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Pages 4 Rotella, Lot 51 Pagine
LOT 42 In copertina | Cover Pagine 4 | Pages 4 Pagina 133 | Page 133 Baechler, lot 15 Rotella, lot 51 Turcato, lot 29 Retro copertina | Back cover Pagine 6-7 | Pages 6-7 Pagina 142 | Page 142 Arman, lot 25 Schifano, lot 30 Melotti, lot 33 Pagina 1 | Page 1 Pagine 8-9 | Pages 8-9 Pagina 143 | Page 143 Dorazio, lot 42 Music, lot 60 Cassinari, lot 39 SEDE - VIA SANT’AGNESE 18, 20123 MILANO ASTA ARTE MODERNA E CONTEMPORANEA 10 NOVEMBRE 2020 MILANO, VIA SACCHI 7 – presso LA POSTERIA 23 OTTOBRE - 4 NOVEMBRE, MILANO VIA SANT’AGNESE 18 0 (ORARIO 10.00-19.00 – ESCLUSO FESTIVI E 29 OTTOBRE) PREVIO APPUNTAMENTO 7-8-9 NOVEMBRE, MILANO, VIA SACCHI 7 (ORARIO 10.00-19.00) UNICA SESSIONE MARTEDÌ 10 NOVEMBRE 2020 ORE 16.00 LOTTI 1 - 243 PRESENTAZIONE TELEVISIVA TOP LOTS Lunedì 2/11 ore 21.30-23 canale 134 del digitale terrestre Martedì 3/11 ore 21.30-23 canale 134 del digitale terrestre Giovedì 5/11 ore 21.30-23 canale 134 del digitale terrestre Venerdì 6/11 ore 21.30-23 canale 134 del digitale terrestre OFFERTE SCRITTE FINO A LUNEDÌ 9 NOVEMBRE 2020 ORE 15.00 FAX +39 02 40703717 [email protected] È possibile partecipare in diretta on-line inscrivendosi (almeno 24 ore prima) sul nostro sito www.ambrosianacasadaste.com CONSULTAZIONE CATALOGO E MODULISTICA www.ambrosianacasadaste.com da venerdì 23 ottobre 2020 AMBROSIANA CASA D’ASTE / GALLERIA POLESCHI CASA D’ASTE - VIA SANT’AGNESE 18 20123 MILANO - TEL. +39 0289459708 - FAX +39 0240703717 www.ambrosianacasadaste.com • [email protected] LOT 51 338 1226703 5 MODERN AND CONTEMPORARY ART -
Copertina Artepd.Cdr
Trent’anni di chiavi di lettura Siamo arrivati ai trent’anni, quindi siamo in quell’età in cui ci sentiamo maturi senza esserlo del tutto e abbiamo tantissime energie da spendere per il futuro. Sono energie positive, che vengono dal sostegno e dal riconoscimento che il cammino fin qui percorso per far crescere ArtePadova da quella piccola edizio- ne inaugurale del 1990, ci sta portando nella giusta direzione. Siamo qui a rap- presentare in campo nazionale, al meglio per le nostre forze, un settore difficile per il quale non è ammessa l’improvvisazione, ma serve la politica dei piccoli passi; siamo qui a dimostrare con i dati di questa edizione del 2019, che siamo stati seguiti con apprezzamento da un numero crescente di galleristi, di artisti, di appassionati cultori dell’arte. E possiamo anche dire, con un po’ di vanto, che negli anni abbiamo dato il nostro contributo di conoscenza per diffondere tra giovani e meno giovani l’amore per l’arte moderna: a volte snobbata, a volte non compresa, ma sempre motivo di dibattito e di curiosità. Un tentativo questo che da qualche tempo stiamo incentivando con l’apertura ai giovani artisti pro- ponendo anche un’arte accessibile a tutte le tasche: tanto che nei nostri spazi figurano, democraticamente fianco a fianco, opere da decine di migliaia di euro di valore ed altre che si fermano a poche centinaia di euro. Se abbiamo attraversato indenni il confine tra due secoli con le sue crisi, è per- ché l’arte è sì bene rifugio, ma sostanzialmente rappresenta il bello, dimostra che l’uomo è capace di grandi azzardi e di mettersi sempre in gioco sperimen- tando forme nuove di espressione; l’arte è tecnica e insieme fantasia, ovvero un connubio unico e per questo quasi magico tra terra e cielo. -
Catalogo 144 TENDENZE INFORMALI
COMUNE DI BRESCIA CIVICI MUSEI D’ARTE E STORIA PROVINCIA DI BRESCIA ASSOCIAZIONE ARTISTI BRESCIANI TENDENZE INFORMALI DAGLI ANNI CINQUANTA AI PRIMI ANNI classici del contemporaneo SETTANTA NELLE COLLEZIONI BRESCIANE mostra a cura di Alessandra Corna Pellegrini 144 aab - vicolo delle stelle 4 - brescia 22 settembre - 17 ottobre 2007 orario feriale e festivo 15.30 - 19.30 edizioni aab lunedì chiuso L’AAB è orgogliosa di inaugurare la stagione 2007/2008 con una prestigiosa esposizione, di rilievo certamente non solo locale, che propone opere di artisti fra i più rappresentativi dell’Informale. La mostra prosegue la fortunata serie “Classici del contemporaneo” dedicata al collezionismo della nostra provincia, che ha già proposto artisti come