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Gardner to Speak on Urban Future
Grass busts ‘•coincidental’-Foot Patrol By MIKE GORDON Frierson admitted that “There may report automatically on all students. This Community dissatisfaction with the have been some question as to our right was by request of the Chancellor.” Foot Patrol and other police agencies to be where we were,” and furthermore But the pair aroused support from surfaced Thursday night as two Patrol acknowledged that there had been no lost onlookers at least once, when Frierson members and County Supervisor Dan child. He used the story because “we agreed that liquor should be available in Grant faced question-and-answer sessions needed to set you at ease” while I.V. at a meeting of Richard Applebaum’s searching for a cocaine dealer in the Earlier, Supervisor Grant declared his Sociology 127 class, billed as an “ Open vicinity, he said. conditional support for I.V. incorporation. “Incorporation should Forum on Isla Vista.” Countering a claim that the Foot An audience of over 100 repeatedly provide a rallying point,” he exhorted Patrol employed informers in I.V., the listeners, “to turn this community around questioned Foot Patrol officers Bob police representatives explained, “We Frierson and Bill Mauras on police and get going.” don’t try to cultivate informers. This is Grant recounted a history of zoning attitudes toward drug use and expanding something narcotics officers do.” Foot Patrol coverage in Isla Vista. and governmental problems in Isla Vista, Frierson added that “we have been beginning in 1927 when the entire area Commenting earlier, Supervisor Grant, needled by other (Sheriffs officers”) asked if he favored the incorporation of was zoned into 25-foot-wide lots for oil because they feel Foot Patrol officers are developers. -
Director Admits Rents Rincon Rasidmit
ftmMMMSitmmmimmmmm :-iii •' 'mmu Director admits rents Rincon rasidMit. Giagni had and himadtf, Mondkd said the wanted to know ^y the hiring Ron Rodman, anotho- Sli^WllliV aaked in his letter «^y, if rent would incHMse on a 60% peopte mho had sin^^ nxmu free-roomer at Rincon, as a debt retirement and occupancy projectioa. on my roster w«re not being security guard. But ac S6Bto4Jaivwiiil^, lldtthrieigft operating ov«rhead for Later, refMrring to Km* sent to Linda Hainley in ceding to Giagni, Rodman housing directm*. said Rinccm was gdng down, and nard's allegation that aceounting and why those worked as a security guard Wednesday that he has beoi 20 people wwe receiving rent Mondol intended to write out people were not being last semester, but declined to giving free rooms to cuts, shouki other residents six of the 12 RA jobs, biUed.' work this semester. "As long residents of Rincon Hall in have to pi^ more rent next Mondol said, "I will see you According to Mondol, the as I've been in security this exchange for services ren faU. always have a job. Not only way to keep the rent semester I've never seen dered to the dorm, a practice George Kennard, iden necessarily an RA job, but it down was to have students Rodman," Giagni said. which Mondol admitted is tified by Giagni as the source is my duty to see you have a perform services at the hall Rich Pena, who is also on ill^al. for his charges, said that job," in retum for a free room. -
The Last Days of John Lennon
Copyright © 2020 by James Patterson Hachette Book Group supports the right to free expression and the value of copyright. The purpose of copyright is to encourage writers and artists to produce creative works that enrich our culture. The scanning, uploading, and distribution of this book without permission is a theft of the author’s intellectual property. If you would like permission to use material from the book (other than for review purposes), please contact [email protected]. Thank you for your support of the author’s rights. Little, Brown and Company Hachette Book Group 1290 Avenue of the Americas, New York, NY 10104 littlebrown.com twitter.com/littlebrown facebook.com/littlebrownandcompany First ebook edition: December 2020 Little, Brown and Company is a division of Hachette Book Group, Inc. The Little, Brown name and logo are trademarks of Hachette Book Group, Inc. The publisher is not responsible for websites (or their content) that are not owned by the publisher. The Hachette Speakers Bureau provides a wide range of authors for speaking events. To find out more, go to hachettespeakersbureau.com or call (866) 376-6591. ISBN 978-0-316-42907-8 Library of Congress Control Number: 2020945289 E3-111020-DA-ORI Table of Contents Cover Title Page Copyright Dedication Prologue Chapter 1 Chapter 2 Chapter 3 Chapter 4 Chapter 5 — Chapter 6 Chapter 7 Chapter 8 Chapter 9 Chapter 10 Chapter 11 Chapter 12 Chapter 13 Chapter 14 Chapter 15 Chapter 16 Chapter 17 Chapter 18 — Chapter 19 Chapter 20 Chapter 21 Chapter 22 Chapter 23 Chapter 24 -
THE LOST LENNON TAPES Megatree Liners Index
THE LOST LENNON TAPES MEGATREE INDEX Compiled from the liner note information on the Lost Lennon Tapes MegaTree. Unless otherwise noted, songs are performed by John Lennon. _____________________________________________________________ #9 Dream (alternate mix) .......................................................................................128 #9 Dream (composing demo) ................................................................................203 #9 Dream (demo 2) ..................................................................................................081 #9 Dream (demo) .....................................................................................................063 #9 Dream (LP version) ...........................................................................................063 #9 Dream (partial) ...................................................................................................081 #9 Dream (rough mix) ...................................................................................081, 203 #9 Dream......................................................000, 006, 050, 052, 138, 164, 176, 185 12-Bar Original – The Beatles................................................................................081 1968 marijuana bust.................................................................................................015 1980 Demos...............................................................................................................213 1980.............................................................................................................................200 -
Rock, Pop, and Roll Rock, Pop, and Roll Turn up the Radio!
