky Grooves 2 10:03 Locust Morning Light 2 11:20 Loren & Mash The End Of Evangelion 1 4:53 LTJ Bukem Logical Progression Level 1 Disk A 1 7:16 Lunatic Calm Metropole 2 6:33 M Beat Feat. General Levy Jungle Hits Volume 1 1 4:13 Madonna I'm Breathless 1 5:19 Madredeus Existir 1 3:43 Maggie Reilly Elena 2 9:09 Magma Trilogie Theusz Hamtaahk (III° mouvement : Më… 2 17:37 Mandalay Solace 2 9:41 MANGO's Come L'acqua 1 3:57 Marco Masini Marco Masini 1 5:04 T'innamorerai 1 5:22 Marillion Marillion: A Singles Collection 1982 - 1992 1 3:28 Mark Snow X-Files 1 3:22 Massive Attack Mezzanine 2 11:19 Matisyahu Youth 3 12:01 Matrix Sleepwalk 1 6:17 Max Richter Memoryhouse 8 32:41 The Blue Notebooks 5 16:02 Meat Beat Manifesto 99% 1 2:40 Actual Sounds + Voices 1 5:52 Satyricon 1 4:53 Subliminal Sandwich 1 4:33 Version Galore - EP 1 6:23 meg Scanty Blues 1 4:55 Mellowdrone Box 6 20:21 The Messengers Messengers 2004 5 26:45 Metallica Memory Remains (2) Single 1 4:38 Michael Nyman Cold Room 1 1:47 Nyman - The Kiss and Other Movements - 1 7:38 Michiya Haruhata Forza 1 5:01 Miles Miles 1 3:39 Miles Davis Aura 1 4:18 Ministry Keianh (Psalm 69) 1 5:12 Sphinctour 1 5:03 The Land of Rape and Honey 1 5:11 The Mind Is a Terrible Thing to Taste 1 5:01 Misia Tanto Mena...
Recommended publications
  • Live Among the White Trash: a History of Nono----Manman on Stage
    Live Among the White Trash: A history of nono----manman on stage “There are no No-Man concerts scheduled for the foreseeable future.” (from the official no-man website) Anyone who has followed no-man’s career over the previous ten years or so will be acutely aware that the band does not play live. If no-man “exist” as a band at all – and their infrequent releases mean they are more an ongoing understanding between two men rather than an active unit – it is only in the studio. Over a series of uncompromising albums no-man’s music has become ever more complex, yet ironically, “live sounding” than the release which proceeded it. But this organic “liveness” is mainly an illusion; the feeling of spontaneity often the result of numerous edits and takes which only the precision of studio work can produce. Others have tried to perform equally difficult music live: Radiohead ambitiously thrusting their clicks-and- cuts post-rock upon the world’s stadiums, for example. But for a variety of reasons, no-man simply haven’t tried – at least, not since 1994 and not until a one-off performance in 2006. The only comparable case is Talk Talk’s retreat into the studio in the late 1980s. Both bands have undoubtedly crafted their best work without going near an audience. 1 But it wasn’t always so. no-man were once very much a live act, promoting singles and albums with dates and undertaking two full-blown tours – though they rarely played outside London, never went further north than Newcastle, and never played outside Great Britain.
    [Show full text]
  • STICK MEN - Tony Levin and Pat MasteloO, the Powerhouse Bass and Drums of the Group King Crimson for a Few Decades, Bring That TradiOn to All Their Playing
    STICK MEN - Tony Levin and Pat Masteloo, the powerhouse bass and drums of the group King Crimson for a few decades, bring that tradion to all their playing. Levin plays the Chapman Sck, from which the band takes it’s name. Having bass and guitar strings, the Chapman Sck funcons at mes like two instruments. Markus Reuter plays his selfdesigned touch style guitar – again covering much more ground than a guitar or a bass. And Masteloo’s drumming encompasses not just the acousc kit, but a unique electronic setup too, allowing him to add loops, samples, percussion and more. TONY LEVIN - Born in Boston, Tony Levin started out in classical music, playing bass in the Rochester Philharmonic. Then moving into jazz and rock, he has had a notable career, recording and touring with John Lennon, Pink Floyd, Yes, Alice Cooper, Gary Burton, Buddy Rich and many more. He has also released 5 solo CDs and three books. In addion to touring with Sck Men, since more than 30 years is currently a member of King Crimson and Peter Gabriel Band, and jazz bands Levin Brothers and L’Image. His popular website, tonylevin.com, featured one of the web’s first blogs, and has over 4 million visits. PAT MASTELOTTO - Very rarely does a drummer go on to forge the most successful career on the demise of their former hit band. Phil Collins and Dave Grohl have managed it, so too has Pat Masteloo, a self taught drummer from Northern California, who has also been involved with pushing the envelope of electronic drumming.
