Pope Gregory VII= Only the Pope Could Appoint Bishops and Abbots O Political and Economic Life

Total Page:16

File Type:pdf, Size:1020Kb

Pope Gregory VII= Only the Pope Could Appoint Bishops and Abbots O Political and Economic Life ART HISTORY AP ROMANESQUE ART EUROPE IN THE ROMANESQUE PERIOD o small political and economic units o 1075: Pope Gregory VII= only the pope could appoint bishops and abbots o Political and Economic Life . agricultural society . feudalism: system of subordinates and vassals . The Worcester Chronicle 3 classes of medieval society: the king and nobles, the churchmen, and the peasant farmers earliest known illustrated recorded of contemporary events in England o The Church . church and state had forged an often fruitful alliance . secular and religious authority became tightly intertwined . Pilgrimages Jerusalem, Rome, and Santiago de Compostela . Crusades despite the schism, Byzantine emperor asked the pope for help in his war with the Muslims expeditions against Islamic powers 1st Crusade: 1088-1099 o crusaders captured Jerusalem in 1099 1147 Crusade accomplished noting 3rd Crusade: Saladin recaptured Jerusalem, sparking initiative 1192: truce with the Muslims o Intellectual Life . time of intellectual ferment . rediscovered the classical Greek and Roman texts . 1st universities: Bologna, Paris, Oxford, and Cambridge . monastic communities continued to play an important role dominant order: the Benedictines ROMANESQUE ART o Romanesque= in the Roman manner o 11th -12th century European architecture and art o solid masonry walls o rounded arches and vaults characteristic of imperial Roman buildings o great building activity: castles, manor houses, churches, and monasteries arose everywhere o Architecture . master builders process of building could be slow, several different masters and teams of masons over the years . added apses or wide projecting transepts, creating complex sanctuaries . variety of arrangements of ambulatories (walkways) and chapels . adopted the stone masonry developed by Lombard and Catalan builders . masonry vaults enhanced acoustics . two-towered west façade= the gateway to paradise . The Early Romanesque Styles: The “First Romanesque” The Church of Sant Vincenc, Cardona . The “Pilgrimage Church” The Cathedral of Saint James in Santiago de Compostela The Monastery of Cluny in Burgundy The Abbey Church of Saint Peter . The Cistercians spurned Cluny’s elaborate liturgical practices and emphasis on the arts reform began in 1098 strict mental and physical discipline devoted to prayer and intellectual pursuits The Abbey and Church of Notre-Dame at Fontenay . Regional Styles in Romanesque Architecture Early Christian Inspiration in Pisa Monte Cassino and Rome; the Church of San Clemente, Rome Barrel Vaulted Church of Saint-Savin-sur-Gartempe Four-Part Ribbed Vaults of Sant’Ambrogio, Milan The Imperial Cathedral of Speyer Experimental Vaults in Durham The Church of Saint-Etienne, Caen . Secular Architecture: Dover Castle, England THE DECORATION OF BUILDINGS o Architectural Sculpture . architecture dominated the arts . provided the physical context for sculpture and painting . most important imagery is usually in the semicircular tympanum directly over the door . archivolts- curved molding composed of the wedge-shape stone voussoirs of the arch- frame the tympanum . also on jambs and central pier (trumeau) . Wiligelmus at the Cathedral of Modena . Priory Church of Saint-Pierre, Moissac . Gislebetrus and The Last Judgement at Autun o Historiated Capitals . compression of instructive narrative scenes into the geometric confines of column capitals, a feature known as the historiated capital . Suicide of Judas o Mosaics and Murals . painted decoration largely replaced mosaics on the walls of churches . greater number of churches led to the use of less expensive materials and techniques . The Mosaics of San Clement, Rome . Murals in Taull (Tahull), Catalunya, Spain, Christ in Majesty . Murals in the Church of Saint-Savin-sur-Gartempe, France Tower of Babel THE CLOISTER CRAFTS o monastic workshops continued to dominate the production of works of art o Portable Sculpture . painted wood used for churches with limited means . devotional images were frequently carried in procession . Christ on the Cross (Majestat Batillo) . Mary as the Throne of Wisdom o Metalwork . Tomb of Rudolf of Swabia . Reiner of Huy o Illustrated Books . output of books increased dramatically . Saint Matthew in the Codex Colbertinus . The German Nun Guda . The Hellmouth in the Winchester Psalter . Cisterian Devotion to Mary, The Tree of Jesse .
