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HIGH SCREAM CREATES USHUAÏA's Wow Factor with Ayrton Photo Credit: High Scream © Roberto Castaño Photo Credit
AYRTON’S OFFICIAL MAGAZINE WWW.AYRTON.EU ISSUE 10 _ OCTOBER 2016 HIGH SCREAM CREATES USHUAÏA'S Wow factor with Ayrton Photo credit: High Scream © Roberto Castaño Photo credit: BRUCE SPRINGSTEEN Born to Run The JEWEL of Las Vegas Twin on Tour with RADIOHEAD AYRTON LIVE _ PAGE 1 MAGICPANEL-FX MAGICPANEL-FX CREATIVE SOLUTIONS MAGICPANEL™FX is an exciting new multi-function, multi-use luminaire. With a revolutionary new optical zoom system that has no visible moving parts, this proprietary system has a 15:1 zoom ratio with a range of 3.5° to 52°. The front face is comprised of a 5 x 5 array of squared lenses which offer exciting new possibilities for creating 2D graphical effects and produces an extremely powerful beam capable of creating extraordinarily new 3D volumetric effects. www.ayrton.eu MAGICPANEL-FX Editorial Summary Dear Reader, AYRTON news What a pleasure to present to you this 10th issue of 4. Prolight+Sound 2016 report our AyrtonLIVE magazine which is again full of great show reports and much more. These are interesting 5. Ayrton wins Live Design Product and busy times for Ayrton indeed with more and more of the Year shows and events using our original solutions all over the world. AYRTON social network From Eurovision 2016 in Stockholm to JEWEL night- 6. Facebook, Pinterest, Twitter, Vimeo club in Las Vegas, and from Bruce Springsteen & the E-Street band’s world tour to Ushuaïa Ibiza Beach Hotel, you will discover plenty of different kinds of application for Ayrton’s innovative fixtures. AYRTON show report 8. -
Angliæ Notitia, Or, the Present State of England with Divers Remarks Upon
s/3/ AKGLIM N0TIT1A: jyhn or,the/w/ ENGLAND: With Divers REMARK S UPON The Ancient State thereof. By EDW. CHAMBERLATNE, Doctor of Laws. The Nineteenth Edition, with great Additions and Improvements. In Three PARTS. Sfart am quam naff us efi banc ornni. LONDON, Printed by T. Hodgkin, for R. Cbiftveil, M.Gillyfioretr, S. Sonith and B. Watford, M. Wotton, G. Sanbridgs, and B. Toots, 1700. Moft Excellent Majefty, william m. K I N G O F GreauBritain, Frame3 and Ireland’ Defender of the Truly Ancient, C.i- tholick, and Apoftolick Faith. This Nineteenth Impreffton of the (P RE¬ SENT STATE of ENG¬ LAND is Humbly Dedicated By Edw. Chamberlayne, Doftor of Laws. THE CONTENTS. A Defeription of England in general. Chap. X. Of its Name, Climate, Dimenfms, Di- Chap. II. Of the Bifhopricks of England. Chap. III. A Defcriftm of the feveral Counties tf England and Wales. Chap. IV. Of its Air, Soil, and Commodities. Chap. V. Of its Inhabitants, their Number, Language, and Character. Chap. VI. Of Religion. Chap. VII. Of Trade. GOVERNMENT. Chap. I. QF the Government of England in ge- Chap.II. Of the KJng of England, and therein of his Name, Title, Pcrfon, Office, Supremacy and Sove¬ reignty, Potter and Prerogative, Dominions, Strength, Patrimony, Arms and Ref fell. Chap. III. Of the SucceJJion to the Croton of England, and the King’s Minority, Incapacity and Abjence. Chap. IV. Of the prefent King of England ; and therein of his Birth, Name, Simame, and Genealogy, Arms, Title, Education, Marriage, Exploits, and Accef- fiyn to the Crown of England. -
Vol. 13.05 / June 2013
Vol. 13.05 News From France June 2013 A free monthly review of French news & trends France and Germany Co-Host EU Open House; Part of “Franco-German Year” © SDG/RP/ST © SDG/RP/ST © SDG/RP/ST © SDG © SDG/RP/ST © SDG/RP/ST © SDG/RP/ST The Embassy of France welcomed some 4,500 visitors to its grounds on May 11. As part of the EU Open House, nearly 30 embassies of member countries belong- ing to the European Union joined in sharing European culture and diplomacy in Washington. The French and German embassies co-hosted this year. Story, p. 2 From the Ambassador’s Desk: A Monthly Message From François Delattre The past month has showcased an exceptionally centered on this year’s “Euro-American Celebration,” diverse set of French-American partnerships. In fields as part of the European Month of Culture all through May. broad as medicine, culture, and manufacturing, we’ve In the security arena, Jean-Yves Le Drian, France’s inside been proud to work with our American friends. Minister of Defense, made a successful visit to Washing- Leading medical organizations in France and the ton on May 17 for meetings with, among many others, Current Events 2 U.S. joined together on May 7 to sign with me a Memo- U.S. Secretary of Defense Chuck Hagel. The trip allowed May as European Month of Culture randum of Intent aimed at deepening for very close dialogue on global security Interview with the Expert 3 research on addiction. France’s National challenges, including Mali, Syria, Iran, and Amb. -
