Für Sonntag, 21

Total Page:16

File Type:pdf, Size:1020Kb

Für Sonntag, 21 Tägliche BeatlesInfoMail 31.03.20: BEATLES-Hoodie mit WHITE ALBUM PHOTO-Motiv /// MANY YEARS AGO ---------------------------------------------------------------------------------------------- Im Beatles Museum erhältlich: BEATLES-Hoodie mit WHITE ALBUM-Motiv Versenden wir gut verpackt und zuverlässig mit DHL (Info über Sendeverlauf kommt per E-Mail). THE BEATLES: Hoodie PHOTOS WHITE ALBUM SILHOUETTES ON BLACK. 59,95 € Material: 60% Baumwolle, 40 % Polyester Größen: S, M, L, XL, XXL. Weitere Hoodies: https://www.beatlesmuseum.net/?s=Hoodie&post_type=product ---------------------------------------------------------------------------------------------- Bestellungen auch telefonisch möglich: Di. - So. von 10.00 bis 18.00 Uhr: 0345-2903900 Innerhalb Deutschland: Bei Bestellwert unter 50 Euro: Versandanteil für Briefe; für Inland-Pakete maximal 5,00 Euro. / Ab Bestellwert 50 Euro: innerhalb Deutschland portofrei. Ins Ausland: Bei Bestellwert unter 50 Euro: Versandanteil für Briefe und Pakete: bitte erfragen. / Ab Bestellwert 50 Euro: Versandanteil minus 5 Euro. ---------------------------------------------------------------------------------------------- Viele Grüße sendet Dir das Team vom Beatles Museum Stefan, Martin, Daniel, Katharina und Marta ---------------------------------------------------------------------------------------------- 31. März - IT WAS MANY YEARS AGO TODAY … und im BEATLES-Magazin THINGS regelmäßig 50/40/30/20/10 YEARS AGO und die NEWS Ergänzungen und Korrekturen sind willkommen! #BeatlesMuseum /// www.Facebook.com/BeatlesMuseumInHalle Sonntag 31. März 1963: BRIAN EPSTEIN wird Manager von weiteren Musikern: FREDDIE STARR & THE MIDNIGHTERS und THE FOURMOST; Abb. 1: EPSTEIN und FOURMOST in London, ca. 1964 (wer weiß genaues Datum?); Abb. 2: FREDDIE STARR & MIDNIGHTERS 1963 in Liverpool. Sonntag 31. März 1963: ANDREW LOOG OLDHAM hört als PR-Manager unter BRIAN EPSTEIN auf (und managt später die Rolling Stones); Abb. 3: ANDREW LOOG OLDHAM und BRIAN EPSTEIN, ca. 1962. Sonntag 31. März 1963: THE BEATLES: Auftritt in der Du Montfort Hall, Leicester, Großbritannien (letzter Tag der BEATLES bei der TOMMY ROE & CHRIS MONTEZ TOUR); Abb. 4. Donnerstag 31. März 1964: THE BEATLES: Vinyl-Single CAN'T BUY ME LOVE wird in USA vergoldet. Donnerstag 31. März 1966: BRIAN EPSTEIN trifft sich mit Tatsuji Nagshima wegen anstehender BEATLES-Konzerte in Tokio, Japan. Sonntag 31. März 1968: BEACH BOYS erklären, dass sie und einige der BEATLES eine Tournee mit MAHARISHI MAHESH YOGI machen wollen. (Die Tournee findet nie statt.) Montag 31. März 1969: GEORGE HARRISON und PATTIE HARRISON erhalten Geldstrafe wegen Drogenbesitz. Montag 31. März 1969: JOHN LENNON & YOKO ONO: Pressekonferenz in Wien und Uraufführung ihres Films RAPE; Abb. 5. Samstag 31. März 1973: Manager-Vertrag von JOHN, GEORGE und RINGO mit ALLEN KLEIN läuft aus und wird auch nicht mehr verlängert. Montag 31. März 1975: KEITH MOON: Vinyl-Single SOLID GOLD (mit RINGO STARR) in USA. Freitag 31. März 1978: PAUL McCARTNEY: Vinyl-LP LONDON TOWN, Großbritannien (großer Bericht in THINGS 298); Abb. 6. Sonntag 31. März 1985: Zweiter Tag von MICHAEL JACKSONs Besuch bei PAUL und LINDA McCARTNEY in Sussex, England. Montag 31. März 2003: THE BEATLES: 4-DVD-Set A LONG AND WINDING ROAD, USA. ______________________________________________________________________________________________ Aktuelle Veröffentlichungen (ab Anfang 2019) jeden Sonntag in der BeatlesWochenInfoMail. Diese kommen auch in die Auswahl für den BEATLES RELEASE AWARD 2019. Ergänzungen und Korrekturen sind willkommen! ---------------------------------------------------------------------------------------------- Adresse / Kommunikation / Beatles-Magazin: Beatles Museum, Alter Markt 12,. D-06108 Halle (Saale) Telefon: 0345-290 390 0 / WhatsApp: 0179-4284122 / Fax: 0345-290 390 0 / E-Mail: [email protected] / Internet: www.BeatlesMuseum.net Geöffnet: dienstags bis sonntags und an Feiertagen (außer Weihnachten und Jahreswechsel) jeweils 10.00 bis 18.00 Uhr (nach Absprache auch später - oder morgens früher) Der nächste M.B.M-Stammtisch im Beatles Museum: Pfingstsonntag, 31. Mai 2020 ab 16 Uhr. BEATLES-Magazin THINGS: 5 Hefte 20,00 Euro / 10 Hefte 40,00 Euro / 20 Hefte 75 Euro / 30 Hefte 105 Euro / (Porto bezahlt Beatles Museum) Es erscheinen zwölf bis 18 Hefte jährlich / A5 groß / mindestens 40 Farbseiten / deutschsprachig / Verlängerung nur nach Absprache. INHALTSVERZEICHNISSE FÜR ALLE HEFTE Mit diesem Link kommst Du zu der richtigen Internetseite. Ganz unten findest Du den „Knopf“ für das THINGS-Inhaltsverzeichnis. Alle Angebote freibleibend, so lange der Vorrat reicht. Fehler vorbehalten. Die InfoMails archivieren wir auf unserer Internetseite (deshalb tauchen schon mal nicht mehr lief erbare Produkte in Internet auf). Umsatzsteuer-Identifikationsnummer gemäß Paragraf 27 a Umsatzsteuergesetz: DE 308 314 130 .
Recommended publications
  • HITMAKERS – 6 X 60M Drama
    HITMAKERS – 6 x 60m drama LOGLINE In Sixties London, the managers of the Beatles, the Stones and the Who struggle to marry art and commerce in a bid to become the world’s biggest hitmakers. CHARACTERS Andrew Oldham (19), Beatles publicist and then manager of the Rolling Stones. A flash, mouthy trouble-maker desperate to emulate Brian Epstein’s success. His bid to create the anti-Beatles turns him from Epstein wannabe to out-of-control anarchist, corrupted by the Stones lifestyle and alienated from his girlfriend Sheila. For him, everything is a hustle – work, relationships, his own psyche – but always underpinned by a desire to surprise and entertain. Suffers from (initially undiagnosed) bi-polar disorder, which is exacerbated by increasing drug use, with every high followed by a self-destructive low. Nobody in the Sixties burns brighter: his is the legend that’s never been told on screen, the story at the heart of Hitmakers. Brian Epstein (28), the manager of the Beatles. A man striving to create with the Beatles the success he never achieved in entertainment himself (as either actor or fashion designer). Driven by a naive, egotistical sense of destiny, in the process he basically invents what we think of as the modern pop manager. He’s an emperor by the age of 30 – but this empire is constantly at risk of being undone by his desperate (and – to him – shameful) homosexual desires for inappropriate men, and the machinations of enemies jealous of his unprecedented, upstart success. At first he sees Andrew as a protege and confidant, but progressively as a threat.
