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2712GFS | Griffith University 09/30/21 2712GFS | Griffith University 2712GFS View Online Alexander Street Press. (2009). Asian film online. Alexander Street Press. https://intranet.secure.griffith.edu.au/secure/jump-page/asian-film-online/ Anne. (n.d.-a). Garin Nugroho: Didong, cinema and the embodiment of politics in cultural form. http://www.screeningthepast.com/2014/12/garin-nugroho-didong-cinema-and-the-embodi ment-of-politics-in-cultural-form/ Aruna Vasudev. (1986). The new Indian cinema. Macmillan India. Asian film online. (n.d.). Alexander Street Press. http://libraryproxy.griffith.edu.au/login?url=https://video.alexanderstreet.com/channel/asia n-film-online Ataman, K., Kent, R., & Museum of Contemporary Art (Sydney, N.S.W.). (2005). Film stills from Kutlug Ataman: perfect strangers. In Kutlug Ataman: perfect strangers (pp. 34–39). Museum of Contemporary Art. Ball, A. (2008). Between a Postcolonial Nation and Fantasies of the Feminine: The Contested Visions of Palestinian Cinema. Camera Obscura: Feminism, Culture, and Media Studies, 23(3 69), 1–33. https://doi.org/10.1215/02705346-2008-006 Barendrecht, W. (2001). Thai Films in the Foreign Market. In K. Ji-Seok & M. Sohn (Eds.), Bangkok Express: Close Encounters of New Thai Cinema - 6th Pusan International Film Festival (pp. 34–39). Keunsaram Co., Ltd. Baumgärtel, T. (2012a). Southeast Asian independent cinema: essays, documents, interviews. Hong Kong University Press. http://libraryproxy.griffith.edu.au/login?url=https://ebookcentral.proquest.com/lib/griffith/d etail.action?docID=877741 Baumgärtel, T. (2012b). Southeast Asian independent cinema: essays, documents, interviews. Hong Kong University Press. http://libraryproxy.griffith.edu.au/login?url=https://ebookcentral.proquest.com/lib/griffith/d etail.action?docID=877741 Baumgärtel, T. (2012c). Southeast Asian independent cinema: essays, documents, interviews. Hong Kong University Press. http://libraryproxy.griffith.edu.au/login?url=https://ebookcentral.proquest.com/lib/griffith/d etail.action?docID=877741 1/9 09/30/21 2712GFS | Griffith University Baumgärtel, T. (2012d). Southeast Asian independent cinema: essays, documents, interviews. Hong Kong University Press. http://libraryproxy.griffith.edu.au/login?url=https://ebookcentral.proquest.com/lib/griffith/d etail.action?docID=877741 Baumgärtel, T. (2012e). Southeast Asian independent cinema: essays, documents, interviews. Hong Kong University Press. http://libraryproxy.griffith.edu.au/login?url=https://ebookcentral.proquest.com/lib/griffith/d etail.action?docID=877741 Bekerman, A., & Mendel, N. (2012). Producers. In A decade in motion : the new voice of Israeli cinema (pp. 94–101). The Israel Film Council. Berry, C. (2010). Now You See it, Now You Don’t. In Asian film journeys: selections from Cinemaya (pp. 48–58). Wisdom Tree. Bronner, E. (2012). Ajami : One conflict, many vies, no actors. In A decade in motion : the new voice of Israeli cinema (pp. 46–48). The Israel Film Council. Cai, M., Pesery, B., Yang, P.