Hip Hop in Relation to Minority Youth Culture in France Amanda
Hip Hop in Relation to Minority Youth Culture in France Amanda Cottingham In 1991, the French Minister of Culture, Jack Lang, invited three rap groups to perform at the prime minister’s garden party at the Matignon palace for members of the National Assembly 1. French rappers today are not all on such amicable terms with politicians but are widely popular among the younger generations, a fact that was noted when riots broke out in 2005. Many of these rappers embrace immigrant communities, bringing their issues to the forefront because several are of foreign descent themselves, particularly Arabic North Africans. While the government might want to preserve a traditional view of French culture, modern musicians are celebrating the cultural diversity immigrants bring to the nation. The rap genre has grown in popularity in France to such an extent that despite degenerating relationships with the government, rappers are able to show support for minority groups while maintaining a broad base of popular support from the youths. Unlike other popular forms of music that act simply as a form of entertainment, developments of rap in France show that it is closely linked to social issues facing minority youths. Hip hop is not, however, native to France but rather an imported style which originated in the United States, the South Bronx of New York in particular. In the early 1970s, a former gang member, Afrika Bambaataa organized a group called The Zulu Nation to draw disaffected youths away from gang fighting and instead towards music, dance, and graffiti in order to introduce them to the various elements of hip hop culture. -
Adventures in Film Music Redux Composer Profiles
Adventures in Film Music Redux - Composer Profiles ADVENTURES IN FILM MUSIC REDUX COMPOSER PROFILES A. R. RAHMAN Elizabeth: The Golden Age A.R. Rahman, in full Allah Rakha Rahman, original name A.S. Dileep Kumar, (born January 6, 1966, Madras [now Chennai], India), Indian composer whose extensive body of work for film and stage earned him the nickname “the Mozart of Madras.” Rahman continued his work for the screen, scoring films for Bollywood and, increasingly, Hollywood. He contributed a song to the soundtrack of Spike Lee’s Inside Man (2006) and co- wrote the score for Elizabeth: The Golden Age (2007). However, his true breakthrough to Western audiences came with Danny Boyle’s rags-to-riches saga Slumdog Millionaire (2008). Rahman’s score, which captured the frenzied pace of life in Mumbai’s underclass, dominated the awards circuit in 2009. He collected a British Academy of Film and Television Arts (BAFTA) Award for best music as well as a Golden Globe and an Academy Award for best score. He also won the Academy Award for best song for “Jai Ho,” a Latin-infused dance track that accompanied the film’s closing Bollywood-style dance number. Rahman’s streak continued at the Grammy Awards in 2010, where he collected the prize for best soundtrack and “Jai Ho” was again honoured as best song appearing on a soundtrack. Rahman’s later notable scores included those for the films 127 Hours (2010)—for which he received another Academy Award nomination—and the Hindi-language movies Rockstar (2011), Raanjhanaa (2013), Highway (2014), and Beyond the Clouds (2017). -
Perspectives from French West Indian Literature