    [Show full text]
  • The Beatles on Film
    Roland Reiter The Beatles on Film 2008-02-12 07-53-56 --- Projekt: transcript.titeleien / Dokument: FAX ID 02e7170758668448|(S. 1 ) T00_01 schmutztitel - 885.p 170758668456 Roland Reiter (Dr. phil.) works at the Center for the Study of the Americas at the University of Graz, Austria. His research interests include various social and aesthetic aspects of popular culture. 2008-02-12 07-53-56 --- Projekt: transcript.titeleien / Dokument: FAX ID 02e7170758668448|(S. 2 ) T00_02 seite 2 - 885.p 170758668496 Roland Reiter The Beatles on Film. Analysis of Movies, Documentaries, Spoofs and Cartoons 2008-02-12 07-53-56 --- Projekt: transcript.titeleien / Dokument: FAX ID 02e7170758668448|(S. 3 ) T00_03 titel - 885.p 170758668560 Gedruckt mit Unterstützung der Universität Graz, des Landes Steiermark und des Zentrums für Amerikastudien. Bibliographic information published by Die Deutsche Bibliothek Die Deutsche Bibliothek lists this publication in the Deutsche Nationalbibliografie; detailed bibliographic data are available on the Internet at http://dnb.ddb.de © 2008 transcript Verlag, Bielefeld This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 3.0 License. Layout by: Kordula Röckenhaus, Bielefeld Edited by: Roland Reiter Typeset by: Roland Reiter Printed by: Majuskel Medienproduktion GmbH, Wetzlar ISBN 978-3-89942-885-8 2008-12-11 13-18-49 --- Projekt: transcript.titeleien / Dokument: FAX ID 02a2196899938240|(S. 4 ) T00_04 impressum - 885.p 196899938248 CONTENTS Introduction 7 Beatles History – Part One: 1956-1964
    [Show full text]
  • Andrew Loog Oldham by Rob Bowman As the Rolling Stones’ Manager and Producer, He Played a Seminal Role in the Creation of Modern Rock & Roll
    Andrew Loog Oldham By Rob Bowman As the Rolling Stones’ manager and producer, he played a seminal role in the creation of modern rock & roll. IN 1965, TOM WOLFE FAMOUSLY DUBBED PHIL SPECTOR America’s first tycoon of teen. Great Britain in the 1960s had its own version with Andrew Loog Oldham. Similarly eccentric, Oldham sported a one-of-a-kind mix of flamboyance, fashion, attitude, chutz­ pah, vision, and business smarts. As comanager of the Rolling Stones from May 1963 to September 1967, and founder and co-owner of Im­ mediate Records from 1965 to 1970, he helped shape the future of rock, and certainly turned the music industry in the United Kingdom on its head. Along the way, between the ages of 19 and 23, he pro­ duced some of the greatest records in rock & roll history, leading Bill­ board to describe him as one of the top five producers in the world, and Cashbox to declare him a musical giant. ^ He was born in Lon­ don on January 29, 1944, during the Germans’ nightly bombard­ ment of England. His father, whom he never met, was Texas airman Andrew Loog, killed in June 1943 when his B-17 bomber was shot down over France. Raised by his mother, Celia Oldham, the preco­ cious teenager began working for Mary Quant during the day, at Ronnie Scott’s jazz club in the evening, and at the fabled Flamingo club after midnight. He also found time to form a (short-lived) pub­ lic relations firm with Pete Meaden, the future manager of the Who.
    [Show full text]
  • Beatles History – Part One: 1956–1964
    BEATLES HISTORY – PART ONE: 1956–1964 January 1956–June 1957: The ‘Skiffle Craze’ In January 1956, Lonnie Donegan’s recording of “Rock Island Line” stormed into the British hit parade and started what would become known as the ‘skiffle craze’ in Great Britain (vgl. McDevitt 1997: 3). Skiffle was originally an amateur jazz style comprising elements of blues, gospel, and work songs. The instrumentation resembled New Or- leans street bands called ‘spasms,’ which relied on home-made instru- ments. Before skiffle was first professionally recorded by American jazz musicians in the 1920s and 1930s, it had been performed at ‘rent parties’ in North American cities like Chicago and Kansas City. Many African- American migrant workers organized rent parties in order to raise money for their monthly payments (vgl. Garry 1997: 87). Skiffle provided the musical entertainment at these parties, as everybody was able to partici- pate in the band, which usually consisted of home-made acoustic guitars or a piano backed by a rhythm section of household instruments, such as a washboard, a washtub bass, and a jug (vgl. McDevitt 1997:16). Jazz trumpeter and guitarist Ken Colyer pioneered the skiffle scene in Great Britain. In 1949, he formed the Crane River Jazz Band in Cran- ford, Middlesex, together with Ben Marshall (guitar), Pat Hawes (wash- board), and Julian Davies (bass). Their repertoire included skiffle songs “to illustrate aspects of the roots of jazz and to add variety to a pro- gramme” (Dewe 1998: 4). After leaving the group in 1951, Colyer mi- grated to the United States to work with jazz musicians in New Orleans.
