GENTLE GIANTS Hercules & Love Affair Expand Their Sound on Thoughtful New Album, ‘Omnion’
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Statesman, V.49, N. 50.PDF
the stony brook Statesman -.~---~~~'---------------~~--~~-~---~- - ------- I--- ~~~---~--I-I---1- VOLUME XLIX, ISSUE 48 THURSDAY MAY 4, 2006 PUBLISHED TWICE WEEKLY Campus Wide UREA Celebration Impresses A L' Inits 5tn year, tne annuai celeoration or unaergraduate researcn and creativity was neic last week. URECA Celebration photos: ©John Griffin/Media Services Photography, Art Show photos: ©Jeanne Neville/Media Services Photography BY Sunr RAMBHIA and Sociology." Kudos goes to the Department of Bio- News Editor medical Engineering, which had the greatest number of abstract submissions, 25 in total. Last week, students had the opportunity to attend The main event of the Celebration was an ,all day the annual SBU Celebration of Undergraduate Research poster presentation session where students and faculty and Creativity. The event featured the work of students. were able to see type of research that goes on across involved in undergraduate research as well as activities campus all throughout the year. Some of the other in the arts. According to a recent press release issued by featured events included symposia held concurrently Karen Kernan, the Director of Programs for Research and by the Departments of English, History, and Psychology Creative Activity (as a part of the Office of the Provost), involving student oral presentations. Also,the College there were over 225 abstracts compiled in this year's. of Engineering and Applied Sciences held its annual book of Collected Abstracts. senior design conference comprising the two best senior the day's events to a close, the purpose and scope of the These 225 project descriptions represented over 300 design projects from each of the four major engineer- Celebration of Undergraduate and Creative Activities undergraduates in the various departments of"Anesthe- ing departments, Biomedical Engineering, Electrical was clear. -
England Singles TOP 100 2019 / 25 22.06.2019
22.06.2019 England Singles TOP 100 2019 / 25 Pos Vorwochen Woc BP Titel und Interpret 2019 / 25 - 1 11151 5 I Don't Care . Ed Sheeran & Justin Bieber 222121 2 Old Town Road . Lil Nas X 333241 7 Someone You Loved . Lewis Capaldi 44471 2 Vossi Bop . Stormzy 555112 Bad Guy . Billie Eilish 67764 Hold Me While You Wait . Lewis Capaldi 78896 SOS . Avicii feat. Aloe Blacc 8 --- --- 1N8 No Guidance . Chris Brown feat. Drake 99939 Cross Me . Ed Sheeran feat. Chance The Rapper & PnB Rock 10 11 11 1110 All Day And Night . Jax Jones & Martin Solveig pres. Europa . 11 10 10 69 If I Can't Have You . Shawn Mendes 12 --- 14 309 Grace . Lewis Capaldi 13 15 --- 213 Shine Girl . MoStack feat. Stormzy 14 13 --- 213 Never Really Over . Katy Perry 15 24 39 315 Wish You Well . Sigala & Becky Hill 16 17 13 73 Me! . Taylor Swift feat. Brendon Urie Of Panic! At The Disco 17 6 6 132 Piece Of Your Heart . Meduza feat. Goodboys 18 --- --- 1N18 Mad Love . Mabel 19 --- --- 1N19 Stinking Rich . MoStack feat. Dave & J Hus 20 --- --- 1N20 Heaven . Avicii . 21 22 18 318 The London . Young Thug feat. J. Cole & Travi$ Scott 22 --- --- 1N22 Shockwave . Liam Gallagher 23 30 31 323 One Touch . Jesse Glynne & Jax Jones 24 27 23 618 Guten Tag . Hardy Caprio & DigDa T 25 14 --- 214 What Do You Mean . Skepta feat. J Hus 26 43 48 1526 Ladbroke Grove . AJ Tracey 27 34 29 327 Easier . 5 Seconds Of Summer 28 18 47 518 Greaze Mode . -
Why Jazz Still Matters Jazz Still Matters Why Journal of the American Academy of Arts & Sciences Journal of the American Academy
