Student Organization Protests Financial Aid System

Total Page:16

File Type:pdf, Size:1020Kb

Student Organization Protests Financial Aid System CampusTHURSDAY OCTOBER 2, 2014 / VOLUME 141, ISSUE 16 Times SERVING THE UNIVERSITY OF ROCHESTER COMMUNITY SINCE 1873 / campustimes.org Student organization protests financial aid system BY JULIANNE MCADAMS Protest members, plans to NEWS EDITOR transfer after this semester. The organization is still in the A new student organization, the process of establishing a presence Peaceful Protest of the Financial on campus and communicating Aid System, formed this summer with the administration. to question the transparency and Dean of Admissions and sympathy of UR’saOffice of Financial Aid Jonathan Burdick Financial Aid. said he is looking forward to the The creation of this group has dialogue the group will introduce given rise to controversy over between students and Financial which aspects of the current Aid. He has communicated with system can and cannot be Wark over Facebook, but not controlled by UR. Collaboration extensively as he has been abroad with Students for a Democratic working for Admissions. Society (SDS) and coordination “I love student activism,” with administration and Students’ Burdick said. “I think that Association are pending. students should ask tough The group formed when questions and participate in policy Sophomore Alex Wark received [...] I would relish any chance to his financial aid package and [...] explain everything we think saw that it had been reduced by PARSA LOFTI / PHOTO EDITOR we’re doing with Financial Aid $13,000 per year. He created The executive board of the Peaceful Protest of the Financial Aid System. From left to right: Sophomores Kelsey Fenner, Alex and get their insight on how it a Facebook group to gauge Samuelson, Alex Wark, Hayley Weinberg, Samantha Worme, Maggie Curtis, Megan Forney, Lindsay Wrobel. might be better.” interest from students in similar “We’re all a family, and when currently-unrecognized club, said that they have had their Burdick will meet with situations, and within a week a classmate is struggling because noted that several students, financial aid reduced greatly,” Students’ Association Oct. 20 to there were over 500 members. they don’t know about their including herself, are in situations Fenner said. discuss these issues. He stated Wark noted that the interested academic future, it affects the similar to Wark’s. Fenner’s aid was cut by 94 that, as far as he remembers, it students included not only people people that they know and the “We are concerned about the percent, doubling the amount is the first time since his term at impacted by changed packages, people that they work with.” Financial Aid system because of tuition she has to pay per UR began in 2003 that a student but also people whose friends Sophomore Kelsey Fenner, there have been a lot of people year. As a result, Fenner, along group were affected. an executive member of this [...] who have come to us and with several other Peaceful SEE PROTEST PAGE 4 UR Optics captures national attention with creation of “cloaking device” BY ALLIE KONZEL through free space,” Howell said. cloak. The device and the object CONTRIBUTING WRITER The attention has brought the being cloaked act as air. The light University into the pop-science that goes in through the lenses will BY RYAN RUBENZAHL spotlight. Plastered across social come out as if there was nothing in CONTRIBUTING WRITER media sites, the “Rochester Cloak” the way, providing a clear image of has been compared to Harry the background behind the object. Physics professor John Howell Potter’s invisibility cloak. Choi When they found that the design and Ph.D student Joseph Choi speculated that the comparison worked, they tried to simplify it. of UR’s Optics Department to Harry Potter may have arisen The simplest design that they developed a new design for a from an inconsistency with the came up with was a four-lens cloaking device, capturing national use of the word cloak. Howell and design. By carefully calibrating attention. Choi’s isn’t the type of cloak that the power of the lenses with the By using a set of four lenses, you can wear, however it does hide distances between them, Howell Howell and Choi were able to and conceal. and Choi were able to create a achieve a system that includes a The intensity of the media multi-directional cloaking device region where the light coming attention caught Choi and the that works even when viewed from from one end is bent around rest of the Optics department off multiple angles. and back out the other end. This guard. Choi said he was surprised While refining the concept creates an “invisibility pocket” to see all of