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The Line Between Traditional Dances and Bongo Fleva: a Case Study of Youth Participation in Dance Groups in Tanzania Daines Nicodem Sanga
27947 Daines Nicodem Sanga/ Elixir Soc. Sci. 75 (2014) 27947-27952 Available online at www.elixirpublishers.com (Elixir International Journal) Social Science Elixir Soc. Sci. 75 (2014) 27947-27952 The Line between Traditional Dances and Bongo Fleva: a Case Study of Youth Participation in Dance Groups in Tanzania Daines Nicodem Sanga ARTICLE INFO ABSTRACT Article history: This paper development of traditional dances in Tanzania by using the lens of youth Received: 3 May 2013; involved in performance activities. The paper uses firsthand information from four dance Received in revised form: groups; Livangala, Lumumba, UMATI and Bongo fleva artists to argue against less 15 October 2014; participation of youth in dance. The paper revealed that culture; economic and Accepted: 28 October 2014; administrative factors undermine the motivation of youth to participate in traditional dances and, thus, increased their enthusiasm in Bongo fleva. The paper offers a critical analysis of Keywords challenges that youth faced in traditional dances and how such challenges forced them to Youth, turn their interests to Bongo fleva. Following the shift of interests from traditional dances to Traditional dances, Bongo fleva, the paper suggests for social, economic and political transformation to increase Bongo fleva , the participation of youth in dance . Tanzania. © 2014 Elixir All rights reserved This paper uses first hand information gathered between the Introduction year 2010 and 2012 with Livangala, Tanangozi, UMATI and Much has been done pertaining to youth and new culture in Lumumba dance groups, of which the current two groups Tanzania. This is particularly Hip-hop and Bongo fleva. Efforts located in Iringa countryside whereas the later two situated in have been done to trace the history of Bongo fleva and its role in town centres. -
Published Papers of the Ethnomusicology Symposia
International Library of African Music PAPERS PRESENTED AT THE SYMPOSIA ON ETHNOMUSICOLOGY 1ST SYMPOSIUM 1980, RHODES UNIVERSITY (OUT OF PRINT) CONTENTS: The music of Zulu immigrant workers in Johannesburg Johnny Clegg Group composition and church music workshops Dave Dargie Music teaching at the University of Zululand Khabi Mngoma Zulu children’s songs Bongani Mthethwa White response to African music Andrew Tracey 2ND SYMPOSIUM 1981, RHODES UNIVERSITY (OUT OF PRINT) CONTENTS: The development of African music in Zimbabwe Olof Axelsson Towards an understanding of African dance: the Zulu isishameni style Johnny Clegg A theoretical approach to composition in Xhosa style Dave Dargie Music and body control in the Hausa Bori spirit possession cult Veit Erlmann Musical instruments of SWA/Namibia Cecilia Gildenhuys The categories of Xhosa music Deirdre Hansen Audiometric characteristics of the ethnic ear Sean Kierman The correlation of folk and art music among African composers Khabi Mngoma The musical bow in Southern Africa David Rycroft Songs of the Chimurenga: from protest to praise Jessica Sherman The music of the Rehoboth Basters Frikkie Strydom Some aspects of my research into Zulu children’s songs Pessa Weinberg 3RD SYMPOSIUM 1982, UNIVERSITY OF NATAL and 4TH SYMPOSIUM 1983, RHODES UNIVERSITY CONTENTS: The necessity of theory Kenneth Gourlay Music and liberation Dave Dargie African humanist thought and belief Ezekiel Mphahlele Songs of the Karimojong Kenneth Gourlay An analysis of semi-rural and peri-urban Zulu children’s songs Pessa Weinberg -
Music of Ghana and Tanzania
MUSIC OF GHANA AND TANZANIA: A BRIEF COMPARISON AND DESCRIPTION OF VARIOUS AFRICAN MUSIC SCHOOLS Heather Bergseth A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTERDecember OF 2011MUSIC Committee: David Harnish, Advisor Kara Attrep © 2011 Heather Bergseth All Rights Reserved iii ABSTRACT David Harnish, Advisor This thesis is based on my engagement and observations of various music schools in Ghana, West Africa, and Tanzania, East Africa. I spent the last three summers learning traditional dance- drumming in Ghana, West Africa. I focus primarily on two schools that I have significant recent experience with: the Dagbe Arts Centre in Kopeyia and the Dagara Music and Arts Center in Medie. While at Dagbe, I studied the music and dance of the Anlo-Ewe ethnic group, a people who live primarily in the Volta region of South-eastern Ghana, but who also inhabit neighboring countries as far as