Dædalus Spring 2019 Why Jazz Still Matters Spring 2019 Why Dædalus Journal of the American Academy of Arts & Sciences Spring 2019 Why Jazz Still Matters Gerald Early & Ingrid Monson, guest editors with Farah Jasmine Griffin Gabriel Solis · Christopher J. Wells Kelsey A. K. Klotz · Judith Tick Krin Gabbard · Carol A. Muller Dædalus Journal of the American Academy of Arts & Sciences “Why Jazz Still Matters” Volume 148, Number 2; Spring 2019 Gerald Early & Ingrid Monson, Guest Editors Phyllis S. Bendell, Managing Editor and Director of Publications Peter Walton, Associate Editor Heather M. Struntz, Assistant Editor Committee on Studies and Publications John Mark Hansen, Chair; Rosina Bierbaum, Johanna Drucker, Gerald Early, Carol Gluck, Linda Greenhouse, John Hildebrand, Philip Khoury, Arthur Kleinman, Sara Lawrence-Lightfoot, Alan I. Leshner, Rose McDermott, Michael S. McPherson, Frances McCall Rosenbluth, Scott D. Sagan, Nancy C. Andrews (ex officio), David W. Oxtoby (ex officio), Diane P. Wood (ex officio) Inside front cover: Pianist Geri Allen. Photograph by Arne Reimer, provided by Ora Harris. © by Ross Clayton Productions. Contents 5 Why Jazz Still Matters Gerald Early & Ingrid Monson 13 Following Geri’s Lead Farah Jasmine Griffin 23 Soul, Afrofuturism & the Timeliness of Contemporary Jazz Fusions Gabriel Solis 36 “You Can’t Dance to It”: Jazz Music and Its Choreographies of Listening Christopher J. Wells 52 Dave Brubeck’s Southern Strategy Kelsey A. K. Klotz 67 Keith Jarrett, Miscegenation & the Rise of the European Sensibility in Jazz in the 1970s Gerald Early 83 Ella Fitzgerald & “I Can’t Stop Loving You,” Berlin 1968: Paying Homage to & Signifying on Soul Music Judith Tick 92 La La Land Is a Hit, but Is It Good for Jazz? Krin Gabbard 104 Yusef Lateef’s Autophysiopsychic Quest Ingrid Monson 115 Why Jazz? South Africa 2019 Carol A. -
Reading and Leeds 2018 Revs up Its Line-Up
UNDER STRICT EMBARGO UNTIL 12PM, 23 FEBRUARY 2018 READING AND LEEDS 2018 REVS UP ITS LINE-UP SLAVES // DON BROCO // TRAVIS SCOTT THE VACCINES // THE KOOKS // SHAME BILLY TALENT // DEAF HAVANA // MILK TEETH KREPT X KONAN // LEWIS CAPALDI THE HORRORS // KATE NASH FICKLE FRIENDS // HMLTD AND MANY MORE JOIN HEADLINERS KINGS OF LEON, KENDRICK LAMAR, FALL OUT BOY AND PANIC! AT THE DISCO WEEKEND AND DAY TICKETS ON-SALE NOW www.readingandleedsfestival.com Friday, 23 February 2018: Reading and Leeds Festival has just lifted the lid on more names who will play at this year’s event – with chart heavyweights such as Slaves, Don Broco, Travis Scott, The Kooks, Krept X Konan, Shame, Billy Talent, Wilkinson (Live), The Vaccines, Lewis Capaldi, Deaf Havana, The Horrors, Fickle Friends, Kate Nash, HMLTD and Milk Teeth amongst them. The acts – spanning the hottest names right now in rock, indie, dance, hip-hop and more – will play alongside headliners Kings of Leon, Kendrick Lamar, Fall Out Boy and Panic! at the Disco at the famous Richfield Avenue and Bramham Park sites this August bank holiday weekend (24 – 26 August). Tickets are on-sale right now and available here. As if the already announced Kings of Leon, Panic! at the Disco, Fall Out Boy and Underøath wasn’t enough, rock music regulars at the festival now have a whole host more reasons to look forward to Reading and Leeds this year. Probably the most popular duo in music right now, Slaves, will make a triumphant return to the stages. Never two to under deliver, the Reading and Leeds crowds can expect the unexpected from the pair responsible for the likes of ‘Spit It Out’ and ‘Are You Satisfied’? UNDER STRICT EMBARGO UNTIL 12PM, 23 FEBRUARY 2018 With another top 10 album, ‘Technology’, under their belt, Don Broco will be joining the fray this year. -
John Zorn Artax David Cross Gourds + More J Discorder