the popularity the of creating a cloak using lenses, that can conceal an object from cloaking device attracted. Choi and Howell ran into a few an outside observer. Through the “I think it’s really cool and I’m obstacles. The design was first COURTESY OF URMC knowledge of how light behaves in very happy and very thankful attempted using cheap lenses. A new children’s hospital will be opening in 2015 as a part of Strong Memorial Hospital. air, how light behaves in lenses, and for it,” said Choi. “The Optics The result was unsatisfactory, The goal of the new quarters is to provide space and comfort to patients. a series of mathematical equations, department is a great department and the illusion lacked clarity. a functioning cloaking device was to be a part of. They have really This problem was solved using Howell and Choi are still looking Another problem is seeing the achieved. great training programs and more expensive lenses, called into making many improvements. edges and unwanted rays near the Professor Howell stated the simulation software that really achromatic lenses, which are Making the cloak bigger and edges of the lenses. Choi called it exact goal that the UR Optics helped for this project.” encased in a special coating. These increasing the range of sight the “edge-effect” and stated that Department achieved. The device is a paraxial ray optics lenses allow for a clear image of angles from which an object would there are ways to minimize this “We were able to find a system of cloak and satisfies an equation for the background, and a successful appear invisible are some of the unwanted appearance. lenses that exactly replicated light what is called the ideal or perfect concealing of the object. main goals. SEE INVISIBLE PAGE 4 INSIDE IMPORTANCE OF UR KINKS INTEVIEW WORLD NEWS RECAP THIS CT BEING EARNEST Read a review of The Opposite An anonymous interview with A brand-new column dedicated of People (TOOP)’s production the founder of UR Kinks, a to informing students about of “The Importance of Being Facebook page dedicated to global news. Written by Senior Earnest.” sexual fantasies. Jenny Hansler. PAGE 13 A & E PAGE 7 FEATURES PAGE 3 NEWS PAGE 2 / campustimes.org NEWS / THURSDAY, OCTOBER 2, 2014 WEEKEND FORECAST COURTESY OF WEATHER.COM FRIDAY SATURDAY SUNDAY Mostly sunny Rainy Cloudy Chance of rain: 20% Chance of rain: 80% Chance of rain: 30% High 76, Low 60 High 59, Low 43 High 53, Low 44 PUBLIC SAFETY UPDATE GPS stolen from car in Hill Court lot ALI KOMAR/PHOTO EDITOR BY ADAM KADIR alumnus. The group first SHACK-A-THON CONTRIBUTING WRITER stated that they thought it was the front entrance Three participants pose outside their shack during Habitat for Humanity’s Shack-A-Thon on Friday, Sept. 26. 1. On Sept. 14 at 7:53pm, to the residence hall area. a Public Safety Officer They then changed their was stopped and advised story and stated that they of a car in Hill Court lot knew they should not THIS WEEK ON CAMPUS under Phase Bridge with have been in the area. THURSDAY a broken window. The The three were warned OCTOBER 2 officer located the car and and sent on their way. found the front passenger MAX AT THE GALLERY TAPAS NIGHT LET’S TALK ABOUT... SEX Understimulated MEMORIAL ART GALLERY, 5:00 PM - 8:00 PM HOYT AUDITORIUM, 7:00 PM - 8:00 PM window smashed out. The The Memorial Art Gallery is now offering a weekly Tapas night Got any burning questions about sex you’ve always wanted to have officer was able to track undergrads climb featuring live music, wine, beer, and tapas plates for purchase. answered but were too afraid to ask? Ask Dr. Marie-Joelle Estrada, down the owner and she library fire escape Normal museum rates apply, half priced admission from 5 - 9pm. lecturer of psychology at the University of Rochester specializing in reported to the vehicle. No reservation necessary! interpersonal relationships. Come for the free condoms, stay for the The owner stated that she 3. On Sept. 27 at 12:57am, valuable information about sex. parked the car at 1:00pm a Public Safety Officer FRIDAY and it was fine. The owner was alerted to persons OCTOBER 3 checked the car and found climbing the fire escape a GPS unit removed from on Rush Rhees Library. EXHIBIT: BEYOND ROCHESTER’S ’64 RIOTS - 50 CINEMA GROUP FILM: HOW TO TRAIN YOUR the center console and Officers responded and YEARS SEEKING TO MAKE ONE CITY DRAGON 2 some other items in the car located four persons on RUSH RHEES LIBRARY FRIEDLANDER LOBBY, HOYT AUDITORIUM, 7:00 PM - 8:30 PM had been thrown about. A the fire escape facing 8:00 AM - 5:00 PM A sequel to the popular kid’s film about a Viking boy learning to ride Frederick Douglass View an exhibition about the three days of rioting in 1964 that his dragon.