Recommended publications
  • Catalonian Architectural Identity
    Catalan Identity as Expressed Through Architecture Devon G. Shifflett HIST 348-01: The History of Spain November 18, 2020 1 Catalonia (Catalunya) is an autonomous community in Spain with a unique culture and language developed over hundreds of years. This unique culture and language led to Catalans developing a concept of Catalan identity which encapsulates Catalonia’s history, cuisine, architecture, culture, and language. Catalan architects have developed distinctly Catalan styles of architecture to display Catalan identity in a public and physical setting; the resulting buildings serve as a physical embodiment of Catalan identity and signify spaces within Catalan cities as distinctly Catalonian. The major architectural movements that accomplish this are Modernisme, Noucentisme, and Postmodernism. These architectural movements have produced unique and beautiful buildings in Catalonia that serve as symbols for Catalan national unity. Catalonia’s long history, which spans thousands of years, contributes heavily to the development of Catalan identity and nationalism. Various Celtiberian tribes initially inhabited the region of Iberia that later became Catalonia.1 During the Second Punic War (218-201 BC), Rome began its conquest of the Iberian Peninsula, which was occupied by the Carthaginians and Celtiberians, and established significant colonies around the Pyrennees mountain range that eventually become Barcelona and Tarragona; it was during Roman rule that Christianity began to spread throughout Catalonia, which is an important facet of Catalan identity.2 Throughout the centuries following Roman rule, the Visigoths, Frankish, and Moorish peoples ruled Catalonia, with Moorish rule beginning to flounder in the tenth-century.3 Approximately the year 1060 marked the beginning of Catalan independence; throughout this period of independence, Catalonia was very prosperous and contributed heavily to the Reconquista.4 This period of independence did not last long, though, with Catalonia and Aragon's union beginning in 1 Thomas N.
    [Show full text]
  • Definition[Edit]
    Romanesque architecture is an architectural style of medieval Europe characterized by semi-circular arches. There is no consensus for the beginning date of the Romanesque architecture, with proposals ranging from the 6th to the 10th century. It developed in the 12th century into the Gothic style, marked by pointed arches. Examples of Romanesque architecture can be found across the continent, making it the first pan-European architectural style since Imperial Roman Architecture. The Romanesque style in England is traditionally referred to as Norman architecture. Combining features of ancient Roman and Byzantine buildings and other local traditions, Romanesque architecture is known by its massive quality, thick walls, round arches, sturdy piers, groin vaults, large towers and decorative arcading. Each building has clearly defined forms, frequently of very regular, symmetrical plan; the overall appearance is one of simplicity when compared with the Gothic buildings that were to follow. The style can be identified right across Europe, despite regional characteristics and different materials. Many castles were built during this period, but they are greatly outnumbered by churches. The most significant are the great abbeychurches, many of which are still standing, more or less complete and frequently in use.[1] The enormous quantity of churches built in the Romanesque period was succeeded by the still busier period of Gothic architecture, which partly or entirely rebuilt most Romanesque churches in prosperous areas like England and Portugal. The largest groups of Romanesque survivors are in areas that were less prosperous in subsequent periods, including parts of southern France, northern Spain and rural Italy. Survivals of unfortified Romanesque secular houses and palaces, and the domestic quarters of monasteries are far rarer, but these used and adapted the features found in church buildings, on a domestic scale.