Kolàr, Demarco, Fontana, Munari, Birolli, Dorazio, Vedova, Fieschi, Adami, Baj ed esponenti della Nuova Figurazione. La curatrice della rassegna, la storica dell’arte Alessandra Corna Pellegrini, ha selezionato un nucleo essenziale di opere (34) che rappresentano esempi molto significativi dell’esperienza e del linguaggio di un movimento pur tanto complesso e così difficile da circoscrivere come l’Informale e dimostrano l’alta qualità delle collezioni bresciane, sia pubbliche sia private. L’impegno dell’AAB, scientifico organizzativo finanziario, può ben essere documentato dall’importanza internazionale degli autori proposti, da Dubuffet Mathieu Schneider a Afro Basaldella Corpora Dorazio Fontana Morlotti Santomaso Scanavino Scialoja Tancredi Turcato. L’esposizione, come è prassi costante dell’Associazione, -
UNA Mag July-Sep 2007.Qxp
NEWWORLD News and comment on the United Nations and UNA–UK On track or derailed? Progress towards the UN Millennium Development Goals PLUS: Justice not Vengeance It’s time to ditch the death penalty 2007 Review of UN Peace Operations Page 14 War and Democratic Accountability Page 20 UNITED NATIONS ASSOCIATION OF THE UK 3 Whitehall Court, London SW1A 2EL The UN Human Rights Council Page 22 www.una.org.uk Cartooning for Peace Page 35 £3.00 July–September 2007 Global Warming and the WI Page 38 UNA-UK CONTENTS Letter from the Executive Director 3 UNAUK Directory 4 UN: Miscellany 5 070707: the MDG Halfway Point 6 2007 Review of UN Peace Operations 14 UNAUK in Parliament 17 Annual Conference 2007 18 Waging War and Democratic Accountability 20 The UN Human Rights Council 22 It’s Time to Ditch the Death Penalty 26 The Oxford Handbook on the United Nations 29 Cartooning for Peace 35 UNA Westminster Pays Tribute to Peacekeepers 36 The Women’s Institute Tackles Waste 38 The Membership at Work 39 What’s On? 40 Books on the UN 41 Web Resources and Letters 42 Young Professionals Network 43 Newer World 46 MDGs Progress Chart 48 New World Subscription: is published by UNA-UK, 3 Whitehall Court, London SW1A 2EL Copies of New World are included in the membership fee for UNA-UK. www.una.org.uk Design: Advertisements: John Schwartz, [email protected] To advertise please call Veronica Lie on 020 7766 3451. The United Nations Association of Great Britain and Northern Ireland is ISSN: a company limited by guarantee (registered no. -
English Academy (FEA), India, Since 2018
CONTENTS 1. Mandate of the Regional Centre for Biotechnology IV 2. From the Executive Director’s Desk V 3. Executive Summary VIII 4. Scientific Reports Structural Biology 01 Molecular Medicine 10 Infectious Disease Biology 22 Cancer & Cell Biology 32 Agricultural Biotechnology 40 Systems & Synthetic Biology 50 Publications & Patents 58 5. Academic & Training Activities 63 6. Extramural Activities & Networking 82 7. Research & Innovation Infrastructure 91 8. Financial Statements 103 9. Institutional Governance 108 Mandate of the Regional Centre for Biotechnology he mandate of the Regional Centre for Biotechnology (RCB) is to provide a platform for biotechnology education, training and research at the interface of multiple Tdisciplines. The programs of the Centre are designed to create opportunities for students to engage in multi-disciplinary research where they learn biotech science while integrating engineering, medicine and natural sciences, to provide solutions for human and animal health, agriculture and environmental technologies. The vision is to produce human resource tailored to drive innovation in biotechnology, particularly in areas of new opportunities and also to fill talent gaps in deficient areas. The Centre is regarded as a “Category 2 Centre” in terms of the principles and guidelines for the establishment and functioning of UNESCO Institutes and Centres. The objectives of the Regional Centre for Biotechnology are: 1. to disseminate and to advance knowledge by providing instructional and research facilities in such branches of biotechnology and related fields as it may deem fit including technology policy development, 2. to provide capacity-building through education, training, research and development in biotechnology and related academic fields for sustainable development objectives through regional and international cooperation, 3. -