Recommended publications
  • Williams, Hipness, Hybridity, and Neo-Bohemian Hip-Hop
    HIPNESS, HYBRIDITY, AND “NEO-BOHEMIAN” HIP-HOP: RETHINKING EXISTENCE IN THE AFRICAN DIASPORA A Dissertation Presented to the Faculty of the Graduate School of Cornell University in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy by Maxwell Lewis Williams August 2020 © 2020 Maxwell Lewis Williams HIPNESS, HYBRIDITY, AND “NEO-BOHEMIAN” HIP-HOP: RETHINKING EXISTENCE IN THE AFRICAN DIASPORA Maxwell Lewis Williams Cornell University 2020 This dissertation theorizes a contemporary hip-hop genre that I call “neo-bohemian,” typified by rapper Kendrick Lamar and his collective, Black Hippy. I argue that, by reclaiming the origins of hipness as a set of hybridizing Black cultural responses to the experience of modernity, neo- bohemian rappers imagine and live out liberating ways of being beyond the West’s objectification and dehumanization of Blackness. In turn, I situate neo-bohemian hip-hop within a history of Black musical expression in the United States, Senegal, Mali, and South Africa to locate an “aesthetics of existence” in the African diaspora. By centering this aesthetics as a unifying component of these musical practices, I challenge top-down models of essential diasporic interconnection. Instead, I present diaspora as emerging primarily through comparable responses to experiences of paradigmatic racial violence, through which to imagine radical alternatives to our anti-Black global society. Overall, by rethinking the heuristic value of hipness as a musical and lived Black aesthetic, the project develops an innovative method for connecting the aesthetic and the social in music studies and Black studies, while offering original historical and musicological insights into Black metaphysics and studies of the African diaspora.
    [Show full text]
  • Highland Games. Kilts Galore. Help: Graduating
    THEFriday, October 10, 2014 - Volume 61.5 14049 Scenic Highway,BAGPIPE Lookout Mountain, Georgia, 30750 www.bagpipeonline.com Burning at Help: Graduating and the Stage Highland Games. Kilts Galore. Headed into Law BY KRISITE JAYA BY MARK MAKKAR Burning at the Stage took place Life after Covenant can either be on Thursday (10/3) night. The exciting or foreboding, but hear- Overlook was crowded with music ing from people who are already performances, friends huddling there always helps in lighting the around straw-bales, and marshmal- path that is to come. During the lows roasting atop fire pits. Alumni Law Career Panel, organized by who happened to be in town for the Center for Calling & Career, Homecoming contributed to the students listened to three Covenant festivities, exchanging squeals and alumni who have pursued work in hugs with familiar faces. The event, the field of law since graduating. according to the Senior Class Dr. Richard R. Follet introduced Cabinet member Sam Moreland, the meeting by stating that “Cov- “has taken different forms over the enant has a list of 60 graduates that years, but tends to have the ele- have gone into some kind of law ments of music, the Overlook, fire after graduating from Covenant.” and s’mores, and relaxed fellowship Three of them were able to make as commonalities.” it to the Panel. Josh Reif, John Many have long associated the Huisman, and Pete Johnson shared event with the Homecoming tradi- stories about when they were at tion, but Burning at the Stage is an BYGARRET SISSON Around 150 people attended was featured as the announcer.
