『Powers of Two 二人で一人の天才』注釈(Pdf)

Total Page:16

File Type:pdf, Size:1020Kb

『Powers of Two 二人で一人の天才』注釈(Pdf) 『POWERS OF TWO 二人で一人の天才』 注釈 序曲 ・ピクサーのスタジオ Keith Sawyer, “Group Genius at Pixar,” Creativity & Innovation (blog),September 12, 2008, ・世界に存在する誰か http://keithsawyer.wordpress.com/2008/09/12/group-genius-at-pixar/. キース・ソーヤー『凡才の集 Martin Buber,“To Hallow This Life: An Anthology” (New York: Harper, 1958) 団は孤高の天才に勝る―「グループ・ジーニアス」が生み出すものすごいアイデア』(金子宣子訳,ダイ ヤモンド社,2009年)も参照. ・演 劇が 生まれる トニー・クシュナー『エンジェルス・イン・アメリカ』第 2 部「ペレストロイカ」(New York: Theatre ・手頃な物語 Communications Group, 1993).クシュナー自身が力強い言葉で生き生きと伝え,人生と仕事で実践してい ここで言う「物語」は,第一に孤高の英雄が奮起するストーリーを指す.英雄の物語は基本的に,始まりと終 るが ,本 人によるとマルクスの 考えだという.正 確な引 用は「 マルクスの 言うとおりだ.それ以 上は分 割できな わりは主人公が 1 人だけになる.ジョセフ・キャンベルが提唱したこのルールは,脚本家のバイブルとされるク い人間の最小単位は 2 人.1人ではない」. リストファー・ボグラー『神話の法則―ライターズ・ジャーニー 夢を語る技術』(岡田勲ほか訳,ストーリ アーツ&サイエンス研究所,2002 年)でも説明されている.三文小説や文学的な回想録,CM,テレビゲー ・1967 年 3 月 29 日 ムなどあらゆる物語に通じる神聖なルールだ.「物語」の 2 つめの意味は,複雑な現象を理解しやすくする単 ハンター・デイヴィス『ビートルズ』(小笠原豊樹,中田耕治訳,河出書房新社,2010 年)は「3 月半ば」 位としてだ.これについてジョーン・ディディオンは,「私たちは生きるために,自分に物語を語る」と述べてい に行われたセッションとしているが,前後の文脈から,マーク・ルイソン『ザ・ビートルズ レコーディング・セッ る(Joan Didion,“We Tell Ourselves Stories in Order to Live: Collected Nonfiction”[New York: ションズ完全版』(内田久美子訳,シンコーミュージック,2009 年)に 3 月 29 日とある「ウィズ・ア・リトル・ Random House, 2006]).筋書きがなければ私たちの心をすり抜けていたかもしれない環境を物語の舞台に ヘルプ・フロム・マイ・フレンズ」 の最初のセッションと同じ夜と考えられる.デイヴィスに確認したところ,「い 選び,解釈して,筋書きを押しつけるところから現実が生まれる. つものように私よりマーク・L を信頼してほしい」と 2014 年 1 月 31 日に返信があった.この章のほかの詳細 はデイヴィス『ビートルズ』より. ・ウッズ に つ いてから 5 年 間 Connell Barrett,“Tiger's Caddie Steve Williams Tells All,” Golf Magazine, February 22, 2009. ・詩の順番を入れ替え http://www.golf.com/tour-and-news/tigers-caddie-steve-williams-tells-all このとき“ do”を” would”に替えた. ・共同制作 William Grimes, “Jeanne-Claude, Christo's Collaborator on Environmental Canvas, Is Dead at 74,” New York Times, November 19, 2009, http://www.nytimes.com/2009/11/20/arts/ イントロダクション design/20jeanne-claude.html?_r=0)によると,最初はジャンヌ= クロードの名前を出さなかったことも,の ちに共同制作だと明らかにしたことも2 人の合意である.「美術商や世間の混乱を避け,アーティストしてのブ ・偉人たちの伝記 ランドを確立するために,クリストの名前だけを使うことにした.1994 年からは屋外の作品と屋内の大規模なイ トマス・カーライル『英雄崇拝論』(老田三郎訳,岩波文庫,1949年).http://www.gutenberg.org/ ンスタレーション展示について,過去のものも『クリスト&ジャンヌ= クロード』を使うようになった.それ以外 files/1091/1091-h/1091-h.htm (プロジェクト・グーテンベルク,2012年) の作品はクリストの名前のみとした」 ・ 社 会 が 偉 人 を 生まなければ ならない ・秘密兵器 Herbert Spencer,“The Study of Sociology” (London: C. Kegan Paul, 1881) デール・ポロック『スカイウォーキング 完全版―ジョージ・ルーカス伝 』(高 貴 準三訳 ,ソニーマガジンズ , 1997 年) ・16 世紀のフィレンツェ Gene A. Brucker,“Renaissance Florence“ (Berkeley: University of California Press, 1969) ・旧三部作 Denise Worrell,“Icons: Intimate Portraits“(New York: Atlantic Monthly Press, 1989). マーシア・ルー ・啓蒙時代のロンドン カスについては Michael Kaminski,“In Tribute to Marcia Lucas”(サイトへの寄稿)より. 革新が生まれる奇妙なきっかけについては,スティーブン・ジョンソン『イノベーションのアイデアを生み出す 七つの法則』(松浦俊輔訳,日経 BP 社,2013年)を参照.