Togo and Benin. I took classes and lessons with the staff as well as with the director of Dagbe, Emmanuel Agbeli, a teacher and performer of Ewe dance-drumming. His father, Godwin Agbeli, founded the Dagbe Arts Centre in order to teach others, including foreigners, the musical styles, dances, and diverse artistic cultures of the Ewe people. The Dagara Music and Arts Center was founded by Bernard Woma, a master drummer and gyil (xylophone) player. The DMC or Dagara Music Center is situated in the town of Medie just outside of Accra. Mr. Woma hosts primarily international students at his compound, focusing on various musical styles, including his own culture, the Dagara, in addition music and dance of the Dagbamba, Ewe, and Ga ethnic groups. -
I the Use of African Music in Jazz from 1926-1964: an Investigation of the Life
The Use of African Music in Jazz From 1926-1964: An Investigation of the Life, Influences, and Music of Randy Weston by Jason John Squinobal Batchelor of Music, Berklee College of Music, 2003 Submitted to the Graduate Faculty of Arts and Sciences in partial fulfillment of the requirements for the degree of Master in Ethnomusicology University of Pittsburgh 2007 i UNIVERSITY OF PITTSBURGH SCHOOL OF ARTS AND SCIENCES This thesis was presented by Jason John Squinobal It was defended on April 17, 2007 and approved by Dr. Nathan T. Davis, Professor, Music Department Dr. Akin Euba, Professor, Music Department Dr. Eric Moe, Professor, Music Department Thesis Director: Dr. Nathan T. Davis, Professor, Music Department ii Copyright © by Jason John Squinobal 2007 iii The Use of African Music in Jazz From 1926-1964: An Investigation of the Life, Influences, and Music of Randy Weston Jason John Squinobal, M.A. University of Pittsburgh, 2007 ABSTRACT There have been many jazz musicians who have utilized traditional African music in their music. Randy Weston was not the first musician to do so, however he was chosen for this thesis because his experiences, influences, and music clearly demonstrate the importance traditional African culture has played in his life. Randy Weston was born during the Harlem Renaissance. His parents, who lived in Brooklyn at that time, were influenced by the political views that predominated African American culture. Weston’s father, in particular, felt a strong connection to his African heritage and instilled the concept of pan-Africanism and the writings of Marcus Garvey firmly into Randy Weston’s consciousness. -
A Comparative Study of Zimbabwe and South Africa
FACEBOOK, YOUTH AND POLITICAL ACTION: A COMPARATIVE STUDY OF ZIMBABWE AND SOUTH AFRICA A thesis submitted in fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY of SCHOOL OF JOURNALISM AND MEDIA STUDIES, RHODES UNIVERSITY by Admire Mare September 2015 ABSTRACT This comparative multi-sited study examines how, why and when politically engaged youths in distinctive national and social movement contexts use Facebook to facilitate political activism. As part of the research objectives, this study is concerned with investigating how and why youth activists in Zimbabwe and South Africa use the popular corporate social network site for political purposes. The study explores the discursive interactions and micro- politics of participation which plays out on selected Facebook groups and pages. It also examines the extent to which the selected Facebook pages and groups can be considered as alternative spaces for political activism. It also documents and analyses the various kinds of political discourses (described here as digital hidden transcripts) which are circulated by Zimbabwean and South African youth activists on Facebook fan pages and groups. Methodologically, this study adopts a predominantly qualitative research design although it also draws on quantitative data in terms of levels of interaction on Facebook groups and pages. Consequently, this study engages in data triangulation which allows me to make sense of how and why politically engaged youths from a range of six social movements in Zimbabwe and South Africa use Facebook for political action. In terms of data collection techniques, the study deploys social media ethnography (online participant observation), qualitative content analysis and in-depth interviews. -
Can African States Conduct Free and Fair Presidential Elections? Edwin Odhiambo Abuya