    [Show full text]
  • Négociations Fondation Maeght : Entre Célébrations Monaco - Union Européenne Et Polémique R 28240 - F : 2,50 € Michel Roger S’Explique
    FOOT : SANS FALCAO ET JAMES, QUELLES AMBITIONS POUR L’ASM ? 2,50 € Numéro 135 - Septembre 2014 - www.lobservateurdemonaco.mc SOCIÉTÉ USINE D’INCINÉRATION : LES SCÉNARIOS POSSIBLES ECOLOGIE CHANGEMENT CLIMATIQUE : POURQUOI IL FAUT RÉAGIR CULTURE NÉGOCIATIONS FONDATION MAEGHT : ENTRE CÉLÉBRATIONS MONACO - UNION EUROPÉENNE ET POLÉMIQUE R 28240 - F : 2,50 € MICHEL ROGER S’EXPLIQUE 3 782824 002503 01350 pour lui Solavie pag Observateur 09/2014.indd 2 08/09/14 15:51 LA PHOTO DU MOIS CRAINTES epuis des mois, dans certains milieux, on ne parle que de ça. En principauté, le lancement des négociations avec l’Union européenne (UE) inquiète pas mal de monde. Notamment les professions libérales qui craignent Dde voir tomber le presque total monopole qu’ont les Monégasques sur ces professions très encadrées réglementairement. « Ceci entraînerait à très court terme la disparition de notre profession telle qu’elle existe depuis des siècles. Ce qui est très préoccupant. D’autant plus que ce sera la même chose pour les médecins, les architectes, les experts-comptables monégasques… », a expliqué à L’Obs’ le bâtonnier de l’ordre des avocats de Monaco, Me Richard Mullot. Une crainte qui a poussé les avocats, les dentistes, les médecins et les architectes à se réunir pour réfléchir à la création d’un collectif. Objectif : défendre auprès du gou- vernement leurs positions et leurs spécificités qui restent propres à chaque profession. En face, le gouvernement cherche à rassurer. Dans l’interview qu’il a accordée à L’Obs’, le ministre d’Etat, Michel Roger, le répète. Il est hors de ques - tion de brader ce qui a fait le succès de la princi- pauté : « Il n’y aura pas d’accord si Monaco devait perdre sa souveraineté ou si ses spécificités devaient être menacées.
    [Show full text]
  • Physicality of the Analogue by Duncan Robinson BFA(Hons)
    Physicality of the Analogue by Duncan Robinson BFA(Hons) Submitted in the fulfilment of the requirements for the degree of Master of Fine Arts. 2 Signed statement of originality This Thesis contains no material which has been accepted for a degree or diploma by the University or any other institution. To the best of my knowledge and belief, it incorporates no material previously published or written by another person except where due acknowledgment is made in the text. Duncan Robinson 3 Signed statement of authority of access to copying This Thesis may be made available for loan and limited copying in accordance with the Copyright Act 1968. Duncan Robinson 4 Abstract: Inside the video player, spools spin, sensors read and heads rotate, generating an analogue signal from the videotape running through the system to the monitor. Within this electro mechanical space there is opportunity for intervention. Its accessibility allows direct manipulation to take place, creating imagery on the tape as pre-recorded signal of black burst1 without sound rolls through its mechanisms. The actual physical contact, manipulation of the tape, the moving mechanisms and the resulting images are the essence of the variable electrical space within which the analogue video signal is generated. In a way similar to the methods of the Musique Concrete pioneers, or EISENSTEIN's refinement of montage, I have explored the physical possibilities of machine intervention. I am working with what could be considered the last traces of analogue - audiotape was superseded by the compact disc and the videotape shall eventually be replaced by 2 digital video • For me, analogue is the space inside the video player.
