World-Renowned Artist May Pang
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John Lennon from ‘Imagine’ to Martyrdom Paul Mccartney Wings – Band on the Run George Harrison All Things Must Pass Ringo Starr the Boogaloo Beatle
THE YEARS 1970 -19 8 0 John Lennon From ‘Imagine’ to martyrdom Paul McCartney Wings – band on the run George Harrison All things must pass Ringo Starr The boogaloo Beatle The genuine article VOLUME 2 ISSUE 3 UK £5.99 Packed with classic interviews, reviews and photos from the archives of NME and Melody Maker www.jackdaniels.com ©2005 Jack Daniel’s. All Rights Reserved. JACK DANIEL’S and OLD NO. 7 are registered trademarks. A fine sippin’ whiskey is best enjoyed responsibly. by Billy Preston t’s hard to believe it’s been over sent word for me to come by, we got to – all I remember was we had a groove going and 40 years since I fi rst met The jamming and one thing led to another and someone said “take a solo”, then when the album Beatles in Hamburg in 1962. I ended up recording in the studio with came out my name was there on the song. Plenty I arrived to do a two-week them. The press called me the Fifth Beatle of other musicians worked with them at that time, residency at the Star Club with but I was just really happy to be there. people like Eric Clapton, but they chose to give me Little Richard. He was a hero of theirs Things were hard for them then, Brian a credit for which I’m very grateful. so they were in awe and I think they had died and there was a lot of politics I ended up signing to Apple and making were impressed with me too because and money hassles with Apple, but we a couple of albums with them and in turn had I was only 16 and holding down a job got on personality-wise and they grew to the opportunity to work on their solo albums. -
John Lennon – Człowiek I Artysta Niespełniony?
Tom 12/2020, ss. 43-72 ISSN 0860-5637 e-ISSN 2657-7704 DOI: 10.19251/rtnp/2020.12(3) www.rtnp.mazowiecka.edu.pl Andrzej Dorobek Mazowiecka Uczelnia Publiczna w Płocku ORCID: 0000-0002-5102-5182 JOHN LENNON – CZŁOWIEK I ARTYSTA NIESPEŁNIONY? JOHN LENNON: A MAN AND ARTIST UNFULFIILLED? Streszczenie: Niniejszy esej jest próbą syntetycznego, poniekąd psychoanalitycznego, ujęcia biografii Johna Lennona, zarówno jako ewidentnie zagubionego geniu- sza muzyki popularnej, jak i ofiary chłopięcego kompleksu zaniedbania przez uwielbianą matkę – później wysublimowanego w kompleks kobiecej dominacji i przeniesionego na Yoko Ono, jego drugą żonę i awangardową „muzę.” W re- zultacie ich związek, w znacznym stopniu wyidealizowany przez media, został ukazany w kontekście relacji Lennona z innymi kobietami (na przykład z ciotką Mimi), sprzecznych cech jego osobowości oraz ewolucji światopoglądowej i ar- tystycznej, która doprowadziła najpierw do dramatycznego rozdarcia między popowym supergwiazdorstwem a awangardowym artystostwem, ostatecznie zaś – do faktycznej niemocy twórczej w ciągu ostatnich pięciu lat życia. Per- John Lennon – człowiek i artysta niespełniony? spektywę komparatystyczną dla tych rozważań wyznaczać będą biografie Elvisa Presleya i Micka Jaggera. Słowa kluczowe: kompleks, trauma, dominacja, „krzyk pierwotny”, gwiaz- dorstwo, artyzm, niespełnienie Summary: In this essay, the author attempts at a synthetic insight into the biography of John Lennon, both as a confused genius of popular music and a victim of the childhood complex of motherly neglect: later transformed into the one of female domination and transferred onto Yoko Ono, his second wife and avant-garde “muse.” Consequently, their marriage, largely idealized by media, is shown here in the context of Lennon’s relations with other women (mainly his mother and aunt Mimi), his contradictory psychological traits and artistic/ ideological evolution that resulted in being torn between pop superstardom, avant-garde artistry and, in last five years, virtual creative impotence. -
『Powers of Two 二人で一人の天才』注釈(Pdf)