T T Music $45.00 U.S. / $50.00 Canada URN URN HARVEY KUBERNIK, a native TURN UP ombining oral and illustrated history TURN UP of Los Angeles, California, with a connective narrative, Turn Up the UP has been a noted music jour- UP CRadio! captures the zeitgeist of the Los nalist for over forty years. Angeles rock and pop music world between the A former West Coast A&R years of 1956 and 1972. T Featuring hundreds of rare and previously director for MCA Records, T Kubernik is the author of five THE RADIO! unpublished photographs and images of memo- books, including This Is Rebel Music, A Perfect THE RADIO! rabilia, this collection highlights dozens of icon- HE Haze: The Illustrated History of the Monterey In- HE ic bands and musicians, including the Doors, ternational Pop Festival (co-authored by Ken- the Beach Boys, Buffalo Springfield, the Byrds, neth Kubernik), and Canyon of Dreams: The CSN, the Monkees, the Rolling Stones, Ike ROCK, POP, AND ROLL Magic and the Music of Laurel Canyon. and Tina Turner, Elvis Presley, Eddie Cochran, RADIO RADIO Ritchie Valens, Sam Cooke, Neil Young, Joni Mitchell, Frank Zappa, Thee Midniters, Barry TOM PEttY is a celebrated American multi- IN LOS ANGELES White, Sonny and Cher, and many others. instrumentalist, songwriter, actor, and lead- But recording artists heard on the AM and er of Tom Petty and the Heartbreakers. Born FM dial are only one part of the rich history of in Gainesville, Florida, he has been a Southern 1956–1972 music in Los Angeles. Turn Up the Radio! digs California resident since the mid-seventies. -
Being John Lennon V4.Indd V 16/08/2018 08:13 First Published in Great Britain in 2018 by Weidenfeld & Nicolson 1 3 5 7 9 10 8 6 4 2
BEING JOHN LENNON A RESTLESS LIFE RAY CONNOLLY Being John Lennon V4.indd v 16/08/2018 08:13 First published in Great Britain in 2018 by Weidenfeld & Nicolson 1 3 5 7 9 10 8 6 4 2 © Ray Connolly 2018 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of both the copyright owner and the above publisher. The right of Ray Connolly to be identifi ed as the author of this work has been asserted in accordance with the Copyright, Designs and Patents Act 1988. A CIP catalogue record for this book is available from the British Library. HB ISBN 9781474606806 TPB ISBN 9781474606813 Typeset by Input Data Services Ltd, Somerset Printed and bound by CPI Group (UK) Ltd, Croydon, CR0 4YY Weidenfeld & Nicolson The Orion Publishing Group Ltd Carmelite House 50 Victoria Embankment London, EC4Y 0DZ An Hachette UK Company www.orionbooks.co.uk Being John Lennon V4.indd vi 16/08/2018 08:14 AUTHOR’S NOTE On the afternoon of Monday, 8 December 1980, I got a call in London from Yoko Ono, wanting to know why I wasn’t in New York. ‘We thought you were coming over,’ she said. ‘The BBC has been here this weekend.’ My reply was that when, a few weeks earlier, I’d suggest ed going to interview her and John – although, in truth, I’d mainly wanted to talk to John – she’d put me off by saying, ‘The time isn’t right.’ I didn’t know whether that meant that her readings of the numbers weren’t good, because I knew that Yoko was into Numerolo gy, or that there was some other reason. -
Broadcast Programming Produ
Introducing the Newvicon color camera from the people who invented the Newvicon tube. Up to now, there were just two kinds of color studio color picture that's sharp and clear. With a maximum cameras. The kind you wanted. And the kind you could of resolution. And a minimum of blooming and burn -in. afford. But now there's Panasonic's new color stud_ io The 2150 also includes automatic pedestal circuitry. camera and control unit, the WV -2150. At around Automatic color level contours for both high and low $6,500 (not including lens), it gives you the profes- light levels. Horizontal and vertical aperture sional results you want at a price you can afford. correction circuits. As well as new dynamic focusing First there's Panasonic's Newvicon tube and all the circuitry for sharp, even focus over the entire tube. sensitivity that goes along with it. All you need is The camera control unit features a flip -down front 200 footcandles of standard illumination at f/2.8. And panel for easy access to all critical controls and with a flip of the 6 dB gain switch, only 25 footcandles adjustments. What's more, all printed circuit boards is required at f/2.0. There's also a S/N ratio of can be removed from the front. Also included is a self - 46 dB with standard illumination. As well as a stable contained subcarrier phase shifter with coarse and fine phase adjustments. For less stringent requirements, take a look at the WV -2310. Panasonic's new lightweight color studio camera. -
