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John Lennon from ‘Imagine’ to Martyrdom Paul Mccartney Wings – Band on the Run George Harrison All Things Must Pass Ringo Starr the Boogaloo Beatle
THE YEARS 1970 -19 8 0 John Lennon From ‘Imagine’ to martyrdom Paul McCartney Wings – band on the run George Harrison All things must pass Ringo Starr The boogaloo Beatle The genuine article VOLUME 2 ISSUE 3 UK £5.99 Packed with classic interviews, reviews and photos from the archives of NME and Melody Maker www.jackdaniels.com ©2005 Jack Daniel’s. All Rights Reserved. JACK DANIEL’S and OLD NO. 7 are registered trademarks. A fine sippin’ whiskey is best enjoyed responsibly. by Billy Preston t’s hard to believe it’s been over sent word for me to come by, we got to – all I remember was we had a groove going and 40 years since I fi rst met The jamming and one thing led to another and someone said “take a solo”, then when the album Beatles in Hamburg in 1962. I ended up recording in the studio with came out my name was there on the song. Plenty I arrived to do a two-week them. The press called me the Fifth Beatle of other musicians worked with them at that time, residency at the Star Club with but I was just really happy to be there. people like Eric Clapton, but they chose to give me Little Richard. He was a hero of theirs Things were hard for them then, Brian a credit for which I’m very grateful. so they were in awe and I think they had died and there was a lot of politics I ended up signing to Apple and making were impressed with me too because and money hassles with Apple, but we a couple of albums with them and in turn had I was only 16 and holding down a job got on personality-wise and they grew to the opportunity to work on their solo albums. -
John Lennon – Człowiek I Artysta Niespełniony?
Tom 12/2020, ss. 43-72 ISSN 0860-5637 e-ISSN 2657-7704 DOI: 10.19251/rtnp/2020.12(3) www.rtnp.mazowiecka.edu.pl Andrzej Dorobek Mazowiecka Uczelnia Publiczna w Płocku ORCID: 0000-0002-5102-5182 JOHN LENNON – CZŁOWIEK I ARTYSTA NIESPEŁNIONY? JOHN LENNON: A MAN AND ARTIST UNFULFIILLED? Streszczenie: Niniejszy esej jest próbą syntetycznego, poniekąd psychoanalitycznego, ujęcia biografii Johna Lennona, zarówno jako ewidentnie zagubionego geniu- sza muzyki popularnej, jak i ofiary chłopięcego kompleksu zaniedbania przez uwielbianą matkę – później wysublimowanego w kompleks kobiecej dominacji i przeniesionego na Yoko Ono, jego drugą żonę i awangardową „muzę.” W re- zultacie ich związek, w znacznym stopniu wyidealizowany przez media, został ukazany w kontekście relacji Lennona z innymi kobietami (na przykład z ciotką Mimi), sprzecznych cech jego osobowości oraz ewolucji światopoglądowej i ar- tystycznej, która doprowadziła najpierw do dramatycznego rozdarcia między popowym supergwiazdorstwem a awangardowym artystostwem, ostatecznie zaś – do faktycznej niemocy twórczej w ciągu ostatnich pięciu lat życia. Per- John Lennon – człowiek i artysta niespełniony? spektywę komparatystyczną dla tych rozważań wyznaczać będą biografie Elvisa Presleya i Micka Jaggera. Słowa kluczowe: kompleks, trauma, dominacja, „krzyk pierwotny”, gwiaz- dorstwo, artyzm, niespełnienie Summary: In this essay, the author attempts at a synthetic insight into the biography of John Lennon, both as a confused genius of popular music and a victim of the childhood complex of motherly neglect: later transformed into the one of female domination and transferred onto Yoko Ono, his second wife and avant-garde “muse.” Consequently, their marriage, largely idealized by media, is shown here in the context of Lennon’s relations with other women (mainly his mother and aunt Mimi), his contradictory psychological traits and artistic/ ideological evolution that resulted in being torn between pop superstardom, avant-garde artistry and, in last five years, virtual creative impotence. -
