Presenting Severed Head As a Memento to a Bard: Depicted Legend of Bijal and Rai`-Dyach in Kalhora Tombs, Sindh (Pakistan)

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Presenting Severed Head As a Memento to a Bard: Depicted Legend of Bijal and Rai`-Dyach in Kalhora Tombs, Sindh (Pakistan) 1 1 Presenting Severed Head As A Memento To A Bard: Depicted Legend of Bijal And Rai`-dyach In Kalhora Tombs, Sindh (Pakistan) *Zulfiqar Ali Kalhoro Abstract This paper deals with paintings of folk tale of Bijal and Dyach which are found in many tombs of Kalhoras. In this paper, I have only focused on the Jamali tombs which are believed to have been built during the Kalhora period. Some of the buried dignitaries served the Kalhoras. Jamali tombs are decorated with paintings of folk romances, battle scenes and social life in eighteenth- century Sindh. The First part of the paper deals with folk tales and the second discusses about the depictions found in three tombs of Jamali tribe. Keywords: Sindh, Tombs, Kalhoras, Legend, Bijal-Rai Dyach In the past few years funerary monuments in rural Sindh have attracted more attention. The distinctive feature of these structures is mural paintings that represent social history of eighteenth and nineteenth century Sindh. Folk legends that were main source of entrainment for rural population have survived on the walls of Kalhora and Talpur period funerary monuments. I have discussed elsewhere that like poets of eigheenthen century, painters also found themes in these folk legends to paint on the walls of tombs of tribal chiefs and nobility who served the Kalhoras. They liberally allowed this art of painting to flourish (Kalhoro 2010). There were a few rural art centers in the eighteenth century. The artists of these centers painted the folk romances, battle scenes and rural life on the walls of tombs. The painters of Garhi Center focused on socio-political history of Kalhoras depicting battle scenes, music and dance, folk legends, rituals, customs and rural Note - Research Paper Received in January 2016 and Reviewed in January 2016 *Antropologist and Head of Departmental Studies, Pakistan Institute of Development Economics(P.I.D.F.), Islamabad, Pakistan 2 Zulfiqar Ali Kalhoro Presenting Severed Head As A Memento To A Bard...... 3 life. We know that Sindh has a rich tradition of folklore which includes all myths, As fate would have it, King Ani Rai had a daughter born to him at about the legends, ballads, folktales, riddles, proverbs and superstitions. But folk tales same time that Bijal was born. But he already had sixty daughters, and so in sheer dominate social life of people and are still one of the principle forms of disgust, he put this new born girl child in a wooden chest and entrusted it to the entertainment and education for larger proportion of Sindh’s inhabitants. river. Floating away, the chest reached the kingdom of Rai Dyach, where a rich Folk tales also influenced the poets, folk story tellers and the painters alike potter Ratna Kumbhar found the chest and adopted the child as his own daughter. who expressed their feelings through paintings. The celebrated painters of eighteenth The child was named Sorath, and when she reached her adolescence she was and nineteenth centuries who executed depictions of Sasui – Punhun, Momal- Rano, known far and wide for her incomparable beauty (Khamisani 2003). Suhni`- Mehar, Leila- Majnun, Nuri`- Jam Tamachi, etc, were Piyaral Mashori, Miral King Ani Rai, not knowing that Sorath was his own daughter, and learning Mashori, Jurio Mashori, Tooh Mashori, Imam Bakhsh Mashori, Koral Mashori, about her beauty, asked Ratna Kumbhar for her hand in marriage for himself. Dodo Chandio, Gul Mohammad Vighio, Qadir Bakhsh Kalhoro, Chakar Khan Jamali Ratna agreed to this proposal and was taking the marriage procession to King Ani etc. Piyaral Mashori, Imam Bakhsh Mashori, Tooh Mashori and Koral Mashori Rai, when Rai Dyach came to know of this and was greatly annoyed to learn that were the inhabitants of Mian Nasir Mohammad Kalhoro Village in Khairpur Nathan a beautiful girl from his kingdom was going to King Ani Rai for being married to Shah and were buried in the necropolis of the same village (Kalhoro 2010). him. He immediately stopped the procession and took Sorath as his own wife and Chakar Khan Jamali who was the resident of Mured Dero in Johi, Dadu, kept her in his own palace (Komal 1994; Hussain 2001). built tomb of Sobder Jamali which is situated about 20 km northwest of Shahdadkot King Ani Rai felt greatly incensed and with his army, he laid siege to the in small village of Imam Bakhsh Jamali. He also painted folk tales inside the kingdom of Jhunagarh, and when after a