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John Lennon from ‘Imagine’ to Martyrdom Paul Mccartney Wings – Band on the Run George Harrison All Things Must Pass Ringo Starr the Boogaloo Beatle
THE YEARS 1970 -19 8 0 John Lennon From ‘Imagine’ to martyrdom Paul McCartney Wings – band on the run George Harrison All things must pass Ringo Starr The boogaloo Beatle The genuine article VOLUME 2 ISSUE 3 UK £5.99 Packed with classic interviews, reviews and photos from the archives of NME and Melody Maker www.jackdaniels.com ©2005 Jack Daniel’s. All Rights Reserved. JACK DANIEL’S and OLD NO. 7 are registered trademarks. A fine sippin’ whiskey is best enjoyed responsibly. by Billy Preston t’s hard to believe it’s been over sent word for me to come by, we got to – all I remember was we had a groove going and 40 years since I fi rst met The jamming and one thing led to another and someone said “take a solo”, then when the album Beatles in Hamburg in 1962. I ended up recording in the studio with came out my name was there on the song. Plenty I arrived to do a two-week them. The press called me the Fifth Beatle of other musicians worked with them at that time, residency at the Star Club with but I was just really happy to be there. people like Eric Clapton, but they chose to give me Little Richard. He was a hero of theirs Things were hard for them then, Brian a credit for which I’m very grateful. so they were in awe and I think they had died and there was a lot of politics I ended up signing to Apple and making were impressed with me too because and money hassles with Apple, but we a couple of albums with them and in turn had I was only 16 and holding down a job got on personality-wise and they grew to the opportunity to work on their solo albums. -
HITMAKERS – 6 X 60M Drama
HITMAKERS – 6 x 60m drama LOGLINE In Sixties London, the managers of the Beatles, the Stones and the Who struggle to marry art and commerce in a bid to become the world’s biggest hitmakers. CHARACTERS Andrew Oldham (19), Beatles publicist and then manager of the Rolling Stones. A flash, mouthy trouble-maker desperate to emulate Brian Epstein’s success. His bid to create the anti-Beatles turns him from Epstein wannabe to out-of-control anarchist, corrupted by the Stones lifestyle and alienated from his girlfriend Sheila. For him, everything is a hustle – work, relationships, his own psyche – but always underpinned by a desire to surprise and entertain. Suffers from (initially undiagnosed) bi-polar disorder, which is exacerbated by increasing drug use, with every high followed by a self-destructive low. Nobody in the Sixties burns brighter: his is the legend that’s never been told on screen, the story at the heart of Hitmakers. Brian Epstein (28), the manager of the Beatles. A man striving to create with the Beatles the success he never achieved in entertainment himself (as either actor or fashion designer). Driven by a naive, egotistical sense of destiny, in the process he basically invents what we think of as the modern pop manager. He’s an emperor by the age of 30 – but this empire is constantly at risk of being undone by his desperate (and – to him – shameful) homosexual desires for inappropriate men, and the machinations of enemies jealous of his unprecedented, upstart success. At first he sees Andrew as a protege and confidant, but progressively as a threat. -
Für Sonntag, 21