The Beatles: Eight Days a Week – the Touring Years
1 THE BEATLES: EIGHT DAYS A WEEK – THE TOURING YEARS Release Dates U.S. Theatrical Release September 16 SVOD September 17 U.K., France and Germany (September 15). Australia and New Zealand (September 16) Japan (September 22) www.thebeatleseightdaysaweek.com #thebeatleseightdaysaweek Official Twitter handle: @thebeatles Facebook: facebook.com/thebeatles YouTube: youtube.com/thebeatles Official Beatles website: www.thebeatles.com PREFACE One of the prospects that drew Ron Howard to this famous story was the opportunity to give a whole new generation of people an insightful glimpse at what happened to launch this extraordinary phenomenon. One generation – the baby boomers - had a chance to grow up with The Beatles, and their children perhaps only know them vicariously through their parents. As the decades have passed The Beatles are still as popular as ever across all these years, even though many of the details of this story have become blurred. We may assume that all Beatles’ fans know the macro-facts about the group. The truth is, however, only a small fraction are familiar with the ins and outs of the story, and of course, each new generation learns about The Beatles first and foremost, from their music. So, this film is a chance to reintroduce a seminal moment in the history of culture, and to use the distance of time, to give us the chance to think about “the how and the why” this happened as it did. So, while this film has a lot of fascinating new material and research, first and foremost, it is a film for those who were “not there”, especially the millennials. -
Mort Sahl Spiaks out on the Future of America
Los Angeles Free Press Jan, 19, 1967 Page 3 'We were not made for a Nazi uniform' Mort Sahl spiaks out on the future of America PAUL EBERLE but make the same error they made manager. A guy who was a confi- anybody In my government wanting country becomes a colonial power. Mort Sahl, absent from Los An- In Germany—that if they have dante of the President—on a cer- to harm the President.' ° Now, of course, we're not made geles radio for over eight months, enough money, they will buy out. tain recreational level." "But somewhere along the line, for that, because it's not our tra- shared the KPFK microphone with Garrison is showing the picture Later, speaking about Oswald we gave up. We gave in when the dition. So that's the conflict. That's Elliot Mintz Sunday night for four of a neo-Neal group, and as Ruby and the assassination, he said of government said, 'We know better why everybody's hung-up and they hours. All the station's telephone said toward the end, as he was in the Liberals, "They weren't looking what's good for you than you know say, 'Well, why do the kids look lines were lit up continually from jail, helped them because It was the other way. There wasn't one yourself.' That's why the so weird?' Because you're driving the beginning of the show to the a money deal. I helped people who member of the American Bar As- of today is puny.' He spoke their body in one direction and end, as Sued rapped with Mintz will burn my people.'' sociation who said anything about of Lawrence Sherman, Robert their head in another, They're being and with listeners who called Ira 'There are Jewish elements, defending Oswald. -
LET ME TAKE YOU DOWN in a CYN SANDWICH: the Profoundly Paradoxical Mind of John Lennon
LET ME TAKE YOU DOWN IN A CYN SANDWICH: The Profoundly Paradoxical Mind of John Lennon Brian Murphy Whenever a noble soul comes, the audience awaits. And he is not judged by his performance, but by the spirit of his performance. —Emerson [Journals, Dover, p.206] An essay-review of the following books: Cynthia Lennon, A Twist of Lennon (New York: Avon Books, 1978). Frederic Seaman, The Last Days of John Lennon: A Personal Memoir (New York: Birch Lane Press, 1991). Robert Rosen, Nowhere Man: The Final Days of John Lennon (Soft Skull Press, 2001). Memories of John Lennon, ed., with an introduction by, Yoko Ono (New York: HarperCollins, 2005). Elizabeth Partridge, John Lennon: All I Want Is the Truth, A Photographic Biography (New York: Viking, 2005) Marion Winik, Above Us Only Sky (Emeryville, CA: Seal Press, 2005). Cynthia Lennon, John (London: Hodder & Stoughton, 2005). 