ジョンソンは 2010 年 7 月に英オックスフォード ・マタイ効 果 で開催されたTED グローバルの講演で,コーヒーハウスがイングランドの啓蒙運動の中心となったことについ Robert K. Merton,“The Matthew Effect in Science,” Science 159, no. 3869 (1968). “The Matthew て,さまざまな経歴の持ち主や専門家が同じ空間に集まって「流動的ネットワーク」が生まれたと説明している. Effect in Science II: Cumulative Advantage and the Symbolism of Intellectual Property,” Isis 79, オックスフォードでイングランド初のコーヒーハウス,グランドカフェが開店したのは 1650 年.まさに啓蒙運動 no. 4 (1988) が始まろうとしていたときで,「この時代に生まれたとてつもない数のアイデアは,その物語のどこかにコーヒー ハウスが登場する」.http://www.ted.com/talks/steven_johnson_where_good_ideas_come_from ・医師たちの訓練 Vivien T. Thomas,“Partners of the Heart: Vivien Thomas and His Work with Alfred Blalock: An 2 3 Autobiography” (Philadelphia: University of Pennsylvania Press, 1995); Katie McCabe,“Like ・帰属や愛情などの社会的欲求 Something the Lord Made,” Washingtonian (August 1989) アブラハム・マズローの「欲求 5 段階」のピラミッドについては以下のサイトに簡潔な説明がある(http:// psychology.about.com/od/theoriesofpersonality/a/hierarchyneeds.htm).マ ズ ロ ー の 論 文 A. H. ・マックスウェル・パーキンズ のなかにある Maslow,“A Theory of Human Motivation,” Psychological Review 50 (1943) は ”Classics in the Bernard De Voto,“Genius Is Not Enough,” Saturday Review of Literature, April 21, 1936.引用の History of Psychology”に掲載されている(http://psychclassics.yorku.ca/Maslow/motivation.htm). 全文は Scott Berg,“Max Perkins” (New York: Dutton, 1978)を参照. ・最も価値のある資源 ・自分自身でコントロールできない ジョンソン 『 イノベ ーション の アイデ アを 生 み 出 す 七 つ の 法 則 』 ウルフがスクリブナー社と決別する理由をパーキンズに告げる手紙の下書きは心を打たれる.Ted Mitchell, ed.,“Thomas Wolfe: An Illustrated Biography” (New York: Pegasus Books, 2006) ・自分の意識に影響を与えた Percy Bysshe Shelley,“Prometheus Unbound: A Lyrical Drama in Four Acts“ (London: J. M. ・精神的に崩壊しないこと Denton, 1898) F. Scott Fitzgerald,“The Crack- Up,” Esquire, February 1936, http://www.esquire.com/news- politics/a4310/the-crack-up/ ・それが問 題だ 筆者とダイアナ・マクレーン・スミスのインタビュー(2013 年 6 月 18 日). ・弟子や職人とともに Richard Posner,“The Courthouse Mice,” New Republic, June 5, 2006, https://newrepublic.com/ ・ジークムント・フロイトと弟子のヴィルヘルム・ライヒ article/65480/the-courthouse-mice Michael P. Farrell,“Collaborative Circles: Friendship Dynamics and Creative Work“ (Chicago: University of Chicago Press, 2001) ・ ジャス ティン・ビ ー バ ー Lizzie Widdicombe,“Teen Titan,” New Yorker, September 3, 2012, http://www.newyorker.com/ ・役割や地位が固定され magazine/2012/09/03/teen-titan Jose Luis Alvarez and Silviya Svejenova,“Sharing Executive Power: Roles and Relationships at the Top” (Cambridge: Cambridge University Press, 2005) ・マリオ・ バターリ レストラン経営のパートナーはジョー・バスティアニッチ.Foster Kamer,“Joe Bastianich and the Gospel ・特別な献身 of Restaurant Man,” New York Observer, May 30, 2012, http://observer.com/2012/05/joe- Georg Simmel,“The Number of Members as Determining the Sociological Form of the Group: I,” bastianich-profile-restaurant-man-interview-05302012/ American Journal of Sociology 8 (1902) ・ドリス ・ カ ー ン ズ ・ グ ッド ウィン ・同じ形が次々に現れる グッドウィンは多くの著名な作家と同じように,かなりの人数のリサーチアシスタントを雇っている.