John zorn artax david cross gourds + more J DiSCORDER Arrax by Natalie Vermeer p. 13 David Cross by Chris Eng p. 14 Gourds by Val Cormier p.l 5 John Zorn by Nou Dadoun p. 16 Hip Hop Migration by Shawn Condon p. 19 Parallela Tuesdays by Steve DiPo p.20 Colin the Mole by Tobias V p.21 Music Sucks p& Over My Shoulder p.7 Riff Raff p.8 RadioFree Press p.9 Road Worn and Weary p.9 Bucking Fullshit p.10 Panarticon p.10 Under Review p^2 Real Live Action p24 Charts pJ27 On the Dial p.28 Kickaround p.29 Datebook p!30 Yeah, it's pink. Pink and blue.You got a problem with that? Andrea Nunes made it and she drew it all pretty, so if you have a problem with that then you just come on over and we'll show you some more of her artwork until you agree that it kicks ass, sucka. © "DiSCORDER" 2002 by the Student Radio Society of the Un versify of British Columbia. All rights reserved. Circulation 17,500. Subscriptions, payable in advance to Canadian residents are $15 for one year, to residents of the USA are $15 US; $24 CDN ilsewhere. Single copies are $2 (to cover postage, of course). Please make cheques or money ordei payable to DiSCORDER Magazine, DEADLINES: Copy deadline for the December issue is Noven ber 13th. Ad space is available until November 27th and can be booked by calling Steve at 604.822 3017 ext. 3. Our rates are available upon request. -
Grime + Gentrification
GRIME + GENTRIFICATION In London the streets have a voice, multiple actually, afro beats, drill, Lily Allen, the sounds of the city are just as diverse but unapologetically London as the people who live here, but my sound runs at 140 bpm. When I close my eyes and imagine London I see tower blocks, the concrete isn’t harsh, it’s warm from the sun bouncing off it, almost comforting, council estates are a community, I hear grime, it’s not the prettiest of sounds but when you’ve been raised on it, it’s home. “Grime is not garage Grime is not jungle Grime is not hip-hop and Grime is not ragga. Grime is a mix between all of these with strong, hard hitting lyrics. It's the inner city music scene of London. And is also a lot to do with representing the place you live or have grown up in.” - Olly Thakes, Urban Dictionary Or at least that’s what Urban Dictionary user Olly Thake had to say on the matter back in 2006, and honestly, I couldn’t have put it better myself. Although I personally trust a geezer off of Urban Dictionary more than an out of touch journalist or Good Morning Britain to define what grime is, I understand that Urban Dictionary may not be the most reliable source due to its liberal attitude to users uploading their own definitions with very little screening and that Mr Thake’s definition may also leave you with more questions than answers about what grime actually is and how it came to be. -
State of Bass
First published by Velocity Press 2020 velocitypress.uk Copyright © Martin James 2020 Cover design: Designment designment.studio Typesetting: Paul Baillie-Lane pblpublishing.co.uk Photography: Cleveland Aaron, Andy Cotterill, Courtney Hamilton, Tristan O’Neill Martin James has asserted his right under the Copyright, Designs and Patents Act 1988 to be identied as the author of this work All rights reserved. No part of this publication may be reproduced, in any form or by any means, without permission from the publisher While the publishers have made every reasonable eort to trace the copyright owners for some of the photographs in this book, there may be omissions of credits, for which we apologise. ISBN: 9781913231026 1: Ag’A THE JUNGLISTS NAMING THE SOUND, LOCATING THE SCENE ‘It always has been such a terrible name. I’ve never known any other type of music to get so misconstrued by its name.’ (Rob Playford, 1996) Of all of the dance music genres, none has been surrounded with quite so much controversy over its name than jungle. No sooner had it been coined than exponents of the scene were up in arms about the racist implications. Arguments raged over who rst used the term and many others simply refused to acknowledge the existence of the moniker. It wasn’t the rst time that jungle had been used as a way to describe a sound. Kool and the Gang had called their 1973 funk standard Jungle Boogie, while an instrumental version with an overdubbed ute part and additional percussion instruments was titled Jungle Jazz. The song ends with a Tarzan yell and features grunting, panting and scatting throughout. -
Carles Santos El Fervor De La Perseverancia
