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ARSC Journal
A Discography of the Choral Symphony by J. F. Weber In previous issues of this Journal (XV:2-3; XVI:l-2), an effort was made to compile parts of a composer discography in depth rather than breadth. This one started in a similar vein with the realization that SO CDs of the Beethoven Ninth Symphony had been released (the total is now over 701). This should have been no surprise, for writers have stated that the playing time of the CD was designed to accommodate this work. After eighteen months' effort, a reasonably complete discography of the work has emerged. The wonder is that it took so long to collect a body of information (especially the full names of the vocalists) that had already been published in various places at various times. The Japanese discographers had made a good start, and some of their data would have been difficult to find otherwise, but quite a few corrections and additions have been made and some recording dates have been obtained that seem to have remained 1.Dlpublished so far. The first point to notice is that six versions of the Ninth didn't appear on the expected single CD. Bl:lhm (118) and Solti (96) exceeded the 75 minutes generally assumed (until recently) to be the maximum CD playing time, but Walter (37), Kegel (126), Mehta (127), and Thomas (130) were not so burdened and have been reissued on single CDs since the first CD release. On the other hand, the rather short Leibowitz (76), Toscanini (11), and Busch (25) versions have recently been issued with fillers. -
Gardner to Speak on Urban Future
Grass busts ‘•coincidental’-Foot Patrol By MIKE GORDON Frierson admitted that “There may report automatically on all students. This Community dissatisfaction with the have been some question as to our right was by request of the Chancellor.” Foot Patrol and other police agencies to be where we were,” and furthermore But the pair aroused support from surfaced Thursday night as two Patrol acknowledged that there had been no lost onlookers at least once, when Frierson members and County Supervisor Dan child. He used the story because “we agreed that liquor should be available in Grant faced question-and-answer sessions needed to set you at ease” while I.V. at a meeting of Richard Applebaum’s searching for a cocaine dealer in the Earlier, Supervisor Grant declared his Sociology 127 class, billed as an “ Open vicinity, he said. conditional support for I.V. incorporation. “Incorporation should Forum on Isla Vista.” Countering a claim that the Foot An audience of over 100 repeatedly provide a rallying point,” he exhorted Patrol employed informers in I.V., the listeners, “to turn this community around questioned Foot Patrol officers Bob police representatives explained, “We Frierson and Bill Mauras on police and get going.” don’t try to cultivate informers. This is Grant recounted a history of zoning attitudes toward drug use and expanding something narcotics officers do.” Foot Patrol coverage in Isla Vista. and governmental problems in Isla Vista, Frierson added that “we have been beginning in 1927 when the entire area Commenting earlier, Supervisor Grant, needled by other (Sheriffs officers”) asked if he favored the incorporation of was zoned into 25-foot-wide lots for oil because they feel Foot Patrol officers are developers. -
The Miraculous .Mandarin; Choral Chant
verity. The stereo pressing offers only slow tempo. seemed a hit precious. On ly Hungarian and non -Western essence marginal differences from the excellent the whole. however. the performances from the folk material. he has adapted monophonic version. H.G. here are to me more consistently con- diatonic and modal vocal lines to simple vincing than on the previous disc. Still triadic harmonies written in close, non - in evidence. unfortunately. is Mr. contrapuntal form. The jogging iambic BACH: St. John Passion, S. 245 Gould's occasional faint humming. N.B. rhythms and stylized hunting -call figures and harmonies alternate with a kind of Friederike Sailer (s); Marga Höffgen melodic Hungarian solo recitative and (c); Helmut Krebs (t), Evangelist; Franz