Tharunka for 2014
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
International Student Guide a Guide by Local Experts
INTERNATIONAL STUDENT GUIDE FREE 2017 A GUIDE BY LOCAL EXPERTS STUDYING IN SYDNEY? LIVE COOL AT IGLU IGLU CENTRAL In the heart of Sydney’s funky Broadway district with UTS, Sydney University, Central Station, Chinatown and the Sydney CBD all within walking distance. [email protected] / +61 2 8024 8600 IGLU CHATSWOOD Located in vibrant Chatswood on Sydney’s north shore, 10 mins by train to Macquarie Uni, 15 mins to North Sydney and 20 mins to the Sydney CBD. [email protected] / +61 2 8024 8610 WIFI UNBEATABLE SAFE, SECURE FIRST CLASS ONE EASY INCLUDED LOCATIONS & SUPPORTIVE FACILITIES WEEKLY FEE Designed for student living, Iglu offers awesome facilities in unbeatable locations. Iglu is safe. Iglu is supportive. Iglu is the perfect choice. MORE COOL LOCATIONS COMING SOON See www.iglu.com.au for updates To find out more you can visit www.iglu.com.au or contact your preferred Iglu property directly. #livecoolatiglu www.iglu.com.au A MESSAGE FROM THE LORD MAYOR OF SYDNEY On behalf of the people who live and work stories among our communities that make here, it is my pleasure to welcome you the city a great place to live, visit and study. to Sydney - one of the most exciting and diverse cities in the world. In April, we will host a number of signature events as part of National Youth Week With a lifestyle that is second-to-none, celebrations. Sydney is Australia’s most exciting education destination. We have leading research This dynamic, accessible and safe city is just facilities and teachers, providing overseas waiting to be explored – and this guide will students with wonderful educational help you discover it. -
Highland Games. Kilts Galore. Help: Graduating
THEFriday, October 10, 2014 - Volume 61.5 14049 Scenic Highway,BAGPIPE Lookout Mountain, Georgia, 30750 www.bagpipeonline.com Burning at Help: Graduating and the Stage Highland Games. Kilts Galore. Headed into Law BY KRISITE JAYA BY MARK MAKKAR Burning at the Stage took place Life after Covenant can either be on Thursday (10/3) night. The exciting or foreboding, but hear- Overlook was crowded with music ing from people who are already performances, friends huddling there always helps in lighting the around straw-bales, and marshmal- path that is to come. During the lows roasting atop fire pits. Alumni Law Career Panel, organized by who happened to be in town for the Center for Calling & Career, Homecoming contributed to the students listened to three Covenant festivities, exchanging squeals and alumni who have pursued work in hugs with familiar faces. The event, the field of law since graduating. according to the Senior Class Dr. Richard R. Follet introduced Cabinet member Sam Moreland, the meeting by stating that “Cov- “has taken different forms over the enant has a list of 60 graduates that years, but tends to have the ele- have gone into some kind of law ments of music, the Overlook, fire after graduating from Covenant.” and s’mores, and relaxed fellowship Three of them were able to make as commonalities.” it to the Panel. Josh Reif, John Many have long associated the Huisman, and Pete Johnson shared event with the Homecoming tradi- stories about when they were at tion, but Burning at the Stage is an BYGARRET SISSON Around 150 people attended was featured as the announcer. -
Négociations Fondation Maeght : Entre Célébrations Monaco - Union Européenne Et Polémique R 28240 - F : 2,50 € Michel Roger S’Explique
FOOT : SANS FALCAO ET JAMES, QUELLES AMBITIONS POUR L’ASM ? 2,50 € Numéro 135 - Septembre 2014 - www.lobservateurdemonaco.mc SOCIÉTÉ USINE D’INCINÉRATION : LES SCÉNARIOS POSSIBLES ECOLOGIE CHANGEMENT CLIMATIQUE : POURQUOI IL FAUT RÉAGIR CULTURE NÉGOCIATIONS FONDATION MAEGHT : ENTRE CÉLÉBRATIONS MONACO - UNION EUROPÉENNE ET POLÉMIQUE R 28240 - F : 2,50 € MICHEL ROGER S’EXPLIQUE 3 782824 002503 01350 pour lui Solavie pag Observateur 09/2014.indd 2 08/09/14 15:51 LA PHOTO DU MOIS CRAINTES epuis des mois, dans certains milieux, on ne parle que de ça. En principauté, le lancement des négociations avec l’Union européenne (UE) inquiète pas mal de monde. Notamment les professions libérales qui craignent Dde voir tomber le presque total monopole qu’ont les Monégasques sur ces professions très encadrées réglementairement. « Ceci entraînerait à très court terme la disparition de notre profession telle qu’elle existe depuis des siècles. Ce qui est très préoccupant. D’autant plus que ce sera la même chose pour les médecins, les architectes, les experts-comptables monégasques… », a expliqué à L’Obs’ le bâtonnier de l’ordre des avocats de Monaco, Me Richard Mullot. Une crainte qui a poussé les avocats, les dentistes, les médecins et les architectes à se réunir pour réfléchir à la création d’un collectif. Objectif : défendre auprès du gou- vernement leurs positions et leurs spécificités qui restent propres à chaque profession. En face, le gouvernement cherche à rassurer. Dans l’interview qu’il a accordée à L’Obs’, le ministre d’Etat, Michel Roger, le répète. Il est hors de ques - tion de brader ce qui a fait le succès de la princi- pauté : « Il n’y aura pas d’accord si Monaco devait perdre sa souveraineté ou si ses spécificités devaient être menacées. -