Prof Vrati, Representatives from the Government of India, Colleagues from the RCB, Participants in the Various Science Competitions, Ladies and Gentlemen
‘Celebrating World Science Day’ Tuesday, 5 November 2019, UNESCO Regional Biotechnology Centre, New Delhi Address by Mr Eric Falt Director and UNESCO Representative for India, Bhutan, Maldives and Sri Lanka Prof Vrati, Representatives from the Government of India, Colleagues from the RCB, Participants in the various science competitions, Ladies and gentlemen, It is a pleasure to be here at RCB once again today. Each time I come here, this campus has grown, and the progress made in 5 years since the campus was started, is truly remarkable. In view of the planned visit of the UNESCO Director-General next year, I sincerely hope that she can also visit this UNESCO category 2 centre. Today we are here to celebrate world science day for peace and development. At the same time, we celebrate individual and team achievements in promoting science, notably teams of young scientists who have come up with innovative solutions to address specific SDGs. It is not a coincidence that the two events are held together. When UNESCO was created in 1945, a late decision was made to include Science in our mandate. This was because with the industrial revolution and 2 world wars came a growing realization that science was capable of great contributions but that it also comes with great responsibility and indeed risks for humankind. Today that mix of optimism and caution is more relevant than ever. We have been able to develop worldwide computer and communication networks, fast transport that takes us across the world in a few hours. We even go to other planets. -
Corporate Social Responsibility in Lebanon
LEBANESE TRANSPARENCY ASSOCI A TION Corporate Social Responsibility in Lebanon The Lebanese Transparency Association P.O. Box 05-005, Baabda , Lebanon Tel/Fax: 169-9-510590; 169-9515501 [email protected] www.transparency-lebanon.org The Lebanese Transparency Association PO Box 05 005 Baabda, Lebanon Telephone +169 9 510590 • Fax +169 9 515501 www.transparency-lebanon.org LEBANESE TRANSPARENCY ASSOCIATION Introduction Corporate social responsibility (CSR) at its best practice can be defined as the overall management process that accompanies all the efforts of an organization within the limits of a certain ethical conduct. CSR starts internally within the organization as a set of beliefs and values of all the human resource. In such a case the organization will naturally communicate those ethical values through: 1. Personal interaction level (Meetings, promotions, events, media gatherings) 2. Corporate communications (press releases, webpage, print communications, product labels, advertising campaigns, brand building strategies, corporate logo) In effect and as illustrated in Fig 1, these communicated beliefs will result in added trust towards the organizations’ overall image and will potentially increase business and sustain development in the long run. In the ideal case, CSR is conducted as part of and adapted to the business strategy and vision, which is normally defined by the top management. According to the St. Galler Management Concept (University of St. Gallen, Bleicher 1991), these principles should be realized by the strategical and operational management levels. The whole strategy is therefore conducted by the whole company and becomes a part of the company’s identity. To act socially responsible and to integrate CSR in a businesses’ strategy has eventually the aim of increasing sales revenues and achieving profits, as opposed to purely philanthropic actions. -
Observing International Youth Day 2019 'Transforming Education'