    [Show full text]
  • Carolingian and Romanesque Architecture 800 to 1200
    KENNETH JOHN CONANT CAROLINGIAN AND ROMANESQUE ARCHITECTURE 800 TO 1200 PUBLISHED BY PENGUIN BOOKS CONTENTS LIST OF FIGURES » LIST OF RESTORATION STUDIES XV LIST OF PLATES xvu FOREWORD XXV MAPS xxvii Part One The Pre-Romanesque and Proto-Romanesque Styles 1. THE PREPARATION FOR MEDIEVAL ARCHITECTURE I The Institutional Background i The Leaders - The Architectural Ambit - Monastidsm Primitive and Local Architectural Trends 4 The Persistence of Roman Architectural Ideas and Practice 6 The Transition from Roman to Early Medieval Architecture 7 2. THE CAROLINGIAN ROMANESQUE II Northern Architecture in the Reign of Charlemagne, 771-814 11 Church Architecture in the Northern Part of the Empire under the Later Carolingians 20 Germany - France 3. PRE-ROMANESQUE ARCHITECTURE IN THE NORTH, OUTSIDE THE EMPIRE 3° Ireland 30 Ninth- and Tenth-Century Architecture in Saxon England 32 Scandinavia 34 4. PROTO-ROMANESQUE ARCHITECTURE IN SOUTHERN EUROPE 42 The Asturian Style 42 The Mozarabic Style in Northern Spain 46 The Lombard Kingdom 52 The Byzantine Exarchate 53 Part Two The Earlier Romanesque Styles 5. THE 'FIRST ROMANESQUE* 57 Lombardy 57 Dalmatia 60 Catalonia and Andorra 61 vii CONTENTS The Kingdom of Aries 65 Germany 65 6. ROMANESQUE ARCHITECTURE IN GERMANY UNDER THE SAXON AND FRANCONIAN EMPERORS (936-II25) 67 The Ottomans 67 The Salian or Franconian Emperors 73 7. FRANCE: 900-1050 79 The Ambulatory 79 Burgundian Developments 80 The Spacious Wooden-Roofed Basilicas 87 Part Three The Mature Romanesque as Inter-Regional and International Architecture 8. THE GREAT CHURCHES OF THE PILGRIMAGE ROADS 91 The Preparation: General Considerations 91 St Martin at Tours 96 St-Martial at Limoges 97 Ste-Foi at Conques 98 St-Sernin at Toulouse and Pilgrimage Sculpture 98 Santiago de Compostela, Goal of the Pilgrimage 99 9.
    [Show full text]
  • Historical Introduction
    HISTORICAL INTRODUCTION The arts of music, drama, and public discourse have both influenced and been influenced by the acoustics and architecture of their presentation environments. It is theorized that African music and dance evolved a highly complex rhythmic character due, in part, to its being performed outdoors-rather than the melodic line of early European music. Wallace Clement Sabine (1868–1919), an early pioneer in architectural acoustics, felt that the development of a tonal scale in Europe rather than in Africa could be ascribed to the differences in living environment. In Europe, prehistoric tribes sought shelter in caves and later constructed increasingly large and reverberant temples and churches. Gregorian chant grew out of the acoustical characteristics of the gothic cathedrals, and subsequently Baroque music was written to accommodate the churches of the time. In the latter half of the twentieth century both theater design and performing arts became technology driven, particularly with the invention of the electronic systems that made the film and television industries possible. With the development of computer programs capable of creating the look and sound of any environment, a work of art can now not only influence, but also define the space it occupies. 1.1 GREEK AND ROMAN PERIOD (650 bc - AD 400) Early Cultures The origin of music, beginning with some primeval song around an ancient campfire, is impossible to date. There is evidence (Sandars, 1968) to suggest that instruments existed as early as 13,000 bc. The understanding of music and consonance dates back at least to 3000 bc, when the Chinese philosopher Fohi wrote two monographs on the subject (Skudrzyk, 1954).
    [Show full text]
  • Is There a Pre-Romanesque Style in Architecture'?