BARTOK: The Miraculous .Mandarin; choral chant. suggesting not a cantata but Kelch (b), Jesus: Hermann Werdermann Cantata Profana a kind of extended Hungarian ballad of (bs); Heinrich Schütz Choir of Heil- the chase. The work is open and attrac- bronn; Pforzheim Chamber Orchestra, Chorus of the Hungarian Radio. Buda- tive certainly, a little monotonous in its Fritz Werner, cond. pest Philharmonic. Janos Ferencsik, cond. insistently healthy, out -of -doors choral MUSICAL HERITAGE SOCIETY MHS 542/ (in The Miraculous . Mandarin): Joef sound. but with the authentic Bartók 43. Two LP. $5.00. Reti. tenor. Andras Farago. bass. Chorus touch in its simple and original expres- MUSICAL HERITAGE SOCIETY MHS and Orchestra of the Hungarian Radio. sive structure. 542/43. Two SD. $5.00. György Lehel. cond. (in the Cantata). The choral singing here is excellent DEUTSCHE GRAMMOPHON LPM 18873. ( including the tiny choral section in Werner's tempos are everywhere plaus- LP. -
Carmen Miranda, Uma Pequena Notável
CARMEN MIRANDA , UMA PEQUENA NOTÁVEL : REPRESENTAÇÃO E IDENTIDADE NACIONAL NA DÉCADA DE 1930 Káritha Bernardo de Macedo * 1 Carmen Miranda nasceu Maria do Carmo Miranda da Cunha, em 9 de fevereiro de 1909, em Portugal, mas logo ganhou de seu tio materno o apelido de Carmen, por lembrar uma espanhola tal qual a popular personagem da ópera de Bizet 1. Ainda bebê aportou no Brasil junto de sua família. Nesta cidade nasceram seus irmãos, o pai se estabeleceu como barbeiro e a família montou uma pensão na Travessa do Comércio. Esta, por sua vez, era frequentada por vários músicos, como Pixinguinha e seus amigos, atmosfera que contribuiu com o gosto de Carmen pela música (MENDONÇA, 1999, p.40-42). A carreira profissional de Carmen começou em fins de 1929 com o auxílio de Josué de Barros, quando esse conseguiu que a Brunswick gravasse um disco de Carmen. Porém, insatisfeitos com a gravadora, a dupla foi atrás da Victor, estadunidense recém estabelecida no Brasil que fechou novo contrato. Em 1930, é lançada em pleno Carnaval a canção “Taí”, que fez de Carmen um sucesso (CASTRO, 2005, p. 45-48; 52). * Mestranda do Programa de Pós-Graduação em História com área de concentração em História do Tempo Presente, linha Linguagens e Identificações (2012), bolsista da CAPES; Graduação em Moda com Habilitação em Estilismo pela Universidade do Estado de Santa Catarina-UDESC (2011); Graduação em Direto pela Universidade Federal de Santa Catarina-UFSC (2007). 1 Carmen, uma ópera do compositor francês Georges Bizet, é uma das quatro óperas mais famosas do século XIX. -
A Word of Welcome from the Conference Organizer
A word of welcome from the conference organizer Dear conference delegates, Welcome to the Nordic Africa Days 2014 in Uppsala! The Nordic Africa Days (NAD) is the biennial conference which for the past six years has been organized rotatively in each of the Nordic countries. Already since 1969 the Nordic Africa Institute has organised this regular gathering of Nordic scholars studying African issues, and the event has for the past 15 years been formalized under the name of the Nordic Africa Days. The theme of this year’s conference is Misbehaving States and Behaving Citizens? Questions of Governance in African States. We are proud to host two distinguished keynote speakers, Dr Mo Ibrahim and Associate Professor Morten Jerven, addressing the theme from different angles in their speeches entitled “Why Governance Matters” and “Africa by Numbers: Knowledge & Governance”. The conference is funded by long-standing and committed support from the Swedish, Finnish, Norwegian and Icelandic governments. This year, we are also particularly pleased to be able to facilitate participation of about 25 researchers based on the African continent through a generous contribution from Sida (The Swedish International Development Cooperation Agency). Providing a platform for Nordic and African researchers to meet and cooperate at NAD is becoming ever more important, in addition to creating a prime meeting place for researchers on Africa within the Nordic region. The main conference venue is Blåsenhus, one of the newest campuses within Uppsala University, situated opposite the Uppsala Castle and surrounded by the Uppsala Botanical Gardens. This particular area of Uppsala has a historical past that goes back 350 years in time and offers many interesting places to visit. -