full year even, he could not succeed; he tomb which includes the folk tales of Sasui`-Punhun, Momal Rano, Nuri Jam drew back to his own kingdom, but was full of thoughts of revenge against Rai Tamachi, Leila -Majun, Suhni`- Mehar, Lila- Chanesar and Bijal-Rai Dyach. The Dyach. After some time, he filled a large platter with gold sovereigns, and story of Rai Dyach is very popular in Sindh. People remember him as generous proclaimed in his kingdom that he would give away the gold to the one, who king who cut off his head simply on the demand by a bard. would bring him the head of Rai Dyach. It is said that Bijal’s wife accepted the Legend has it that no body had ever returned empty handed from his palace. platter of gold sovereigns, and promised the head of Rai Dyach in return, claiming The story of Bijal and Rai Dyach is still popular pastime for people living in that her husband Bijal would bring back the head of Rai Dyach (Komal 1994). Sindh-Kohistan. Kachho and Tharparkar regions of Sindh According to legend, Bijal then proceeded to Jhunagarh, and there he so charmed King Rai Dyach Rai Khanghar was ruler of Jhunagarh. He was very generous and nobody returned with his heavenly music, that Rai Dyach urged him to ask whatever he wanted, and empty handed from his palace, people called him Rai Dyach ( the giver). He had he shall have it. Shah Abdul Latif Bhitai has beautifully put the event in his poetry: a sister, who was married but had no child. One day she sought the blessings of an “An inspired bard came to Jhunagarh, itinerant sage and prayed for a child. The sage told her “indeed a son would be He took his harp and played on it, born to you, but in due time he would cause the death of your brother Rai Dyach.” All the people of the city were with music enthralled, Hearing this, she was greatly distressed. So, when in due time a son was born to Palace maids were perplexed, the queens did cry, her, she put him in a wooden chest, and entrusted the chest to the currents of the The harp’s strain was, “this bard’s aim is the head river flowing nearby. The chest floating along, reached the adjacent kingdom of of the King.” King Ani Rai, where one minstrel and his wife found the chest, and adopted the child as their own and named him as Bijal (Khamisani 2003:237). Bijal asked Rai Dyach for his own head, and the story is that Rai Dyach When Bijal Charan grew up, he used to go to the forest and graze the cattle took up his sharp sword, and with his own hand cut off his head, and it fell into the of his adoptive father. One day he heard some heavenly melody coming from a lap of Bijal. distant tree, and on reaching there, found that somebody had killed a deer, and Bard! I salute you ten times”, says the king, hung up its entrails from a high branch of the tree, where they had dried up, and You ask for that head which is not one grain of when the wind blew, a beautiful melody emanated from the entrails, and this melody Peppers’ worth, attracted birds and animals from all around who gathered there to hear the heavenly If you are in need of my head, I would offer it ten times. music. He climbed the tree and secured these dried intestines, and strung them on (Bhitai) his fiddle in place of the usual wire, and when he played on the fiddle with his bow, wonderful heavenly melodies came forth, and Bijal became a famous musician Bijal brought the head of Rai Dyach to King Ani Rai, who was so struck by the throughout the region (Komal 1995:7). generosity of Rai Dyach that he felt ashamed of his action and turned away Bijal. 4 Zulfiqar Ali Kalhoro Presenting Severed Head As A Memento To A Bard...... 5 Bijal rushed back to Jhunagarh, and found that Sorath was ready to step into maid is also holding a platter of money to offer him but Bijal knew that Rai Dyach the funeral pyre of Rai Dyach and burned herself along with him, and even as she was generous and he would present him his head. As Bijal was busy in talking jumped into the fire, Bijal also jumped into the fire and was burned to death with the maids, in the meantime Rai Dyach cut his head and presented him. (Khamisani 2003; Komal 1994). There is also a similar depiction in tomb of Shakal Khan Jamal which shows Jamali Tombs - The legend of Biial-Rai Dyach is represented in the Jamil Rai Dyach with severed head. It is also the imitation of the one painted in the tombs. There are five tombs of Jamali tribe which are located in Shahdadkot tehsil tomb of Mir Sobdar. Four characters are shown in the painting with Rai Dyach of Shahdadkot-Qamber district. Of these, three tombs are adorned with figural sitting on the cot and presenting his severed head to Bijal.
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