盗用疑惑が ジョンソン 『 イノベ ーション の アイデ アを 生 み 出 す 七 つ の 法 則 』 浮上した際は,4人のリサーチアシスタント(うち3 人は専属)がいると語っている.David D. Kirkpatrick, “Historian Says Borrowing Was Wider Than Known,” New York Times, February 23, 2002, ・文化に新しく加える価値のある http://www.nytimes.com/2002/02/23/us/historian-says-borrowing-was-wider-than-known.html M ・ チクセントミハ イ 『 クリエイティヴィティ―フロー体験と創造性の心理学』(浅川希洋志監訳,須藤祐二, 石村郁夫訳,世界思想社,2016年) ・ブランドを象 徴する 作り手を軽んじるように聞こえるかもしれないが,そのようなつもりはない.たとえば規模が大きな社会的事業な ・自分が宗 教とのあいだに感じている距 離 ら,優れたチームを率いる人物や無名のメンバーも,孤高の天才とされる人と少なくとも同じくらい評価される Louis Menand,“William James & the Case of the Epileptic Patient,” New York Review of Books, べきだ.Mark Rose,“Authors and Owners” (Cambridge, MA: Harvard University Press, 1993) による December 17, 1998, http://www.nybooks.com/issues/1998/dec/17/ と,このような作者と作品の関係は ,「文化的な生産物をマーケティングするシステム」など文化全般に見ら れる.「ジョイス・キャロル・オーツ,ソール・ベロー,ゼイン・グレイ,パブロ・ピカソ,レナード・バーンスタ イン,スティーブン・スピルバーグ,クリント・イーストウッド.作者やアーティスト,指揮者,スター(大衆文化 において,スターは作者の機能のあらゆる要素を持つ)の名前は一種のブランド名となり,文化的な商品が一 第 1 部 邂逅 定の種類と品質を満たしているという印になる」 1.「君を見ていると、チャーリー・マンガーを思い出す」 ―組み合わせと磁石 4 5 ・「君を見ていると,チャーリー・マンガーを思い出す」 (Minneapolis: Twenty-First Century Books, 2011) ジャネット・ロウ『世界一の投資家バフェットを陰で支えた男 投資参謀マンガー』(増沢和美訳,パンローリ ング ) ・DNA の二重らせん構造 H・F・ジャドソン『分子生物学の夜明け―生命の秘密に挑んだ人たち』(野田春彦訳,1982年,東京化 ・2 人は気が合うに違いない 学同人).“DNA and the Cavendish Laboratory” (Cambridge: University of Cambridge, Cavendish “Steve Jobs: One Last Thing,” directed by Sarah Hunt and Mimi O'Conner (2011) Laboratory, 2003), http://www-outreach.phy.cam.ac.uk/resources/dna/fullstory.pdf ・ピ エー ル ・キュリー ・創作活動の無二のパートナー Denis Brian,“The Curies: A Biography of the Most Controversial Family in Science” (Hoboken, パティ・スミス『ジャスト・キッズ』(にむらじゅんこ,小林薫訳,河出書房新社,2012年) NJ: John Wiley and Sons, 2005) ・公民権運動 ・1 つだけがつながっている場 合 Ralph David Abernathy,“And the Walls Came Tumbling Down: An Autobiography“(New York: Gueorgi Kossinets and Duncan J. Watts,“Empirical Analysis of an Evolving Social Network,” HarperCollins, 1991) Science 311 (January 2006) .「1 つ」の媒介という数字はワッツが筆者へのメールで言及した. ・フェイスブックのCOOに 就 任 ・普通の出会い Miguel Helft,“Mark Zuckerberg's Most Valuable Friend,” New York Times, October 2, 2010, ジョン・カシオポ ,ウィリア ム・ パトリック 『 孤 独 の 科 学 ―人はなぜ寂しくなるのか』(柴田裕之訳,河出書 http://www.nytimes.com/2010/10/03/business/03face.html. パーティーのホストはダン・ローゼンバー 房新社,2010年) グ だった.Ken Auletta,“A Woman's Place,” New Yorker, July 11, 2011, http://www.newyorker. com/magazine/2011/07/11/a-womans-place-ken-auletta. ・一段ずつ 同上 ・彼 女 の 右 腕となった Elisabeth Griffith, “In Her Own Right: The Life of Elizabeth Cady Stanton” (Oxford: Oxford ・『私に近い 6 人の他人』 University Press, 1984); Geoffrey C. Ward, “Not for Ourselves Alone: The Story of Elizabeth Cady John Markoff and Somini Sengupta, “Separating You and Me? 4.74 Degrees,” New York Times, Stanton and Susan B. Anthony: An Illustrated History” (New York: Knopf, 2001) November 21, 2011, http://www.nytimes.com/2011/11/22/technology/between-you-and-me-4-74- degrees.html ・男性プリンシパルに抱き止められる Suzanne Farrell,“Holding On to the Air: An Autobiography” (Gainesville: University Press of ・間接的な他人 Florida, 2002) Melinda Blau and Karen L. Fingerman,“Consequential Strangers: The Power of People Who Don't Seem to Matter…but Really Do” (New York: W. W. Norton, 2010) ・奨学生 同上 ・ときどき,あるいはたまに接 触があるだけの 関 係 Mark Granovetter,“The Strength of Weak Ties,” American Journal of Sociology 78, no. 6 (May ・部屋を出た 1973).