    [Show full text]
  • Recreation Center Vote Declared Void
    SERVING THE UNIVERSITY OF TEXAS AT SAN ANTONIO COMMUNITY TUESDAY NOVEMBER 16, 1993 Volume 16, Number 17 Texas* ONLY Independent Student Newsfpaper Recreation center vote declared void RSO ballot officials accused of influencing voters at tfie polls By Brian WhMlar News Editor There have been three separate written grievances In an emergency meeting of die Stu­ filed with me as elections administrator. They have dent Govemment (SG) on Nov. 12. SG been investigated and substantiated." president Matttew Stem declared die Recreation and Wellness center fee vote -Matt Stern teld on Nov. 9 and IQ lo te nunified. student government president Tte $8.5 miUion recreation coiter was unofificially defeated in a two to one deciskm. Slighdy over 10 perceni of tte tte grievances woukl not te paid die ian. Doody, whoadmitted voting against student body voted last Tuesday and $ 100 stipend and would face restriction the recreation center on procedural Wednesday. 560 voting for and 1226 fiom participation in future elections. grounds, concurred witfi Stem's deci­ against. If die recreation center had According lo Stem an investigatkm sion to invalidate the vote. passed, it woukl have meant a new $30 tegan Wednesday night by Barbie After Stem announced tte vote was per semester fee to fund tte project. Kamm, assistant director for student void, the SG passed a motion to recast "Ttey were not just insignificant leadership and activities, and Stem him­ die ballot five weeks into Ihe spring peoplecampaigning within 25 feet Ttey self. He would not release die names of semester. Stem suggested tetter public­ were, in fact, people working tehind tte tte students charged witfi influencing ity in an effort to reach more students tables at Ite booths (polling bootfis) tte vote, citing possible disciplinary ac­ including non-traditional night students.
    [Show full text]
  • Highland Games. Kilts Galore. Help: Graduating
    THEFriday, October 10, 2014 - Volume 61.5 14049 Scenic Highway,BAGPIPE Lookout Mountain, Georgia, 30750 www.bagpipeonline.com Burning at Help: Graduating and the Stage Highland Games. Kilts Galore. Headed into Law BY KRISITE JAYA BY MARK MAKKAR Burning at the Stage took place Life after Covenant can either be on Thursday (10/3) night. The exciting or foreboding, but hear- Overlook was crowded with music ing from people who are already performances, friends huddling there always helps in lighting the around straw-bales, and marshmal- path that is to come. During the lows roasting atop fire pits. Alumni Law Career Panel, organized by who happened to be in town for the Center for Calling & Career, Homecoming contributed to the students listened to three Covenant festivities, exchanging squeals and alumni who have pursued work in hugs with familiar faces. The event, the field of law since graduating. according to the Senior Class Dr. Richard R. Follet introduced Cabinet member Sam Moreland, the meeting by stating that “Cov- “has taken different forms over the enant has a list of 60 graduates that years, but tends to have the ele- have gone into some kind of law ments of music, the Overlook, fire after graduating from Covenant.” and s’mores, and relaxed fellowship Three of them were able to make as commonalities.” it to the Panel. Josh Reif, John Many have long associated the Huisman, and Pete Johnson shared event with the Homecoming tradi- stories about when they were at tion, but Burning at the Stage is an BYGARRET SISSON Around 150 people attended was featured as the announcer.