    Having analysed the essential characteristics of the archi• Is There a Pre-Romanesque tecture of ćhe Christian West between the 8th and ćhe llth c ent«ry, the a u thor p t>ts foru'ard hi s c onviction t hat a Pre-Ro»>anesque expression is preceding the Romanesque Style in Architecture'? style. The distingt>ishing features of the Pre-Romanesque architecture are biwxiality, the absence of correspondence between the interior organization of space and that of the Dr. Vladimir P . Goss exterior u>all-surfaces, the presence of hidden inćerior t<nits undistinguishable from the outside, and spatial discontinui• Foll professor of M i chigan university, t y. The author enu»>eraćes and exarnines in d e tail t h e Ann Arbor examples from Dalmatia, Switzerland, Spain, England, and Moravia, but he finds tl>e Pre-Ro»>anesque traits parćially in the architecture of the Eastern Christianićy too. From his Original scientific paper pape>' e»>erges a picture of a s lon>, gradual and tortuous ćransition of the Medieval World from ićs childhood and youth to full maturity. As we all k n ow , t h e n a mes of m e d ieval ar t s t y les the way in c h ich the architect communicates his con• are rather arbitrary. But, while we more or less under• cepts to his public. Definitions of the Romenesque em• stand what we mean when we use the word » R omanes• phasizing the points brought up i n t h e fe w p r eceding q ue« o r » Gothic«, there does no t s eem t o b e m u c h lines have been forwarded by scholars such as Baum, a greement as t o t h e m e aning anđ scope
    [Show full text]
  • Barcelona Abstracts
    CATALONIA IN THE ROMANESQUE PERIOD Expansion in Twelfth Century Catalonia. Counties, Towns and the Church Maria Bonet Donato The Catalan territories experienced very significant territorial expansion and economic growth in the twelfth century. New institutions and new forms of government responded to these changes and boosted them. This can be seen in the redefinition of county power, the beginnings of urban governance and the introduction of new ecclesiastical organizations. In the early twelfth century, the Catalan counties were a mosaic of political powers while by the end of the century they were to some extent subject to the hegemony of the County of Barcelona, whose holder was the King of Aragon. As Count of Barcelona, Ramon Berenguer IV reinforced his leadership thanks to his marriage with the heiress to the kingdom of Aragon. Additionally, he became pre-eminent among other regional powers with the conquest and administration of the Southern lands from mid-century. From then on signs of population and economic growth become evident, manifesting themselves in the proliferation of villages, the development of cities, and an increase of artisanal, agricultural and commercial activity. As with the political situation, Barcelona lead the rise in commerce, although other towns prospered as regional centers. Social and economic developments called for a new organization of power, in order to guarantee peace, and favor commerce and military efficiency. The Count and his son, King Alfonso II, known as Alfonso the Chaste, claimed responsibility for these things, just as they did military leadership. However, in practice, they favored the deployment of other powers in the territories under their dominion, urban or ecclesiastical institutions as well as their own delegates.
    [Show full text]
  • ROMANESQUE 11Th-13Th C/BCN 16
    ENG 16 Roman wall from the late imperial period Constructions from the 12th-13th century Later Gothic constructions 1 Episcopal Palace C. del Bisbe, 5 Two wings of three floors of the Romanesque episcopal 3 Balmesiana Paintings residence built about 1160 remain, set at right angles and 2 Tower of the Dean’s Residence C. de Duran i Bas, 9 Av. de la Catedral and Pla de la Seu opening onto the main courtyard, with arched porticoes and Paintings taken from a house demolished 4 Windows of La Canonja and L’Almoina 5 Count’s Residence within the Great Royal Palace ROMANESQUE sculpted capitals on the piano nobile or main floor (12th-13th c.). Tower of the Roman wall, with windows to allow construction of the Balmesiana Av. de la Catedral and C. de la Tapineria Pl. del Rei and courtyard of the Frederic Marès Museum Chapel of Sant Llàtzer 23 with double Romanesque arches Foundation, where they are currently Polygonal tower of the Roman wall with double Remains of the count’s residence from the early Romanesque period, Pl. del Padró, 2 and c. de Sant Llàtzer, 1-7 11th-13th C/BCN (12th-13th c.). Nearby are the exhibited. The paintings show plant, Romanesque-arch windows (12th-13th c.). The adjacent integrated into the Palau Reial (Royal Palace). Still remaining are the Chapel of a traveller’s hospital, probably built in the middle Neo-Romanesque windows of the towers animal and heraldic motifs and section of wall is topped by a section of wall with a barrel vaults of the ground floor and the two longitudinal façades of of the 12th century.