Northwestern Journal of International Human Rights Volume 8 | Issue 2 Article 1 Spring 2010 Can African States Conduct Free and Fair Presidential Elections? Edwin Odhiambo Abuya Follow this and additional works at: http://scholarlycommons.law.northwestern.edu/njihr Recommended Citation Edwin Odhiambo Abuya, Can African States Conduct Free and Fair Presidential Elections?, 8 Nw. J. Int'l Hum. Rts. 122 (2010). http://scholarlycommons.law.northwestern.edu/njihr/vol8/iss2/1 This Article is brought to you for free and open access by Northwestern University School of Law Scholarly Commons. It has been accepted for inclusion in Northwestern Journal of International Human Rights by an authorized administrator of Northwestern University School of Law Scholarly Commons. Copyright 2010 by Northwestern University School of Law Volume 8, Issue 2 (Spring 2010) Northwestern Journal of International Human Rights Can African States Conduct Free and Fair Presidential Elections? Edwin Odhiambo Abuya* Asiyekubali kushindwa si msihindani.1 I. INTRODUCTION ¶1 Can African States hold free and fair elections? To put it another way, is it possible to conduct presidential elections in Africa that meet internationally recognized standards? These questions can be answered in the affirmative. However, in order to safeguard voting rights, specific reforms must be adopted and implemented on the ground. In keeping with international legal standards on democracy,2 the constitutions of many African states recognize the right to vote.3 This right is reflected in the fact that these states hold regular elections. The right to vote is fundamental in any democratic state, but an entitlement does not guarantee that right simply by providing for elections. -
The Current State of the Struggle
The Current State of the Struggle The African National Congress (ANC) and the United Democratic Front (UDF), along with the in dependent black labor unions, are currently leading the struggle against apartheid in South Africa. The ANC, which has spearheaded the liberation struggle in South Africa ever since its inception in 1912 has been banned or outlawed since 1960 and now operates as an exile organization with headqu<h'"ters in Lusaka, Zambia. Despite the ANC's outlawed status,_ due to which it cannot even be legally quoted inside South Africa, the recent upsurge bas witnessed a massive increase in its support. Polls show that it is easily the most popular liberation organization in the country. The UDF, a coalition of over 600 organizations, has emerged over the last two years as the major legal force of internal resistance_ to apartheid inside South Africa. Most of the current protests in South Africa were organized by the UDF. Finally, the growing black labor unions, often working in collaboration with the UDF, have shown through strikes and work stoppages that they now have the power to cripple the ap4rlheid economy. The ANC was formed in 1912 and its program of demands is contained in the Freedom Charter which was adopted in 1955 by the ANC, the South African Congress of Trade Unions, the South African Indian Congress, the Coloured People's Congress, and the Congress of Democrats. The Charter basically calls for the creation of a non-racial democratic South Africa in which the land and the wealth of the country is controlled by the people. -
1 Literaturliste Für „Einführung in Die Moderne Afrikanische Musik“
Literaturliste für „Einführung in die moderne afrikanische Musik“ Dozent: Dr. Wolfgang Bender Inhaltsverzeichnis: 1. Allgemeiner Teil: 1. Theorie S. 2 2. Produktion, Distribution & Archivwissenschaften S. 3 3. Afrikanische Musik allgemein S. 3 4. Moderne afrikanische Musik allgemein S. 5 5. Traditionelle afrikanische Musik allgemein S. 7 6. Weltmusik S. 8 7. Musik aus der Diaspora S. 9 8. Bibliographie S. 11 9. Zeitschriften S. 11 2. Länderspezifischer Teil: 10. Nordafrika S. 13 11. Westafrika S. 14 12. Frankophones Westafrika S. 14 13. Anglophones Westafrika S. 17 14. Zentralafrika S. 22 15. Horn von Afrika S. 25 16. Ostafrika S. 26 17. Süd-Zentralafrika S. 28 18. Südafrika S. 29 19. Lusophones Afrika S. 31 20. Inseln S. 32 1 1. Theorie: Agawu, Kofi: Representing African Music: Postcolonial notes, 2003 queries, positions. New York & London: Routledge Bröcker, Marianne (Hg.): Musik und Religion. 1992 Reihe: Bericht über die Jahrestagung des Nationalkomitees der Bundesrepublik Deutschland im International Council for Traditional Music; Universitätsbibliothek Bamberg, ICTM Bröcker, Marianne (Hg.): Musik und Symbol. Musik und Region. 1998 Reihe: Berichte über die Jahrestagung des Nationalkomitees der Bundesrepublik Deutschland im International Council for Traditional Music, Universitätsbibliothek Bamberg, ICTM Bröcker, Marianne (Hg.): Traditionelle Musik und ihre Funktion. 2001 Reihe: Berichte über die Jahrestagung des Nationalkomitees der Bundesrepublik Deutschland im International Council for Traditional Music, Universitätsbibliothek Bamberg, ICTM Nettl, Bruno: The Concept of Preservation in 1985 Ethnomusicology. In: Jackson, Irene V. (Hg.): More than Drumming. Essays on African and Afro-Latin American Music and Musicians. Westport: Greenwood Press Simon, Arthur: Ethnomusikologie: Aspekte, Methoden und 2008 Ziele. Berlin: Simon Verlag 2 2. -