    [Show full text]
  • Négociations Fondation Maeght : Entre Célébrations Monaco - Union Européenne Et Polémique R 28240 - F : 2,50 € Michel Roger S’Explique
    FOOT : SANS FALCAO ET JAMES, QUELLES AMBITIONS POUR L’ASM ? 2,50 € Numéro 135 - Septembre 2014 - www.lobservateurdemonaco.mc SOCIÉTÉ USINE D’INCINÉRATION : LES SCÉNARIOS POSSIBLES ECOLOGIE CHANGEMENT CLIMATIQUE : POURQUOI IL FAUT RÉAGIR CULTURE NÉGOCIATIONS FONDATION MAEGHT : ENTRE CÉLÉBRATIONS MONACO - UNION EUROPÉENNE ET POLÉMIQUE R 28240 - F : 2,50 € MICHEL ROGER S’EXPLIQUE 3 782824 002503 01350 pour lui Solavie pag Observateur 09/2014.indd 2 08/09/14 15:51 LA PHOTO DU MOIS CRAINTES epuis des mois, dans certains milieux, on ne parle que de ça. En principauté, le lancement des négociations avec l’Union européenne (UE) inquiète pas mal de monde. Notamment les professions libérales qui craignent Dde voir tomber le presque total monopole qu’ont les Monégasques sur ces professions très encadrées réglementairement. « Ceci entraînerait à très court terme la disparition de notre profession telle qu’elle existe depuis des siècles. Ce qui est très préoccupant. D’autant plus que ce sera la même chose pour les médecins, les architectes, les experts-comptables monégasques… », a expliqué à L’Obs’ le bâtonnier de l’ordre des avocats de Monaco, Me Richard Mullot. Une crainte qui a poussé les avocats, les dentistes, les médecins et les architectes à se réunir pour réfléchir à la création d’un collectif. Objectif : défendre auprès du gou- vernement leurs positions et leurs spécificités qui restent propres à chaque profession. En face, le gouvernement cherche à rassurer. Dans l’interview qu’il a accordée à L’Obs’, le ministre d’Etat, Michel Roger, le répète. Il est hors de ques - tion de brader ce qui a fait le succès de la princi- pauté : « Il n’y aura pas d’accord si Monaco devait perdre sa souveraineté ou si ses spécificités devaient être menacées.
    [Show full text]
  • Physicality of the Analogue by Duncan Robinson BFA(Hons)
    Physicality of the Analogue by Duncan Robinson BFA(Hons) Submitted in the fulfilment of the requirements for the degree of Master of Fine Arts. 2 Signed statement of originality This Thesis contains no material which has been accepted for a degree or diploma by the University or any other institution. To the best of my knowledge and belief, it incorporates no material previously published or written by another person except where due acknowledgment is made in the text. Duncan Robinson 3 Signed statement of authority of access to copying This Thesis may be made available for loan and limited copying in accordance with the Copyright Act 1968. Duncan Robinson 4 Abstract: Inside the video player, spools spin, sensors read and heads rotate, generating an analogue signal from the videotape running through the system to the monitor. Within this electro mechanical space there is opportunity for intervention. Its accessibility allows direct manipulation to take place, creating imagery on the tape as pre-recorded signal of black burst1 without sound rolls through its mechanisms. The actual physical contact, manipulation of the tape, the moving mechanisms and the resulting images are the essence of the variable electrical space within which the analogue video signal is generated. In a way similar to the methods of the Musique Concrete pioneers, or EISENSTEIN's refinement of montage, I have explored the physical possibilities of machine intervention. I am working with what could be considered the last traces of analogue - audiotape was superseded by the compact disc and the videotape shall eventually be replaced by 2 digital video • For me, analogue is the space inside the video player.
    [Show full text]
  • Press 1 April 2021 the Famous Artists Behind History's Greatest Album
    CNN Style The famous artists behind history's greatest album covers Leah Dolan 1 April 2021 The famous artists behind history's greatest album covers Throughout the 20th-century record sleeves regularly served as canvases for some of the world's most famous artists. From Andy Warhol's electric yellow banana on the cover of The Velvet Underground & Nico's 1967's debut album, to the custom-sprayed Banksy street art that fronted Blur's 2003 "Think Tank," art has long been used to round out the listening experience. A new book, "Art Sleeves," explores some of the most influential, groundbreaking and controversial covers from the past forty years. "This is not a 'history of album art' type book," said the book's author, DJ and arts writer DB Burkeman over email. Instead, he says the book is a "love letter" to visual art and music culture. For the 45th anniversary of "The Velvet Underground & Nico" in 2012, British artist David Shrigley illustrated a special edition reissue cover for Castle Face Records. Image: David Shrigley/Rizzoli Featured records span genres and decades. Among them are Warhol's cover for The Rolling Stones' 1971 album "Sticky Fingers," featuring the now-famous close-up of a man's crotch (often assumed, incorrectly, to be frontman Mick Jagger in tight jeans) as well as an array of seminal covers designed by graphic designer Peter Saville, co-founder of influential Manchester-based indie label Factory Records. Despite having relatively little art direction experience under his belt, Saville was behind iconic covers such as Joy Division's "Unknown Pleasures" (1979), depicting the radio waves emitted by a rotating star, and the brimming basket of wilting roses -- a muted reproduction of a 1890 painting by French artist Henri Fantin-Latour -- that fronted New Order's "Power, Corruption & Lies" (1983).