101 I: Introduction On December 8, 1980, John Lennon was assassinated. So stated, this event was surely something new under the sun, a genuine first: a popular entertainer, a singer-song-writer, a mere celebrity was not only murdered but “assassinated”—a word whose associations evoke kings, archdukes, historical per sonages, heads of states, presidents, historical demarcations, Lincoln, King, Kennedy. It had been foreseen: in Hair, that astonishingly evoca tive mirror of The Sixties, the line comes with a shock, out of nowhere, “Mick! They shot Mick.” The tribe felt that the dark forces that killed the Kennedys and King would spill over, almost inevitably, to the brightness of the counter culture. They picked the wrong singer, but the fear was not misplaced. -
Kopycats Salute Sullivan Night at 8 O'clock As the Tending the Premiere
C-12-INDEKNDENT (AM) PRESS-TELEGRAM (PM) TV, Chicago, and WKYC- others and clip* of behind- LM« Mien, con., *•*., Jim n, i»n TeieFites TV, Cleveland. the-scenes preparation, MARMADUKE practice sessions and some PREMIERE NIGHT of the musical numbers. pre-show festivities will be Riddle also will interview presented on Channel 5 to- live some of the stars at- Kopycats salute Sullivan night at 8 o'clock as the tending the premiere. rock opera "Jesus Christ Superstar" opens its run in By BOB MARTIN Sullivan, Sullivan of Ara- And Replenish the Eartii" Faded the Universal Studios Anv FURNITURE DYED TV-Radio Editor bia, Zapatu Sullivan and and it's narrated by actor phitheater. Kudolph Valentino Sulli- Joseph Campanella, star Bright 01 n*W "<*» oj' ''o; Copycat used to be a de- van. of NBC's "The Bold Ones.;' Sam Riddle will host the rogatory term — probably live, one-hour special. In- CREMER'S it still itf among the young- Kirby impersonates Ar- The film e x a mines chie Bunker and Miss Mi- where America is heading cluded will be filmed inter- Call ... HE 7-2669 er set. But Kopykat means views with performers and something special in televi- chaels his wife, Edith, in a in population growth and take-off on "All in the what life will be like by sion entertainment. Family." the end of the century. If you haven't met llic ISPECfAL TV SERVICE PACKARD BELL Kopykats, I would suggest In a golf course scene, A major portion of the •lili* to MM( Hmwtt TV MM?, you take a look tonight on Jordan plays Bing Crosby, program looks into the ! CHtCKTHIS; COMBINATION Channel 7 as "The ABC Little is Fred MacMurray reasons why the birth rate •O- FKEE1MNTV Comedy Hour Prcseuls the and Jack Benny, Gorsliin has been declining in the I WUUtiE Kopykats." United States. -
January, 2017
WHO’S WHAT / WHAT’S WHERE January, 2017 A Non-Profit Fraternal Organization of Radio and Television Broadcast Professionals PPB Honoree REGIS PHILBIN ORDER LUNCHEON TICKETS NOW!! Still Going Strong We will Honor the Producer of Laugh-In & Real People PPB Luncheon Re-cap Written by Celebrity Journalist Margie Barron Luncheon Photos by Roxanne Schorbach, Schorbach.com GEORGE The combination of REGIS PHILBIN being an entertaining story- teller and a TV icon made the last luncheon for the Pacific Pioneer SCHLATTER Broadcasters a great way to wrap up 2016. Philbin was honored with the ART GILMORE Career Achievement Award in Novem- ber thanks to his celebrated status among the broadcasters. His Friday, February 10, 2017 career spans over half a century, and the lovable host of talk shows The Diamond Circle Award will be presented to and game shows has earned a Guinness World Record for the most TV Associate Producer, Production Exec., Choreographer hours on U.S. television. To date, at 85, he’s had close to 17,000 hours in front of the camera. And, oh the stories he can tell. DEE BAKER The PPB crowd heard some anecdotes from Philbin, and some tales from his colleagues and friends. The dais had top producers and industry exec- utives such as JOHN SEVE- RINO, the former president of ABC-TV, who revealed he originally hired Regis to do movie reviews on the news, but JOY PHILBIN joined her husband, then got him hosting A.M. Los honoree REGIS PHILBIN, to record a Angeles. STEVE OBER who pro- piece for later playback on KABC-TV, duced Live! with Regis and Kathie Channel 7.