Tägliche BeatlesInfoMail 31.03.20: BEATLES-Hoodie mit WHITE ALBUM PHOTO-Motiv /// MANY YEARS AGO ---------------------------------------------------------------------------------------------- Im Beatles Museum erhältlich: BEATLES-Hoodie mit WHITE ALBUM-Motiv Versenden wir gut verpackt und zuverlässig mit DHL (Info über Sendeverlauf kommt per E-Mail). THE BEATLES: Hoodie PHOTOS WHITE ALBUM SILHOUETTES ON BLACK. 59,95 € Material: 60% Baumwolle, 40 % Polyester Größen: S, M, L, XL, XXL. Weitere Hoodies: https://www.beatlesmuseum.net/?s=Hoodie&post_type=product ---------------------------------------------------------------------------------------------- Bestellungen auch telefonisch möglich: Di. - So. von 10.00 bis 18.00 Uhr: 0345-2903900 Innerhalb Deutschland: Bei Bestellwert unter 50 Euro: Versandanteil für Briefe; für Inland-Pakete maximal 5,00 Euro. / Ab Bestellwert 50 Euro: innerhalb Deutschland portofrei. Ins Ausland: Bei Bestellwert unter 50 Euro: Versandanteil für Briefe und Pakete: bitte erfragen. / Ab Bestellwert 50 Euro: Versandanteil minus 5 Euro. ---------------------------------------------------------------------------------------------- Viele Grüße sendet Dir das Team vom Beatles Museum Stefan, Martin, Daniel, Katharina und Marta ---------------------------------------------------------------------------------------------- 31. März - IT WAS MANY YEARS AGO TODAY … und im BEATLES-Magazin THINGS regelmäßig 50/40/30/20/10 YEARS AGO und die NEWS Ergänzungen und Korrekturen sind willkommen! #BeatlesMuseum /// www.Facebook.com/BeatlesMuseumInHalle -
(I Can't Get No) Satisfaction Rolling Stones 1965 4 Open Ar
1 Hey Jude The Beatles 1968 2 Stairway To Heaven Led Zeppelin 1971 3 (I Can't Get No) Satisfaction Rolling Stones 1965 4 Open Arms Journey 1982 5 Yesterday The Beatles 1965 6 American Pie Don McLean 1972 7 Imagine John Lennon 1971 8 Jailhouse Rock Elvis Presley 1957 9 Ebony And Ivory Paul McCartney & Stevie Wonder 1982 10 (We're Gonna) Rock Around The Clock Bill Haley & His Comets 1955 11 Start Me Up Rolling Stones 1981 12 Centerfold J. Geils Band 1982 13 I Want To Hold Your Hand The Beatles 1964 14 I Love Rock And Roll Joan Jett & The Blackhearts 1982 15 Hotel California The Eagles 1977 16 Do You Believe In Love Huey Lewis & The News 1982 17 The House Of The Rising Sun The Animals 1964 18 Don't Talk To Strangers Rick Springfield 1982 19 Won't Get Fooled Again The Who 1971 20 867-5309/Jenny Tommy Tutone 1982 21 Bridge Over Troubled Water Simon & Garfunkel 1970 22 '65 Love Affair Paul Davis 1982 23 Help! The Beatles 1965 24 Don't Stop Believin' Journey 1981 25 Endless Love Diana Ross & Lionel Richie 1981 26 Brown Sugar Rolling Stones 1971 27 Let It Be The Beatles 1970 28 Free Bird Lynyrd Skynyrd 1975 29 Woman John Lennon 1981 30 Nights In White Satin Moody Blues 1972 31 She Loves You The Beatles 1964 32 The Sounds Of Silence Simon & Garfunkel 1966 33 The Twist Chubby Checker 1960 34 Jumpin' Jack Flash Rolling Stones 1968 35 Jessie's Girl Rick Springfield 1981 36 Born To Run Bruce Springsteen 1975 37 A Hard Day's Night The Beatles 1964 38 California Dreamin' The Mamas & The Papas 1966 39 Lola The Kinks 1970 40 Lights Journey 1978 41 Proud -
The Beatles on Film
Roland Reiter The Beatles on Film 2008-02-12 07-53-56 --- Projekt: transcript.titeleien / Dokument: FAX ID 02e7170758668448|(S. 1 ) T00_01 schmutztitel - 885.p 170758668456 Roland Reiter (Dr. phil.) works at the Center for the Study of the Americas at the University of Graz, Austria. His research interests include various social and aesthetic aspects of popular culture. 2008-02-12 07-53-56 --- Projekt: transcript.titeleien / Dokument: FAX ID 02e7170758668448|(S. 2 ) T00_02 seite 2 - 885.p 170758668496 Roland Reiter The Beatles on Film. Analysis of Movies, Documentaries, Spoofs and Cartoons 2008-02-12 07-53-56 --- Projekt: transcript.titeleien / Dokument: FAX ID 02e7170758668448|(S. 3 ) T00_03 titel - 885.p 170758668560 Gedruckt mit Unterstützung der Universität Graz, des Landes Steiermark und des Zentrums für Amerikastudien. Bibliographic information published by Die Deutsche Bibliothek Die Deutsche Bibliothek lists this publication in the Deutsche Nationalbibliografie; detailed bibliographic data are available on the Internet at http://dnb.ddb.de © 2008 transcript Verlag, Bielefeld This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 3.0 License. Layout by: Kordula Röckenhaus, Bielefeld Edited by: Roland Reiter Typeset by: Roland Reiter Printed by: Majuskel Medienproduktion GmbH, Wetzlar ISBN 978-3-89942-885-8 2008-12-11 13-18-49 --- Projekt: transcript.titeleien / Dokument: FAX ID 02a2196899938240|(S. 4 ) T00_04 impressum - 885.p 196899938248 CONTENTS Introduction 7 Beatles History – Part One: 1956-1964 -