Volume 40, Number 2
SPRING ISSUE 1961 Vol.XL No. 2 THE ALEMBIC P u b lish e d Q u a r te r ly by THE STUDENTS OF PROVIDENCE COLLEGE P ro v id en c e, R. I. The ALEMBIC is published bi-monthly by the students of Providence College, Providence, Rhode Island. Entered as second-class matter at the Post Office, Providence, Rhode Island, December 18, 1920, under Act of March 3, 1879. Subscription $2.00 the year. “ Acceptance for mailing at special rate of postage provided for in Section 1103. Act of October 3, 1917; authorized April 9, 1932.” Printed at the Oxford Press, Providence, Rhode Island. THE STAFF EDITOR-IN-CHIEF G. Brian S ulliv a n ....................................................Letters ’61 EDITORIAL STAFF Essay Editor C harles Caley ............... ..................................................Letters ’61 Fiction Editor Brian M ullaney ......... ..................................................Letters ’61 Poetry Editor R ichard L eidig ........... ................................................. Letters ’62 A R T E D IT O R D avid C a ley .................. ................................................. Letters ’61 BUSINESS MANAGER St e p h e n O eh m se n .......... ................................................. Letters ’62 Assistant M ic h a e l S u lliv a n ........ ........................................................Letters ’64 FACULTY MODERATOR R ev eren d R o bert L in u s W a l k e r , O. P. ALEMBIC CONTENTS Vol. XL March, 1961 No. 2 Page Letter from the Holy Father................. ................................... ..... 5 Cover Design.........................................................David Caley, ’61 The End of the Day.............................................. David Grace, ’64 6 Euripides as a Skeptic of Greek Polytheism Maurice H. Bosse, ’64 9 Sunday Thoughts....................................................... D. Barrett, ’61 10 Meaning of Spring.............................................Mike Sullivan, ’64 12 A Brief History of the Fate of Newtonian Certitude Brian A. -
Songs by Title
Songs by Title Title Artist Title Artist #1 Goldfrapp (Medley) Can't Help Falling Elvis Presley John Legend In Love Nelly (Medley) It's Now Or Never Elvis Presley Pharrell Ft Kanye West (Medley) One Night Elvis Presley Skye Sweetnam (Medley) Rock & Roll Mike Denver Skye Sweetnam Christmas Tinchy Stryder Ft N Dubz (Medley) Such A Night Elvis Presley #1 Crush Garbage (Medley) Surrender Elvis Presley #1 Enemy Chipmunks Ft Daisy Dares (Medley) Suspicion Elvis Presley You (Medley) Teddy Bear Elvis Presley Daisy Dares You & (Olivia) Lost And Turned Whispers Chipmunk Out #1 Spot (TH) Ludacris (You Gotta) Fight For Your Richard Cheese #9 Dream John Lennon Right (To Party) & All That Jazz Catherine Zeta Jones +1 (Workout Mix) Martin Solveig & Sam White & Get Away Esquires 007 (Shanty Town) Desmond Dekker & I Ciara 03 Bonnie & Clyde Jay Z Ft Beyonce & I Am Telling You Im Not Jennifer Hudson Going 1 3 Dog Night & I Love Her Beatles