Catalonia Experience and Discover Art and Culture INDEX
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Compota De Cobla Dossier Didàctic Índex
Compota de Cobla Dossier didàctic Índex 2 Presentació 3 Fitxa artística 4 Objectius i suggeriments didàctics 5,6 Material específic pel treball del concert 7,8 Breus apunts sobre la història de la cobla 9 a 15 Instrumentació 16,17 Discografía 18 Bibliografia i enllaços a Internet 1 Presentació La cobla és una de les formacions instrumentals més representatives de la música tradicional i popular catalana. D´entre els instruments que la configuren trobem instruments tant antics com el flabiol i tant peculiars com el tible o la tenora. El concert que us oferim vol ser una aproximació a aquesta agrupació instrumental. Presentar els diferents instruments, la seva constitució i possibilitats sonores i parlar de la història de la música popular catalana són alguns dels propòsits d´aquest espectacle. El conte “Compota de cobla” ens donarà la possibilitat d´escoltar els instruments per separat i gaudir del so de la cobla. A més a més, comptem amb una de les cobles de més prestigi del nostre país que seran els encar- regats de fer-nos passar una bona estona de concert: la Cobla Sant Jordi- Ciutat de Barcelona. Així doncs, esperem que el present dossier sigui d´interès. Us recomanem que el fullegeu amb temps i cura. 2 Fitxa artística COBLA SANT JORDI-CIUTAT DE BARCELONA Guió, coordinació i direcció artística: La Botzina Enric Ortí: tenora Josep Antoni Sánchez: tenora Presentador: Toni Cuesta Conte: Joana Moreno i Toni Cuesta Música del conte: Jordi Badia Producció: Cobla Sant Jordi-Ciutat de Barcelona i La Botzina WWW.coblasantjordi.cat 3 Objectius En el disseny de la present proposta de concert vàrem creure necessari assolir els següents objectius didàc tics: - Oferir música en directe a través d´una formació instrumental de mitjà format ( 11 músics) - Procurar que els oients s´ho passin bé gaudint d´un concert d´aquestes carecterístiques - Iniciar en el coneixement dels diferents instruments que formen part d´una cobla, escoltar el seu so i conèixer les característiques més destacables. -
Barcelona and the Paradox of the Baroque by Jorge Luis Marzo1
Barcelona and the Paradox of the Baroque By Jorge Luis Marzo1 Translation by Mara Goldwyn Catalan historiography constructed, even from its very beginnings, the idea that Catalunya was not Baroque; that is, Baroque is something not very "proper" to Catalunya. The 17th and 18th centuries represent the dark Baroque age, in contrast with a magnificent Medieval and Renaissance era, during which the kingdom of Catalunya and Aragón played an important international role in a large part of the Mediterranean. The interpretation suggests that Catalunya was Baroque despite itself; a reading that, from the 19th century on - when it is decided that all negative content about Baroque should be struck from the record in order to transform it into a consciously commercial and urban logo - makes implicit that any reflection on such content or Baroque itself will be schizophrenic and paradoxical. Right up to this day. Though the (always Late-) Baroque style was present in buildings, embellishments and paintings, it however did not have an official environment in which to expand and legitimate itself, nor urban spaces in which to extend its setup (although in Tortosa, Girona, and other cities there were important Baroque features). The Baroque style was especially evident in rural churches, but as a result of the occupation of principle Catalan plazas - particularly by the Bourbon crown of Castile - principal architectonic realizations were castles and military forts, like the castle of Montjuic or the military Citadel in Barcelona. Public Baroque buildings hardly existed: The Gothic ones were already present and there was little necessity for new ones. At the same time, there was more money in the private sphere than in the public for building, so Baroque programs were more subject to family representation than to the strictly political. -
Advent at Home 2020 We Wait for Jesus