「人脈で仕事を見つけた人のうち,16.7%の人はときどき接触がある関係が,27.8%はたまに接触があ “Suzanne Farrell: Elusive Muse”, directed by Anne Belle and Deborah Dickson (PBS, 1996) よ る関 係がつながったと答えている」 り.”Holding On to the Air”では,部屋を出る前にバランシンが自分の足を丹念に調べたと振り返っている. ・磁石の場 ・合 格だった Farrell,“Collaborative Circles” Farrell,“Holding On to the Air” ・エルサレム ・歴史的瞬間 ダニエル・カーネマン『ファースト&スロー―あなたの意思はどのように決まるか』(村井章子訳,早川書房, マット・タイルナウアーには 2014 年 2 月 12 日に筆者がインタビューをした.ヴァレンティノとジャンカルロ 2014 年) の出会いについては Matt Tyrnauer,“So Very Valentino,” Vanity Fair, August 2008(http://www. vanityfair.com/culture/features/2004/08/valentino200408)とドキュメンタリー「Valentino The Last ・スタンフォード大学大学院 Emperor(ヴァレンティノ:最後の帝国)」(Acolyte Films, 2009) を参照. Stephanie Sammartino McPherson, “Sergey Brin and Larry Page: Founders of Google” 6 7 ・コーヒーハウスの 登 場 Frank J. Bernieri and Robert Rosenthal, “Interpersonal
Recommended publications
  • John Lennon from ‘Imagine’ to Martyrdom Paul Mccartney Wings – Band on the Run George Harrison All Things Must Pass Ringo Starr the Boogaloo Beatle
    THE YEARS 1970 -19 8 0 John Lennon From ‘Imagine’ to martyrdom Paul McCartney Wings – band on the run George Harrison All things must pass Ringo Starr The boogaloo Beatle The genuine article VOLUME 2 ISSUE 3 UK £5.99 Packed with classic interviews, reviews and photos from the archives of NME and Melody Maker www.jackdaniels.com ©2005 Jack Daniel’s. All Rights Reserved. JACK DANIEL’S and OLD NO. 7 are registered trademarks. A fine sippin’ whiskey is best enjoyed responsibly. by Billy Preston t’s hard to believe it’s been over sent word for me to come by, we got to – all I remember was we had a groove going and 40 years since I fi rst met The jamming and one thing led to another and someone said “take a solo”, then when the album Beatles in Hamburg in 1962. I ended up recording in the studio with came out my name was there on the song. Plenty I arrived to do a two-week them. The press called me the Fifth Beatle of other musicians worked with them at that time, residency at the Star Club with but I was just really happy to be there. people like Eric Clapton, but they chose to give me Little Richard. He was a hero of theirs Things were hard for them then, Brian a credit for which I’m very grateful. so they were in awe and I think they had died and there was a lot of politics I ended up signing to Apple and making were impressed with me too because and money hassles with Apple, but we a couple of albums with them and in turn had I was only 16 and holding down a job got on personality-wise and they grew to the opportunity to work on their solo albums.
    [Show full text]
  • John Lennon – Człowiek I Artysta Niespełniony?