ON BEING WEST INDIAN IN POST-WAR METROPOLITAN FRANCE: PERSPECTIVES FROM FRENCH WEST INDIAN LITERATURE by ROSALIE DEMPSY MARSHALL A thesis submitted to The University of Birmingham for the degree of DOCTOR OF PHILOSOPHY Department of French Studies University of Birmingham 2011 University of Birmingham Research Archive e-theses repository This unpublished thesis/dissertation is copyright of the author and/or third parties. The intellectual property rights of the author or third parties in respect of this work are as defined by The Copyright Designs and Patents Act 1988 or as modified by any successor legislation. Any use made of information contained in this thesis/dissertation must be in accordance with that legislation and must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the permission of the copyright holder. In memory of Gloria, Luddy, Dorcas and Harry Acknowledgements I would like to thank my supervisor, Professor Jennifer Birkett, for her patience, encouragement, and good advice when these were sorely needed; and also Dr Conrad James, who helped to ease me into French West Indian writing at the beginning of my studies, and who supervised my research in Jennifer’s absence. I am grateful to my dear parents, who kept faith with me over several years, and gave me the time and space to pursue this piece of scholarship. Abstract Most research into contemporary French West Indian literature focuses on writing that stresses the significance of the plantation and urban cultures of the islands in the early to mid-twentieth century or, more recently, on the desire of some writers to explore broader trans-national influences or environments. -
Hip-Hop Is My Passport! Using Hip-Hop and Digital Literacies to Understand Global Citizenship Education
HIP-HOP IS MY PASSPORT! USING HIP-HOP AND DIGITAL LITERACIES TO UNDERSTAND GLOBAL CITIZENSHIP EDUCATION By Akesha Monique Horton A DISSERTATION Submitted to Michigan State University in partial fulfillment of the requirements for the degree of Curriculum, Teaching and Educational Policy – Doctor of Philosophy 2013 ABSTRACT HIP-HOP IS MY PASSPORT! USING HIP-HOP AND DIGITAL LITERACIES TO UNDERSTAND GLOBAL CITIZENSHIP EDUCATION By Akesha Monique Horton Hip-hop has exploded around the world among youth. It is not simply an American source of entertainment; it is a global cultural movement that provides a voice for youth worldwide who have not been able to express their “cultural world” through mainstream media. The emerging field of critical hip-hop pedagogy has produced little empirical research on how youth understand global citizenship. In this increasingly globalized world, this gap in the research is a serious lacuna. My research examines the intersection of hip-hop, global citizenship education and digital literacies in an effort to increase our understanding of how urban youth from two very different urban areas, (Detroit, Michigan, United States and Sydney, New South Wales, Australia) make sense of and construct identities as global citizens. This study is based on the view that engaging urban and marginalized youth with hip-hop and digital literacies is a way to help them develop the practices of critical global citizenship. Using principled assemblage of qualitative methods, I analyze interviews and classroom observations - as well as digital artifacts produced in workshops - to determine how youth define global citizenship, and how socially conscious, global hip-hop contributes to their definition Copyright by AKESHA MONIQUE HORTON 2013 ACKNOWLEDGEMENTS I am extremely grateful for the wisdom and diligence of my dissertation committee: Michigan State University Drs. -
Darmstadt Summer Course 14 – 28 July 2018
DARMSTADT SUMMER COURSE 14 – 28 JULY 2018 PREFACE 128 – 133 GREETINGS 134 – 135 COURSES 136 – 143 OPEN SPACE 144 – 145 AWARDS 146 – 147 DISCOURSE 148 – 151 DEFRAGMENTATION 152 – 165 FESTIVAL 166 – 235 TEXTS 236 – 247 TICKETS 248 For credits and imprint, please see the German part. For more information on the events, please see the daily programs or visit darmstaedter-ferienkurse.de CONTENTS A TEMPORARY This “something” is difficult to pin down, let alone plan, but can perhaps be hinted at in what we see as our central COMMUNITY concern: to form a temporary community, to try to bring together a great variety of people with the most varied Dr. Thomas Schäfer, Director of the International Music Institute Darmstadt (IMD) and Artistic Director of the Darmstadt Summer Course backgrounds and different types of prior knowledge, skills, expectations, experience and wishes for a very limited, yet Tradition has it that Plato