Iiro Rantala
iiro rantala my working class hero ACT 9597-2 German release date: August 28, 2015 A homage to John Lennon Rantala's consummate success in combining the clarity and the catchiness of Lennon's songs with the expressive John Lennon would have been seventy-five on October 9th possibilities of jazz may be connected with his musical 2015. On “My Working Class Hero,” the Finnish pianist Iiro background and his social circumstances. He grew up in a Rantala pays tribute to this master of modern song. working class family, with his father’s cycle repair business in Helsinki as a backdrop. His early contact with classical music Rantala has demonstrated a particular gift for making this came via being a member of the celebrated boys' choir “Cantores kind of homage once before. His 2011 album “Lost Heroes” Minores,” with which he also travelled to do performances abroad. recaptured the spirit of a different musical idol in each of its ten There followed a classical piano education, and studies at the songs, and received the annual prize of the Deutsche Manhattan School of Music. However, a pure jazz musician is Schallplattenkritik and an ECHO jazz award, whilst Germany's something that he has never been. He continues to play classical foremost broadsheet newspaper the FAZ proclaimed it as having music from Bach and Mozart through to Sibelius. For eighteen “intelligence, humour, loads of feeling, unpredictable ideas and years he toured worldwide with the madcap Trio Töykeät. He especially finely crafted piano playing.” presented a TV programme called “Iiro Irti” on which he gave In this new John Lennon tribute, Rantala turns to the concerts with pop musicians and heavy metal bands. -
The Expressive/Transformative Process of Violence Lee Mellor A
I Kill, Therefore I Am: The Expressive/Transformative Process of Violence Lee Mellor A Thesis In the Individualized Program Presented in Partial Fulfillment of the Requirements For the Degree of Doctor of Philosophy (Individualized Program) at Concordia University Montreal, Quebec, Canada July 2018 ©Lee Mellor, 2018 !"#!"$%&'()#&*+$,&-.( ,!/""0("1(2$'%)'-+(,-)%&+,! This is to certify that the thesis prepared By: Lee Mellor Entitled: I Kill, Therefore I Am: The Expressive Transformative Theory of Violence and submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (Individualized program (INDI)) complies with the regulations of the University and meets the accepted standards with respect to originality and quality. Signed by the final examining committee: "#$%&! '&(!"#$&)*+!,*%++! !-./*&0$)!-.$1%0*&! '&(!2$&%0$!34&45#%0+6%! !-./*&0$)!/4! 7&48&$1! '&(!9&*8!:%*)+*0! !-.$1%0*&! '&(!-&%5!;%56*<! !-.$1%0*&! '&(!=1<!3>%??*0! -.$1%0*&! !'&(!@%A*6!@*06$/*+#! B#*+%+!3CD*&A%+4&! '&(!E*$0F,45#!G$C&*05*! =DD&4A*H!I<! '&(!,$5#*)!J*&8*&K(9&$HC$/*!7&48&$1!'%&*5/4&! !'*5*1I*&!LK!MNOP! '&(!7$C)$!Q44HF=H$1+K!'*$0! !35#44)!4?!9&$HC$/*!3/CH%*+ Abstract I Kill, Therefore I Am: The Expressive/Transformative Process of Violence Lee Mellor, Ph.D. Concordia University, 2018 Before the late-Industrial age, a minority of murderers posed their victims’ corpses to convey a message. With the rise of mass media, such offenders also began sending verbal communications to journalists and the authorities. Unsurprisingly, the 21st century has seen alienated killers promote their violent actions and homicidal identities through online communications: from VLOGs to manifestos, even videos depicting murder and corpse mutilation. -
Laura Crysel Being