-Y., Li, K., Chen, X., Lu, Y., SBS-TV, Arena Films (Firm), Arte France cinéma (Firm), & Homegreen Films. (2016). Ni neibian jidian =: What time is it there? http://libraryproxy.griffith.edu.au/login?url=https://base.ess.griffith.edu.au:8443/ess/echo/p resentation/5036a72d-4d69-4131-9ac7-f8b6b4efa9e2 Ceylan, N. B., Özdemir, M., Toprak, M. E., NBC Ajans (Firm), & SBS-TV. (2016). Uzak =: Distant. http://libraryproxy.griffith.edu.au/login?url=https://base.ess.griffith.edu.au:8443/ess/echo/p resentation/43b45aec-4932-4b31-adbe-62a4686c7a70 Cheah, P. (2004). And the moon dances: the films of Garin (First ed). Bentang Pustaka in cooperation with SET Film Workshop and BigO. Cheah, P. (2012). My Travels in the Post-Colonial Film Festival World. In When Strangers Meet: Visions of Asia & Europe in Film (pp. 33–29). Asia-Europe Foundation. Cheah, P. (2014). Incubating Film Studios in Film Schools. Showcase Cinema, Korea, 1–2. Cheah, P., & Demy-Geroe, A. (2015). Introduction and The Philippines Now! Showcase Cinema: The Philippines Now! Cheong, W. T. (2007). Malaysia’s Alternative Cinema. In M. Oak (Ed.), Three Colors of New Malaysian Cinema - 12th Pusan International Film Festival (pp. 8–15). Keunsaram Co., Ltd. Chhetry, S. (2015). From Devdas to Dev D: A study of the re-incarnation of Sarat Chandra Chattopadhyay‘s classic ’Devdas” into Anurag Kashyap’s popular "Dev-D”. International Journal of Research (IJR), 2(3), 450–454. Chris, B. (2003). What’s Big about the Big Film? De-Westernizing the Blockbuster in Korea and China. In Movie blockbusters (pp. 129–127). Routledge. 2/9 09/30/21 2712GFS | Griffith University Dabashi, H., & Said, E. W. (2006). Dreams of a nation. Verso. Dadak, Z. (2011). Regenerating Cinema in Turkey. In G. Onaran & F. Yucel (Eds.), Cinema Turkey : new times, new tendencies (pp. 6–21). Altyazı Project Office. Delos Santos Cabagnot, E. (2008). My Favourite Superhero Wears a Bikini. In Superheroes in Asia (pp. 16–25). Pusan International Film Festival. Dissanayake, W. (1993). Introduction in Melodrama and Asian Cinema. In Melodrama and Asian cinema: Vol. Cambridge studies in film (pp. 1–8). Cambridge University Press. Dissanayake, W. (1994). Nationhood, History, and Cinema: Reflections on the Asian Scene. In Colonialism and nationalism in Asian cinema (pp. ix – xxix). Indiana University Press. Dönmez-Colin, G. (2004). Chapter 3 Islamist Cinema as a Genre. In Women, Islam and cinema (pp. 87–102). Reaktion Books. https://ebookcentral-proquest-com.libraryproxy.griffith.edu.au/lib/griffith/reader.action?doc ID=449407&ppg=89 Dönmez-Colin, G. (2007). Introduction. In The cinema of North Africa and the Middle East: Vol. 24 frames (pp. 1–11). Wallflower Press. Dönmez-Colin, G., ebrary, Inc, & ProQuest Ebooks. (2008). Turkish cinema: identity, distance and belonging. Reaktion Books. http://libraryproxy.griffith.edu.au/login?url=https://ebookcentral.proquest.com/lib/griffith/d etail.action?docID=618754 Do ̈ nmez-Colin, Go ̈ nu ̈ l. (n.d.). Selection from Routledge Dictionary of Turkish Cinema. In The Routledge dictionary of Turkish cinema (pp. 86–98). Doraiswamy, R., & Padgaonkar, L. (2010a). Japan - Readings from Asian film Journeys. In Asian film journeys: selections from Cinemaya (pp. 237–272). Wisdom Tree. Doraiswamy, R., & Padgaonkar, L. (2010b). South Korea - Readings from Asian Film Journeys. In Asian film journeys: selections from Cinemaya (pp. 352–370). Wisdom Tree. Doyle, C., Li, P., Galasso, M., Shigeru, U., Chang, W., Lai, C., Pan, D., Siu, P., Wong, K., Leung, T. C. W., Zhang, M., Chun guang ying hua (Firm), Paradis film (Firm), & Jet Tone Production Company. (2016). Hua yang nian hua =: In the mood for love. http://libraryproxy.griffith.edu.au/login?url=https://base.ess.griffith.edu.au:8443/ess/echo/p resentation/b92dca15-ccf1-41c6-bb63-82b3e37b928b Fainaru, D. (2012). Ten years later. In A decade in motion : the new voice of Israeli cinema (pp. 6–9). The Israel Film Council. 