The Wordy Worlds of Popular Music in Eastern and Southern Africa
This article was downloaded by: [University of Liverpool] On: 06 January 2015, At: 06:11 Publisher: Routledge Informa Ltd Registered in England and Wales Registered Number: 1072954 Registered office: Mortimer House, 37-41 Mortimer Street, London W1T 3JH, UK Journal of Language, Identity & Education Publication details, including instructions for authors and subscription information: http://www.tandfonline.com/loi/hlie20 The Wordy Worlds of Popular Music in Eastern and Southern Africa: Possible Implications for Language-in-Education Policy Sinfree Makoni a , Busi Makoni a & Aaron Rosenberg a a Pennsylvania State University , Published online: 16 Feb 2010. To cite this article: Sinfree Makoni , Busi Makoni & Aaron Rosenberg (2010) The Wordy Worlds of Popular Music in Eastern and Southern Africa: Possible Implications for Language-in-Education Policy, Journal of Language, Identity & Education, 9:1, 1-16, DOI: 10.1080/15348450903476824 To link to this article: http://dx.doi.org/10.1080/15348450903476824 PLEASE SCROLL DOWN FOR ARTICLE Taylor & Francis makes every effort to ensure the accuracy of all the information (the “Content”) contained in the publications on our platform. However, Taylor & Francis, our agents, and our licensors make no representations or warranties whatsoever as to the accuracy, completeness, or suitability for any purpose of the Content. Any opinions and views expressed in this publication are the opinions and views of the authors, and are not the views of or endorsed by Taylor & Francis. The accuracy of the Content should not be relied upon and should be independently verified with primary sources of information. Taylor and Francis shall not be liable for any losses, actions, claims, proceedings, demands, costs, expenses, damages, and other liabilities whatsoever or howsoever caused arising directly or indirectly in connection with, in relation to or arising out of the use of the Content. -
Yale: Focus on Africa - Fall 2017
Yale: Focus on Africa - Fall 2017 SHARE: Join Our Email List In this edition of Focus on Africa we present an array of highlights showcasing notable speakers and visitors on campus, faculty news, student and alumni profiles and educational programs on the continent. We also bring you a snapshot of the various activities on campus that serve as an invaluable platform for substantive inquiry and discourse on Africa. Over the last few months, we have been pleased to welcome several alumni to campus, including renowned human rights lawyer Pheroze Nowrojee '74 LLM and novelist Deji Olukotun '00 B.A. We hope you enjoy this issue. - Eddie Mandhry, Director for Africa Faculty Research Faculty Awarded Two Grants to Support Health System in Liberia Faculty at the Yale School of Medicine have been awarded two grants by the World Bank and the U.S. Health Resources and Services Administration (HRSA) to support and strengthen medical education and health management in Liberia. The Yale Team will be led by Dr. Asghar Rastegar, professor of medicine and director of the Office of Global Health in the Department of Medicine, and will include Onyema Ogbuagu, assistant professor of infectious diseases, and Dr. Kristina Talbert-Slagle, assistant professor of general internal medicine. More >> Kate Baldwin Appointed the Strauss Assistant Professor of Political Science Kate Baldwin was newly named as the Peter Strauss Family Assistant Professor of Political Science. She focuses her research on political accountability, state building, and the politics of development, with a regional focus on sub-Saharan Africa. Baldwin is the author of the book https://myemail.constantcontact.com/Yale--Focus-on-Africa---Fall-2017.html?soid=1114503266644&aid=I29nYbCBV5o[6/17/21, 3:37:29 PM] Yale: Focus on Africa - Fall 2017 "The Paradox of Traditional Chiefs in Democratic Africa," which received an Honorable Mention for the Riker Award recognizing the best book in political economy published in the previous three years. -
Finland's Foreign Policy - Do Not Disturb!