    Tom 12/2020, ss. 43-72 ISSN 0860-5637 e-ISSN 2657-7704 DOI: 10.19251/rtnp/2020.12(3) www.rtnp.mazowiecka.edu.pl Andrzej Dorobek Mazowiecka Uczelnia Publiczna w Płocku ORCID: 0000-0002-5102-5182 JOHN LENNON – CZŁOWIEK I ARTYSTA NIESPEŁNIONY? JOHN LENNON: A MAN AND ARTIST UNFULFIILLED? Streszczenie: Niniejszy esej jest próbą syntetycznego, poniekąd psychoanalitycznego, ujęcia biografii Johna Lennona, zarówno jako ewidentnie zagubionego geniu- sza muzyki popularnej, jak i ofiary chłopięcego kompleksu zaniedbania przez uwielbianą matkę – później wysublimowanego w kompleks kobiecej dominacji i przeniesionego na Yoko Ono, jego drugą żonę i awangardową „muzę.” W re- zultacie ich związek, w znacznym stopniu wyidealizowany przez media, został ukazany w kontekście relacji Lennona z innymi kobietami (na przykład z ciotką Mimi), sprzecznych cech jego osobowości oraz ewolucji światopoglądowej i ar- tystycznej, która doprowadziła najpierw do dramatycznego rozdarcia między popowym supergwiazdorstwem a awangardowym artystostwem, ostatecznie zaś – do faktycznej niemocy twórczej w ciągu ostatnich pięciu lat życia. Per- John Lennon – człowiek i artysta niespełniony? spektywę komparatystyczną dla tych rozważań wyznaczać będą biografie Elvisa Presleya i Micka Jaggera. Słowa kluczowe: kompleks, trauma, dominacja, „krzyk pierwotny”, gwiaz- dorstwo, artyzm, niespełnienie Summary: In this essay, the author attempts at a synthetic insight into the biography of John Lennon, both as a confused genius of popular music and a victim of the childhood complex of motherly neglect: later transformed into the one of female domination and transferred onto Yoko Ono, his second wife and avant-garde “muse.” Consequently, their marriage, largely idealized by media, is shown here in the context of Lennon’s relations with other women (mainly his mother and aunt Mimi), his contradictory psychological traits and artistic/ ideological evolution that resulted in being torn between pop superstardom, avant-garde artistry and, in last five years, virtual creative impotence.
    [Show full text]
  • The Beatles on Film
    Roland Reiter The Beatles on Film 2008-02-12 07-53-56 --- Projekt: transcript.titeleien / Dokument: FAX ID 02e7170758668448|(S. 1 ) T00_01 schmutztitel - 885.p 170758668456 Roland Reiter (Dr. phil.) works at the Center for the Study of the Americas at the University of Graz, Austria. His research interests include various social and aesthetic aspects of popular culture. 2008-02-12 07-53-56 --- Projekt: transcript.titeleien / Dokument: FAX ID 02e7170758668448|(S. 2 ) T00_02 seite 2 - 885.p 170758668496 Roland Reiter The Beatles on Film. Analysis of Movies, Documentaries, Spoofs and Cartoons 2008-02-12 07-53-56 --- Projekt: transcript.titeleien / Dokument: FAX ID 02e7170758668448|(S. 3 ) T00_03 titel - 885.p 170758668560 Gedruckt mit Unterstützung der Universität Graz, des Landes Steiermark und des Zentrums für Amerikastudien. Bibliographic information published by Die Deutsche Bibliothek Die Deutsche Bibliothek lists this publication in the Deutsche Nationalbibliografie; detailed bibliographic data are available on the Internet at http://dnb.ddb.de © 2008 transcript Verlag, Bielefeld This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 3.0 License. Layout by: Kordula Röckenhaus, Bielefeld Edited by: Roland Reiter Typeset by: Roland Reiter Printed by: Majuskel Medienproduktion GmbH, Wetzlar ISBN 978-3-89942-885-8 2008-12-11 13-18-49 --- Projekt: transcript.titeleien / Dokument: FAX ID 02a2196899938240|(S. 4 ) T00_04 impressum - 885.p 196899938248 CONTENTS Introduction 7 Beatles History – Part One: 1956-1964
    [Show full text]
  • "6 Days to Air: the Making of 'South Park'" an Exclusive Behind-The-Scenes Documentary Film by Arthur Bradford Premieres Sunday, October 9 at 10:00 P.M
    "6 Days to Air: The Making of 'South Park'" An Exclusive Behind-the-Scenes Documentary Film by Arthur Bradford Premieres Sunday, October 9 at 10:00 P.M. On COMEDY CENTRAL® Renowned Documentarian Arthur Bradford Granted Unprecedented Access To Creators Trey Parker And Matt Stone Throughout Production Of "South Park's" Spring Run All-New Episodes Of "South Park" Air On Wednesdays At 10:00 P.M. NEW YORK, Sept. 28, 2011 /PRNewswire via COMTEX/ -- "If 'South Park' is one of television's great comedies, it's not great for being reckless; it's great for being a series of funny, topical parables." - New York Times, April 28, 2004 "Stone and Parker show no fear. They don't care what anyone else thinks, nor do they worry about who they offend. A decade on, still fighting the good fight on all fronts, still being unapologetically disrespectful, crass and cruel to just about everyone, as it should be." -SF Chronicle, July 15, 2006 "'South Park's' dialogue can be scatological as well as philosophical and every bit as profane as it is profound." - "60 Minutes", September 25, 2011 Renowned documentarian Arthur Bradford ("How's Your News?") was granted unprecedented access to Trey Parker and Matt Stone, the creative masterminds behind the Emmy® and Peabody® Award-winning series, "South Park." Shot extensively over the course of three months at the South Park Studios in Los Angeles, this exclusive documentary film, "6 Days to Air: The Making of 'South Park,'" chronicles the rigorous process of producing the iconic series in under a week.