    [Show full text]
  • Building Monastic Cloisters in the Iberian Peninsula (8Th-11Th Centuries): Regular Layouts and Functional Organization1 GERARDO BOTO VARELA
    Building Monastic Cloisters in the Iberian Peninsula (8th-11th centuries): Regular Layouts and Functional Organization1 GERARDO BOTO VARELA UDC: 726.71(365)"07/10" G. Boto Varela Original scientific paper Institut de Recerca Històrica Manuscript received: 03. 09. 2016. Facultat de Lletres - Universitat de Girona Revised manuscript accepted: 26. 01. 2017. Pl. Ferrater Mora, 117071 Girona DOI: 10.1484/J.HAM.5.113716 Spain [email protected] As is well known, the cloisters of monasteries and cathedrals were being designed as quadrilaterals with porches and rooms arranged around the perimeter by the end of the eighth century. We know how they developed from philological (Fontanelle), documental (Sankt Gallen) and archaeo- logical studies (Munstair, Lorsch or Fulda). The same formula was used in France throughout the 10th and 11th centuries, as is evidenced by the cloisters of Autun, Vezelay and Cluny II, which was originally made of wood until Odilo (994-1049) rebuilt it in marble. Recent findings at the Catalan monastery of Ripoll raise the possibility that full square cloisters were being built south of the Pyrenees before 1000. This cloister should be studied in relation to other Catalan enclosures such as Sant Cugat (beginning 11th c.) which had a stone portico from the outset, or the lower cloister at Sant Pere de Rodes. The morphology of these enclosures can be explained through comparison with other early Catalan examples. Nevertheless, the international literature has ignored the possibility that there were regular square or half square cloisters in the Iberian Peninsula from the Visigothic period onwards. It is possible that Carolingian proposals were not the only way of experimenting with quadrangle cloister layouts in both monasteries and cathedrals in Mediterranean Europe during the High Middle Ages.
    [Show full text]
  • Four-Centuries-Of-European-Art.Pdf
    I Vladimir P. Goss FOUR CENTURIES OF EUROPEAN ART: 800-1200 A VIEW FROM SOUTHEAST Published by Golden marketing-Tehnicka knjiga Jurisiceva 10, Zagreb, Croatia For the Publisher Ana Resetar Editor Mirjana Paic-Jurinic Reviewers Vlasta Begovic, PhD Ivan Gerat, PhD Marina Vicelja, PhD Copyright© 2010, Golden marketing-Tehnicka knjiga, Zagreb All rights reserved ISBN 978-953-212-395-1 Vladimir P. Goss FOUR CENTURIES OF EUROPEAN ART: 800-1200 A VIEW FROM SOUTHEAST Golden marketing-Tehnicka knjiga Zagreb, 2010 CONTENTS Art Forms. 7 The Southeastern Border of Carolingian Architecture . 19 Romanesque Sculpture as Public Medium. 101 Pannonia Romanica . 157 The Big Circle, the Missing Link, and the Moral of the Story . 223 Conclusion: Borders of Art History in Europe without Borders . 249 Bibliography . 253 List of illustrations. 273 Index . 279 About the Author . 291 5 ART FORMS istory of Art is the history of artistic forms. They manifest themselves in archi­ tecture, sculpture and painting, or in combinations or extensions thereof. The H borderlines are sometimes fu:a:y, but this is not too important. The repertoire of forms contained by a work of fine art is the same, regardless of which branch of fine arts is involved. Fine art forms communicate, i. e. they bear a message. They are not just any visual forms, but forms with content. If there is a message, there must be a system of recog­ nizable signs that we read in order to receive the message. In verbal arts things may ap­ pear simple and straightforward. We just have to learn how to read, meaning, we must know the alphabet, a system of visual signs which make up a language and its written communications.