『POWERS OF TWO 二人で一人の天才』 注釈 序曲 ・ピクサーのスタジオ Keith Sawyer, “Group Genius at Pixar,” Creativity & Innovation (blog),September 12, 2008, ・世界に存在する誰か http://keithsawyer.wordpress.com/2008/09/12/group-genius-at-pixar/. キース・ソーヤー『凡才の集 Martin Buber,“To Hallow This Life: An Anthology” (New York: Harper, 1958) 団は孤高の天才に勝る―「グループ・ジーニアス」が生み出すものすごいアイデア』(金子宣子訳,ダイ ヤモンド社,2009年)も参照. ・演 劇が 生まれる トニー・クシュナー『エンジェルス・イン・アメリカ』第 2 部「ペレストロイカ」(New York: Theatre ・手頃な物語 Communications Group, 1993).クシュナー自身が力強い言葉で生き生きと伝え,人生と仕事で実践してい ここで言う「物語」は,第一に孤高の英雄が奮起するストーリーを指す.英雄の物語は基本的に,始まりと終 るが ,本 人によるとマルクスの 考えだという.正 確な引 用は「 マルクスの 言うとおりだ.それ以 上は分 割できな わりは主人公が 1 人だけになる.ジョセフ・キャンベルが提唱したこのルールは,脚本家のバイブルとされるク い人間の最小単位は 2 人.1人ではない」. リストファー・ボグラー『神話の法則―ライターズ・ジャーニー 夢を語る技術』(岡田勲ほか訳,ストーリ アーツ&サイエンス研究所,2002 年)でも説明されている.三文小説や文学的な回想録,CM,テレビゲー ・1967 年 3 月 29 日 ムなどあらゆる物語に通じる神聖なルールだ.「物語」の 2 つめの意味は,複雑な現象を理解しやすくする単 ハンター・デイヴィス『ビートルズ』(小笠原豊樹,中田耕治訳,河出書房新社,2010 年)は「3 月半ば」 位としてだ.これについてジョーン・ディディオンは,「私たちは生きるために,自分に物語を語る」と述べてい に行われたセッションとしているが,前後の文脈から,マーク・ルイソン『ザ・ビートルズ レコーディング・セッ る(Joan Didion,“We Tell Ourselves Stories in Order to Live: Collected Nonfiction”[New York: ションズ完全版』(内田久美子訳,シンコーミュージック,2009 年)に 3 月 29 日とある「ウィズ・ア・リトル・ Random House, 2006]).筋書きがなければ私たちの心をすり抜けていたかもしれない環境を物語の舞台に ヘルプ・フロム・マイ・フレンズ」 の最初のセッションと同じ夜と考えられる.デイヴィスに確認したところ,「い 選び,解釈して,筋書きを押しつけるところから現実が生まれる. つものように私よりマーク・L を信頼してほしい」と 2014 年 1 月 31 日に返信があった.この章のほかの詳細 はデイヴィス『ビートルズ』より. ・ウッズ に つ いてから 5 年 間 Connell Barrett,“Tiger's Caddie Steve Williams Tells All,” Golf Magazine, February 22, 2009. ・詩の順番を入れ替え http://www.golf.com/tour-and-news/tigers-caddie-steve-williams-tells-all -
The Beatles on Film
Roland Reiter The Beatles on Film 2008-02-12 07-53-56 --- Projekt: transcript.titeleien / Dokument: FAX ID 02e7170758668448|(S. 1 ) T00_01 schmutztitel - 885.p 170758668456 Roland Reiter (Dr. phil.) works at the Center for the Study of the Americas at the University of Graz, Austria. His research interests include various social and aesthetic aspects of popular culture. 2008-02-12 07-53-56 --- Projekt: transcript.titeleien / Dokument: FAX ID 02e7170758668448|(S. 2 ) T00_02 seite 2 - 885.p 170758668496 Roland Reiter The Beatles on Film. Analysis of Movies, Documentaries, Spoofs and Cartoons 2008-02-12 07-53-56 --- Projekt: transcript.titeleien / Dokument: FAX ID 02e7170758668448|(S. 3 ) T00_03 titel - 885.p 170758668560 Gedruckt mit Unterstützung der Universität Graz, des Landes Steiermark und des Zentrums für Amerikastudien. Bibliographic information published by Die Deutsche Bibliothek Die Deutsche Bibliothek lists this publication in the Deutsche Nationalbibliografie; detailed bibliographic data are available on the Internet at http://dnb.ddb.de © 2008 transcript Verlag, Bielefeld This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 3.0 License. Layout by: Kordula Röckenhaus, Bielefeld Edited by: Roland Reiter Typeset by: Roland Reiter Printed by: Majuskel Medienproduktion GmbH, Wetzlar ISBN 978-3-89942-885-8 2008-12-11 13-18-49 --- Projekt: transcript.titeleien / Dokument: FAX ID 02a2196899938240|(S. 4 ) T00_04 impressum - 885.p 196899938248 CONTENTS Introduction 7 Beatles History – Part One: 1956-1964 -
SOME TIME in NEW YORK CITY JOHN LENNON 'S TOWN Hinckley, David
Document 1 of 1 SOME TIME IN NEW YORK CITY JOHN LENNON 'S TOWN Hinckley, David. New York Daily News [New York, N.Y] 09 Mar 2005: 30. Abstract Nonetheless, all four, particularly [JOHN LENNON] and [Paul McCartney], took a liking to the town. Being that one of their major quests during their first years was to convince the world their music and messages could inspire more than teenage shrieking, New York was a good place to find validation. Both McCartney and Lennon enjoyed more than somewhat the attention of sophisticated and avant-garde artists. His next musical direction was somewhere else altogether. By 1971 he and [Yoko Ono] were keeping company with radical activists like Jerry Rubin and Abbie Hoffman, who were, of course, delighted to have Lennon's aura behind them. On Dec. 17 of that year, the Lennons made a rare live appearance, at an Apollo Theatre benefit for the wives of people killed