Stetson University Summer Grant Progress Report – Laura Crysel Being the “Catcher in the Rye”: What is the Harm in Challenged Books? To what extent does a controversial book affect the individual who reads it? Research has failed to address the causal effects of reading banned or challenged literature. There have been some changes to the project since my initial proposal. For example, I have spent the summer reviewing previous literature and collecting materials for my project, some of which are slightly different from those I originally planned to use. I tried to select materials that would reduce the burden on participants (fewer items) and would be as close to what I actually wanted to test as possible, rather than simply replicating previous research. I have also changed the project to reflect the current funding available, hoping to seek out more participants through connections with the ALA and local high schools. Moreover, I reduced the amount of money offered for participation in order to ensure the study will be sufficiently powered. Possibly due to the sensitive nature of the project, I have had difficulty getting the study approved by the IRB, but will begin collecting data once I have approval. I have attached materials below for a more comprehensive review of my progress. Literature Review Mark David Chapman associated J.D. Salinger’s “The Catcher in the Rye” with his assassination of John Lennon (CNN, 2013). This, along with the content of the book itself, made the book extremely controversial. The American Library Association (ALA) reports attempts to censor such controversial literature every year (http://www.ala.org/bbooks/frequentlychallengedbooks/top10). -
View Song List
Brickhouse TRAVIS ALLISON Covers (by Genre) KC & the Sunshine Band Boogie Shoes That’s the Way I Like It Motown/Oldies/Beach/Soul Ben E. King Earth, Wind & Fire Stand By Me September Sing a Song Jackie Wilson (Your Love is Lifting Me) Higher and Higher Sam and Dave Soul Man Chairmen of the Board Hold On I’m Comin’ Give Me Just a Little More Time The Temptations Sam Cooke Ain’t Too Proud to Beg Another Saturday Night My Girl What a Wonderful World (This Could Be) Just My Imagination Twistin’ the Night Away Cupid James Brown Bring It On Home To Me I Feel Good King Harvest Stevie Wonder Dancing in the Moonlight Signed, Sealed, Delivered Superstition Righteous Brothers Boogie on Reggae Woman You’ve Lost that Lovin’ Feeling I Wish Isn’t She Lovely Blue Swede / BJ Thomas You Are the Sunshine of My Life Hooked on a Feeling Jackson 5 The Platters I Want You Back With This Ring I’ll Be There Mungo Jerry Isley Brothers In the Summertime Shout Music Explosion The Foundations Little Bit of Soul Build Me Up Buttercup The Tymes Sister Sledge Ms. Grace We Are Family Bill Withers Commodores Lean On Me Easy Just the Two of Us Use Me Ain’t No Sunshine Elvis Presley Suspicious Minds Looking Glass Blue Suede Shoes Brandy (You’re a Fine Girl) That’s Alright Mama Hound Dog Wilson Pickett Jailhouse Rock Mustang Sally I Can’t Help Falling in Love In the Midnight Hour Burning Love Land of 1000 Dances Be Bop a Lula Lloyd Price Smokey Robinson Stagger Lee I Second That Emotion The Tracks of my Tears Sly & The Family Stone If You Want Me to Stay The Drifters Under -
Andrew Loog Oldham by Rob Bowman As the Rolling Stones’ Manager and Producer, He Played a Seminal Role in the Creation of Modern Rock & Roll
Andrew Loog Oldham By Rob Bowman As the Rolling Stones’ manager and producer, he played a seminal role in the creation of modern rock & roll. IN 1965, TOM WOLFE FAMOUSLY DUBBED PHIL SPECTOR America’s first tycoon of teen. Great Britain in the 1960s had its own version with Andrew Loog Oldham. Similarly eccentric, Oldham sported a one-of-a-kind mix of flamboyance, fashion, attitude, chutz pah, vision, and business smarts. As comanager of the Rolling Stones from May 1963 to September 1967, and founder and co-owner of Im mediate Records from 1965 to 1970, he helped shape the future of rock, and certainly turned the music industry in the United Kingdom on its head. Along the way, between the ages of 19 and 23, he pro duced some of the greatest records in rock & roll history, leading Bill board to describe him as one of