    [Show full text]
  • Being John Lennon V4.Indd V 16/08/2018 08:13 First Published in Great Britain in 2018 by Weidenfeld & Nicolson 1 3 5 7 9 10 8 6 4 2
    BEING JOHN LENNON A RESTLESS LIFE RAY CONNOLLY Being John Lennon V4.indd v 16/08/2018 08:13 First published in Great Britain in 2018 by Weidenfeld & Nicolson 1 3 5 7 9 10 8 6 4 2 © Ray Connolly 2018 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of both the copyright owner and the above publisher. The right of Ray Connolly to be identifi ed as the author of this work has been asserted in accordance with the Copyright, Designs and Patents Act 1988. A CIP catalogue record for this book is available from the British Library. HB ISBN 9781474606806 TPB ISBN 9781474606813 Typeset by Input Data Services Ltd, Somerset Printed and bound by CPI Group (UK) Ltd, Croydon, CR0 4YY Weidenfeld & Nicolson The Orion Publishing Group Ltd Carmelite House 50 Victoria Embankment London, EC4Y 0DZ An Hachette UK Company www.orionbooks.co.uk Being John Lennon V4.indd vi 16/08/2018 08:14 AUTHOR’S NOTE On the afternoon of Monday, 8 December 1980, I got a call in London from Yoko Ono, wanting to know why I wasn’t in New York. ‘We thought you were coming over,’ she said. ‘The BBC has been here this weekend.’ My reply was that when, a few weeks earlier, I’d suggest­ ed going to interview her and John – although, in truth, I’d mainly wanted to talk to John – she’d put me off by saying, ‘The time isn’t right.’ I didn’t know whether that meant that her readings of the numbers weren’t good, because I knew that Yoko was into Numerolo­ gy, or that there was some other reason.
    [Show full text]
  • THE FOUR PHASES of the BEATLES Mark Steffen
    THE FOUR PHASES OF THE BEATLES Mark Steffen (1) During the early Sixties, the four members of a • rock band called the Beatles took the field of pop music by storm and their Influence on music contlnes even today. But despite the Identity of name and members, the Beatles were not always the same group. The group went through four distinct phases--the early years, the pop stardom period, the muslcmakers phase, and the sololsts-­ character Jzed by changes In the audiences they drew, the sound they had, and their Image as a band. (2) In the early years (between 1959 and 1962), the Beatles were starting a career which was chal lenglng and uncertain. Entertaining the lower classes of Liverpool and the surrounding area with their crude versions of popular American songs at dilapidated dance halls and clubs, they were brash and vulgar. Their Image as obnoxious troublemakers was wel I earned. In one Instance, a club at which they played caught f Ire due to their antics on stage. They dressed as they pleased, paying no attention to fashion and normal modes of dress. This, coupled with their long hair, set them apart from other bands. Yet, In these early years, they Improved their musical talents and gained valuable experience as entertainers. After they obtained Brian Epstein as their manager, the band changed dramatically. (3) The next phase In the Beatles' history was pop stardom. They gained this status almost overnight after the release of their first two singles, "Love Me Do" and "Please, Please Me," their own compositions.
    [Show full text]
  • Pdf/Beatles Chronology Timeline
    INDEX 1-CHRONOLOGY TIMELINE - 1926 to 2016. 2-THE BEATLES DISCOGRAPHY. P-66 3-SINGLES. P-68 4-MUSIC VIDEOS & FILMS P-71 5-ALBUMS, (Only Their First Release Dates). P-72 6-ALL BEATLES SONGS, (in Alphabetical Order). P-84 7-REFERENCES and Conclusion. P-98 1 ==================================== 1-CHRONOLOGY TIMELINE OF, Events, Shows, Concerts, Albums & Songs Recorded and Release dates. ==================================== 1926-01-03- George Martin Producer of the Beatles was Born. George Martin died in his sleep on the night of 8 March 2016 at his home inWiltshire, England, at the age of 90. ==================================================================== 1934-09-19- Brian Epstein, The Beatles' manager, was born on Rodney Street, in Liverpool. Epstein died of an overdose of Carbitral, a form of barbiturate or sleeping pill, in his locked bedroom, on 27 August 1967. ==================================================================== 1940-07-07- Richard Starkey was born in family home, 9 Madyrn Street, Dingle, in Liverpool, known as Ringo Starr Drummer of the Beatles. Maried his first wife Maureen Cox in 1965 Starr proposed marriage at the Ad-Lib Club in London, on 20 January 1965. They married at the Caxton Hall Register Office, London, in 1965, and divorced in 1975. Starr met actress Barbara Bach, they were married on 27 April 1981. 1940-10-09- JohnWinston Lennon was born to Julia and Fred Lennon at Oxford Maternity Hospital in Liverpool., known as John Lennon of the Beatles. Lennon and Cynthia Powell (1939– 2015) met in 1957 as fellow students at the Liverpool College of Art. The couple were married on 23 August 1962. Their divorce was settled out of court in November 1968.