    [Show full text]
  • The Movable and Immovable Heritage of the Aran Valley and Its Management
    Structural Studies, Repairs and Maintenance of Heritage Architecture XIV 469 The movable and immovable heritage of the Aran Valley and its management E. Ros Barbosa Airau de Patrimoni Cultural, Conselh Generau d’Aran, Spain Abstract Aran Valley, on the north-west side of Catalonia, is located on the septentrional gradient of the central Pyrenees, constituting the source of the Garona River. It borders with France in the north and Aragon in the west. This particular locality, and its singular history, have made this valley a strategic area since medieval times. A consequence of this is the conservation of rich, mainly ecclesiastic, movable and immovable heritage, managed by the “Comission d’Auviatge (heritage) dera Val d’Aran”, an assessing organism of the Conselh Generau d’Aran. This organism has an integral composition and functionality that differs from the Heritage Commissions that we can find in other places. This paper lays out the rich and unknown heritage of Aran Valley that comprehends the immaterial, natural, movable and immovable heritage, concentrating the attention on the latter two and in their management through the control of the state administrations. The particularities and challenges that assume the conservation of such a rich and large heritage are exposed. Keywords: Aran Valley, Aran Valley, Val d’Aran, immovable heritage, movable heritage, heritage management, Romanesque architecture, wooden Romanesque sculpture, wooden Gothic sculpture, mural painting. 1 Geographical, historical and cultural framework Aran Valley – Valle de Arán in Spanish or Val d’Aran in Aranese, the native language – is located on the northern gradient of the Pyrenees (Province of Lleida, Spain).
    [Show full text]
  • Jaca Monuments the History and Highlights of Jaca the History of Jaca
    Jaca Monuments The history and highlights of Jaca The History of Jaca Over the centuries, Celtic, Roman, Carolingian, Arabic, Jewish and make Jaca its capital, converting it from a small farming settlement into Christian influences have gradually shaped the unique personality of this a large regal city. mountain area, explaining its role in the history of Aragon. But it was his son, Sancho Ramírez, who gave the final impetus to the The history of Jaca really began in the 3rd century BC, when the Iberian development of Jaca by granting it a Charter in 1077. This was a set of Iaccetani people settled here and minted coins named Iacca. This was a laws to promote peaceful coexistence which converted the town into the cattle-raising community that lived for warfare and inhabited these lands Capital of the Kingdom of Aragon with the title of ‘City’. And the bishopric until 195 BC when the invading Romans under Marcus Pontius Caton of Aragon was transferred there. Many new residents were attracted by the expelled them. During the Roman and Visigothic periods, Jaca must possibilities of taking up the royal privileges and developing trade. have been an important town considering its strategic location between the Iberian Peninsula and France on the route across the Pyrenees. After The Aragonese monarchs also granted Jaca other privileges such as subsequent invasions by Suevians, Suessetanians and Visigoths, some the possibility of holding a weekly market and organising fairs. Jaca’s Muslim military outposts were set up to collect taxes for Islam. splendour was reaffirmed by its location on the Pilgrims’ Road to Santiago.
    [Show full text]
  • Vall De Boí (Spain) Religious but Also for Cultural and Community Matters
    their country churches, which where they met not only for Vall de Boí (Spain) religious but also for cultural and community matters. It should be added that, as well as the indisputable architectural Value of the group in the Vall de Boí itself, the No 988 National Museum of Catalan Art (MNAC) in Barcelona (the capital of Catalonia) contains wall paintings that once decorated the main churches. The decoration of the apse of Sant Climent de Taüll is acknowledged to be one of the masterpieces of Romanesque art. Identification The nomination to the World Heritage List of the Nomination The Romanesque Catalan Ensemble of the architectural group of Romanesque churches in the Vall de Vall de Boí Boí is completed with the inclusion of the wall paintings from Sant Climent de Taüll, Santa Maria de Taüll, and Sant Location Autonomous Community of Catalonia, Joan de Boí now in the MNAC in Barcelona. The Alta Ribagorça Region, Municipality of La exceptional nature of this nomination of properties that are Vall de Boí distant in geographical terms is justified for historical reasons of the highest order. During the 1920s the Catalan cultural State Party Spain authorities removed these paintings from the Boí churches because of the danger of their being exported abroad at a Date 28 July 1999; revised 14 June 2000 time when there was no legal control of the cultural heritage in Spain. As a result of this rescue operation, which is unique in the annals of European art, the paintings are now on permanent display in the Barcelona museum, which has been recently renovated.
    [Show full text]