3/9 09/30/21 2712GFS | Griffith University Farhādī, A., Jafarian, H., Razavi, S. M., Farāhānī, G., Alidousti, T., Hosseini, S., Hi Gloss Entertainment, Axiom Films, DreamLab Films, World Movies Channel (Firm), & Internationale Filmfestspiele Berlin. (2016). Darbareye Elly =: About Elly. http://libraryproxy.griffith.edu.au/login?url=https://base.ess.griffith.edu.au:8443/ess/echo/p resentation/80aed920-b915-41f5-9be2-91d3e5dd8f86 FC Director’s Choice | Black Friday | Anurag Kashyap In Conversation With Vikramaditya Motwane. (8 C.E.). https://www.youtube.com/watch?v=Tk_Y6reLlVU Flanagan, M. (2008). 16:9 in English: Towards an Aesthetic of Slow in Contemporary Cinema. http://www.16-9.dk/2008-11/side11_inenglish.htm Gertz, N., & Khleifi, G. (2005). Palestinian ‘Roadblock Movies’. Geopolitics, 10(2), 316–334. https://doi.org/10.1080/14650040590946601 Gertz, N., Khleifi, G., & Ebooks Corporation. (2008). Between exile and homeland : the films of Elia Suleiman. In Palestinian cinema: landscape, trauma and memory (pp. 171–187). Edinburgh University Press. http://libraryproxy.griffith.edu.au/login?url=http://www.Griffith.eblib.com.au/EBLWeb/patro n/LoginAction.do?userid=û&target=patron&extendedid=P_332614_0& Get started - Screen Media - Library guides at Griffith University. (n.d.). http://libraryguides.griffith.edu.au/cinema-research Gunawan, A. (2004). An Urgent Call for Reform of Indonesia’s Film Regulations. In Garin and the Next Generation: New Possibility of Indonesian Cinema (pp. 52–61). 9th Pusan International Film Festival: Keunsaram Co., Ltd. Hanan, D. (2008). Moments of renewal - alternative ways of viewing Indonesian cinema. Jurnal Skrin Malaysia / Fakulti Seni Persembahan. - Version Details - Trove, 5, 119–138. http://trove.nla.gov.au/work/34677409?q=1823-1020&l-format=Periodical&c=ar ticle&versionId=46545617 Harmayn, S. (2004). Representing Indonesia: from ethnography to democracy. In Garin and the Next Generation: New Possibility of Indonesian Cinema (pp. 42–50). 9th Pusan International Film Festival: Keunsaram Co., Ltd. Huei-Yin Chen. (n.d.-b). Interview: Tsai Ming-liang - Film Comment. http://www.filmcomment.com/blog/interview-tsai-ming-liang/ Ichyama, S. (2008). Superheroes in Japan. In Superheroes in Asia (pp. 8–13). Pusan International Film Festival. Janke, T. (n.d.). Pathways & Protocols: A Filmmaker’s Guide to Working with Indigenous People, Culture and Concepts. Screen Australia. http://www.screenaustralia.gov.au/about-us/doing-business-with-us/indigenous-content/ind igenous-protocols Jennings, K. (1993). Theorising race and representation. In Sites of difference: cinematic representations of Aboriginality and gender: Vol. Moving image: no.1 (pp. 9–23). Australian Film Institute, Research and Information Centre. 4/9 09/30/21 2712GFS | Griffith University Ji-Seok, K. (2001a). A Crusader of Experimental Films: An Interview with Apichatpong Weerasethakil. In K. Ji-Seok & M. Sohn (Eds.), Bangkok Express: Close Encounters of New Thai Cinema - 6th Pusan International Film Festival (pp. 52–56). Keunsaram Co., Ltd. Ji-Seok, K. (2001b). Interview with Duangkamol Limcharoen. In K. Ji-Seok & M. Sohn (Eds.), Bangkok Express: Close Encounters of New Thai Cinema - 6th Pusan International Film Festival (pp. 40–44). Keunsaram Co., Ltd. Ji-Seok, K. (2001c).
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