Finland's foreign policy - Do not disturb! http://www.aluka.org/action/showMetadata?doi=10.5555/AL.SFF.DOCUMENT.naip100040 Use of the Aluka digital library is subject to Aluka’s Terms and Conditions, available at http://www.aluka.org/page/about/termsConditions.jsp. By using Aluka, you agree that you have read and will abide by the Terms and Conditions. Among other things, the Terms and Conditions provide that the content in the Aluka digital library is only for personal, non-commercial use by authorized users of Aluka in connection with research, scholarship, and education. The content in the Aluka digital library is subject to copyright, with the exception of certain governmental works and very old materials that may be in the public domain under applicable law. Permission must be sought from Aluka and/or the applicable copyright holder in connection with any duplication or distribution of these materials where required by applicable law. Aluka is a not-for-profit initiative dedicated to creating and preserving a digital archive of materials about and from the developing world. For more information about Aluka, please see http://www.aluka.org Finland's foreign policy - Do not disturb! Author/Creator Soiri, Iina; Peltola, Pekka Publisher Nordiska Afrikainstitutet (Uppsala) Date 1999 Resource type Articles Language English Subject Coverage (spatial) Finland, Southern Africa (region) Source Nordiska Afrikainstitutet (Uppsala) Relation Soiri, Iina and Peltola, Pekka. Finland and national liberation in Southern Africa. Nordiska Afrikainstitutet, -
Journal of African Elections
JOURNAL OF AFRICAN ELECTIONS Volume 17 Number 1 June 2018 remember to change running heads VOLUME 17 NO 1 i Journal of African Elections EDITOR Denis Kadima ARTICLES BY Zefanias Matsimbe Nelson Domingos John Rabuogi Ahere Moses Nderitu Nginya Adriano Nuvunga Joseph Hanlon Emeka C. Iloh Michael E. Nwokedi Cornelius C. Mba Kingsley O. Ilo Atanda Abdulwaheed Isiaq Oluwashina Moruf Adebiyi Adebola Rafiu Bakare Joseph Olusegun Adebayo Nicodemus Minde Sterling Roop Kjetil Tronvoll Volume 17 Number 1 June 2018 i ii JOURNAL OF AFRICAN ELECTIONS Published by EISA 14 Park Road, Richmond, Johannesburg, South Africa P O Box 740, Auckland Park, 2006, South Africa Tel: +27 (0) 11 381 6000 Fax: +27 (0) 11 482 6163 e-mail: [email protected] © EISA 2018 ISSN: 1609-4700 (Print) ISSN 2415-5837 (Online) v. 17 no. 1: 10.20940/jae/2018/v17i1 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the written permission of the publisher Printed by: Corpnet, Johannesburg Cover photograph: Reproduced with the permission of the HAMILL GALLERY OF AFRICAN ART, BOSTON, MA, USA For electronic back copies of JAE visit www.eisa jae.org.za remember to change running heads VOLUME 17 NO 1 iii EDITOR Denis Kadima, EISA, Johannesburg MANAGING EDITOR Heather Acott EDITORIAL BOARD Chair: Denis Kadima, EISA, South Africa Cherrel Africa, Department of Political Studies, University of the Western Cape, South Africa Jørgen