We Wait for Jeus Advent 2020 to Epiphany 2021 At Home Worship Guide Advent to Epiphany At Home 2020 November 29, 2020 through January 6, 2021 Written by Talashia Keim Yoder Edited by Shana Peachey Boshart and Wil LaVeist Designed by Caleb Gingerich This material may be reproduced and adapted by Mennonite Church Canada and Mennonite Church USA congregations free of charge. If making changes, please add an explanatory note to acknowledge adaptations and credit those who made the changes. We would love to hear how you are using this material, and we are interested in your suggestions for making it more useful and accessible. Contact: Shana Peachey Boshart, Denominational Minister for Faith Formation, Mennonite Church USA 574-523-3070 [email protected] MennoniteUSA.org/FF © Talashia Keim Yoder and Mennonite Church USA Page 2 CONTENTS 4 Introduction 6 The Advent Wreath 8 Advent Week 1, November 29: Hope 10 Advent Week 2, December 6: Peace 13 Advent Week 3, December 13: Joy 15 Advent Week 4, December 20: Love 17 Christmas Day, December 25: Jesus 19 Christmas Week 2, January 3, 2021 21 Epiphany Day, January 6, 2021 Page 3 ADVENT AT HOME 2020 WE WAIT FOR JESUS Introducing Advent What is Advent? • The word “Advent” comes from the Latin word adventus, which means “coming” or “visit.” In the season with this name, we keep in mind both “advents” of Christ: the first in Bethlehem and the second yet to come. • A time to remember we need a Savior. Without divine help, we are unable to live in peace with God, ourselves or each other. -
2012 Barcelona Christmas Agenda Ang
CHRISTMAS NEW YEAR’S EVE IN BARCELONA We celebrate New Year with food and parties as 2012 / 2013 we wait for the city clocks to strike midnight. Then everyone eats twelve lucky grapes, one by FESTIVALS AND TRADITIONS one, and drinks a toast with cava while they wish each other a Happy New Year. “PESSEBRE” THE THREE KINGS OF THE ORIENT The crib is displayed in the home and features This is the big day for children during the festive figures from the Nativity arranged in a specific season. On the evening of 5th January, the Three order. In recent years, living nativity scenes have Kings arrive in Barcelona and travel in a grown in popularity in Catalonia. They feature procession around the city in their royal carriages real people who re-enact different episodes from throwing sweets to the people in the crowd. After the Christmas story and are usually held in the children have welcomed the Kings, it’s time beautiful settings in towns and villages around the for them to go to bed. Before they do, they leave region. their slippers and something to eat for the Kings, their camels and pages, by the window or the “CAGANER” balcony. On the morning of the 6th January the The caganer , the curious crouching figure, is one children find the presents left by the Kings. of the most popular features of Catalan Nativity Children that have been naughty receive a lump of scenes. It is believed to date back to the 17th or coal. 18th centuries. For further information: www.bcn.cat/nadal “TIÓ” An old log which people used to place by the fire CHRISTMAS FAIRS AND MARKETS on Christmas Eve as a token of abundance. -
Unidade Didáctica
UNIDADE DIDÁCTICA Xa veñen os ACTIVIDADES Ímoslles escribir a carta aos Reis Magos. Viches Que che parece se adornamos un pouco que modelo máis bonito? Podes completalo a carta? Pódela pintar ou decorala con escribindo, pintando ou pegando os regalos cartolina, papeis de cores, sementes, que lles vas pedir. Bótalle un ollo ao catálogo purpurina etc. Aos Reis Magos seguro de agasallos en galego, xa verás que ideas tan que lles vai facer moita ilusión! boas! A túa profesora ou profesor vai debuxar unha árbore xigante e pegala na clase ou no corredor. Axúdalle a deco- rala cos debuxos da ficha de adornos. Primeiro píntaos, logo recórtaos e, por último, pégaos na árbore. Velaquí tedes unha panxoliña que aparece no Quiquirikí, un traballo da Asociación de Gaiteiros Galegos. Es- coitádea e tentade compoñer outras estrofas co mesmo esquema para lles cantar aos paxes reais cando vaian recoller as vosas cartas aos Reis Magos. Recoñeces algún dos instrumentos que soan? Cales? Atrevédesvos a acompañar a vosa canción con algún son? OS PITIÑOS, OS GATIÑOS, BUSCABAN UNHA ESTRELA BUSCABAN UNHA ESTRELA E CANDO A ATOPARON E CANDO A ATOPARON LAI LA RA LAI LA RA LA, LAI LA RA LAI LA RA LA, BAILARON CON ELA. BAILARON CON ELA. A QUEN QUERES TI ALUMEAR? A QUEN QUERES TI ALUMEAR? (BIS) (BIS) AO NENO QUE XA NACEU AO NENO QUE XA NACEU NESTA NOITE DE NADAL. NESTA NOITE DE NADAL. (BIS) (BIS) ................................................................................. ................................................................................. ................................................................................ -