in the Attica prison uprising. IN MARCH, around the time the FBI was telling Richard Nixon that Lennon might be part of a plot to disrupt the 1972 Republican convention, Lennon was handed a deportation order, citing a 1968 conviction for marijuana possession. Full Text CONSIDERING THAT both his first and final moments in the city drew saturation worldwide media coverage, it is mildly ironic that the reason John Lennon really loved New York was that he could walk around without anyone paying him any mind. Lennon arrived here at the well-documented moment of 1:20 p.m. on Feb. 7, 1964, aboard Pan American Flight 101. -
Inhaltsverzeichnis
INHALTSVERZEICHNIS John Winston Lennon 7 Rock 'n' Roll in G.D.R. 11 Rock Island Line 12 Hello Little Girl 16 My Bonnie 21 Please, Mr. Postman 29 Love Me Do 36 Please Please Me 42 She Loves You 46 Twist And Shout 53 John F. Kennedy 57 With The Beatles 62 I Want To Hold Your Hand 63 Meet The Beatles 68 Fever 73 Can't Buy Me Love 75 A Hard Day's Night 85 Hollywood Bowl Concert 87 Beatles For Säle 95 Money 100 Help • 106 Back In The U.S.A. 112 HerMajesty 117 Rubber Soul 120 Yeah, Yeah, Yeah in DDR 124 Paperback Writer 126 Run For Your Life 133 Revolver 136 I'm Only Sleeping 139 How I Won The War 142 Bad Boy 145 Strawberry Fields Forever 150 A Whiter Shade Of Pale 153 Sgt. Pepper's Lonely Hearts Club Band 158 All You Need Is Love 164 The Show Must Go On 168 Magical Mystery Tour 172 The Inner Light 177 Martin Luther King 183 Two Virgins 186 Revolution 189 Unfinished 194 Atlantis 201 The Beatles 203 Bibliografische Informationen digitalisiert durch http://d-nb.info/990791262 Rock And Roll Circus 203 LetltBe 211 The Ballad Of John And Yoko 214 Give Peace A Chance 220 Woodstock 223 Live Peace In Toronto 228 AbbeyRoad 231 ColdTurkey 235 War Is Over 239 Instant Karma 243 The Long And Winding Road 247 All Things Must Pass 251 John Lennon - Plastic Ono Band 256 Power To The Peopte 259 Concert For Bangla Desh 265 Imagine 271 John Sinclair 276 LuckOfThelrish 281 Angela 287 Sometime In New York City 289 Live In New York City 293 Living In The Material World 297 Mind Games 303 Walls And Bridges 310 Rock'n'Roll 318 Venus And Mars 322 Victory 328 Shaved Fish 333 The Last Waltz 308 Mull Of Kintyre 338 Back To The Egg 341 Coming Up 351 Double Fantasy 354 Literaturverzeichnis 358 Register Alben, LPs. -
The Beatles on Film. Analysis of Movies, Documentaries, Spoofs and Cartoons 2008
Repositorium für die Medienwissenschaft Roland Reiter The Beatles on Film. Analysis of Movies, Documentaries, Spoofs and Cartoons 2008 https://doi.org/10.25969/mediarep/1299 Veröffentlichungsversion / published version Buch / book Empfohlene Zitierung / Suggested Citation: Reiter, Roland: The Beatles on Film. Analysis of Movies, Documentaries, Spoofs and Cartoons. Bielefeld: transcript 2008. DOI: https://doi.org/10.25969/mediarep/1299. Erstmalig hier erschienen / Initial publication here: https://doi.org/10.14361/9783839408858 Nutzungsbedingungen: Terms of use: Dieser Text wird unter einer Creative Commons - This document is made available under a creative commons - Namensnennung - Nicht kommerziell - Keine Bearbeitungen 3.0 Attribution - Non Commercial - No Derivatives 3.0 License. For Lizenz zur Verfügung gestellt. Nähere Auskünfte zu dieser Lizenz more information see: finden Sie hier: https://creativecommons.org/licenses/by-nc-nd/3.0 https://creativecommons.org/licenses/by-nc-nd/3.0 Roland Reiter The Beatles on Film 2008-02-12 07-53-56 --- Projekt: transcript.titeleien / Dokument: FAX ID 02e7170758668448|(S. 1 ) T00_01 schmutztitel - 885.p 170758668456 Roland Reiter (Dr. phil.) works at the Center for the Study of the Americas at the University of Graz, Austria. His research interests include various social and aesthetic aspects of popular culture. 2008-02-12 07-53-56 --- Projekt: transcript.titeleien / Dokument: FAX ID 02e7170758668448|(S. 2 ) T00_02 seite 2 - 885.p 170758668496 Roland Reiter The Beatles on Film. Analysis of Movies, Documentaries, Spoofs and Cartoons 2008-02-12 07-53-56 --- Projekt: transcript.titeleien / Dokument: FAX ID 02e7170758668448|(S. 3 ) T00_03 titel - 885.p 170758668560 Gedruckt mit Unterstützung der Universität Graz, des Landes Steiermark und des Zentrums für Amerikastudien. -