Backstreet Boys & I Love You So Elvis Presley Chorus Line Hirley Bassey Creed Perry Como Faith Hill & If I Had Teddy Pendergrass HearSay & It Stoned Me Van Morrison Mary J Blige Ft U2 & Our Feelings Babyface Metallica & She Said Lucas Prata Tammy Wynette Ft George Jones & She Was Talking Heads Tyrese & So It Goes Billy Joel U2 & Still Reba McEntire U2 Ft Mary J Blige & The Angels Sing Barry Manilow 1 & 1 Robert Miles & The Beat Goes On Whispers 1 000 Times A Day Patty Loveless & The Cradle Will Rock Van Halen 1 2 I Love You Clay Walker & The Crowd Goes Wild Mark Wills 1 2 Step Ciara Ft Missy Elliott & The Grass Wont Pay -
『Powers of Two 二人で一人の天才』注釈(Pdf)
『POWERS OF TWO 二人で一人の天才』 注釈 序曲 ・ピクサーのスタジオ Keith Sawyer, “Group Genius at Pixar,” Creativity & Innovation (blog),September 12, 2008, ・世界に存在する誰か http://keithsawyer.wordpress.com/2008/09/12/group-genius-at-pixar/. キース・ソーヤー『凡才の集 Martin Buber,“To Hallow This Life: An Anthology” (New York: Harper, 1958) 団は孤高の天才に勝る―「グループ・ジーニアス」が生み出すものすごいアイデア』(金子宣子訳,ダイ ヤモンド社,2009年)も参照. ・演 劇が 生まれる トニー・クシュナー『エンジェルス・イン・アメリカ』第 2 部「ペレストロイカ」(New York: Theatre ・手頃な物語 Communications Group, 1993).クシュナー自身が力強い言葉で生き生きと伝え,人生と仕事で実践してい ここで言う「物語」は,第一に孤高の英雄が奮起するストーリーを指す.英雄の物語は基本的に,始まりと終 るが ,本 人によるとマルクスの 考えだという.正 確な引 用は「 マルクスの 言うとおりだ.それ以 上は分 割できな わりは主人公が 1 人だけになる.ジョセフ・キャンベルが提唱したこのルールは,脚本家のバイブルとされるク い人間の最小単位は 2 人.1人ではない」. リストファー・ボグラー『神話の法則―ライターズ・ジャーニー 夢を語る技術』(岡田勲ほか訳,ストーリ アーツ&サイエンス研究所,2002 年)でも説明されている.三文小説や文学的な回想録,CM,テレビゲー ・1967 年 3 月 29 日 ムなどあらゆる物語に通じる神聖なルールだ.「物語」の 2 つめの意味は,複雑な現象を理解しやすくする単 ハンター・デイヴィス『ビートルズ』(小笠原豊樹,中田耕治訳,河出書房新社,2010 年)は「3 月半ば」 位としてだ.これについてジョーン・ディディオンは,「私たちは生きるために,自分に物語を語る」と述べてい に行われたセッションとしているが,前後の文脈から,マーク・ルイソン『ザ・ビートルズ レコーディング・セッ る(Joan Didion,“We Tell Ourselves Stories in Order to Live: Collected Nonfiction”[New York: ションズ完全版』(内田久美子訳,シンコーミュージック,2009 年)に 3 月 29 日とある「ウィズ・ア・リトル・ Random House, 2006]).筋書きがなければ私たちの心をすり抜けていたかもしれない環境を物語の舞台に ヘルプ・フロム・マイ・フレンズ」 の最初のセッションと同じ夜と考えられる.デイヴィスに確認したところ,「い 選び,解釈して,筋書きを押しつけるところから現実が生まれる. つものように私よりマーク・L を信頼してほしい」と 2014 年 1 月 31 日に返信があった.この章のほかの詳細 はデイヴィス『ビートルズ』より. ・ウッズ に つ いてから 5 年 間 Connell Barrett,“Tiger's Caddie Steve Williams Tells All,” Golf Magazine, February 22, 2009. ・詩の順番を入れ替え http://www.golf.com/tour-and-news/tigers-caddie-steve-williams-tells-all -
Didier Daeninckx and the Manouchian Resistance Group
1 An Ever-Present Past: Didier Daeninckx and the Manouchian Resistance Group ‘Writing is always “against”! […] Personally, I am against authority and the disappearance of memory’ — Didier Daeninckx (1997: 68)1 November 1943. Following a series of highly visible attacks in Paris, committed by the Communist, ‘immigrant’ Resistance group of Missak Manouchian,2 the Brigades spéciales (special Brigades) of the French police finally pounce on the perpetrators, and arrest follows arrest. At the end of a very brief trial a few months later, twenty-three members of the combat unit, including Manouchian himself, are condemned to death. The twenty-two men are immediately shot at Mont Valérien, on 21 February 1944 (the one woman, Olga Bancic, is executed separately, beheaded in Stuttgart on 10 May). More or less simultaneously, the photos of ten of these freedom fighters are displayed on the infamous Affiches rouges (red posters), which are plastered over the walls of French towns and cities, and which denounce ‘l’Armée du crime’ (the Army of crime), most obviously composed of people with names of foreign, if not Jewish, origin. Shortly afterwards, the