Catalonia Accessible Tourism Guide
accessible tourism good practice guide, catalonia 19 destinations selected so that everyone can experience them. A great range of accessible leisure, cultural and sports activities. A land that we can all enjoy, Catalonia. © Turisme de Catalunya 2008 © Generalitat de Catalunya 2008 Val d’Aran Andorra Pirineus Costa Brava Girona Lleida Catalunya Central Terres de Lleida Costa de Barcelona Maresme Costa Barcelona del Garraf Tarragona Terres Costa de l’Ebre Daurada Mediterranean sea Catalunya Index. Introduction 4 The best destinations 6 Vall de Boí 8 Val d’Aran 10 Pallars Sobirà 12 La Seu d’Urgell 14 La Molina - La Cerdanya 16 Camprodon – Rural Tourism in the Pyrenees 18 La Garrotxa 20 The Dalí route 22 Costa Brava - Alt Empordà 24 Vic - Osona 26 Costa Brava - Baix Empordà 28 Montserrat 30 Maresme 32 The Cister route 34 Garraf - Sitges 36 Barcelona 38 Costa Daurada 40 Delta de l’Ebre 42 Lleida 44 Accessible transport in Catalonia 46 www.turismeperatothom.com/en/, the accessible web 48 Directory of companies and activities 49 Since the end of the 1990’s, the European Union has promoted a series of initiatives to contribute to the development of accessible tourism. The Catalan tourism sector has boosted the accessibility of its services, making a reality the principle that a respectful and diverse society should recognise the equality of conditions for people with disabilities. This principle is enshrined in the “Barcelona declaration: the city and people with disabilities” that to date has been signed by 400 European cities. There are many Catalan companies and destinations that have adapted their products and services accordingly. -
Socio-Ecological Complexity and Ecosystem Services. an Analysis Of
ADVERTIMENT. Lʼaccés als continguts dʼaquesta tesi queda condicionat a lʼacceptació de les condicions dʼús establertes per la següent llicència Creative Commons: http://cat.creativecommons.org/?page_id=184 ADVERTENCIA. El acceso a los contenidos de esta tesis queda condicionado a la aceptación de las condiciones de uso establecidas por la siguiente licencia Creative Commons: http://es.creativecommons.org/blog/licencias/ WARNING. The access to the contents of this doctoral thesis it is limited to the acceptance of the use conditions set by the following Creative Commons license: https://creativecommons.org/licenses/?lang=en Socio-ecological complexity and ecosystem Services An analysis of ecosystem services coproduction and access in the case of Barcelona’s cruise ship tourism PhD Thesis Liliana Solé Figueras Socio-ecological complexity and ecosystem services An analysis of ecosystem services coproduction and access in the case of Barcelona’s cruise ship tourism PhD thesis developed by Liliana Solé Figueras Supervised by Dr.Eduard Ariza Solé PhD program in Geography Department of Geography Universitat Autònoma de Barcelona (UAB) September 2019 Supervisor statement I STATE that the present study, entitled ‘Socio-ecological complexity and ecosystem services. An analysis of ecosystem services coproduction and access in the case of Barcelona’s cruise ship tourism’, presented by Liliana Solé Figueras for the award of the degree of Doctor, has been carried out under my supervision at the Department of Geography of this university. Bellaterra, 17th Setember 2019. Doctoral thesis supervisor PhD student Director de la tesis doctoral Doctoranda Eduard Ariza Solé Liliana Solé Figueras i Summary Coastal landscapes are highly dynamic and complex socio-ecological systems resulting from the interface of land and sea. -