    [Show full text]
  • Masteroppgave
    Forord Animasjonsfilmer som Snehvit og de syv dvergene (1937), Lady og Landstrykeren (1955), Skjønnheten og udyret (1991), samt de utallige andre Walt Disney-klassikerne som faller inn før og etter på tidslinjen, har spilt en betydelig rolle i mange menneskers liv, og mitt er intet unntak. Jeg var bare seks år gammel da jeg fikk Løvenes konge (1994) på VHS. I dag fins bilder av magiske tepper, syngende dverger, og et ensomt rådyr i snøen, blant veldig mange eksempler på filmscener som har satt seg som kjerne-minner fra en lykkelig barndom. Til tross for at den ekstensive VHS-samlingen gikk i søpla da jeg følte jeg hadde vokst fra tegnefilmer, lot jeg meg imponere på ny da jeg begynte å studere film, og ble introdusert for en hel verden av animasjonsfilm. Min spesielt sterke interesse for filmlyd stammer fra mine første år som filmstudent. Med en forkjærlighet for å fortelle historier var filmlyd i utgangspunktet ikke et fokusområde for meg, men takket være en engasjert lydforeleser lot jeg meg overtale til å betrakte filmlyden som et av de filmproduksjonsområdene hvor fortellerevne og kreativitet spiller spesielt stor rolle. Det har siden den gang forundret meg at filmlyden er såpass underrepresentert innen filmvitenskapen, og jeg gleder meg derfor over å kunne bidra til å snu den ufortjente trenden. Stine Lund 1 2 Takk til familie, venner og kjæreste for støtte og tålmodighet underveis. Spesielt stor takk til mentor Asbjørn Tiller for ekstraordinært god veiledning. 3 4 Innholdsfortegnelse 1 INNLEDNING ....................................................................................................................................................
    [Show full text]
  • The Beatles on Film. Analysis of Movies, Documentaries, Spoofs and Cartoons 2008
    Repositorium für die Medienwissenschaft Roland Reiter The Beatles on Film. Analysis of Movies, Documentaries, Spoofs and Cartoons 2008 https://doi.org/10.25969/mediarep/1299 Veröffentlichungsversion / published version Buch / book Empfohlene Zitierung / Suggested Citation: Reiter, Roland: The Beatles on Film. Analysis of Movies, Documentaries, Spoofs and Cartoons. Bielefeld: transcript 2008. DOI: https://doi.org/10.25969/mediarep/1299. Erstmalig hier erschienen / Initial publication here: https://doi.org/10.14361/9783839408858 Nutzungsbedingungen: Terms of use: Dieser Text wird unter einer Creative Commons - This document is made available under a creative commons - Namensnennung - Nicht kommerziell - Keine Bearbeitungen 3.0 Attribution - Non Commercial - No Derivatives 3.0 License. For Lizenz zur Verfügung gestellt. Nähere Auskünfte zu dieser Lizenz more information see: finden Sie hier: https://creativecommons.org/licenses/by-nc-nd/3.0 https://creativecommons.org/licenses/by-nc-nd/3.0 Roland Reiter The Beatles on Film 2008-02-12 07-53-56 --- Projekt: transcript.titeleien / Dokument: FAX ID 02e7170758668448|(S. 1 ) T00_01 schmutztitel - 885.p 170758668456 Roland Reiter (Dr. phil.) works at the Center for the Study of the Americas at the University of Graz, Austria. His research interests include various social and aesthetic aspects of popular culture. 2008-02-12 07-53-56 --- Projekt: transcript.titeleien / Dokument: FAX ID 02e7170758668448|(S. 2 ) T00_02 seite 2 - 885.p 170758668496 Roland Reiter The Beatles on Film. Analysis of Movies, Documentaries, Spoofs and Cartoons 2008-02-12 07-53-56 --- Projekt: transcript.titeleien / Dokument: FAX ID 02e7170758668448|(S. 3 ) T00_03 titel - 885.p 170758668560 Gedruckt mit Unterstützung der Universität Graz, des Landes Steiermark und des Zentrums für Amerikastudien.