the top five producers in the world, and Cashbox to declare him a musical giant. ^ He was born in Lon don on January 29, 1944, during the Germans’ nightly bombard ment of England. His father, whom he never met, was Texas airman Andrew Loog, killed in June 1943 when his B-17 bomber was shot down over France. Raised by his mother, Celia Oldham, the preco cious teenager began working for Mary Quant during the day, at Ronnie Scott’s jazz club in the evening, and at the fabled Flamingo club after midnight. He also found time to form a (short-lived) pub lic relations firm with Pete Meaden, the future manager of the Who. -
THE LOST LENNON TAPES Megatree Liners Index
THE LOST LENNON TAPES MEGATREE INDEX Compiled from the liner note information on the Lost Lennon Tapes MegaTree. Unless otherwise noted, songs are performed by John Lennon. _____________________________________________________________ #9 Dream (alternate mix) .......................................................................................128 #9 Dream (composing demo) ................................................................................203 #9 Dream (demo 2) ..................................................................................................081 #9 Dream (demo) .....................................................................................................063 #9 Dream (LP version) ...........................................................................................063 #9 Dream (partial) ...................................................................................................081 #9 Dream (rough mix) ...................................................................................081, 203 #9 Dream......................................................000, 006, 050, 052, 138, 164, 176, 185 12-Bar Original – The Beatles................................................................................081 1968 marijuana bust.................................................................................................015 1980 Demos...............................................................................................................213 1980.............................................................................................................................200 -
Beatles History – Part One: 1956–1964
BEATLES HISTORY – PART ONE: 1956–1964 January 1956–June 1957: The ‘Skiffle Craze’ In January 1956, Lonnie Donegan’s recording of “Rock Island Line” stormed into the British hit parade and started what would become known as the ‘skiffle craze’ in Great Britain (vgl. McDevitt 1997: 3). Skiffle was originally an amateur jazz style comprising elements of blues, gospel, and work songs. The instrumentation resembled New Or- leans street bands called ‘spasms,’ which relied on home-made instru- ments. Before skiffle was first professionally recorded by American jazz musicians in the 1920s and 1930s, it had been performed at ‘rent parties’ in North American cities like Chicago and Kansas City. Many African- American migrant workers organized rent parties in order to raise money for their monthly payments (vgl. Garry 1997: 87). Skiffle provided the musical entertainment at these parties, as everybody was able to partici- pate in the band, which usually consisted of home-made acoustic guitars or a piano backed by a rhythm section of household instruments, such as a washboard, a washtub bass, and a jug (vgl. McDevitt 1997:16). Jazz trumpeter and guitarist Ken Colyer pioneered the skiffle scene in Great Britain. In 1949, he formed the Crane River Jazz Band in Cran- ford, Middlesex, together with Ben Marshall (guitar), Pat Hawes (wash- board), and Julian Davies (bass). Their repertoire included skiffle songs “to illustrate aspects of the roots of jazz and to add variety to a pro- gramme” (Dewe 1998: 4). After leaving the group in 1951, Colyer mi- grated to the United States to work with jazz musicians in New Orleans.