    [Show full text]
  • Christians and Jews in Muslim Societies
    Arabic and its Alternatives Christians and Jews in Muslim Societies Editorial Board Phillip Ackerman-Lieberman (Vanderbilt University, Nashville, USA) Bernard Heyberger (EHESS, Paris, France) VOLUME 5 The titles published in this series are listed at brill.com/cjms Arabic and its Alternatives Religious Minorities and Their Languages in the Emerging Nation States of the Middle East (1920–1950) Edited by Heleen Murre-van den Berg Karène Sanchez Summerer Tijmen C. Baarda LEIDEN | BOSTON Cover illustration: Assyrian School of Mosul, 1920s–1930s; courtesy Dr. Robin Beth Shamuel, Iraq. This is an open access title distributed under the terms of the CC BY-NC 4.0 license, which permits any non-commercial use, distribution, and reproduction in any medium, provided no alterations are made and the original author(s) and source are credited. Further information and the complete license text can be found at https://creativecommons.org/licenses/by-nc/4.0/ The terms of the CC license apply only to the original material. The use of material from other sources (indicated by a reference) such as diagrams, illustrations, photos and text samples may require further permission from the respective copyright holder. Library of Congress Cataloging-in-Publication Data Names: Murre-van den Berg, H. L. (Hendrika Lena), 1964– illustrator. | Sanchez-Summerer, Karene, editor. | Baarda, Tijmen C., editor. Title: Arabic and its alternatives : religious minorities and their languages in the emerging nation states of the Middle East (1920–1950) / edited by Heleen Murre-van den Berg, Karène Sanchez, Tijmen C. Baarda. Description: Leiden ; Boston : Brill, 2020. | Series: Christians and Jews in Muslim societies, 2212–5523 ; vol.
    [Show full text]
  • Press 1 April 2021 the Famous Artists Behind History's Greatest Album
    CNN Style The famous artists behind history's greatest album covers Leah Dolan 1 April 2021 The famous artists behind history's greatest album covers Throughout the 20th-century record sleeves regularly served as canvases for some of the world's most famous artists. From Andy Warhol's electric yellow banana on the cover of The Velvet Underground & Nico's 1967's debut album, to the custom-sprayed Banksy street art that fronted Blur's 2003 "Think Tank," art has long been used to round out the listening experience. A new book, "Art Sleeves," explores some of the most influential, groundbreaking and controversial covers from the past forty years. "This is not a 'history of album art' type book," said the book's author, DJ and arts writer DB Burkeman over email. Instead, he says the book is a "love letter" to visual art and music culture. For the 45th anniversary of "The Velvet Underground & Nico" in 2012, British artist David Shrigley illustrated a special edition reissue cover for Castle Face Records. Image: David Shrigley/Rizzoli Featured records span genres and decades. Among them are Warhol's cover for The Rolling Stones' 1971 album "Sticky Fingers," featuring the now-famous close-up of a man's crotch (often assumed, incorrectly, to be frontman Mick Jagger in tight jeans) as well as an array of seminal covers designed by graphic designer Peter Saville, co-founder of influential Manchester-based indie label Factory Records. Despite having relatively little art direction experience under his belt, Saville was behind iconic covers such as Joy Division's "Unknown Pleasures" (1979), depicting the radio waves emitted by a rotating star, and the brimming basket of wilting roses -- a muted reproduction of a 1890 painting by French artist Henri Fantin-Latour -- that fronted New Order's "Power, Corruption & Lies" (1983).
    [Show full text]
  • 2006 TRASH Regionals Round 07 Tossups
    2006 TRASH Regionals Round 07 Tossups 1. It appears twice in the e.e. cummings poem “little ladies more”. It also appears in the Tennessee Williams play A Streetcar Named Desire when Blanche DuBois asks it of Mitch. Seemingly awkward because of its use of the formal pronoun, it means, “Do you want to sleep with me (tonight)?” For ten points, give this phrase re-introduced to a new generation by Mya, Lil’ Kim, Pink, and Christina Aguilera in their 2001 version of “Lady Marmalade”. Answer: Voulez-vous coucher avec moi (ce soir)? 2. In Need for Speed: Most Wanted it’s called “Speed Breaker”, and is most often used to dodge roadblocks. In GUN, it’s called “Quick Draw.” The earliest example of it is probably in the 1980 Epyx game Rescue at Rigel. In Star Wars: Jedi Academy, you can get it using “Force Speed,” by killing Reborn Jedis, or typing the cheat code “there is no spoon.” For ten points, give the common name for the ability in video games to move at normal speed while the rest of the game is slowed down, most famously used in the Max Payne and, predictably, Matrix videogames. Answer: bullet time (Prompt on “slow motion” or equivalents. Note for itinerant cheaters: the cheat code is really “thereisnospoon”) 3. His favorite movie may be Divine Secrets of the Ya-Ya Sisterhood, while he cried a lot when he paid to see Godfather III. His first name may be Marion, but his full name has also been reported to be William Williams.