    [Show full text]
  • The Ballad of John & Yoko
    THE BALLAD OF JOHN & YOKO Written by Luken Tonjes SincerelyLuken.com ACT 1 1 EXT. NEW YORK CITY. MUSEUM OF MODERN ART. AFTERNOON 1 We see a 1966 JOHN LENNON. He is wearing an English cap, signature sunglasses, and a scarf. JOHN is standing outside of the Museum of modern art, the sound of the city bombards him, the head liner is “YOKO ONO” he is curious so he walks in. R INT. MUSEUM OF MODERN ART. AFTERNOON. It is now quiet. He takes off his cap and sunglasses and proceeds down the hall. There is a picture of YOKO as he is walking in. JOHN sees a ladder in the middle of the room with a magnifying glass hanging from the ceiling, and a canvas attached to the wall. He decides to climb it, he picks up the magnifying glass and takes a look at the canvas. It reads “yes” JOHN is in awe and takes a look to his right, there stands YOKO ONO. She is talking to someone and is laughing. JOHN gives a faint smile. CUT TO: INT. NEW YORK CITY. MUSEUM OF MODERN ART. AFTERNOON.- LATER It is towards the end of the show, there are men taking down some of the pieces. YOKO is directing them and she has a clipboards in her hand. JOHN walks up to YOKO in confidence and taps her on the shoulder. She turns quickly. JOHN Hi, I just wanted to introduce myself, I loved the show. Especially the one piece- YOKO And you are? JOHN is shot down JOHN Sorry? 2.
    [Show full text]
  • Nomination Press Release
    Outstanding Comedy Series 30 Rock • NBC • Broadway Video, Little Stranger, Inc. in association with Universal Television The Big Bang Theory • CBS • Chuck Lorre Productions, Inc. in association with Warner Tina Fey as Liz Lemon Bros. Television Veep • HBO • Dundee Productions in Curb Your Enthusiasm • HBO • HBO association with HBO Entertainment Entertainment Julia Louis-Dreyfus as Selina Meyer Girls • HBO • Apatow Productions and I am Jenni Konner Productions in association with HBO Entertainment Outstanding Lead Actor In A Modern Family • ABC • Levitan-Lloyd Comedy Series Productions in association with Twentieth The Big Bang Theory • CBS • Chuck Lorre Century Fox Television Productions, Inc. in association with Warner 30 Rock • NBC • Broadway Video, Little Bros. Television Stranger, Inc. in association with Universal Jim Parsons as Sheldon Cooper Television Curb Your Enthusiasm • HBO • HBO Veep • HBO • Dundee Productions in Entertainment association with HBO Entertainment Larry David as Himself House Of Lies • Showtime • Showtime Presents, Crescendo Productions, Totally Outstanding Lead Actress In A Commercial Films, Refugee Productions, Comedy Series Matthew Carnahan Circus Products Don Cheadle as Marty Kaan Girls • HBO • Apatow Productions and I am Jenni Konner Productions in association with Louie • FX Networks • Pig Newton, Inc. in HBO Entertainment association with FX Productions Lena Dunham as Hannah Horvath Louis C.K. as Louie Mike & Molly • CBS • Bonanza Productions, 30 Rock • NBC • Broadway Video, Little Inc. in association with Chuck Lorre Stranger, Inc. in association with Universal Productions, Inc. and Warner Bros. Television Television Alec Baldwin as Jack Donaghy Melissa McCarthy as Molly Flynn Two And A Half Men • CBS • Chuck Lorre New Girl • FOX • Chernin Entertainment in Productions Inc., The Tannenbaum Company association with Twentieth Century Fox in association with Warner Bros.
    [Show full text]
  • World-Renowned Artist May Pang
    World-Renowned Artist May Pang Presents John Lennon’s Lost Weekend Experience, The “Walls and Bridges” NFT Collection, in Partnership with McCartney Multimedia and Oasis Digital Studios Exclusive collection of never-before-seen photographs of John cinematically enhanced and created with AR-technology to be sold as limited edition, Non-Fungible Tokens (NFTs) Toronto / Vancouver, Canada / Erie, PA / Los Angeles / NY – May 10, 2021 – Liquid Avatar Technologies Inc. (CSE: LQID / OTC:TRWRF / FRA:4T51), ImagineAR Inc. (CSE:IP / OTCQB:IPNFF), McCartney Multimedia Inc. and Oasis Digital Studios proudly announce a truly historical collaboration, revealing new, never-before-seen photos of Rock Legend, John Lennon, that drops for viewing today, as part of an exclusive group of 15 limited edition photographic and animated NFTs with AR enhancements, that recount the original inspiration of John’s Walls and Bridges album cover art. Music enthusiasts and John Lennon fans will be able to purchase these NFTs in two special offerings, as original format, variations, and cinematics, starting May 19th, gaining digital ownership of a representation of a very personal time in his life. Most of these photos have never been seen publicly before and have been preserved as part of music history. “I’m proud to share these portraits of John, which became the inspiration for the Walls and Bridges album artwork as NFTs, allowing music fans and collectors the opportunity to own a piece of music history,” said May Pang, artist, and ex-partner of John Lennon. “I have kept them in my personal collection for almost 50 years and I am excited to present them in this new and innovative form.