bought the olive grove Akademos also very intense space of time. We hope to foster mutual around 387 BC and made it the first “philosophical garden”, understanding at the same time as inviting people to engage a place to hold a discussion forum for his many pupils. in vigorous debate. We are keener than ever to pursue a Intuitively, one imagines such a philosophical garden as discourse with an international community and discuss the follows: scholars and pupils, experts and interested parties, music and art of our time. We see mutual courtesy and fair connoisseurs and enthusiasts, universalists and specialists behavior towards one another as important, even fundamental come together in a particular place for a particular length preconditions for truly imbuing the spirit of such a temporary of time to exchange views, learn from one another, live and community with the necessary positive energy. -
Boxon Records Press Kit the Amazing Ascension of a Young and Boxon’S Parties Independent Music Label
BOXON RECORDS PRESS KIT THE AMAZING ASCENSION OF A YOUNG AND BOXON’S PARTIES INDEPENDENT MUSIC LABEL SPAAM BOXON045 #404 ~ EP Try Me feat. Aquarius Heaven ; Nightrain ; By Night ; Earthquake ; Error Jack. 16/05/13 // BOXisON #15 STEREOHEROES - DCFTD // I.Boat, Bordeaux 28/03/13 // BOXisON #14 DALCAN - DCFTD // I.Boat, Bordeaux artists : the label is trying to highlight today its 02/02/13 // BOXisON #13 GRS CLUB - FANTASTIC NOBODY // Le Batofar, Bordeaux expertise in the communication domain. 24/01/13 // BOXisON #12 SPAAM - DCFTD // I.Boat, Bordeaux Indeed, Julien Minet, label manager and DJ 21/12/12 // BLOODY FRIDAY #4 SOVNGER - LOIS PLUGGED // Respublica, Bordeaux (a.k.a. DCFTD) has learnt from his studies 16/11/12 // BLOODY FRIDAY #3 BLACKTOYS - MAINGER // Respublica, Bordeaux how to give a new impetus to the latter 08/11/12 // BOXisON #11 GRS CLUB - DCFTD // I.Boat, Bordeaux by developing an event management 19/11/12 // BLOODY FRIDAY #2 SKINLIPS - M.BURNS // Respublica, Bordeaux branch to his label. Its various implications 21/09/12 // BLOODY FRIDAY #1 LUBE - JAH TOVO // Respublica, Bordeaux After five years of unremitting work, Boxon for the Bordeaux area can attest of this : 20/09/12 // BOXisON #10 AERT PROG - DCFTD // I.Boat, Bordeaux Records, independent recording label its BOXisON residencies based in hype 09/08/12 // BOXisON #9 PALLADIUM - DCFTD // I.Boat, Bordeaux managed to make itself a name on the nightclubs, its annual contributions to the 07/06/12 // BOXisON #8 BLACKTOYS - DCFTD // I.Boat, Bordeaux French electro music scene. Created in 2007 Digital Week two consecutive years (2012- 17/05/12 // BOXisON #7 (AEROTRONIC - DCFTD // I.Boat, Bordeaux by Julien Minet, the label can be proud of its 2013), the Boxon Vinyl Show at Carhartt, 15/03/12 // BOXisON #6 (FAR TOO LOUD - DCFTD // I.Boat, Bordeaux accomplishments, in a context where the the afterworks at OK DADDY, or its recent 09/02/12 // BOXisON #5 D.VICE - DCFTD) // I.Boat, Bordeaux musical industry is in total mutation. -
RSD List 2020
Artist Title Label Format Format details/ Reason behind release 3 Pieces, The Iwishcan William Rogue Cat Resounds12" Full printed sleeve - black 12" vinyl remastered reissue of this rare cosmic, funked out go-go boogie bomb, full of rapping gold from Washington D.C's The 3 Pieces.Includes remixes from Dan Idjut / The Idjut Boys & LEXX Aashid Himons The Gods And I Music For Dreams /12" Fyraften Musik Aashid Himons classic 1984 Electonic/Reggae/Boogie-Funk track finally gets a well deserved re-issue.Taken from the very rare sought after album 'Kosmik Gypsy.The EP includes the original mix, a lovingly remastered Fyraften 2019 version.Also includes 'In a Figga of Speech' track from Kosmik Gypsy. Ace Of Base The Sign !K7 Records 7" picture disc """The Sign"" is a song by the Swedish band Ace of Base, which was released on 29 October 1993 in Europe. It was an international hit, reaching number two in the United Kingdom and spending six non-consecutive weeks at number one on the Billboard Hot 100 chart in the United States. More prominently, it became the top song on Billboard's 1994 Year End Chart. It appeared on the band's album Happy Nation (titled The Sign in North America). This exclusive Record Store Day version is pressed on 7"" picture