GESTIÓ ESPORTIVA Memòria Anual
Secretariat d’Entitats de Sants, Hostafrancs i la Bordeta 2012 Memòria anual Presentació La coordinació associativa i el foment de projectes comuns entre les entitats ha tornat a ser durant el 2012 un dels grans eixos de treball del Secretariat. A més, com qualsevol entitat viva i arrelada al territori i la comunitat, el Secretariat és sensible als canvis i a les necessitats que un context socioeconòmic com l’actual provoca en la ciutadania. L’accentuació de la crisi econòmica està provocant sotragades importants i, en aquest sentit, durant el 2012 vam posar l’accent a l’hora de potenciar i impulsar totes aquelles iniciatives orientades a aconseguir una societat més justa i més cohesionada. La taula intercultural és un exemple plenament consolidat, però a més durant el 2012 vam iniciar alguns projectes amb un clar component d’acció comunitària: ens referim a l’Espai de deures, una iniciativa de reforç escolar adreçada a joves dels nostres barris, i la taula social, un nou espai de coordinació associativa que sumarà esforços per sensibilitzar la població i contribuir a minimitzar situacions de vulnerabilitat. A més, vam continuat formant part de projectes que fomenten la llengua i cultura catalanes, amb activitats de llarg recorregut com el Projecte Parlem, el Xerrem o el Correllengua, i d’altres més recents com ara la recuperació del certamen literari dels Jocs Florals o bé l’impuls del català en l’àmbit laboral del Secretariat. I com a novetats del 2012, vam sumar-nos a iniciatives compartides com ara la Marxa de torxes per a la independència, la vigília de la manifestació de la Diada, una jornada històrica per al futur del nostre país en la qual nombroses entitats del territori vam mobilitzar-nos per reivindicar que Catalunya sigui un nou estat d’Europa. -
4. POTENCIAL SOCIOECONÒMIC L' Alt Camp És Una Comarca Situada A
L’ Anàlisi de l’impacte territorial de la N-240 sobre la comarca de l’ Alt Camp 4. POTENCIAL SOCIOECONÒMIC L’ Alt Camp és una comarca situada a la part alta de la meitat sud del país, entre la costa i les terres de l’interior. Limita amb les comarques de la Conca de Barberà, l’ Anoia, l’ Alt Penedès, el Baix Penedès, el Tarragonès i el Baix Camp, formant el territori del Camp de Tarragona amb aquestes dues últimes. Una comarca qualificada d’equilibrada i harmònica, de 538 km2 de superfície i 37.744 habitants. Figura 13. Situació de la comarca Font:www.altcamp.org 4.1. Localització, superfície i delimitació La comarca de l’Alt Camp ocupa la vint-i-novena posició de les comarques catalanes pel que fa a l’extensió i representa el 18,16% del territori de l’àmbit del Camp (format per les comarques de l’Alt Camp, el Baix Camp, el Baix Penedès, la Conca de Barberà, el Priorat i el Tarragonès) i l’1,7% del total de Catalunya. Al nord, la serralada Pre - litoral i les muntanyes de Prades la separen de la Conca de Barberà, amb la qual comunica per tres passos: cap a ponent, l’estret o congost de la Riba; a la part central, el coll de l’illa, i a Llevant el coll de Cabra. Al nord - est limita amb l’Anoia (sols directament accessible pel coll d’ Esblada) i amb l’Alt Penedès. I al sud-est, ho fa amb el Baix Penedès, accessible pel Coll de la Rubiola. -
Consells Comarcals I Cultura. El Consell Comarcal Del Berguedà
Consells comarcals i cultura El Consell Comarcal del Berguedà Consells comarcals i cultura El Consell Comarcal del Berguedà © Diputació de Barcelona Novembre de 2019 Impressió: Departament de Reproducció Gràca de la Diputació de Barcelona Consells comarcals i cultura El Consell Comarcal del Berguedà Index pàg. 1. Introducció 3 1.1. Marc general i objectius 3 2. Marc conceptual 5 3. Els consells comarcals i la cultura 11 3.1. Marc competencial 11 3.2. El servei de cultura en els consells comarcals de Catalunya 13 4. El Berguedà: diagnosi 17 4.1. Territori i context socioeconòmic 17 4.2. Territori i cultura 25 4.2.1. Elements patrimonials 25 4.2.2. Equipaments socioculturals 30 4.2.3. Principals activitats culturals i calendari festiu 39 4.2.4. Agents i recursos 43 5. El Consell Comarcal del Berguedà 51 5.1. La intervenció actual en cultura 51 5.2. Plans i accions estratègiques de caràcter cultural amb la participació del Consell Comarcal del Berguedà 55 5.3. El paper de la cultura en l’oferta de l’Oficina de Turisme del Berguedà 57 6. Proposta d’estructura estratègica 2020 - 2025 59 6.1. Principis bàsics que han de definir les polítiques culturals del Consell Comarcal del Berguedà 59 6.2. Estructura bàsica sobre la que fonamentar les polítiques públiques del Consell Comarcal del Berguedà 61 7. Línies i accions a desenvolupar dels quatre àmbits d’acció cultural 69 7.1. Dinamització de l’activitat cultural 70 7.1.1. Suport a les activitats de caràcter municipal 70 7.1.2. -
