Being John Lennon V4.Indd V 16/08/2018 08:13 First Published in Great Britain in 2018 by Weidenfeld & Nicolson 1 3 5 7 9 10 8 6 4 2
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Gardner to Speak on Urban Future
Grass busts ‘•coincidental’-Foot Patrol By MIKE GORDON Frierson admitted that “There may report automatically on all students. This Community dissatisfaction with the have been some question as to our right was by request of the Chancellor.” Foot Patrol and other police agencies to be where we were,” and furthermore But the pair aroused support from surfaced Thursday night as two Patrol acknowledged that there had been no lost onlookers at least once, when Frierson members and County Supervisor Dan child. He used the story because “we agreed that liquor should be available in Grant faced question-and-answer sessions needed to set you at ease” while I.V. at a meeting of Richard Applebaum’s searching for a cocaine dealer in the Earlier, Supervisor Grant declared his Sociology 127 class, billed as an “ Open vicinity, he said. conditional support for I.V. incorporation. “Incorporation should Forum on Isla Vista.” Countering a claim that the Foot An audience of over 100 repeatedly provide a rallying point,” he exhorted Patrol employed informers in I.V., the listeners, “to turn this community around questioned Foot Patrol officers Bob police representatives explained, “We Frierson and Bill Mauras on police and get going.” don’t try to cultivate informers. This is Grant recounted a history of zoning attitudes toward drug use and expanding something narcotics officers do.” Foot Patrol coverage in Isla Vista. and governmental problems in Isla Vista, Frierson added that “we have been beginning in 1927 when the entire area Commenting earlier, Supervisor Grant, needled by other (Sheriffs officers”) asked if he favored the incorporation of was zoned into 25-foot-wide lots for oil because they feel Foot Patrol officers are developers. -
John Lennon from ‘Imagine’ to Martyrdom Paul Mccartney Wings – Band on the Run George Harrison All Things Must Pass Ringo Starr the Boogaloo Beatle
THE YEARS 1970 -19 8 0 John Lennon From ‘Imagine’ to martyrdom Paul McCartney Wings – band on the run George Harrison All things must pass Ringo Starr The boogaloo Beatle The genuine article VOLUME 2 ISSUE 3 UK £5.99 Packed with classic interviews, reviews and photos from the archives of NME and Melody Maker www.jackdaniels.com ©2005 Jack Daniel’s. All Rights Reserved. JACK DANIEL’S and OLD NO. 7 are registered trademarks. A fine sippin’ whiskey is best enjoyed responsibly. by Billy Preston t’s hard to believe it’s been over sent word for me to come by, we got to – all I remember was we had a groove going and 40 years since I fi rst met The jamming and one thing led to another and someone said “take a solo”, then when the album Beatles in Hamburg in 1962. I ended up recording in the studio with came out my name was there on the song. Plenty I arrived to do a two-week them. The press called me the Fifth Beatle of other musicians worked with them at that time, residency at the Star Club with but I was just really happy to be there. people like Eric Clapton, but they chose to give me Little Richard. He was a hero of theirs Things were hard for them then, Brian a credit for which I’m very grateful. so they were in awe and I think they had died and there was a lot of politics I ended up signing to Apple and making were impressed with me too because and money hassles with Apple, but we a couple of albums with them and in turn had I was only 16 and holding down a job got on personality-wise and they grew to the opportunity to work on their solo albums. -
George Harrison
COPYRIGHT 4th Estate An imprint of HarperCollinsPublishers 1 London Bridge Street London SE1 9GF www.4thEstate.co.uk This eBook first published in Great Britain by 4th Estate in 2020 Copyright © Craig Brown 2020 Cover design by Jack Smyth Cover image © Michael Ochs Archives/Handout/Getty Images Craig Brown asserts the moral right to be identified as the author of this work A catalogue record for this book is available from the British Library All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this e-book on-screen. No part of this text may be reproduced, transmitted, down-loaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins. Source ISBN: 9780008340001 Ebook Edition © April 2020 ISBN: 9780008340025 Version: 2020-03-11 DEDICATION For Frances, Silas, Tallulah and Tom EPIGRAPHS In five-score summers! All new eyes, New minds, new modes, new fools, new wise; New woes to weep, new joys to prize; With nothing left of me and you In that live century’s vivid view Beyond a pinch of dust or two; A century which, if not sublime, Will show, I doubt not, at its prime, A scope above this blinkered time. From ‘1967’, by Thomas Hardy (written in 1867) ‘What a remarkable fifty years they -
HITMAKERS – 6 X 60M Drama