disc." Acid Mothers Temple Nam Myo Ho Ren Ge Kyo (Title t.b.c.)Space Age RecordingsDouble LP Pink coloured heavyweight 180 gram audiophile double vinyl LP Not previously released on vinyl Al Green Green Is Blues Fat Possum 12" Al Green's first record for Hi Records, celebrating it's 50th anniversary.Tip-on Jacket, 180 gram vinyl, insert with liner notes.Split green & blue vinyl Acid Mothers Temple & the Melting Paraiso U.F.O.are a Japanese psychedelic rock band, the core of which formed in 1995.The band is led by guitarist Kawabata Makoto and early in their career featured many musicians, but by 2004 the line-up had coalesced with only a few core members and frequent guest vocalists. -
Driving Value... Inspiring the Future
DRIVING VALUE... Ins PIRIng THE FUTURE Annual Report and Accounts 2015 DRIVING VALUE... InsPIRIng THE FUTURE Sacem is one of the world’s leading cultural and creative rights organisations. Our mission is to protect and enhance the value of our members’ rights, and to inspire a strong and sustainable future for our industry. Through leading edge technology, an effective licensing strategy and our regional network we collect €862m annually in authors’ rights (more than €1.3bn including mandates) and distribute royalties to around 293,000 songwriters, composers and publishers around the world. In addition, we play a core role in cultural and artistic development within France and internationally, investing over €56m spent on social and cultural aids to support talent and creativity across all ages, activities and communities. Over the long term, our objectives are to continue to invest in technology leadership and processes to drive efficiency and maximise value for our members, and to support artistic creativity and long-term cultural sustainability. The Dø Songwriters/ Composers/Performers Louane Songwriter/Composer/ Performer Strategic overview Management report Financial statements President’s statement Strategic overview A summary of our activities, 02 Sacem at a glance approach and achievements, the 04 President’s statement role we play in society, and how our business model and strategy 06 Chief Executive’s review enable us to deliver successfully 08 Business review 04 for our members. – Adapting in the digital world – Delivering efficiency for creators Chief Executive’s review – Sustaining culture and creation 16 Market overview 18 Highlights of the year 24 Business model and strategy 06 Management report ADAPTING A detailed report and analysis 28 General information of our operations, markets and 40 Economic position IN THE DIGITal governance, and trends affecting world future development. -
Welcome to Our Belgian Street! at Womex17 TABLE of CONTENTS / PAGE
welcome to our belgian street! at womex17 TABLE OF CONTENTS / PAGE Belgian showcases .......................................................... 4 Black Flower, Osama Abdulrasol Quintet ............................ 4 Ibaaku, Valentin Clastrier / Steven Kamperman ................... 4 Organisations ..................................................................... 6 Flanders Arts Institute - Kunstenpunt ................................. 6 Wallonia-Brussels Music (WBM) .......................................... 7 Belgian delegates ............................................................. 8 30CC ....................................................................................... 8 AB ............................................................................................ 9 Afrikän Protoköl ................................................................... 10 Brosella Folk & Jazz Festival ................................................. 11 Chouette asbl ....................................................................... 12 Choux de Bruxelles ............................................................... 13 Cluster .................................................................................. 14 Crammed Discs .................................................................... 15 Cucamonga Productions .................................................... 15 Cultural Centre Belgica ....................................................... 15 Cultuurcentrum Brugge / Airbag Festival .......................... 15 Cultuurcentrum