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Bwtb Valentines Day Love Show 2017

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Bwtb Valentines Day Love Show 2017 1 All Love Show 2017 9AM The Beatles - It’s Only Love- Help! / (Lennon-McCartney) 1 2 Lead vocal: John Recorded in six takes on June 15, 1965. The first Beatles song to include a reference to getting “high” (“I get high when I see you go by”). The working title prior to lyrics being written was “That’s a Nice Hat.” George Martin and his Orchestra recorded the instrumental version of “It’s Only Love” using the original title. In 1972 Lennon called “It’s Only Love” “the one song I really hate of mine.” On U.S. album: Rubber Soul - Capitol LP The Beatles - Love Me Do – Please Please Me (McCartney-Lennon) Lead vocal: John and Paul The Beatles’ first single release for EMI’s Parlophone label. Released October 5, 1962, it reached #17 on the British charts. Principally written by Paul McCartney in 1958 and 1959. Recorded with three different drummers: Pete Best (June 6, 1962, EMI audition), Ringo Starr (September 4, 1962), and Andy White (September 11, 1962 with Ringo playing tambourine). The 45 rpm single lists the songwriters as Lennon-McCartney. One of several Beatles songs Paul McCartney owns with Yoko Ono. Starting with the songs recorded for their debut album on February 11, 1963, Lennon and McCartney’s output was attached to their Northern Songs publishing company. Because their first single was released before John and Paul had contracted with a music publisher, EMI assigned it to their own, a company called Ardmore and Beechwood, which took the two songs “Love Me Do” and “P.S. I Love You.” Decades later McCartney and Ono were able to purchase the songs for their respective companies, MPL Communications and Lenono Music. Fun fact: John Lennon shoplifted the harmonica he played on the song from a shop in Holland. On U.S. albums: Introducing… The Beatles (Version 1) - Vee-Jay LP The Early Beatles - Capitol LP The Beatles - P.S. I Love You – Please Please Me (McCartney-Lennon) Lead vocal: Paul Recorded in ten takes on September 11, 1962, with Andy White on drums. The b-side of “Love Me Do,” released October 5, 1962, in the UK. The Beatles originally intended this to be the A-side of their first Parlophone single but because another song with the same 2 3 title had been released by Peggy Lee they were persuaded to put this on the b-side. One of the three original compositions they performed during their EMI audition. Written mostly by Paul McCartney in April or May 1962 while The Beatles were in Hamburg, Germany. John has said it was Paul’s attempt to mimic “Soldier Boy” by The Shirelles, which was a hit in April of 1962. One of several Beatles songs Paul McCartney owns with Yoko Ono. Starting with the songs recorded for their debut album on February 11, 1963, Lennon-McCartney’s output was attached to their Northern Songs publishing company. Because their first single was released before John and Paul had contracted with a music publisher, EMI assigned it to their own, a company called Ardmore and Beechwood, which took the two songs, “Love Me Do” and “P.S. I Love You.” Decades later McCartney and Ono were able to purchase the songs for their respective companies, MPL Communications and Lenono Music. On U.S. albums: Introducing… The Beatles (Version 1) - Vee-Jay LP The Early Beatles - Capitol LP The Beatles – Love Of The Loved – Decca Tapes `62 The Beatles - You’ve Got To Hide Your Love Away - Help! (Lennon-McCartney) Lead vocal: John Recorded in less than two hours on February 18, 1965. Written entirely by John Lennon, who freely admitted the obvious Bob Dylan influence. Lennon wrote this at Kenwood, his home on the St. George’s Hill estate in Weybridge, Surrey (where the Beatles would be photographed for the cover of their “Rubber Soul” album). John’s original lyric was “I can’t go on feeling two foot tall,” but when singing it for Paul the first time he accidentally said, two foot “small.” Lennon then laughed and said, “Let’s leave it … all those pseudes will really love it.” The first of their songs since “Love Me Do” in 1962 to feature an outside musician. Johnnie Scott provides the flute solo at the end of the song, though he is not credited on the album jacket. On U.S. album: Help! - Capitol LP 3 4 Some LOVE from the Beatles on this pre-mature Valentines Day show! Since it’s still kinda early lets be both mellow and loving….and here’s Paul…LIVE BREAK Paul McCartney – And I Love Her (Lennon/McCartney) – Unplugged ‘91 John Lennon – Love - Plastic Ono Band ‘70 This particular