Physicality of the Analogue by Duncan Robinson BFA(Hons)
Physicality of the Analogue by Duncan Robinson BFA(Hons) Submitted in the fulfilment of the requirements for the degree of Master of Fine Arts. 2 Signed statement of originality This Thesis contains no material which has been accepted for a degree or diploma by the University or any other institution. To the best of my knowledge and belief, it incorporates no material previously published or written by another person except where due acknowledgment is made in the text. Duncan Robinson 3 Signed statement of authority of access to copying This Thesis may be made available for loan and limited copying in accordance with the Copyright Act 1968. Duncan Robinson 4 Abstract: Inside the video player, spools spin, sensors read and heads rotate, generating an analogue signal from the videotape running through the system to the monitor. Within this electro mechanical space there is opportunity for intervention. Its accessibility allows direct manipulation to take place, creating imagery on the tape as pre-recorded signal of black burst1 without sound rolls through its mechanisms. The actual physical contact, manipulation of the tape, the moving mechanisms and the resulting images are the essence of the variable electrical space within which the analogue video signal is generated. In a way similar to the methods of the Musique Concrete pioneers, or EISENSTEIN's refinement of montage, I have explored the physical possibilities of machine intervention. I am working with what could be considered the last traces of analogue - audiotape was superseded by the compact disc and the videotape shall eventually be replaced by 2 digital video • For me, analogue is the space inside the video player. -
Christians and Jews in Muslim Societies
Arabic and its Alternatives Christians and Jews in Muslim Societies Editorial Board Phillip Ackerman-Lieberman (Vanderbilt University, Nashville, USA) Bernard Heyberger (EHESS, Paris, France) VOLUME 5 The titles published in this series are listed at brill.com/cjms Arabic and its Alternatives Religious Minorities and Their Languages in the Emerging Nation States of the Middle East (1920–1950) Edited by Heleen Murre-van den Berg Karène Sanchez Summerer Tijmen C. Baarda LEIDEN | BOSTON Cover illustration: Assyrian School of Mosul, 1920s–1930s; courtesy Dr. Robin Beth Shamuel, Iraq. This is an open access title distributed under the terms of the CC BY-NC 4.0 license, which permits any non-commercial use, distribution, and reproduction in any medium, provided no alterations are made and the original author(s) and source are credited. Further information and the complete license text can be found at https://creativecommons.org/licenses/by-nc/4.0/ The terms of the CC license apply only to the original material. The use of material from other sources (indicated by a reference) such as diagrams, illustrations, photos and text samples may require further permission from the respective copyright holder. Library of Congress Cataloging-in-Publication Data Names: Murre-van den Berg, H. L. (Hendrika Lena), 1964– illustrator. | Sanchez-Summerer, Karene, editor. | Baarda, Tijmen C., editor. Title: Arabic and its alternatives : religious minorities and their languages in the emerging nation states of the Middle East (1920–1950) / edited by Heleen Murre-van den Berg, Karène Sanchez, Tijmen C. Baarda. Description: Leiden ; Boston : Brill, 2020. | Series: Christians and Jews in Muslim societies, 2212–5523 ; vol. -
2006 TRASH Regionals Round 07 Tossups
2006 TRASH Regionals Round 07 Tossups 1. It appears twice in the e.e. cummings poem “little ladies more”. It also appears in the Tennessee Williams play A Streetcar Named Desire when Blanche DuBois asks it of Mitch. Seemingly awkward because of its use of the formal pronoun, it means, “Do you want to sleep with me (tonight)?” For ten points, give this phrase re-introduced to a new generation by Mya, Lil’ Kim, Pink, and Christina Aguilera in their 2001 version of “Lady Marmalade”. Answer: Voulez-vous coucher avec moi (ce soir)? 2. In Need for Speed: Most Wanted it’s called “Speed Breaker”, and is most often used to dodge roadblocks. In GUN, it’s called “Quick Draw.” The earliest example of it is probably in the 1980 Epyx game Rescue at Rigel. In Star Wars: Jedi Academy, you can get it using “Force Speed,” by killing Reborn Jedis, or typing the cheat code “there is no spoon.” For ten points, give the common name for the ability in video games to move at normal speed while the rest of the game is slowed down, most famously used in the Max Payne and, predictably, Matrix videogames. Answer: bullet time (Prompt on “slow motion” or equivalents. Note for itinerant cheaters: the cheat code is really “thereisnospoon”) 3. His favorite movie may be Divine Secrets of the Ya-Ya Sisterhood, while he cried a lot when he paid to see Godfather III. His first name may be Marion, but his full name has also been reported to be William Williams. -