HITMAKERS – 6 x 60m drama LOGLINE In Sixties London, the managers of the Beatles, the Stones and the Who struggle to marry art and commerce in a bid to become the world’s biggest hitmakers. CHARACTERS Andrew Oldham (19), Beatles publicist and then manager of the Rolling Stones. A flash, mouthy trouble-maker desperate to emulate Brian Epstein’s success. His bid to create the anti-Beatles turns him from Epstein wannabe to out-of-control anarchist, corrupted by the Stones lifestyle and alienated from his girlfriend Sheila. For him, everything is a hustle – work, relationships, his own psyche – but always underpinned by a desire to surprise and entertain. Suffers from (initially undiagnosed) bi-polar disorder, which is exacerbated by increasing drug use, with every high followed by a self-destructive low. Nobody in the Sixties burns brighter: his is the legend that’s never been told on screen, the story at the heart of Hitmakers. Brian Epstein (28), the manager of the Beatles. A man striving to create with the Beatles the success he never achieved in entertainment himself (as either actor or fashion designer). Driven by a naive, egotistical sense of destiny, in the process he basically invents what we think of as the modern pop manager. He’s an emperor by the age of 30 – but this empire is constantly at risk of being undone by his desperate (and – to him – shameful) homosexual desires for inappropriate men, and the machinations of enemies jealous of his unprecedented, upstart success. At first he sees Andrew as a protege and confidant, but progressively as a threat. -
Für Sonntag, 21
Tägliche BeatlesInfoMail 31.03.20: BEATLES-Hoodie mit WHITE ALBUM PHOTO-Motiv /// MANY YEARS AGO ---------------------------------------------------------------------------------------------- Im Beatles Museum erhältlich: BEATLES-Hoodie mit WHITE ALBUM-Motiv Versenden wir gut verpackt und zuverlässig mit DHL (Info über Sendeverlauf kommt per E-Mail). THE BEATLES: Hoodie PHOTOS WHITE ALBUM SILHOUETTES ON BLACK. 59,95 € Material: 60% Baumwolle, 40 % Polyester Größen: S, M, L, XL, XXL. Weitere Hoodies: https://www.beatlesmuseum.net/?s=Hoodie&post_type=product ---------------------------------------------------------------------------------------------- Bestellungen auch telefonisch möglich: Di. - So. von 10.00 bis 18.00 Uhr: 0345-2903900 Innerhalb Deutschland: Bei Bestellwert unter 50 Euro: Versandanteil für Briefe; für Inland-Pakete maximal 5,00 Euro. / Ab Bestellwert 50 Euro: innerhalb Deutschland portofrei. Ins Ausland: Bei Bestellwert unter 50 Euro: Versandanteil für Briefe und Pakete: bitte erfragen. / Ab Bestellwert 50 Euro: Versandanteil minus 5 Euro. ---------------------------------------------------------------------------------------------- Viele Grüße sendet Dir das Team vom Beatles Museum Stefan, Martin, Daniel, Katharina und Marta ---------------------------------------------------------------------------------------------- 31. März - IT WAS MANY YEARS AGO TODAY … und im BEATLES-Magazin THINGS regelmäßig 50/40/30/20/10 YEARS AGO und die NEWS Ergänzungen und Korrekturen sind willkommen! #BeatlesMuseum /// www.Facebook.com/BeatlesMuseumInHalle -
Albert Glotzer Papers
http://oac.cdlib.org/findaid/ark:/13030/tf1t1n989d No online items Register of the Albert Glotzer papers Processed by Dale Reed. Hoover Institution Archives Stanford University Stanford, California 94305-6010 Phone: (650) 723-3563 Fax: (650) 725-3445 Email: [email protected] © 2010 Hoover Institution Archives. All rights reserved. Register of the Albert Glotzer 91006 1 papers Register of the Albert Glotzer papers Hoover Institution Archives Stanford University Stanford, California Processed by: Dale Reed Date Completed: 2010 Encoded by: Machine-readable finding aid derived from Microsoft Word and MARC record by Supriya Wronkiewicz. © 2010 Hoover Institution Archives. All rights reserved. Collection Summary Title: Albert Glotzer papers Dates: 1919-1994 Collection Number: 91006 Creator: Glotzer, Albert, 1908-1999 Collection Size: 67 manuscript boxes, 6 envelopes (27.7 linear feet) Repository: Hoover Institution Archives Stanford, California 94305-6010 Abstract: Correspondence, writings, minutes, internal bulletins and other internal party documents, legal documents, and printed matter, relating to Leon Trotsky, the development of American Trotskyism from 1928 until the split in the Socialist Workers Party in 1940, the development of the Workers Party and its successor, the Independent Socialist League, from that time until its merger with the Socialist Party in 1958, Trotskyism abroad, the Dewey Commission hearings of 1937, legal efforts of the Independent Socialist League to secure its removal from the Attorney General's list of subversive organizations, and the political development of the Socialist Party and its successor, Social Democrats, U.S.A., after 1958. Physical Location: Hoover Institution Archives Languages: English Access Collection is open for research. The Hoover Institution Archives only allows access to copies of audiovisual items. -