    [Show full text]
  • The Beatles.Pdf
    KOCK HOD ROIL 1 HALL OL LAME The Beatles istorically s p e a k i n g , t h e b i r t h o f t h e Be a t l e s h a s b e e n group to the paper: "Many people ask what are Beades? Why, Beades? Ugh, traced time and again to Saturday afternoon, July 6th, 1957, at the Beades, how did the name arrive? So we will tell you. It came in a vision - a S t Peter’s parish garden fete in Woolton, a Liverpool suburb. Sev- man appeared on a flaming pie and said tinto diem, 'From this day on you are enteen-year-old John Lennon was performing there with a group of Beades.’ 'Thank you, Mister Man,’ they said, thanking him.” school chums who called themselves the Quarrymen. They were a T he Beades also caught the eye o f influential locals like the D J Bob Wooler, product of the skiffle craze - a fad inspired by the primitive wash­ who convinced Ray McFall, owner of die Cavern dub, to book die combo. In board-band sound of Lonnie Donegan’s hit "Rock Island Line” — but theyJuly 1961 the Beades, reduced to a four-piece when Sutcliffe returned to Ham­ displayedH a pronounced rock and roll bent. Watching the Quarrymen was burg to paint and be with his girlfriend, commenced their legendary lunch-time fifteen-year-old guitarist Paul McCartney, who was introduced to the band cpccinns at the Cavern. That’s where a curious Brian Epstein, a record mer­ afterward.
    [Show full text]
  • The British Invasion: Finding Traction in America by Piacentino Vona A
    The British Invasion: Finding Traction in America by Piacentino Vona A thesis presented to the University Of Waterloo in fulfilment of the thesis requirement for the degree of Master of Arts in History Waterloo, Ontario, Canada, 2018 © Piacentino Vona 2018 Author’s Declaration I hereby declare that I am the sole author of this thesis. This is a true copy of the thesis, including any required final revisions, as accepted by my examiners. I understand that my thesis may be made electronically available to the public. ii Abstract As a period of American History, the 1960s has provided historians and academics with a wealth of material for research and scholarship. Presidents John F. Kennedy, Lyndon B. Johnson and Richard Nixon, the Vietnam War, the hippie era, and the Civil Rights Movement, among other topics have received thorough historical discussion and debate. Music was another key aspect in understanding the social history of the 1960s. But unlike the people and events mentioned above, historians have devoted less attention to music in the historical landscape. The British Invasion was one such key event that impacted America in the 1960s. Bands such as the Beatles, the Rolling Stones, and the Who found their way into the United States and majorly impacted American society. Using secondary sources, newspaper articles, interviews and documentaries on these bands, this thesis explores the British Invasion and its influence in the context of 1960s America. This thesis explores multiple bands that came in the initial wave. It follows these bands from 1964-1969, and argues that the Beatles, the Rolling Stones, and the Who shared common multiple factors that allowed them to attain the traction to succeed and to maintain that success in the United States.