folleto fest07-41+ 12/4/07 19:16 Página 1 folleto fest07-41+ 12/4/07 19:16 Página 2 El Festival Internacional de las Artes de Castilla No hemos querido en esta nueva edición del y León es una iniciativa de la Consejería de Cultura y Turismo que Festival limitarnos a dirigir una mirada pasiva al mundo de la crea- nació con una intención clara de apertura hacia formas actuales de ción, sino adoptar una actitud de compromiso y apoyo a la creación expresar y sentir el arte y la cultura, en el marco de una ciudad contemporánea internacional, con una apuesta decidida por las como Salamanca, Patrimonio de la Humanidad, y que constituye por compañías, desarrollando líneas de coproducción que nos han lleva- sí sola el más prestigioso escenario urbano, dispuesto siempre a do a colaborar con otros importantes festivales europeos, como son acoger y proyectar al mundo, con la fuerza y prestigio que le conce- los Festivales de Avignon, Atenas y Roma. Damos así un trascenden- de su trayectoria histórica, su tradición científica y su vocación cul- te paso hacia delante, ya que además de escaparate de la creación tural, las más importantes creaciones del arte moderno. artística más novedosa, el Festival se convierte en plataforma de la misma, y nos concede el privilegio de asistir al descubrimiento de Este objetivo de trascender el marco de lo local los espectáculos coproducidos que, después de Salamanca, girarán abriéndose a horizontes más amplios y situar a Salamanca como por el resto del mundo. centro de las artes escénicas se manifiesta más firme que -
High Concept Music for Low Concept Minds
High concept music for low concept minds Music | Bittles’ Magazine: The music column from the end of the world: August/September New albums reviewed Part 1 Music doesn’t challenge anymore! It doesn’t ask questions, or stimulate. Institutions like the X-Factor, Spotify, EDM and landfill pop chameleons are dominating an important area of culture by churning out identikit pop clones with nothing of substance to say. Opinion is not only frowned upon, it is taboo! By JOHN BITTLES This is why we need musicians like The Black Dog, people who make angry, bitter compositions, highlighting inequality and how fucked we really are. Their new album Neither/Neither is a sonically dense and thrilling listen, capturing the brutal erosion of individuality in an increasingly technological and state-controlled world. In doing so they have somehow created one of the most mesmerising and important albums of the year. Music isn’t just about challenging the system though. Great music comes in a wide variety of formats. Something proven all too well in the rest of the albums reviewed this month. For instance, we also have the experimental pop of Georgia, the hazy chill-out of Nils Frahm, the Vangelis-style urban futurism of Auscultation, the dense electronica of Mueller Roedelius, the deep house grooves of Seb Wildblood and lots, lots more. Somehow though, it seems only fitting to start with the chilling reflection on the modern day systems of state control that is the latest work by UK electronic veterans The Black Dog. Their new album has, seemingly, been created in an attempt to give the dispossessed and repressed the knowledge of who and what the enemy is so they may arm themselves and fight back. -
England Singles TOP 100 2019 / 33 17.08.2019
17.08.2019 England Singles TOP 100 2019 / 33 Pos Vorwochen Woc BP Titel und Interpret 2019 / 33 - 1 11171 4 Señorita . Shawn Mendes & Camila Cabello 22261 1 Beautiful People . Ed Sheeran feat. Khalid 333121 8 I Don't Care . Ed Sheeran & Justin Bieber 4 --- --- 1N4 Boyfriend . Ariana Grande & Social House 547234 Ladbroke Grove . AJ Tracey 6814146 3 Nights . Dominic Fike 755192 Bad Guy . Billie Eilish 8 --- --- 1N8 Taste (Make It Shake) . Aitch 9101569 Higher Love . Kygo x Whitney Houston 10 6 6 144 Hold Me While You Wait . Lewis Capaldi . 