THE VIVA GUIDE Barcelona Welcome To
THE VIVA GUIDE Barcelona Welcome to_ This guide was produced for you by the Viva Barcelona team. Graphic Design by Carmen Galán [carmengalan.com] BARCELONA Barcelona is the 10th most visited city in the world and the third most visited in Europe after London and Paris, with several million tourists every year. With its ‘Rambles’, Barcelona is ranked the most popular city to visit in Spain and it now attracts some 7.5 million tourists per year. Barcelona has a typical Mediterranean climate. The winter is relatively mild and the summer is hot and humid. The rainy seasons are the once in between autumn and spring. There are very few days of extreme temperature, heat or cold. Every 24th September, Barcelona celebrates it’s annual festival, La Mercè – corresponding to the day of its patron saint. It comprises of some 600 events, from concerts and all kinds of local, cultural attractions including the human tower building, els Castellers, erected by groups of women, men and children, representing values such as solidarity, effort and the act of achievement. Children are the real stars of this tradition, they climb to the very top of the human castell expressing strength over fragility. 4 5 Since 1987, the city has been Passeig de Gràcia being the most Districts divided into 10 administrative important avenue that connects the districts: Ciutat Vella, Eixample, central Plaça Catalunya to the old Sants- Montjuic, Les Corts, town of Gràcia, while Avinguda Sarriá-Sant Gervasi, Gràcia, Diagonal cuts across the grid Horta-Guinardò, Nou Barris, diagonally and Gran Via de les Corts Sant Andreu, Sant Martì. -
Barcelona Citineraries
BARCELONA CITINERARIES Montjuïc & Miró I am located in the former Palace of Graphic Arts which was built in Montjuïc, in Barcelona, for the 1929 World’s Fair. The permanent exhibits illustrate the evolution of Catalonia and its environment during Prehistory and Ancient History. The collections are organized based on chronological and geographic criteria, and ofer visitors a journey to the origins of Catalonia, from the frst inhabitants until the Middle Ages providing also a vision of diferent related cultures from other areas of the Iberian Peninsula and the Mediterranean. This exhibition reconstructs the creative process behind Miró's book based on a collection of poems by Paul Éluard. The layout and execution of À toute épreuve is a refection of Miró's connection with the poets of the 1920s, which led to major transformations in his visual language. With this book, published by Gérald Cramer in 1958, Miró fulflled his wish to venture beyond illustrating the poet's words and end up creating an object. THE THEFT OF THE BESTIARY Valuable 12th – century manuscript page stolen from the Palau Nacional of Montjuïc, constructed for the International Exposition of 1929. In 1934 the Museu d'Art de Catalunya opened its doors, bringing together the medieval collection. In 1995, then as the Museu Nacional d'Art de Catalunya, the new rooms of Romanesque art were inaugurated. The page was cut from a medieval manuscript magnificently illustrated with all sorts of animals. How to play: • Go to the Romanesque Art Collections • Follow the clues and search the exhibition rooms for the 16 animals painted on the missing page • Interpret the coded mobile message to find out the page Barcelona's biggest ornamental fountain, which was built in 1929 for the International Exhibition, ofers a spectacular display of music, water acrobatics and lights which generate over 50 kinds of shades and hues.