OBSERVING INTERNATIONAL YOUTH DAY 2019 ‘TRANSFORMING EDUCATION’ Friday 9 August 2019 UNESCO Auditorium, 1 San Martin Marg, Chanakyapuri, New Delhi 1. INTRODUCTION In 1999, the UN General Assembly proclaimed 12 August as International Youth Day. The Day serves as an annual celebration of the role of young women and men as essential partners for change, and an opportunity to build awareness about contemporary challenges facing youth. The theme for International Youth Day 2019 is ‘Transforming Education’, which highlights the importance of learning systems, the acquisition of information and knowledge, and the capacity development of youth. Rooted in Goal 4 of the 2030 Agenda for Sustainable Development – to ‘ensure inclusive and equitable quality education and promote lifelong learning opportunities for all’ – International Youth Day 2019 will examine how young people, youth‐focused organizations and other stakeholders are transforming educational practices, tools and services in order to help achieve the 2030 Agenda for Sustainable Development. 2. YOUTH ENGAGEMENT @ UNESCO UNESCO’s youth‐related interventions are guided by the organization’s Operational Strategy on Youth 2014–2021. This strategic framework recognizes youth as equal actors and partners for development and peace, and encourages the mainstreaming of youth in all actions and programmes. UNESCO promotes youth‐led action and strengthens the capacities of young leaders and youth‐led organizations with a particular focus on activities within the organization’s mandated areas of work that help strengthen civic participation, social innovation and democratic engagement. Globally, UNESCO manages a wide range of youth engagement programmes. The organization has also begun in several member states to facilitate the formulation of public policies with the participation of youth. -
OCTOBER-2019 JNANAGANGOTHRI Monthly Current Affairs 1
OCTOBER-2019 JNANAGANGOTHRI Monthly Current Affairs WWW.IASJNANA.COM 1 OCTOBER-2019 JNANAGANGOTHRI Monthly Current Affairs the JSS Academy of Higher Education and State Research at Varuna village. 1. Mysuru Dasara festival inaugurated in On the third day on October 12, Mr.Kovind Karnataka will visit Swami Vivekananda Yoga The ten-day Mysuru Dasara festival was Anusandhana Sansthana in Bengaluru after a inaugurated by Kannada novelist Dr. S L breakfast meeting with Chief Justice and Bhyrappa by offering floral tributes to the Judges of Karnataka High Court and also idol of Goddess Chamundeshwari atop paying a visit to the house of former Union Chamundi Hill. Chief Minister B S Minister Late H N Ananth Kumar. Yediyurappa and other dignitaries were present on this occasion. 3. Autorickshaw owners in AP to get Rs 10,000 The festival will be marked by cultural as grant programmes, sports events, wrestling The Andhra Pradesh Government launched a competition, film and food festival, book welfare scheme- YSR Vahana Mitra - under exhibition, flower shows. The festivities will which the owner-driver of an auto-rickshaw, or culminate with the grand elephant procession taxicab, gets Rs 10,000 grant per annum. on Vijayadashmi day. More than 1.73 lakh auto owner-drivers would benefit from this scheme and only 2,000 or so applications had been rejected. The The cultural capital of Karnataka and city of Government had allocated Rs 400 crore for it. palaces is decked up for the world-famous Dasara festivities. The illuminated palaces, 4. 63rd Dhammachakra Pravartan Din to be fountains, flower decorations and the display celebrated Nagpur of tradition and heritage are drawing crowds in In Maharashtra, 63rd Dhammachakra large numbers from across the world. -
CAROLINE Imbertfine
CAROLINE IMBERT Fine Art JEAN PLANTU(Paris 1951) "Pompidou" Signed lower right: Plantu Black felt-tip: 19.5 x 9 cm Artist Biography: All rights reserved 1951: Jean Plantureux, known as Plantu, is born in Paris. 1969: Plantu passes his baccalauréat after studying at the Lycée Henri IV in Paris 1971: He abandons his medical training and leaves for Brussels where he attends drawing classes at The Academy of St. Luke founded by Hergé. 1972: He returns to Paris and shows his drawings to several newspaper editors before starting at Le Monde. On 1st October Bernard Lauzanne, editor of Le Monde, publishes a drawing by Plantu (relating to the Vietman War) for the first time. 1974: Claude Julien, director of Le Monde Diplomatique commissions Plantu to produce a monthly drawing on the theme of the Third World. 