    [Show full text]
  • Being John Lennon V4.Indd V 16/08/2018 08:13 First Published in Great Britain in 2018 by Weidenfeld & Nicolson 1 3 5 7 9 10 8 6 4 2
    BEING JOHN LENNON A RESTLESS LIFE RAY CONNOLLY Being John Lennon V4.indd v 16/08/2018 08:13 First published in Great Britain in 2018 by Weidenfeld & Nicolson 1 3 5 7 9 10 8 6 4 2 © Ray Connolly 2018 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of both the copyright owner and the above publisher. The right of Ray Connolly to be identifi ed as the author of this work has been asserted in accordance with the Copyright, Designs and Patents Act 1988. A CIP catalogue record for this book is available from the British Library. HB ISBN 9781474606806 TPB ISBN 9781474606813 Typeset by Input Data Services Ltd, Somerset Printed and bound by CPI Group (UK) Ltd, Croydon, CR0 4YY Weidenfeld & Nicolson The Orion Publishing Group Ltd Carmelite House 50 Victoria Embankment London, EC4Y 0DZ An Hachette UK Company www.orionbooks.co.uk Being John Lennon V4.indd vi 16/08/2018 08:14 AUTHOR’S NOTE On the afternoon of Monday, 8 December 1980, I got a call in London from Yoko Ono, wanting to know why I wasn’t in New York. ‘We thought you were coming over,’ she said. ‘The BBC has been here this weekend.’ My reply was that when, a few weeks earlier, I’d suggest­ ed going to interview her and John – although, in truth, I’d mainly wanted to talk to John – she’d put me off by saying, ‘The time isn’t right.’ I didn’t know whether that meant that her readings of the numbers weren’t good, because I knew that Yoko was into Numerolo­ gy, or that there was some other reason.
    [Show full text]
  • Now and Then - John Lennon's Forgotten Masterpiece
    Now And Then - John Lennon's Forgotten Masterpiece Written by Andy Owen It was November 1978. John Lennon was in the kitchen of his luxury apartment at the Dakota Building in New York City. He was preparing dinner for himself, Yoko and Sean. Sean was just over 3 years old, having been born on John's 35th birthday, October 9th 1975. John was alone and as he was chopping up some vegetables, he started to hum a tune. It was a new tune that had entered his consciousness a few minutes earlier. 1 He was already mentally structuring the song as he concentrated on it - and soon had a verse and a large part of a chorus. He left the kitchen and walked to his music room and grabbed his small cassette player. He checked it was working OK and dropped a new cassette tape into the machine and hit record. He hummed the tune, using gobbledegook words and, when he'd done, casually returned down the hall to the kitchen. What he didn't realise then, was one of his greatest songs had just been born. But, what is truly amazing about this song, is that most people in the world never got to hear it. And, as I'm writing this in March 2021, most people in the world have still not heard it. If you stay with this article, you won't be one of them. And, if you have any emotion in your body, when you hear it, it will hit you very hard. Yes, it's that good.
    [Show full text]
  • Festival Program 11Days 40Frames 20
    festival program 11days 40frames 20. oslo INTERNASJONALE FILMFESTIVAL 18.↗28. NOVEMBER 2010 FILM/FILMS SPILLEFILMER/FEATURE FILMS A Crowd of Three Japan 10 Behind Blue Skies Sweden 9 Biutiful Spain, Mexico 5 Cold Fish Japan 19 Curling Canada 5 Due Date USA 6 Essential Killing Poland, Norway, Ireland, Hungary 6 Fair Game USA, United Arab Emirates 8 Get Low USA, Germany, Poland 8 Go Get Some Rosemary USA, France 8 HAHAHA Korea, South 9 Ja, vi elsker Norway 9 Kaboom USA, France 10 Last Night USA, France 12 Life During Wartime USA 12 Memory Lane France 13 NY Export: Opus Jazz USA 13 Of Gods and Men France 6 Parade Japan 14 Putty Hill USA 16 Rare Exports: A Christmas Tale Finland, Norway, France, Sweden 16 VELKOMMEN TIL DEN Redline Japan 5 Rubber France 16 20. OSLO INTERNASJONALE FILMFESTIVAL Somewhere USA 3 The Little Tailor France 14 The Myth of the American Sleepover USA 17 Klar for jubileumsfeiring, men festen skal Dans? Fokus på filmer med og om den The Sleeping Beauty France 10 The Strange Case of Angelica Portugal, Spain, France, Brazil 14 mest markeres med fantastiske filmer; legendariske koreografen Pina Bausch, som The Town USA 17 vår festivalmeny bugner av lekre godbiter. døde i fjor sommer. New York City Ballet bidrar The Tree France, Australia 18 Tilva Ros Serbia 18 til en ny tolkning av verk av Jerome Robbins. Tiny Furniture USA 18 Syv år etter at vi avsluttet festivalen med Tuesday, After Christmas Romania 13 We Are What We Are Mexico 17 Sofia Coppolas Lost In Translation har vi Nye sterke debutanter er alltid vår spesialitet.
    [Show full text]