Liberation of France, for which these combatants willingly gave their lives, commenced. That is by no means the end of their story, however. Throughout the post-war period, the group regularly comes back into the headlines, forming, as Margaret Atack has noted, ‘an important focal point for remembrance and controversy’ (2013: 175).3 For example, in 1955, in honour of the group, and to mark the inauguration of a rue du Groupe Manouchian in Paris, Louis Aragon writes the poem which will first appear in L’Humanité on 5 March 1955, entitled ‘Groupe Manouchain’, and then in his collection, Le Roman inachevé, as ‘Strophes pour se souvenir’ (1956: 225-26). -
"HILLBILLY HULLABALOO" DANCE TONIGHT Theirselves and That's Enuf to by Becky Gimbel Aways to the LMC Barn for a 'Swing Yore Partner' and A'do Laugh At
"'Be anxious about nothing; but in everything by prayer and supplication With thanksgiving let your requests be made known to God."' Phil. 4:6 Vol.9, No.8 Concordia College, St. Paul, Mn. 55104 March 22, 1974 " &n, yer partner—. "HILLBILLY HULLABALOO" DANCE TONIGHT theirselves and that's enuf to By Becky Gimbel aways to the LMC barn for a 'swing yore partner' and a'do laugh at. That shingdig lasts Yahoo! Ledies and gentle- si do'. Dance till the wee from 9:00-12:00, seems mighty men; Concurdia Coed Council hours of 11:00. They got pol- late for some of them younins. is gonna have a Hillbilly Hul- kas, waltzes, square dancin', Then they said durin' all labaloo. Betch yer britches whatever yure feet spring at. singin' and stuff they's gon- it's gonna be a wing -dingin' Why I 'member in my younger na have a back sale' and ice affair, I got the inside dope days-- that's how I met me wo- cream socail. Yahoo! I jest frum the secritary's minites. man. If yure all set on hit - cain't wait for all that yum- They sez it's gonna be on chin'up, they got a real hon- my ice cream and they sed it's March 22 and 23. est to goodness preacher manta gonna be real cheap too! Butcha know what, guy? Ya Saturday ya kin put on yure Jest talkin' about all the don't hafta worry none 'bout fancy duds, or at least a clean frivrolity wears me down--got- aksin' nobudy cuz it's up ta kerchief. -
The Beatles on Film
Roland Reiter The Beatles on Film 2008-02-12 07-53-56 --- Projekt: transcript.titeleien / Dokument: FAX ID 02e7170758668448|(S. 1 ) T00_01 schmutztitel - 885.p 170758668456 Roland Reiter (Dr. phil.) works at the Center for the Study of the Americas at the University of Graz, Austria. His research interests include various social and aesthetic aspects of popular culture. 2008-02-12 07-53-56 --- Projekt: transcript.titeleien / Dokument: FAX ID 02e7170758668448|(S. 2 ) T00_02 seite 2 - 885.p 170758668496 Roland Reiter The Beatles on Film. Analysis of Movies, Documentaries, Spoofs and Cartoons 2008-02-12 07-53-56 --- Projekt: transcript.titeleien / Dokument: FAX ID 02e7170758668448|(S. 3 ) T00_03 titel - 885.p 170758668560 Gedruckt mit Unterstützung der Universität Graz, des Landes Steiermark und des Zentrums für Amerikastudien. Bibliographic information published by Die Deutsche Bibliothek Die Deutsche Bibliothek lists this publication in the Deutsche Nationalbibliografie; detailed bibliographic data are available on the Internet at http://dnb.ddb.de © 2008 transcript Verlag, Bielefeld This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 3.0 License. Layout by: Kordula Röckenhaus, Bielefeld Edited by: Roland Reiter Typeset by: Roland Reiter Printed by: Majuskel Medienproduktion GmbH, Wetzlar ISBN 978-3-89942-885-8 2008-12-11 13-18-49 --- Projekt: transcript.titeleien / Dokument: FAX ID 02a2196899938240|(S. 4 ) T00_04 impressum - 885.p 196899938248 CONTENTS Introduction 7 Beatles History – Part One: 1956-1964 -