    [Show full text]
  • Listening to Compton's Hip-Hop Landscape" (2016)
    University of Mary Washington Eagle Scholar Student Research Submissions Spring 4-29-2016 "Yo, Dre, I've Got Something To Say": Listening to Compton's Hip- Hop Landscape Ian T. Spangler Follow this and additional works at: https://scholar.umw.edu/student_research Part of the Geography Commons Recommended Citation Spangler, Ian T., ""Yo, Dre, I've Got Something To Say": Listening to Compton's Hip-Hop Landscape" (2016). Student Research Submissions. 55. https://scholar.umw.edu/student_research/55 This Honors Project is brought to you for free and open access by Eagle Scholar. It has been accepted for inclusion in Student Research Submissions by an authorized administrator of Eagle Scholar. For more information, please contact [email protected]. "YO, DRE, I'VE GOT SOMETHING TO SAY": LISTENING TO COMPTON'S HIP-HOP LANDSCAPE An honors paper submitted to the Department of Geography of the University of Mary Washington in partial fulfillment of the requirements for Departmental Honors Ian T Spangler April 2016 By signing your name below, you affirm that this work is the complete and final version of your paper submitted in partial fulfillment of a degree from the University of Mary Washington. You affirm the University of Mary Washington honor pledge: "I hereby declare upon my word of honor that I have neither given nor received unauthorized help on this work." Ian T. Spangler 04/29/16 (digital signature) o'Yo, Dre,I've Got Something to Say:" Listening to Compton's Hip-Hop Landscape By Ian Spangler A Thesis Submitted in Fulfillment of the Requirements for Honors in Geography Department of Geography University of Mary Washington Fredericksburg, VA 2240I April29,2016 Stephen P.
    [Show full text]
  • Hip Hop Club Songs
    Hip Hop Club Songs Did you Know? The credit of coining the term 'Hip-Hop' lies with Keith 'Cowboy' Wiggins, a member of Grandmaster Flash and the Furious Five. Around 1978, he used to tease his friend who was in the US Army by singing hip/hop/hip/hop. He was mimicking the cadence rhythm of the soldiers. Initially known as Disco Rap, hip-hop music is a stylized download mp3 rocket pro free 2010 rhythmic music form which contains rapping and beat boxing as its elements. This music developed as a part of the 'hip-hop culture' in New York, particularly among the African-Americans. Today, hip hop music has become extremely popular among the masses. With the commercialization of this genre of music, a new era of talent paved its path to give music a new feel and rhythm by using words in the interim as a form of expression. Artists like Snoop Dog, Eminem, Nicki Minaj, Black- Eyed Peas have popularized this particular genre even further. Certain artists, who were known for performing other genres also started experimenting with rap and hip-hop. Couple of such examples would be Beyonce and none other than the King of Pop, Michael Jackson. Another factor that has added to hip-hop's popularity is that this music is ideal for nightclubs and dance floors. So, are you arranging one such party for your friends and wondering which songs to play? Then here is a list of various hip-hop club songs that you can play. ? Baby Don't Do It - Lloyd ? Best Kept Secret - Raheem DeVaughn ? Bedroom Walkin' - Ne-Yo ? Tonight - Jason Derulo ? Almost There - Alicia Keys ? Stillettos And A Tee - Bobby Valentino ? Help Somebody - Maxwell Feat.
    [Show full text]
  • H160hifichoiceuk.Pdf
    HEGEL H160 HEGEL H160 REVIEWS INTEGRATED AMPLIFIER/DAC £2,350 INTEGRATED AMPLIFIER/DAC £2,350 REVIEWS quality that some muscly transistor sound. And given this isn’t happening, designs can. it seems to confirm the H160 is After a lengthy run in, I spin London addressing distortion in different Grammar’s Strong on CD and hear a ways from the received wisdom. really assured performance. Bass has Accessing a rip of Jim James’ State filled out a little and the midband Of The Art using the Ethernet network feels more relaxed and fluid. There is connection, I control the system via something about Hegel’s patented AirPlay from an iPhone. The track SoundEngine signal processing that starts very quietly with understated feels like your music gets a gentle dry piano and Jim’s mournful voice, and clean, taking out a tiny amount of the H160 renders this stripped-out digital haze in an almost analogue delivery beautifully in the church-like, or valve-like way. Hannah Reid’s reverential acoustic. The H160 even voice is delivered with a silky yet highly present quality and is gently I’m impressed by its brought forward out of the plane of the main soundstage. ability to deliver a Where I felt that the H80’s DAC might have occasionally aimed for highly coherent, detail as an end in itself, here the quality soundscape H160 probably strikes a more confident balance between explicit teases out the slightly clunky piano detail, depth of image and natural pedals adding to the music’s timing/rhythmic abilities.