Observations & Questions Contexts & Consequences Meet the Beatles
Sgt. Pepper’s Lonely Meet The Beatles Hearts Club Albums recorded 1963-1970 Band An album by the Beatles December 1966 – April 1967 “perhaps the most creative 129 days in the history of rock music” 1964 Observations & questions Producer George Martin • Song analysis models “The 5th Beatle” • Is this album a unified work of art similar to a symphony, suite or song cycle in classical music? – The invention of the “concept album” – McCartney “. like writing your novel” – Lennon disagreed – The first album to print the lyrics on the sleeve contexts & consequences ‘The Frame’ • Pop music gets its own Art Tradition • Opening (title) song (SPLHCB) • Queen – “We don’t compose songs, we compose albums” • Alter ego/distancing (dissimulation) tactic • Punk reacts against this (Metallica struggles on) • Polystylistic now, polystylistic then, but in the • The Recording is the Work future? – Before, recordings were supplements to the ‘real thing,’ live performance • 12 + 5 bar phrase lengths – gives it a chopped – Now, the live concert is the supplement to the up feel? recording – Financially, this may be reverting back, but the recording still seems to be the site of music With a Little Help . Getting Better • A “character song” (as in an opera or musical) • Optimism with one or two negative, even • Musical traits? (Simplicity of harmony seems shocking, twists in the lyrics to set up the next song) • “the album’s first track with no harmonic • Drug reference? Surrealistic verse? innovations” – Walter Everett • Rating on your personal normalcy/weirdness – (but I think that guitar spiking away on a note that chart? may or may not fit into the chords is really cool) • Falsetto “foolish rules” • Appeal to fantasies/Beatlemania? With a Little Help . -
Was Original Whom He Liked, Though He's Not Too Keen on Originally As Nobody Ever Asked Me to Play Live
HARRY NILSSON r.,I3 ej ictor "We thought it had a sense of humour. I don't know... things that the studio has to offer which you can't do in I guess I'm just bitter about it. I think that sense of g a live situation. I did some TV shows in America a long humour is the single most lacking thing in popular time ago -the Johnny Carson show, the Mike Douglas music. It's also the single most lacking quality in the show -with just me and a piano. people that present popular music to the public. It hurts, "I was once advised to do live shows and appear on TV. because that's what rock'n'roll is all about -fun. I agreed to the TV. 'Everybody's Talkin" had just come out and "'Acting lilce a man on a fuzzy tree. .'It's humour. How serious can you it was a hit, so I went on this TV show. I didn't have a suit to wear so I get about'your baby, my baby'?Lots of musicians take it too seriously and borrowed my manager's suit, which didn't fit. As soon as it was over it's dull and boring, and that's what's killing pop music. I like humour and I realised I was making a mistake and stopped doing it. My reputation I like songs that have humour. That's why I'm arguing with RCA. is now unscathed. "They don't get the joke aboutGod's Greatest Hits.I asked them whether "I've talked about it with the band that I use on the albums but I don't they'd have turned downJesus Christ Superstarfor the same reason. -
Common Course Outline the Community College of Baltimore
Common Course Outline MUSC 128 The Beatles in the Rock Generation 3 Semester Hours The Community College of Baltimore County Description The Beatles in the Rock Generation Examines the development of the musical and lyrical artistry of the Beatles presented within the framework of aesthetic and social movement, 1957 to 1970. Corequisites: ENGL 051 or ESOL 051 or LVE 1 or LVE 2 or LVE 3 and RDNG 052 or LVR 2. Overall Course Objectives Upon successful completion of this course, the student will be able to: 1. Understand and articulate how and why the Beatles became the most influential pop group of the 1960’s and beyond. 2. Identify the principal musical and social influences on the Beatles. 3. Evaluate the growth and change of the Beatles' body of work as their career progressed. 4. Identify the influence the Beatles had on the music that succeeded them. 5. Evaluate the Beatles’ contribution to the cultural and social climate of the 1960's. 6. Trace the development of popular music in the 20th century. 7. Identify the stylistic and formal aspects of popular music. 8. Articulate the importance of music in human experience. 9. Utilize analytical and critical listening and thinking skills in evaluating music. Major Topics 1. A brief history of popular music; the Beatles early career, 1957-1963 a. Influences: Post-World War II popular music, Anglo-Irish folk music, English Music Hall/European Cabaret, American Rock and Roll: Elvis, Chuck Berry, Little Richard, Buddy Holly, Everly Bros., etc. b. Performances: Hamburg, Cavern Club c. Recordings: The Beatles Live at the BBC, Live at the Star Club, The Early Beatles, Please Please Me, With the Beatles, Past Masters Vol. -