Immersion Into Noise
Immersion Into Noise Critical Climate Change Series Editors: Tom Cohen and Claire Colebrook The era of climate change involves the mutation of systems beyond 20th century anthropomorphic models and has stood, until recent- ly, outside representation or address. Understood in a broad and critical sense, climate change concerns material agencies that im- pact on biomass and energy, erased borders and microbial inven- tion, geological and nanographic time, and extinction events. The possibility of extinction has always been a latent figure in textual production and archives; but the current sense of depletion, decay, mutation and exhaustion calls for new modes of address, new styles of publishing and authoring, and new formats and speeds of distri- bution. As the pressures and re-alignments of this re-arrangement occur, so must the critical languages and conceptual templates, po- litical premises and definitions of ‘life.’ There is a particular need to publish in timely fashion experimental monographs that redefine the boundaries of disciplinary fields, rhetorical invasions, the in- terface of conceptual and scientific languages, and geomorphic and geopolitical interventions. Critical Climate Change is oriented, in this general manner, toward the epistemo-political mutations that correspond to the temporalities of terrestrial mutation. Immersion Into Noise Joseph Nechvatal OPEN HUMANITIES PRESS An imprint of MPublishing – University of Michigan Library, Ann Arbor, 2011 First edition published by Open Humanities Press 2011 Freely available online at http://hdl.handle.net/2027/spo.9618970.0001.001 Copyright © 2011 Joseph Nechvatal This is an open access book, licensed under the Creative Commons By Attribution Share Alike license. Under this license, authors allow anyone to download, reuse, reprint, modify, distribute, and/or copy this book so long as the authors and source are cited and resulting derivative works are licensed under the same or similar license. -
A University of Sussex Phd Thesis Available Online Via
A University of Sussex PhD thesis Available online via Sussex Research Online: http://sro.sussex.ac.uk/ This thesis is protected by copyright which belongs to the author. This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the Author The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the Author When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given Please visit Sussex Research Online for more information and further details 1 You Sound Like A Broken Record: A practice led interrogation of the ontological resonances of vinyl record culture. Paul G Nataraj PhD – Creative and Critical Practice University of Sussex December 2016 2 I hereby declare that this thesis has not been and will not be submitted in whole or in part to another University for the award of any other degree. Signature………………………………………………………………………………… 3 ACKNOWLEDGEMENTS This work is dedicated to my Dad, Dr. V. Nataraj. Thank you to my family Mum, Peter, Sophie and Claire. But especially my wonderful wife Sarah, without you I could never have finished this. Your kindness and patience are a constant inspiration. I’d also like to shout out my Longanese brother David Boon, for his constant belief in the music. Thanks also to my supervisors, Dr. Martin Spinelli and Professor Michael Bull. You have been impeccable in your support and advice, and your skill as teachers and mentors is second to none. -
A Life of Thinking the Andersonian Tradition in Australian Philosophy a Chronological Bibliography
own. One of these, of the University Archive collections of Anderson material (2006) owes to the unstinting co-operation of of Archives staff: Julia Mant, Nyree Morrison, Tim Robinson and Anne Picot. I have further added material from other sources: bibliographical A Life of Thinking notes (most especially, James Franklin’s 2003 Corrupting the The Andersonian Tradition in Australian Philosophy Youth), internet searches, and compilations of Andersonian material such as may be found in Heraclitus, the pre-Heraclitus a chronological bibliography Libertarian Broadsheet, the post-Heraclitus Sydney Realist, and Mark Weblin’s JA and The Northern Line. The attempt to chronologically line up Anderson’s own work against the work of James Packer others showing some greater or lesser interest in it, seems to me a necessary move to contextualise not only Anderson himself, but Australian philosophy and politics in the twentieth century and beyond—and perhaps, more broadly still, a realist tradition that Australia now exports to the world. Introductory Note What are the origins and substance of this “realist tradition”? Perhaps the best summary of it is to be found in Anderson’s own The first comprehensive Anderson bibliography was the one reading, currently represented in the books in Anderson’s library constructed for Studies in Empirical Philosophy (1962). It listed as bequeathed to the University of Sydney. I supply an edited but Anderson’s published philsophical work and a fair representation unabridged version of the list of these books that appears on the of his published social criticism. In 1984 Geraldine Suter published John Anderson SETIS website, to follow the bibliography proper. -