    [Show full text]
  • 2006 TRASH Regionals Round 07 Tossups
    2006 TRASH Regionals Round 07 Tossups 1. It appears twice in the e.e. cummings poem “little ladies more”. It also appears in the Tennessee Williams play A Streetcar Named Desire when Blanche DuBois asks it of Mitch. Seemingly awkward because of its use of the formal pronoun, it means, “Do you want to sleep with me (tonight)?” For ten points, give this phrase re-introduced to a new generation by Mya, Lil’ Kim, Pink, and Christina Aguilera in their 2001 version of “Lady Marmalade”. Answer: Voulez-vous coucher avec moi (ce soir)? 2. In Need for Speed: Most Wanted it’s called “Speed Breaker”, and is most often used to dodge roadblocks. In GUN, it’s called “Quick Draw.” The earliest example of it is probably in the 1980 Epyx game Rescue at Rigel. In Star Wars: Jedi Academy, you can get it using “Force Speed,” by killing Reborn Jedis, or typing the cheat code “there is no spoon.” For ten points, give the common name for the ability in video games to move at normal speed while the rest of the game is slowed down, most famously used in the Max Payne and, predictably, Matrix videogames. Answer: bullet time (Prompt on “slow motion” or equivalents. Note for itinerant cheaters: the cheat code is really “thereisnospoon”) 3. His favorite movie may be Divine Secrets of the Ya-Ya Sisterhood, while he cried a lot when he paid to see Godfather III. His first name may be Marion, but his full name has also been reported to be William Williams.
    [Show full text]
  • Immersion Into Noise
    Immersion Into Noise Critical Climate Change Series Editors: Tom Cohen and Claire Colebrook The era of climate change involves the mutation of systems beyond 20th century anthropomorphic models and has stood, until recent- ly, outside representation or address. Understood in a broad and critical sense, climate change concerns material agencies that im- pact on biomass and energy, erased borders and microbial inven- tion, geological and nanographic time, and extinction events. The possibility of extinction has always been a latent figure in textual production and archives; but the current sense of depletion, decay, mutation and exhaustion calls for new modes of address, new styles of publishing and authoring, and new formats and speeds of distri- bution. As the pressures and re-alignments of this re-arrangement occur, so must the critical languages and conceptual templates, po- litical premises and definitions of ‘life.’ There is a particular need to publish in timely fashion experimental monographs that redefine the boundaries of disciplinary fields, rhetorical invasions, the in- terface of conceptual and scientific languages, and geomorphic and geopolitical interventions. Critical Climate Change is oriented, in this general manner, toward the epistemo-political mutations that correspond to the temporalities of terrestrial mutation. Immersion Into Noise Joseph Nechvatal OPEN HUMANITIES PRESS An imprint of MPublishing – University of Michigan Library, Ann Arbor, 2011 First edition published by Open Humanities Press 2011 Freely available online at http://hdl.handle.net/2027/spo.9618970.0001.001 Copyright © 2011 Joseph Nechvatal This is an open access book, licensed under the Creative Commons By Attribution Share Alike license. Under this license, authors allow anyone to download, reuse, reprint, modify, distribute, and/or copy this book so long as the authors and source are cited and resulting derivative works are licensed under the same or similar license.
    [Show full text]
  • A University of Sussex Phd Thesis Available Online Via
    A University of Sussex PhD thesis Available online via Sussex Research Online: http://sro.sussex.ac.uk/ This thesis is protected by copyright which belongs to the author. This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the Author The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the Author When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given Please visit Sussex Research Online for more information and further details 1 You Sound Like A Broken Record: A practice led interrogation of the ontological resonances of vinyl record culture. Paul G Nataraj PhD – Creative and Critical Practice University of Sussex December 2016 2 I hereby declare that this thesis has not been and will not be submitted in whole or in part to another University for the award of any other degree. Signature………………………………………………………………………………… 3 ACKNOWLEDGEMENTS This work is dedicated to my Dad, Dr. V. Nataraj. Thank you to my family Mum, Peter, Sophie and Claire. But especially my wonderful wife Sarah, without you I could never have finished this. Your kindness and patience are a constant inspiration. I’d also like to shout out my Longanese brother David Boon, for his constant belief in the music. Thanks also to my supervisors, Dr. Martin Spinelli and Professor Michael Bull. You have been impeccable in your support and advice, and your skill as teachers and mentors is second to none.