Assemble Your Own All -Transistor
ASSEMBLE YOUR OWN BACH PASSIONS AND ORATORIOS ALL -TRANSISTOR Continued front preceding page from works other by Bach- principally Part II, it is as though a ray of sunshine Ycit the Trauerode -and fitted to as many had burst through clouds. Both Fritz portions of a libretto of the St. Mark Wunderlich, tenor, and Franz Crass, bass, Passion that Bach is known ELECTRONIC ORGAN to have used are on the same high level as the ladies. but whose music has been lost. The re- Wunderlich sings both the Evangelist's sult is plausible; some of the music, es- recitatives and the tenor arias with an pecially two big choruses from the Trau- unforced lyricism; in the long phrases 3 NEW MODELS erode, is very fine, and we may have of " Frolle Hirten" ( Part he Recital II) holds $1500 here a small portion of a third Passion Consolette Il $850 his own very well with the obbligato Spinet $550 by Bach. The solo singing is good enough, flute. Crass's voice lacks the brass needed but the two great choruses have been bet- for the trumpet aria in Part I but in ter performed on records in their other every other respect his performance is incarnation. entirely satisfactory. Chorus and orches- .St. A Luke Passion attributed to Bach tra are first -rate. Except for the over - is available on Lyrichord 110 or 7110, prominent sopranos in one chorus ( "Ehre This is the all - three discs. in a performance conducted sei Gott." Part II), the balances are just new, all- transis- by George Barati. -
Walton - a List of Works & Discography
SIR WILLIAM WALTON - A LIST OF WORKS & DISCOGRAPHY Compiled by Martin Rutherford, Penang 2009 See end for sources and legend. Recording Venue Time Date Orchestra Conductor Performers No. Coy Co Catalogue No F'mat St Rel A BIRTHDAY FANFARE Description For Seven Trumpets and Percussion Completion 1981, Ischia Dedication For Karl-Friedrich Still, a neighbour on Ischia, on his 70th birthday First Performances Type Date Orchestra Conductor Performers Recklinghausen First 10-Oct-81 Westphalia SO Karl Rickenbacher Royal Albert Hall L'don 7-Jun-82 Kneller Hall G E Evans A LITANY - ORIGINAL VERSION Description For Unaccompanied Mixed Voices Completion Easter, 1916 Oxford First Performances Type Date Orchestra Conductor Performers Unknown Recording Venue Time Date Orchestra Conductor Performers No. Coy Co Cat No F'mat St Rel Hereford Cathedral 3.03 4-Jan-02 Stephen Layton Polyphony 01a HYP CDA 67330 CD S Jun-02 A LITANY - FIRST REVISION Description First revision by the Composer Completion 1917 First Performances Type Date Orchestra Conductor Performers Unknown Recording Venue Time Date Orchestra Conductor Performers No. Coy Co Cat No F'mat St Rel Hereford Cathedral 3.14 4-Jan-02 Stephen Layton Polyphony 01a HYP CDA 67330 CD S Jun-02 A LITANY - SECOND REVISION Description Second revision by the Composer Completion 1930 First Performances Type Date Orchestra Conductor Performers Unknown Recording Venue Time Date Orchestra Conductor Performers No. Coy Co Cat No F'mat St Rel St Johns, Cambridge ? Jan-62 George Guest St Johns, Cambridge 01a ARG ZRG -
The Delius Society Journal Autumn 1999, Number 126
Delius Journal 126.qxd 15-Nov-99 17:44 Page 1 The Delius Society Journal Autumn 1999, Number 126 The Delius Society (Registered Charity No. 298662) Full Membership and Institutions £15 per year (£20 from 1 April 2000) UK students: £10 (unchanged after 1 April 2000) USA and Canada US$31 per year (US$38 from 1 April 2000) Africa, Australasia and Far East £18 per year (£23 from 1 April 2000) President Felix Aprahamian Vice Presidents Roland Gibson MSc, PhD (Founder Member) Lionel Carley BA, PhD Meredith Davies CBE Sir Andrew Davis CBE Vernon Handley MA, FRCM, D Univ (Surrey) Richard Hickox FRCO (CHM) Rodney Meadows Robert Threlfall Chairman Lyndon Jenkins Treasurer and Membership Secretary Derek Cox Mercers, 6 Mount Pleasant, Blockley, Glos