Beatles History – Part Three: 1970-2008
BEATLES HISTORY – PART THREE: 1970-2008 The Solo Careers In September 1969, John Lennon told his musical partners at a business meeting that he was leaving The Beatles. It was decided that the split was to be kept secret until the group had secured a profitable new contract with EMI Records. In early 1970, The Beatles’ staff prepared the release of Let It Be, which had been recorded in January 1969. As George Martin had lost interest in the production, American producer Phil Spector was asked to turn The Beatles’ rough recordings into a valuable album. Spec- tor’s involvement, however, caused further friction between the band members, because Paul McCartney felt that Spector was ruining his song “The Long and Winding Road” with a lavish arrangement featuring an orchestra and a choir. In addition, the release of Let It Be collided with the release date of Paul McCartney’s first solo album, McCartney, which was scheduled for 10 April, 1970. The conflicts within the band finally reached their climax when the other Beatles ignored McCartney’s wish of removing Spector’s orchestral arrangement from the recording of his song. Consequently, Paul McCartney decided to inform the public that The Beatles had disbanded. The promotional copies of McCartney’s first album contained an interview, in which he stated that he did not want to work with The Beatles anymore, because of personal and musical dis- agreements. The release date of McCartney is therefore regarded as the date The Beatles broke up, although they legally existed as a band until 1976, when their contracts finally expired. -
Apple Label Discography
Apple Label Discography 100-800 series (Capitol numbering series) Apple Records was formed by John Lennon, Paul McCartney, George Harrison and Ringo Starr in 1968. The Apple label was intended as a vehicle for the Beatles, their individual recordings and the talent they discovered. A great deal of what appeared on Apple was pretty self indulgent and experimental but they did discover a few good singers and groups. James Taylor recorded his first album on the label. Doris Troy recorded a good soul album and there are 2 albums by John Lewis and the Modern Jazz Quartet. The Beatlesque group Badfinger also issued several albums on the label, the best of which was “Straight Up”. Apple Records fell apart in management chaos in 1974 and 1975 and a bitter split between the Beatles over the management of the company. Once the lawyers got involved everybody was suing everybody else over the collapse. The parody of the Beatles rise and the disintegration of Apple is captured hilariously in the satire “All You Need Is Cash: the story of the Rutles”. The Apple label on side 1 is black with a picture of a green apple on it, black printing. The label on side 2 is a picture of ½ an apple. From November 1968 until early 1970 at the bottom of the label was “MFD. BY CAPITOL RECORDS, INC. A SUBSIDIARY OF CAPITOL INDUSTRIES INC. USA”. From Early 1970 to late 1974, at the bottom of the label is “MFD. BY APPLE RECORDS” From late 1974 through 1975, there was a notation under the “MFD. -
TUCI!INÇ Oiy £3.50 ¡Nc
Record Mirror, December27,1g80"25 Edited by SUSANNE GARRETT cope - seek help to work through your problem, from any of the above organisations. For moral support, phobics can _ r £ £71173Ac FEAR OF also contact any of the existing self - help groups too: The Phobics Society. C/o Katherine Fisher, 4 Cheltenham Road, Manchester M21 LENNON'S a ION; The Phobic Trust, c/o Venna Gothard 25A The Grove, Coulsdon, PEOPLE Surrey CR3 2BH; The Open Door Ir Association, concentrating on LOT Is that I suffer ! MY problem from a contact The Institute For agoraphobics), 447 Pensby Road, social phobia, androphobia - fear of Behavioural Heswall, Merseyside. With support Psychotherapy; 22 I'm 19 years old, at people. present Queen Anne Street, London W1, you can get through. SINCE John Lennon was shot dead and find it hard unemployed to make (Tel: 01 444 6030); London Centre Reading: See 'Phobias', by Joy outside his home in New York, friends In any social situation. For Psychotherapy Melville, Unwin Paperbacks, (01.25). we've been inundated with callers any way that Ltd, 19 Is there this phobia, Fitzlohn's Avenue, London NW5 wanting to know what he's written, be treated, and, if can so, how can I SJY; British Society of WHAT A HEEL! when and how to gel hold of it. So obtain help? Can my doctor do Hypnotherapists, here's a discography and book list 51 Queen Anne - dress anything for me? Being able to make Street, I'VE been invited to a fancy to help you all out. Eyes down for London W1, (Tel; 01 435 party at where dress has friends is necessary for my survival. -
The Ballad of John & Yoko
THE BALLAD OF JOHN & YOKO Written by Luken Tonjes SincerelyLuken.com ACT 1 1 EXT. NEW YORK CITY. MUSEUM OF MODERN ART. AFTERNOON 1 We see a 1966 JOHN LENNON. He is wearing an English cap, signature sunglasses, and a scarf. JOHN is standing outside of the Museum of modern art, the sound of the city bombards him, the head liner is “YOKO ONO” he is curious so he walks in. R INT. MUSEUM OF MODERN ART. AFTERNOON. It is now quiet. He takes off his cap and sunglasses and proceeds down the hall. There is a picture of YOKO as he is walking in. JOHN sees a ladder in the middle of the room with a magnifying glass hanging from the ceiling, and a canvas attached to the wall. He decides to climb it, he picks up the magnifying glass and takes a look at the canvas. It reads “yes” JOHN is in awe and takes a look to his right, there stands YOKO ONO. She is talking to someone and is laughing. JOHN gives a faint smile. CUT TO: INT. NEW YORK CITY. MUSEUM OF MODERN ART. AFTERNOON.- LATER It is towards the end of the show, there are men taking down some of the pieces. YOKO is directing them and she has a clipboards in her hand. JOHN walks up to YOKO in confidence and taps her on the shoulder. She turns quickly. JOHN Hi, I just wanted to introduce myself, I loved the show. Especially the one piece- YOKO And you are? JOHN is shot down JOHN Sorry? 2. -
THE LOST LENNON TAPES Megatree Liners Index
THE LOST LENNON TAPES MEGATREE INDEX Compiled from the liner note information on the Lost Lennon Tapes MegaTree. Unless otherwise noted, songs are performed by John Lennon. _____________________________________________________________ #9 Dream (alternate mix) .......................................................................................128 #9 Dream (composing demo) ................................................................................203 #9 Dream (demo 2) ..................................................................................................081 #9 Dream (demo) .....................................................................................................063 #9 Dream (LP version) ...........................................................................................063 #9 Dream (partial) ...................................................................................................081 #9 Dream (rough mix) ...................................................................................081, 203 #9 Dream......................................................000, 006, 050, 052, 138, 164, 176, 185 12-Bar Original – The Beatles................................................................................081 1968 marijuana bust.................................................................................................015 1980 Demos...............................................................................................................213 1980.............................................................................................................................200