Honi Soit 2020, Semester 01, Week 03.Pdf
Honi Soit Week 3, Semester 1, 2020 / First printed 1929 The rise and fall of Parramatta Road / p. 12 The “Judeo-Christian” Lockpicking as a Cereal Lab - a culinary myth / p. 7 competitive sport / p. 14 review / p. 17 LETTERS Acknowledgement of Country Letters Declaration of Honi Soit is published on the stolen land of the Gadigal People of the Eora Nation. For over 230 years, First Nations people in this country have suffered from An open letter to the editors of Honi Soit, part one. the destructive effects of invasion. The editors of this paper recognise that, as a team of settlers occupying the lands of the Bidjigal, Darug, Gadigal, Wangal and Affection Wallumedegal people, we are beneficiaries of these reverberations that followed European settlement. As we strive throughout the year to offer a platform to the voices Dear editors of Honi Soit, and juvenile for the sexualised Jews caused controversy. The editors Henlo Honi, mainstream media ignores, we cannot meet this goal without providing a space for First Nations people to share their experiences and perspectives. A student paper which and crude language you used have refused to apologise despite calls does not acknowledge historical and ongoing colonisation and the white supremacy embedded within Australian society can never adequately represent the students It probably wasn’t your intention to which is still regarded by many as from Jewish student representatives and Just wanted to say I really enjoyed the of the institution in which it operates. We seek to resist colonial violence and the racist power structures that serve to oppress those who are Indigenous to this land. -
Golden Yearbook
Golden Yearbook Golden Yearbook Stories from graduates of the 1930s to the 1960s Foreword from the Vice-Chancellor and Principal ���������������������������������������������������������5 Message from the Chancellor ��������������������������������7 — Timeline of significant events at the University of Sydney �������������������������������������8 — The 1930s The Great Depression ������������������������������������������ 13 Graduates of the 1930s ���������������������������������������� 14 — The 1940s Australia at war ��������������������������������������������������� 21 Graduates of the 1940s ����������������������������������������22 — The 1950s Populate or perish ���������������������������������������������� 47 Graduates of the 1950s ����������������������������������������48 — The 1960s Activism and protest ������������������������������������������155 Graduates of the 1960s ���������������������������������������156 — What will tomorrow bring? ��������������������������������� 247 The University of Sydney today ���������������������������248 — Index ����������������������������������������������������������������250 Glossary ����������������������������������������������������������� 252 Produced by Marketing and Communications, the University of Sydney, December 2016. Disclaimer: The content of this publication includes edited versions of original contributions by University of Sydney alumni and relevant associated content produced by the University. The views and opinions expressed are those of the alumni contributors and do -
H160hifichoiceuk.Pdf
HEGEL H160 HEGEL H160 REVIEWS INTEGRATED AMPLIFIER/DAC £2,350 INTEGRATED AMPLIFIER/DAC £2,350 REVIEWS quality that some muscly transistor sound. And given this isn’t happening, designs can. it seems to confirm the H160 is After a lengthy run in, I spin London addressing distortion in different Grammar’s Strong on CD and hear a ways from the received wisdom. really assured performance. Bass has Accessing a rip of Jim James’ State filled out a little and the midband Of The Art using the Ethernet network feels more relaxed and fluid. There is connection, I control the system via something about Hegel’s patented AirPlay from an iPhone. The track SoundEngine signal processing that starts very quietly with understated feels like your music gets a gentle dry piano and Jim’s mournful voice, and clean, taking out a tiny amount of the H160 renders this stripped-out digital haze in an almost analogue delivery beautifully in the church-like, or valve-like way. Hannah Reid’s reverential acoustic. The H160 even voice is delivered with a silky yet highly present quality and is gently I’m impressed by its brought forward out of the plane of the main soundstage. ability to deliver a Where I felt that the H80’s DAC might have occasionally aimed for highly coherent, detail as an end in itself, here the quality soundscape H160 probably strikes a more confident balance between explicit teases out the slightly clunky piano detail, depth of image and natural pedals adding to the music’s timing/rhythmic abilities.