GL56 9BU Tel: (01386) 700175 Secretary Anthony Lindsey 1 The Pound, Aldwick Village, West Sussex PO21 3SR Tel: (01243) 824964 Delius Journal 126.qxd 15-Nov-99 17:44 Page 2 Editor Roger Buckley 57A Wimpole Street, London W1M 7DF (Mail should be marked ‘The Delius Society’) Tel: (0171) 935 4241 Fax: (0171) 935 5429 email: [email protected] Assistant Editor Jane Armour-Chélu 17 Forest Close, Shawbirch, Telford, Shropshire TF5 0LA Tel: (01952) 408726 email: [email protected] Website: http://www.delius.org.uk email: [email protected] ISSN-0306-0373 Delius Journal 126.qxd 15-Nov-99 17:44 Page 3 CONTENTS Chairman’s Message........................................................................................... 5 Editorial............................................................................................................... -
The Wordy Worlds of Popular Music in Eastern and Southern Africa
This article was downloaded by: [University of Liverpool] On: 06 January 2015, At: 06:11 Publisher: Routledge Informa Ltd Registered in England and Wales Registered Number: 1072954 Registered office: Mortimer House, 37-41 Mortimer Street, London W1T 3JH, UK Journal of Language, Identity & Education Publication details, including instructions for authors and subscription information: http://www.tandfonline.com/loi/hlie20 The Wordy Worlds of Popular Music in Eastern and Southern Africa: Possible Implications for Language-in-Education Policy Sinfree Makoni a , Busi Makoni a & Aaron Rosenberg a a Pennsylvania State University , Published online: 16 Feb 2010. To cite this article: Sinfree Makoni , Busi Makoni & Aaron Rosenberg (2010) The Wordy Worlds of Popular Music in Eastern and Southern Africa: Possible Implications for Language-in-Education Policy, Journal of Language, Identity & Education, 9:1, 1-16, DOI: 10.1080/15348450903476824 To link to this article: http://dx.doi.org/10.1080/15348450903476824 PLEASE SCROLL DOWN FOR ARTICLE Taylor & Francis makes every effort to ensure the accuracy of all the information (the “Content”) contained in the publications on our platform. However, Taylor & Francis, our agents, and our licensors make no representations or warranties whatsoever as to the accuracy, completeness, or suitability for any purpose of the Content. Any opinions and views expressed in this publication are the opinions and views of the authors, and are not the views of or endorsed by Taylor & Francis. The accuracy of the Content should not be relied upon and should be independently verified with primary sources of information. Taylor and Francis shall not be liable for any losses, actions, claims, proceedings, demands, costs, expenses, damages, and other liabilities whatsoever or howsoever caused arising directly or indirectly in connection with, in relation to or arising out of the use of the Content. -
Franciscoisraeldecarvalho TESE
UNIVERSIDADE FEDERAL DO RIO GRANDE DO NORTE CENTRO DE CIÊNCIAS HUMANAS, LETRAS E ARTES DEPARTAMENTO DE LETRAS PROGRAMA DE PÓS-GRADUAÇÃO EM ESTUDOS DA LINGUAGEM LITERATURA COMPARADA Francisco Israel de Carvalho A IMAGEM BARROCA DE CARMEN MIRANDA NO CENÁRIO DA MODERNIDADE Natal /RN 2017 FRANCISCO ISRAEL DE CARVALHO A IMAGEM BARROCA DE CARMEN MIRANDA NO CENÁRIO NA MODERNIDADE Tese apresentada ao Programa de Pós- Graduação em Estudos da Linguagem – PPgEL, do Departamento de Letras da Universidade do Rio Grande do Norte, como requisito parcial para obtenção do título de doutor. Orientador: Prof. Dr. Francisco Ivan da Silva Natal/RN 2017 Universidade Federal do Rio Grande do Norte - UFRN Sistema de Bibliotecas - SISBI Catalogação de Publicação na Fonte. UFRN - Biblioteca Setorial do Centro de Ciências Humanas, Letras e Artes – CCHLA Carvalho, Francisco Israel de. A imagem barroca de Carmen Miranda no cenário da modernidade / Francisco Israel de Carvalho. - Natal, 2017. 373f.: il. color. Tese (Doutorado) - Universidade Federal do Rio Grande do Norte, Centro de Ciências Humanas, Letras e Artes, Programa de Pós-Graduação em Estudos da Linguagem. Orientador: Prof. Dr. Francisco Ivan da Silva. 1. Miranda, Carmen - 1909-1955 - Tese. 2. Barroco - Tese. 3. Antropofagia - Tese. 4. Carnavalização - Tese. 5. Samba - Tese. 6. Cinema - Tese. I. Silva. Francisco Ivan da. II. Título. RN/UF/BS-CCHLA CDU 7.034.7(81) FRANCISCO ISRAEL DE CARVALHO A IMAGEM BARROCA DE CARMEN MIRANDA NO CENÁRIO DA MODERNIDADE Tese apresentada como requisito parcial para a obtenção do título de doutor, em Estudos da Linguagem – Literatura Comparada – da Universidade Federal do Rio Grande do Norte Aprovado em 31/Maio/2017 BANCA EXAMINADORA ____________________________________________________ Prof. -