1980: Plantu begins to work with the newspaper Phosphore - he continues to provide them with illustrations until 1986. 1982: André Laurens, director of Le Monde, and Claude Lamotte, editor, ask Plantu to make a drawing for the front page every Saturday. He takes part in the programme Droit de Réponse on TFI (French television). 1985: The director of publication, André Fontaine, established the practise of showing a Plantu drawing every day on the front page of the newspaper in order "to rivive the French tradition to political drawing" 1988: Winner of the Mumm Champagne Award 1989: Winner of the prize for black humour 1991: He joins the weekly magazine L'Express. At an exhibition of his work in Tunis in November of the same year Plantu meets Yasser Arafat and invites him to comment on his drawings. -
Oceans & Coasts
The UNEP Magazine for Youth for young people · by young people · about young people Oceans & Coasts Deep mysteries Heating up Pollution alert Swimming with Ocean power sharks Meet Ellen MacArthur TUNZA the UNEP Magazine for Youth is available at www.ourplanet.com Contents United Nations Environment Programme (UNEP) Editorial 3 PO Box 30552, Nairobi, Kenya Tel (254 20) 621 234 Fax (254 20) 623 927 Heating up 4 Telex 22068 UNEP KE E-mail [email protected] Deep mysteries 6 www.unep.org ISSN 1727-8902 Swimming with sharks 7 Director of Publication Eric Falt TUNZA answers your questions 8 Coordinator Wondwosen Asnake Editor Geoffrey Lean Guest Editor Erin Senff Ripple effect 9 Nairobi Coordinator Naomi Poulton Circulation Manager Manyahleshal Kebede Saving fisheries 10 Youth Contributors Leyla Acaroglu, Australia; Millicent Burggraf, Australia; Ibrahim Ceesay, Gambia; Sarah and Protect to prosper 11 Kate Charters, Australia; Yazmin Lucero Cobos Becerra, Colombia; Kate de Mattos, UK; Ding Chen, China; Gerard Ocean power 12 G. Dumancas, Philippines; Oliver Goh, Singapore; Tatiane Guimarães, Brazil; Priyank Gupta, India; Rosidah Hardiani, Indonesia; Rahima Indria, Indonesia; Suffocating the sea 14 Lester Louis L. López, Philippines; Yvonne Beatrice Masilingi Maingey, Kenya; George Muchina Nguri, Coast-effective 15 Kenya; Tan Jack Young, Singapore; Reinier A. Tinapay, Philippines; Aleksandra Tomkiewicz, Poland; Elizabeth Winning ways 16 Tubbs, UK; Uli Wilke, Germany Other Contributors Adrian Chia; Ron Douglas, City Finding solutions 16 University -
Export / Import: the Promotion of Contemporary Italian Art in the United States, 1935–1969
City University of New York (CUNY) CUNY Academic Works All Dissertations, Theses, and Capstone Projects Dissertations, Theses, and Capstone Projects 2-2016 Export / Import: The Promotion of Contemporary Italian Art in the United States, 1935–1969 Raffaele Bedarida Graduate Center, City University of New York How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gc_etds/736 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] EXPORT / IMPORT: THE PROMOTION OF CONTEMPORARY ITALIAN ART IN THE UNITED STATES, 1935-1969 by RAFFAELE BEDARIDA A dissertation submitted to the Graduate Faculty in Art History in partial fulfillment of the requirements for the degree of Doctor of Philosophy, The City University of New York 2016 © 2016 RAFFAELE BEDARIDA All Rights Reserved ii This manuscript has been read and accepted for the Graduate Faculty in Art History in satisfaction of the Dissertation requirement for the degree of Doctor of Philosophy ___________________________________________________________ Date Professor Emily Braun Chair of Examining Committee ___________________________________________________________ Date Professor Rachel Kousser Executive Officer ________________________________ Professor Romy Golan ________________________________ Professor Antonella Pelizzari ________________________________ Professor Lucia Re THE CITY UNIVERSITY OF NEW YORK iii ABSTRACT EXPORT / IMPORT: THE PROMOTION OF CONTEMPORARY ITALIAN ART IN THE UNITED STATES, 1935-1969 by Raffaele Bedarida Advisor: Professor Emily Braun Export / Import examines the exportation of contemporary Italian art to the United States from 1935 to 1969 and how it refashioned Italian national identity in the process.