    [Show full text]
  • Connecting Time and Timbre Computational Methods for Generative Rhythmic Loops Insymbolic and Signal Domainspdfauthor
    Connecting Time and Timbre: Computational Methods for Generative Rhythmic Loops in Symbolic and Signal Domains Cárthach Ó Nuanáin TESI DOCTORAL UPF / 2017 Thesis Director: Dr. Sergi Jordà Music Technology Group Dept. of Information and Communication Technologies Universitat Pompeu Fabra, Barcelona, Spain Dissertation submitted to the Department of Information and Communication Tech- nologies of Universitat Pompeu Fabra in partial fulfillment of the requirements for the degree of DOCTOR PER LA UNIVERSITAT POMPEU FABRA Copyright c 2017 by Cárthach Ó Nuanáin Licensed under Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 Music Technology Group (http://mtg.upf.edu), Department of Information and Communication Tech- nologies (http://www.upf.edu/dtic), Universitat Pompeu Fabra (http://www.upf.edu), Barcelona, Spain. III Do mo mháthair, Marian. V This thesis was conducted carried out at the Music Technology Group (MTG) of Universitat Pompeu Fabra in Barcelona, Spain, from Oct. 2013 to Nov. 2017. It was supervised by Dr. Sergi Jordà and Mr. Perfecto Herrera. Work in several parts of this thesis was carried out in collaboration with the GiantSteps team at the Music Technology Group in UPF as well as other members of the project consortium. Our work has been gratefully supported by the Department of Information and Com- munication Technologies (DTIC) PhD fellowship (2013-17), Universitat Pompeu Fabra, and the European Research Council under the European Union’s Seventh Framework Program, as part of the GiantSteps project ((FP7-ICT-2013-10 Grant agreement no. 610591). Acknowledgments First and foremost I wish to thank my advisors and mentors Sergi Jordà and Perfecto Herrera. Thanks to Sergi for meeting me in Belfast many moons ago and bringing me to Barcelona.
    [Show full text]
  • Music in His Own Image: the Aphex Twin Face
    Nebula 1.1, June 2004 Music in His Own Image: The Aphex Twin Face. By Peter David Mathews Beyond the dark, intense vision of his music, a further disturbing dimension of Aphex Twin’s project is illuminated by his video clips. In particular, his two most famous videos, “Come to Daddy” and “Windowlicker,” are the fruit of collaborations with director Chris Cunningham; awards for “Come to Daddy” first brought both these artists into the mainstream eye in 1997. The outstanding feature of these clips is undoubtedly the face of Richard D. James. James, the man behind the Aphex Twin pseudonym, stares mockingly at the viewer, inevitably flashing his trademark leer. The unsettling characteristic of this smile is how the lips are stretched to the point of exaggeration. The initial impression of a broad, cheerful smile is quickly replaced by a feeling of incipient unease. Figure 1: Cover of Aphex Twin’s Richard D. James Album James’s grin becomes an inverted grimace, the tension of which is clearly visible in the creases around his eyes, nose and forehead. The look imbues these images with an intensity embellished by the fact that James’s expression never changes. Mathews: Music in His Own Image. 65 Nebula 1.1, June 2004 The initial impact of this look is augmented and intensified in several ways. The most obvious is through a process of multiplication. In each Aphex Twin clip, the secondary actors take on the face of their Creator. “Come to Daddy,” for instance, opens with an old woman walking her dog in a grimy, industrial setting.
    [Show full text]