Bovine Benefactories: an Examination of the Role of Religion in Cow Sanctuaries Across the United States
BOVINE BENEFACTORIES: AN EXAMINATION OF THE ROLE OF RELIGION IN COW SANCTUARIES ACROSS THE UNITED STATES _______________________________________________________________ A Dissertation Submitted to the Temple University Graduate Board _______________________________________________________________ In Partial Fulfillment of the Requirements for the Degree DOCTOR OF PHILOSOPHY ________________________________________________________________ by Thomas Hellmuth Berendt August, 2018 Examing Committee Members: Sydney White, Advisory Chair, TU Department of Religion Terry Rey, TU Department of Religion Laura Levitt, TU Department of Religion Tom Waidzunas, External Member, TU Deparment of Sociology ABSTRACT This study examines the growing phenomenon to protect the bovine in the United States and will question to what extent religion plays a role in the formation of bovine sanctuaries. My research has unearthed that there are approximately 454 animal sanctuaries in the United States, of which 146 are dedicated to farm animals. However, of this 166 only 4 are dedicated to pigs, while 17 are specifically dedicated to the bovine. Furthermore, another 50, though not specifically dedicated to cows, do use the cow as the main symbol for their logo. Therefore the bovine is seemingly more represented and protected than any other farm animal in sanctuaries across the United States. The question is why the bovine, and how much has religion played a role in elevating this particular animal above all others. Furthermore, what constitutes a sanctuary? Does -
Roosevelt Demands Slave Labor Bill in First Congress Message
The 18 And Their Jailers SEE PAGE 3 — the PUBLISHEDMILITANT IN THE INTERESTS OF THE WORKING PEOPLE VOL. IX—No. 2 NEW YORK, N. Y„ SATURDAY, JANUARY 13, 1943' 267 PRICE: FIVE CENTS Labor Leaders Roosevelt Demands Slave Labor Will Speak A t Bill In First Congress Message Meeting For 12 © ' Congress Hoists Its Flag The C ivil Rights Defense Corhmittee this week announced First Act of New a list of distinguished labor and civil liberties leaders who will Calls For Immediate Action participate in the New York ‘‘Welcome Home” Mass Meeting for James P. Cannon, Albert Goldman, Farrell Dobbs and Felix Congress Revives Morrow, 4 of the 12 imprisoned Trotskyists who. are being re On Forced Labor Measures leased from federal prison on January 24. The meeting will be Dies Committee held at the Hotel Diplomat, 108 W. 43rd Street, on February Political Agents of Big Business Combine 2, 8 P. M. ®---------------------------------------------- By R. B e ll To Enslave Workers and Paralyze Unions Included among the speakers CRDC Fund Drive The members of the new Con who will greet the Minneapolis gress had hardly warmed their Labor Case prisoners are Osmond Goes Over Top By C. Thomas K. Fraenkel, Counsel for the seats when a coalition of Roose NEW YORK CITY, Jan. 8— American Civil Liberties Union; velt Democrats and Dewey Re-' Following on the heels of a national campaign A total of $5,500 was con James T. Farrell, noted novelist publicans led by poll-tax Ran tributed in the $5,000 Christ to whip up sentiment for labor conscription, Roose and CRDC National Chairman; kin of Mississippi, anti-semite, mas Fund Campaign to aid Benjamin S. -
February 2014 Newspaper
Celebrating library power Issue No. 297, February 2014 February schedule On Monday, February 17 the library will be open from 1 to 5 p.m. in obser- Soprano Julia Bullock vance of Presidents Day. Julia Bullock has been ac- Krannert Center for the Perform- claimed for singing “with a vivid ing Arts, and the Marlboro Music presence, total dramatic involve- Festival. She recently made her San AARP tax help ment, a full, very beautiful voice, Francisco Symphony debut in West Register by calling 883-4400, Ext. 136. and charisma” (NewYorkArts.net). Side Story in Concert, conducted by Tuesdays through April 8. 10 a.m. to The Music Advisory Council Michael Tilson Thomas; an album of 2 p.m. welcomes the soprano on Sunday, the concert will be released in 2014. February 23 at 3 p.m. with selec- The San Francisco Chronicle wrote, tions from Berio, Verdi, Rossini and “the evening’s most remarkable Stay connected others. She will be accompanied by showstopper Julia Bullock appeared Trying to stay connected in our fast- pianist Renate Rohlfing. out of nowhere to deliver a full- paced world is a challenge. We do Ms. Bullock gives debut recit- voiced, stunningly paced account of our best to give you up-to-date library als this season in the Young Concert ‘Somewhere’ –- for just a moment, it information and throw in some fun Artists Series in New York at Merkin seemed as though nothing Bernstein stuff too. Sign up for eblasts, like us Hall and in Washington, DC at the ever wrote was quite as magical as on Facebook and follow us on Twitter Kennedy Center.