Stardigio Program
STARdigio チャンネル:450 洋楽アーティスト特集 放送日:2018/10/01~2018/10/07 「番組案内 (8時間サイクル)」 開始時間:4:00~/12:00~/20:00~ 楽曲タイトル 演奏者名 ■PAUL McCARTNEY 特集 (1) EVERY NIGHT PAUL McCARTNEY JUNK PAUL McCARTNEY MAYBE I'M AMAZED [恋することのもどかしさ] PAUL McCARTNEY ANOTHER DAY PAUL & LINDA McCARTNEY TOO MANY PEOPLE PAUL & LINDA McCARTNEY UNCLE ALBERT / ADMIRAL HALSEY PAUL & LINDA McCARTNEY EAT AT HOME [出ておいでよお嬢さん] PAUL & LINDA McCARTNEY THE BACK SEAT OF MY CAR PAUL & LINDA McCARTNEY GIVE IRELAND BACK TO THE IRISH(アイルランドに平和を) PAUL McCARTNEY & WINGS MARY HAD A LITTLE LAMB(メアリーの子羊) PAUL McCARTNEY & WINGS LOVE IS STRANGE PAUL McCARTNEY & WINGS TOMORROW PAUL McCARTNEY & WINGS HI, HI, HI PAUL McCARTNEY & WINGS C MOON PAUL McCARTNEY & WINGS ONE MORE KISS PAUL McCARTNEY & WINGS MY LOVE PAUL McCARTNEY & WINGS ■PAUL McCARTNEY 特集 (2) LIVE AND LET DIE (007/死ぬのは奴らだ) PAUL McCARTNEY & WINGS Helen Wheels [愛しのヘレン] PAUL McCARTNEY & WINGS BAND ON THE RUN PAUL McCARTNEY & WINGS JET PAUL McCARTNEY & WINGS Bluebird PAUL McCARTNEY & WINGS Mrs. Vandebilt PAUL McCARTNEY & WINGS Let Me Roll It PAUL McCARTNEY & WINGS Mamunia PAUL McCARTNEY & WINGS Nineteen Hundred And Eighty Five [西暦1985年] PAUL McCARTNEY & WINGS Venus And Mars WINGS(PAUL McCARTNEY) Rock Show WINGS(PAUL McCARTNEY) Letting Go (ワインカラーの少女) WINGS(PAUL McCARTNEY) Listen To What The Man Said (あの娘におせっかい) WINGS(PAUL McCARTNEY) Treat Her Gently - Lonely Old People WINGS(PAUL McCARTNEY) ■PAUL McCARTNEY 特集 (3) JUNIOR'S FARM PAUL McCARTNEY & WINGS SALLY G PAUL McCARTNEY & WINGS LET 'EM IN(幸せのノック) WINGS(PAUL McCARTNEY) SILLY LOVE SONGS(心のラヴ・ソング) WINGS(PAUL -
Gee Aitch 43
GEE AITCH 43 No. 39. General Hospital No. 43, Hampton, Va. Friday, June 20, 1919 Officers Hold Dance Tonight Lecture at Y. M. C. A. This Evening “ROUND TABLE” AND LECTURE OFFICERS’ DANCE TONIGHT. AT Y. M. C. A. TONIGHT. The officers’ new dance schedule The local Y. M. C. A. has sched- begins with a big dance in the Red uled for tonight at the Hut, a lec- Cross Convalescent House this even- ture by Dr. Derlinger. ing. Dr. Derlinger has been speaking with great success and to the entire MOVIES TOMORROW EVENING. satisfaction of audiences in this Dis- Saturday evening’s program will trice. His subject will be: “Faith in constitute a very good moving pic- America.” Everybody welcome! ture. “In After Years GEE AITCH 43 Peace delegates are said to believe GEE AITCH 43 that the Germans will refuse to sign, but signing is a thing so quickly easily put off Published every day, except Monday, done that it can be and devoted to the interests of to the last minute with small danger General Hospital No. 43, Hamp- of writer’s cramp turning the bluff ton, Va. into reality. Official Staff: British dirgible R-34 will spend eight hours country when Colonel W. H. Richardson, only in this Lieut. lands a day or so after sailing on commanding officer, it June 20. What blase people these J. H. French, Red Cross, field English are, who will not even stay director. over a few days, to see the phenom- enon of a great country absolutely Staff: drying up overnight!—Daily Press. -
Paul Mccartney / Wings