track was the biggest “commercial success” on the album, as it got wide radio play (along with “Mother”), which helped further the sales of the album. John Lennon solo – Real Love - Anthology ‘98 Kill some time ask if anybody has a Beatles keychain…first person who can bring me their Beatles key chain… (No? How about a picture of Ringo by himself) 9.27 BREAK 4 5 How about some Beatles Love songs without LOVE in the title….how about 18mins worth! The Beatles - The Word - Rubber Soul (Lennon-McCartney) Lead vocal: John Recorded in three takes at a late night session starting on November 10, 1965 that ran until 4 a.m. the next morning. Overdubs include Paul on piano, George Martin on harmonium, and Ringo playing the maracas. The song is a full collaboration between Lennon and McCartney, and began as an attempt to write a song based around a single note. On U.S. album: Rubber Soul - Capitol LP The Beatles - Here, There And Everywhere – Revolver sessions (Lennon-McCartney) Lead vocal: Paul Written by Paul while sitting by the pool of John’s estate, this classic ballad was inspired by The Beach Boys’ “God Only Knows.” Completed in 14 takes spread over three sessions on June 14, 16 and 17, 1966. Paul’s lead vocal is double tracked. Paul, John, and George provide the lush harmony and Ringo drums using brushes. Both Paul and John called “Here, There And Everywhere” one of their favorite Beatles songs. Never performed by The Beatles in concert and only rarely performed by McCartney since. On U.S. album: Revolver - Capitol LP 5 6 The Beatles - In My Life - Rubber Soul sessions (Lennon-McCartney) Lead vocals: John with Paul Recorded October 18, 1965 and written primarily by John, who called it his “first real major piece of work.” Of all the Lennon-McCartney collaborations only two songs have really been disputed by John and Paul themselves -- “Eleanor Rigby” and “In My Life.” Both agree that the lyrics are 100% Lennon, but John says Paul helped on the musical bridge, while Paul recalls writing the entire melody on John’s Mellotron. The gorgeous piano solo is provided by George Martin. To give his solo a harpsichord sound the producer played the piano at half speed and an octave lower so that when played at regular speed it would be in the correct key for the song. On U.S. album: Rubber Soul - Capitol LP The Beatles – Something (Harrison) - Abbey Road - Recorded – April 16th 1969 - Released as a single in US on Oct. 6th 1969…George’s FIRST A Side on a Beatles single. - Inspired by Pattie Harrison and written during the very end of the White LP sessions. - George gave it to Joe Cocker a year before he recorded it with the Beatles. - The second most covered Beatles tune EVER…(Yesterday) - Frank Sinatra – “The greatest love song of the past fifty years”. 6 7 The Beatles - If I Fell – LIVE at the BBC (Lennon-McCartney) Lead vocal: John and Paul John Lennon’s stunning ballad “If I Fell” was by far the most complex song he had written to date. It could be considered a progression from “This Boy” with its similar chord structure and intricate harmonies by John and Paul, recorded – at their request – together on one microphone. Performed live on their world tour throughout the summer of 1964. Completed in 15 takes on February 27, 1964. Flip side of “And I Love Her” in the U.S. On U.S. album: A Hard Day’s Night - United Artists LP Something New - Capitol LP Paul McCartney – For No One - Give My Regards to Broad Street ‘84 The Beatles - Don’t Let Me Down - Non-LP B-Side (Lennon-McCartney) Lead vocal: John with Paul The Beatles’ nineteenth single release for EMI, and second on the Apple Records label. The “Get Back” sessions, as the January 1969 recording sessions were now known, produced about 475 hours of film and 141 hours of audio tape that had to be sifted through. But proper multi-track recordings weren’t made until the band was recording in the basement of the Beatles’ Apple headquarters between January 21-31, 1969. 7 8 Producer/Engineer Glyn Johns attempted to construct an album entitled “Get Back” from the tapes but his versions were rejected. The tapes would be left dormant in the vault for a year, with the exception of a single (“Get Back”/“Don’t Let Me Down”). John Lennon’s “Don’t Let Me Down” was a love song for Yoko Ono and was the first song given a full run-through by the group when sessions for the new album began at Twickenham Studios on January 2, 1969. But proper multi-track recording takes were not done until the band changed location to the basement recording studio at their Apple headquarters.
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