11 9 8 57 So High . MIST feat. Fredo 12 11 12 311 How Do You Sleep? . Sam Smith 13 12 9 118 Wish You Well . Sigala & Becky Hill 14 --- --- 23 Take Me Back To London . Ed Sheeran feat. Stormzy 15 15 11 98 Mad Love . Mabel 16 14 16 226 Location . Dave feat. Burna Boy 17 13 10 201 2 Old Town Road . Lil Nas X 18 20 20 918 Strike A Pose . Young T & Bugsey feat. Aitch 19 21 38 519 Sorry . Joel Corry 20 16 17 55 Goodbyes . Post Malone feat. Young Thug . 21 18 18 818 Castles . Freya Ridings 22 37 32 418 I Spy . Krept x Konan feat. Headie One & K-Trap 23 17 26 96 No Guidance . Chris Brown feat. Drake 24 23 40 823 Ran$om . Lil Tecca 25 22 19 321 7 Someone You Loved . Lewis Capaldi 26 19 13 74 Crown . Stormzy 27 26 28 1026 Ritual . Tiësto, Jonas Blue & Rita Ora 28 24 21 1012 Never Really Over . Katy Perry 29 32 31 813 Money In The Grave . -
Thehard DATA Summer 2015 A.D
FFREE.REE. TheHARD DATA Summer 2015 A.D. EEDCDC LLASAS VEGASVEGAS BASSCONBASSCON & AAMERICANMERICAN GGABBERFESTABBERFEST REPORTSREPORTS NNOIZEOIZE SUPPRESSORSUPPRESSOR INTERVIEWINTERVIEW TTHEHE VISUALVISUAL ARTART OFOF TRAUMA!TRAUMA! DDARKMATTERARKMATTER 1414 YEARYEAR BASHBASH hhttp://theharddata.comttp://theharddata.com HARDSTYLE & HARDCORE TRACK REVIEWS, EVENT CALENDAR1 & MORE! EDITORIAL Contents Tales of Distro... page 3 Last issue’s feature on Los Angeles Hardcore American Gabberfest 2015 Report... page 4 stirred a lot of feelings, good and bad. Th ere were several reasons for hardcore’s comatose period Basscon Wasteland Report...page 5 which were out of the scene’s control. But two DigiTrack Reviews... page 6 factors stood out to me that were in its control, Noize Suppressor Interview... page 8 “elitism” and “moshing.” Th e Visual Art of Trauma... page 9 Some hardcore afi cionados in the 1990’s Q&A w/ CIK, CAP, YOKE1... page 10 would denounce things as “not hardcore enough,” Darkmatter 14 Years... page 12 “soft ,” etc. Th is sort of elitism was 100% anti- thetical to the rave idea that generated hardcore. Event Calendar... page 15 Hardcore and its sub-genres were born from the PHOTO CREDITS rave. Hardcore was made by combining several Cover, pages 5,8,11,12: Joel Bevacqua music scenes and genres. Unfortunately, a few Pages 4, 14, 15: Austin Jimenez hardcore heads forgot (or didn’t know) they came Page 9: Sid Zuber from a tradition of acceptance and unity. Granted, other scenes disrespected hardcore, but two The THD DISTRO TEAM wrongs don’t make a right. It messes up the scene Distro Co-ordinator: D.Bene for everyone and creativity and fun are the fi rst Arcid - Archon - Brandon Adams - Cap - Colby X. -
“All Politicians Are Crooks and Liars”
Blur EXCLUSIVE Alex James on Cameron, Damon & the next album 2 MAY 2015 2 MAY Is protest music dead? Noel Gallagher Enter Shikari Savages “All politicians are Matt Bellamy crooks and liars” The Horrors HAVE THEIR SAY The GEORGE W BUSH W GEORGE Prodigy + Speedy Ortiz STILL STARTING FIRES A$AP Rocky Django Django “They misunderestimated me” David Byrne THE PAST, PRESENT & FUTURE OF MUSIC Palma Violets 2 MAY 2015 | £2.50 US$8.50 | ES€3.90 | CN$6.99 # "% # %$ % & "" " "$ % %"&# " # " %% " "& ### " "& "$# " " % & " " &# ! " % & "% % BAND LIST NEW MUSICAL EXPRESS | 2 MAY 2015 Anna B Savage 23 Matthew E White 51 A$AP Rocky 10 Mogwai 35 Best Coast 43 Muse 33 REGULARS The Big Moon 22 Naked 23 FEATURES Black Rebel Motorcycle Nicky Blitz 24 Club 17 Noel Gallagher 33 4 Blanck Mass 44 Oasis 13 SOUNDING OFF Blur 36 Paddy Hanna 25 6 26 Breeze 25 Palma Violets 34, 42 ON REPEAT The Prodigy Brian Wilson 43 Patrick Watson 43 Braintree’s baddest give us both The Britanys 24 Passion Pit 43 16 IN THE STUDIO Broadbay 23 Pink Teens 24 Radkey barrels on politics, heritage acts and Caribou 33 The Prodigy 26 the terrible state of modern dance Carl Barât & The Jackals 48 Radkey 16 17 ANATOMY music. Oh, and eco light bulbs… Chastity Belt 45 Refused 6, 13 Coneheads 23 Remi Kabaka 15 David Byrne 12 Ride 21 OF AN ALBUM De La Soul 7 Rihanna 6 Black Rebel Motorcycle Club 32 Protest music Django Django 15, 44 Rolo Tomassi 6 – ‘BRMC’ Drenge 33 Rozi Plain 24 On the eve of the general election, we Du Blonde 35 Run The Jewels 6