    [Show full text]
  • Artificial Intelligence, Ovvero Suonare Il Corpo Della Macchina O Farsi Suonare? La Costruzione Dell’Identità Audiovisiva Della Warp Records
    Philomusica on-line 13/2 (2014) Artificial Intelligence, ovvero suonare il corpo della macchina o farsi suonare? La costruzione dell’identità audiovisiva della Warp Records Alessandro Bratus Dipartimento di Musicologia e Beni Culturali Università di Pavia [email protected] § A partire dai tardi anni Ottanta la § Starting from the late 1980s Warp Records di Sheffield (e in seguito Sheffield (then London) based Warp Londra) ha avuto un ruolo propulsivo Records pushed forward the extent nel mutamento della musica elettronica and scope of electronic dance music popular come genere di musica che well beyond its exclusive focus on fun non si limita all’accompagna-mento del and physical enjoinment. One of the ballo e delle occasioni sociali a esso key factors in the success of the label correlate. Uno dei fattori chiave nel was the creative use of the artistic successo dell’etichetta è stato l’uso possibilities provided by technology, creativo delle possibilità artistiche which fostered the birth of a di- offerte dalla tecnologia, favorendo la stinctive audiovisual identity. In this formazione di un’identità ben ca- respect a crucial role was played by ratterizzata, in primo luogo dal punto the increasing blurred boundaries di vista audiovisivo. Sotto questo profilo between video and audio data, su- un ruolo fondamentale ha giocato la bjected to shared processes of digital possibilità di transcodifica tra dati transformation, transcoding, elabora- audio e video nell’era digitale, poten- tion and manipulation. zialmente soggetti agli stessi processi di Although Warp Records repeatedly trasformazione, elaborazione e mani- resisted the attempts to frame its polazione. artistic project within predictable Nonostante la Warp Records abbia lines, its production –especially mu- ripetutamente resistito a ogni tentativo sic videos and compilations– suggests di inquadrare il proprio progetto arti- the retrospective construction of a stico entro coordinate prevedibili, i suoi consistent imagery.
    [Show full text]
  • Im Gespräch Mit Bernhard Wöstheinrich (2018)
    Im Gespräch mit Bernhard Wöstheinrich (2018) Jack Of All Trades M i t d e r T a b o T a g o - V e r öffentlichung „Kymatica“, mit dem der Musiker der elektronischen Musik der Berliner Schule huldigte, sowie seinem aktuellen Release „Elsewhere“, welches er unter eigenem Namen herausbrachte und das vom Stimmungsbild gar nicht einmal so weit entfernt von TaboTago ist, hat Bernhard Wöstheinrich 2018 schon zwei Alben auf der eigenen Agenda. Aber auch so ist der Neu-Berliner umtriebig und emsig unterwegs, wobei dieser zusammen mit Touch-Guitarero Markus Reuter und centrozoon, ein Projekt, welches sogar ein Tim Bowness stimmlich unterstützte, auch dem Prog nicht unbedingt abgeneigt ist. Wobei sein aka, der Redundant Rocker, auch nicht allzu weit entfernt wartet. Was ist der Unterschied zwischen Bernhard Wöstheinrich und dem Redundant Rocker? Der Redundant Rocker ist im Gegensatz zu Bernhard Wöstheinrich eine reine Kunstfigur. Ich habe sie erfunden, um gewissermaßen eine ganz neue Position einnehmen zu können. Der Redundant Rocker hat sich bewusst abgewendet von den ostentativ-epischen Bögen, die in meinen Solo-Veröffentlichungen und auch in der Musik meiner Band centrozoon sehr maßgeblich sind. Die Form des Redundant Rocker ist verkürzter, essentieller, komprimierter. Der Redundant Rocker spielt auf eine durchaus nicht ganz unironische Art mit den Produktions- und Ausdrucksweisen zeitgenössischer populärer und kommerzieller Musik. Hierbei sind dann auch die Erfahrungen eingeflossen, die ich damals mit dem Projekt centrozoon plus Tim Bowness und den Releases „Never trust the way you are“ und „The Scent of Crash and Burn“ gesammelt habe, bei denen wir uns als Band centrozoon ja auch sehr einer für mich damals ganz ungewohnten Form der Songs angenähert haben.
    [Show full text]