Chart - History Singles All chart-entries in the Top 100 Peak:1 Peak:1 Peak: 1 Germany / United Kindom / U S A Paul McCartney / Wings No. of Titles Positions Sir James Paul McCartney CH MBE (born 18 Peak Tot. T10 #1 Tot. T10 #1 June 1942) is an English singer-songwriter, 1 39 6 2 420 55 15 multi-instrumentalist, and composer. He gained 1 60 24 3 499 107 14 worldwide fame as the bass guitarist and 1 48 23 9 559 154 30 singer for the rock band the Beatles, widely considered the most popular and influential 1 73 31 11 1.478 316 59 group in the history of popular music. His songwriting partnership with John Lennon remains the most successful in history. After the group disbanded in 1970, he pursued a solo career and formed the band ber_covers_singles Germany U K U S A Singles compiled by Volker Doerken Date Peak WoC T10 Date Peak WoC T10 Date Peak WoC T10 1 Another Day 03/1971 6 13 1602/1971 2 12 03/1971 5 12 5 2 Uncle Albert / Admiral Halsey 11/1971 30 4 08/1971 1 1 13 7 ► Paul & Linda McCartney 3 Eat At Home 08/1971 28 8 ► Paul & Linda McCartney 4 Back Seat Of My Car 08/1971 39 5 ► Paul & Linda McCartney 5 Give Ireland Back To The Irish 02/1972 16 8 03/1972 21 8 ► Wings 6 Mary Had A Little Lamb 05/1972 9 11 3 06/1972 28 7 ► Wings 7 Hi, Hi, Hi 01/1973 16 17 12/1972 5 13 4112/1972 10 11 ► Wings 8 My Love 06/1973 43 1 04/1973 9 11 2904/1973 1 4 18 ► Paul McCartney & Wings 9 Live And Let Die 07/1973 31 6 06/1973 9 14 1707/1973 2 14 ► Paul McCartney & Wings 10 Helen Wheels 12/1973 33 3 11/1973 12 12 11/1973 10 13 1 ► Paul McCartney & Wings 11 -
The Beatles on Film. Analysis of Movies, Documentaries, Spoofs and Cartoons 2008
Repositorium für die Medienwissenschaft Roland Reiter The Beatles on Film. Analysis of Movies, Documentaries, Spoofs and Cartoons 2008 https://doi.org/10.25969/mediarep/1299 Veröffentlichungsversion / published version Buch / book Empfohlene Zitierung / Suggested Citation: Reiter, Roland: The Beatles on Film. Analysis of Movies, Documentaries, Spoofs and Cartoons. Bielefeld: transcript 2008. DOI: https://doi.org/10.25969/mediarep/1299. Erstmalig hier erschienen / Initial publication here: https://doi.org/10.14361/9783839408858 Nutzungsbedingungen: Terms of use: Dieser Text wird unter einer Creative Commons - This document is made available under a creative commons - Namensnennung - Nicht kommerziell - Keine Bearbeitungen 3.0 Attribution - Non Commercial - No Derivatives 3.0 License. For Lizenz zur Verfügung gestellt. Nähere Auskünfte zu dieser Lizenz more information see: finden Sie hier: https://creativecommons.org/licenses/by-nc-nd/3.0 https://creativecommons.org/licenses/by-nc-nd/3.0 Roland Reiter The Beatles on Film 2008-02-12 07-53-56 --- Projekt: transcript.titeleien / Dokument: FAX ID 02e7170758668448|(S. 1 ) T00_01 schmutztitel - 885.p 170758668456 Roland Reiter (Dr. phil.) works at the Center for the Study of the Americas at the University of Graz, Austria. His research interests include various social and aesthetic aspects of popular culture. 2008-02-12 07-53-56 --- Projekt: transcript.titeleien / Dokument: FAX ID 02e7170758668448|(S. 2 ) T00_02 seite 2 - 885.p 170758668496 Roland Reiter The Beatles on Film. Analysis of Movies, Documentaries, Spoofs and Cartoons 2008-02-12 07-53-56 --- Projekt: transcript.titeleien / Dokument: FAX ID 02e7170758668448|(S. 3 ) T00_03 titel - 885.p 170758668560 Gedruckt mit Unterstützung der Universität Graz, des Landes Steiermark und des Zentrums für Amerikastudien.