Shakespeare on Film, Video & Stage
William Shakespeare on Film, Video and Stage Titles in bold red font with an asterisk (*) represent the crème de la crème – first choice titles in each category. These are the titles you’ll probably want to explore first. Titles in bold black font are the second- tier – outstanding films that are the next level of artistry and craftsmanship. Once you have experienced the top tier, these are where you should go next. They may not represent the highest achievement in each genre, but they are definitely a cut above the rest. Finally, the titles which are in a regular black font constitute the rest of the films within the genre. I would be the first to admit that some of these may actually be worthy of being “ranked” more highly, but it is a ridiculously subjective matter. Bibliography Shakespeare on Silent Film Robert Hamilton Ball, Theatre Arts Books, 1968. (Reissued by Routledge, 2016.) Shakespeare and the Film Roger Manvell, Praeger, 1971. Shakespeare on Film Jack J. Jorgens, Indiana University Press, 1977. Shakespeare on Television: An Anthology of Essays and Reviews J.C. Bulman, H.R. Coursen, eds., UPNE, 1988. The BBC Shakespeare Plays: Making the Televised Canon Susan Willis, The University of North Carolina Press, 1991. Shakespeare on Screen: An International Filmography and Videography Kenneth S. Rothwell, Neil Schuman Pub., 1991. Still in Movement: Shakespeare on Screen Lorne M. Buchman, Oxford University Press, 1991. Shakespeare Observed: Studies in Performance on Stage and Screen Samuel Crowl, Ohio University Press, 1992. Shakespeare and the Moving Image: The Plays on Film and Television Anthony Davies & Stanley Wells, eds., Cambridge University Press, 1994. -
KPFA Folio
KPFAFOLIO July 1%9 FM94.1 Ibnfcmt. vacaimt lit KPFA July Folio page 1 acDcfton, «r thcConfcquencct of Qo'^irrrin^ Troops .n h popuroui STt^tr^laTCd Town, taken f ., A KPFA 94.1 FM Listener Supported Radio 2207 Shattuck Avenue Berkeley, California 94704 -mil: Im Tel: (415) 848-6767 ^^^i station Manager Al Silbowitz Administrative Assistant . Marion Timofei Bookkeeper Erna Heims Assistant Bookkeeper .... Mariori Jansen Program Director . Elsa Knight Thompson Promotion Assistant Tom Green i Jean Jean Molyneaux News Director Lincoln Bergman Public Affairs Program Producer Denny Smithson Public Affairs Secretary .... Bobbie Harms Acting Drama & Literature Director Eleanor Sully Children's Programming Director Anne Hedley SKoAfS g«Lt>eHi'o»i Chief Engineer Ned Seagoon [ Engineering Assistants . Hercules Grytpype- thyne, Count Jim Moriarty Senior Production Assistant . Joe Agos . TVt^Hi ttoopj a*c4_ t'-vo-i-to-LS, Production Assistants . Bob Bergstresser Dana Cannon Traffic Clerk Janice Legnitto Subscription Lady Marcia Bartlett »,vJi u/fUyi^elM*^ e«j M"^ K/c> Receptionist Mildred Cheatham FOLIO Secretary Barbara Margolies ^k- »76I i^t^-c«4>v i-'},ooPi M.aAci.«<< The KPFA Folio Pt-lO«tO Hm.lr<^*'rSuLCjCJt4^\f*JL ' ' "a^ cLcC, u>*A C**t". JblooA. July, 1969 Volume20, No. 7 ®1969 Pacifica Foundation All Rights Reserved The KPFA FOLIO is published monthly and is dislributed free as a service to the subscribers of this listener-support- ed station. The FOLIO provides a detailed schedule of J^rx, Ojt-I itl- K«.A^ +Tajy4;^, UCfA programs broadcast A limited edition is published in braille. »J Dates after program listings indicate a repeat broadcast KPFA IS a non-commercial, educational radio station which broadcasts with 59.000 watts at 94 1 MH ly^onday through Fnday Broadcasting begins at 7:00 am, and on V livi tV.t«< weekends and holidays at 8 00 am Programming usually iV AA cUa«.>5 -rtvMUo WeJc.