    [Show full text]
  • THE BEATLES IMAGE: MASS MARKETING 1960S BRITISH and AMERICAN MUSIC and CULTURE, OR BEING a SHORT THESIS on the DUBIOUS PACKAGE of the BEATLES
    THE BEATLES IMAGE: MASS MARKETING 1960s BRITISH AND AMERICAN MUSIC AND CULTURE, OR BEING A SHORT THESIS ON THE DUBIOUS PACKAGE OF THE BEATLES by Richard D Driver, Bachelor of Arts A Thesis In HISTORY Submitted to the Graduate Faculty of Texas Tech University in Partial Fulfillment of the Requirements for the Degree of MASTER OF ARTS Approved Aliza S Wong Randy McBee John Borrelli Dean of the Graduate School May, 2007 Copyright 2007, Richard Driver Texas Tech University, Richard D Driver, May 2007 ACKNOWLEDGMENTS This work could not have been possible without the encouragement and guidance of a number of individuals, as well as countless persons who pulled books, worked through interlibrary loans, and simply listened to me talk about it. Without the guidance, tolerance, insight, time, and encouragement of my committee, Aliza S Wong and Randy McBee, this thesis would have remained nothing more than a passing thought. Aliza, more than any other professor has been there for me since this project truly began over two years ago. It was her initial push for me to write about something I loved that drove me to attend Graduate school and then build upon what I had done previously with The Beatles “image.” Dr. McBee provided excellent guidance into understanding many of the post-war American facets of this work, not simply those related to The Beatles or music in general. Additional thanks are reserved for Dr. Julie Willett for her class on sexuality and gender where new methods and modes of historical thought were founded in this work. Finally, this thesis would have been impossible had I not been accepted into and granted a teaching position in the History Department at Texas Tech University, and it is to the entire department that I owe my greatest thanks.
    [Show full text]
  • Exhibits and Displays 2014
    Exhibits and Displays 2014 1100 Rock and Roll Boulevard Cleveland, Ohio 44114 Table of Contents Films at the Rock Hall About the Rock Hall 3 Did you know that the Rock and Roll Hall of Fame has hours of film in our movie theaters and exhibits? Here’s a look at what’s Roots of Rock and Roll 4 in store for you: Mystery Train, 1995 Two-Tone Spotlight 5 12 minutes Located near Main Exhibit Hall entrance The Beatles 6 Common Ground: The Music Festival Experience 7 A New Side of Elvis Exhibit Film, 2013 12 minute Cities and Sounds 8 Located in the Main Exhibit Cleveland Rocks 9 The Beatles Albums, 2009 Kick out the Jams 10 40 minutes Located in the Beatles Exhibit Michael Jackson 11 The Rolling Stones: LIVE!, 2012 Experience the Rock Hall 12 14 minutes Located in the Rolling Stones Exhibit Right Here, Right Now 13 2014 Inductee Exhibit 14 Dick Clark’s American Bandstand: The Longest-Running Music Program in Television History Films at the Rock Hall 15 19 Minutes Located in the Forest City Charitable / RMS Foundations Legends of Rock Theater Hall of Fame Film, 1986-2013 75 minutes HALL OF FAME THEATER 2 15 About the Rock More than 25 years ago, leaders in Jann Wenner. Inductees and other the music industry joined together artists present at the ceremony to establish the Rock and Roll Hall included Pete Townshend, Chuck 2014 Inductee Exhibit of Fame Foundation in New York Berry, Billy Joel, Sam Phillips, Ruth City to celebrate the music and Brown, Sam Moore of Sam and musicians that changed the world.
    [Show full text]
  • The World of Beatle Fandom
    Written by BILL HARRY Produced by Colourgold Ltd, 80 Bell St, NWl. 01-402 8586, Distributed by Comag, West Drayton, Printed by: Chromoworks Ltd,Wigman Rd., Aspley, Nottingham. 1940-1980 orn October 9th, 1940 in At the art school John was popular with the Liverpool, died December 8th, girls and opted for one in particular: Cynthia 1980 in New York. The cruel Powell. Later, when she became pregnant, they hand of fate shut the door on the married secretly. He also met Stuart Sutcliffe, a talent of the best-loved musician talented artist who was to make a lasting of the Western world when the impession on him. Stu joined the band, now called Btragic killing of John Lennon occurred outside the The Silver Beatles. They made a short tour of Dakota Building in New York that fateful day Scotland and, with the addition of drummer Pete almost two years ago. Of all the Beatles, he was Best, set off for Hamburg. His exploits abroad the one on whom people had bestowed the title with the group became more important than the of 'genius'. college and he never returned. He was more than just a singer, a guitarist, one Together with Paul, he was the 'idol' of the fans, half of the Lennon/ McCartney songwriting team: although Paul became the main target of the girls' he was a working class hero, a rebel, a writer - affections when Julian was born and the marriage and his sometimes eccentric activities provided a details were revealed in the press. John was then touch of colour to many people's lives - although able to bring Cynthia and Julian to London and we mustn't forget the years of abuse he received bought variO\JS houses, ending up in the when he teamed up with Yoko, the ugly hustling stockbroker's belt in Weybridge.
    [Show full text]