Liste Des Films Disponibles En DVD
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Apichatpong Weerasethakul
UNKNOWN FORCES: APICHATPONG WEERASETHAKUL April 18 – June 17, 2007 hold of and ask what I should do. I am consulting a fortune teller now for what the next film should be. She told me the main character (light skin, wide forehead), the locations (university, sports stadium, empty temple, mountain), and the elements (the moon and the water). RI: The backdrops of much of your work accentuate feelings of aloneness and isolation from others. Films like Tropical Malady (2004) and Worldly Desires (2005) traverse remote recesses of distant, even enchanted jungles. In FAITH (2006), you leave earth entirely in search of greater solitude in outer space. You seem interested in or at least drawn to obscure or enigmatic sites that have been left relatively unexplored, untouched, unimagined… AW: That’s what I got from the movies. When you are in a dark theater, your mind drifts and travels. In my hometown when I was growing up, there was nothing. The movie theater was a sanctuary where I was mostly addicted to spectacular and disaster films. Now, as a filmmaker, I am trying to search for similar feelings of wonder, of dreams. It’s quite a personal and isolated experience. Tropical Malady is more about a journey into one’s mind rather than Apichatpong Weerasethakul a real jungle. Or sometimes it is a feeling of “watching” movies. RI: Can you speak about your use of old tales and mythologies in your work? What significance do they hold for you? AW: It’s in the air. Thailand’s atmosphere is unique. It might be hard to understand for foreigners. -
Before the Forties
Before The Forties director title genre year major cast USA Browning, Tod Freaks HORROR 1932 Wallace Ford Capra, Frank Lady for a day DRAMA 1933 May Robson, Warren William Capra, Frank Mr. Smith Goes to Washington DRAMA 1939 James Stewart Chaplin, Charlie Modern Times (the tramp) COMEDY 1936 Charlie Chaplin Chaplin, Charlie City Lights (the tramp) DRAMA 1931 Charlie Chaplin Chaplin, Charlie Gold Rush( the tramp ) COMEDY 1925 Charlie Chaplin Dwann, Alan Heidi FAMILY 1937 Shirley Temple Fleming, Victor The Wizard of Oz MUSICAL 1939 Judy Garland Fleming, Victor Gone With the Wind EPIC 1939 Clark Gable, Vivien Leigh Ford, John Stagecoach WESTERN 1939 John Wayne Griffith, D.W. Intolerance DRAMA 1916 Mae Marsh Griffith, D.W. Birth of a Nation DRAMA 1915 Lillian Gish Hathaway, Henry Peter Ibbetson DRAMA 1935 Gary Cooper Hawks, Howard Bringing Up Baby COMEDY 1938 Katharine Hepburn, Cary Grant Lloyd, Frank Mutiny on the Bounty ADVENTURE 1935 Charles Laughton, Clark Gable Lubitsch, Ernst Ninotchka COMEDY 1935 Greta Garbo, Melvin Douglas Mamoulian, Rouben Queen Christina HISTORICAL DRAMA 1933 Greta Garbo, John Gilbert McCarey, Leo Duck Soup COMEDY 1939 Marx Brothers Newmeyer, Fred Safety Last COMEDY 1923 Buster Keaton Shoedsack, Ernest The Most Dangerous Game ADVENTURE 1933 Leslie Banks, Fay Wray Shoedsack, Ernest King Kong ADVENTURE 1933 Fay Wray Stahl, John M. Imitation of Life DRAMA 1933 Claudette Colbert, Warren Williams Van Dyke, W.S. Tarzan, the Ape Man ADVENTURE 1923 Johnny Weissmuller, Maureen O'Sullivan Wood, Sam A Night at the Opera COMEDY -
Hubert Bals Fund
HUBERT BALS FUND COMPLETE RESULTS 1988-2016 • Script and Project Development support SELECTION 2016 • Post-production support Almost in Love Brzezicki, Leonardo (Argentina) • The Bridge Lotfy, Hala (Egypt) • Death Will Come and Will Have Your Eyes Torres Leiva, José Luis (Chile) • A Land Imagined Yeo Siew Hua (Singapore)• The Load Glavonic, Ognjen (Serbia) • Men in the Sun Fleifel, Mahdi (Greece) • Narges Rasoulof, Mohammad (Iran) • Octopus Skin Barragán, Ana Cristina (Ecuador) • The Orphanage Sadat, Shahrbanoo (Afghanistan) • The Reports on Sarah and Saleem Alayan, Muayad (Palestine) • Trenque Lauquen Citarella, Laura (Argentina) • White Widow Hermanus, Oliver (South Africa) • The Load, Glavonic, Ognjen (Serbia) During the NATO bombing of Serbia in 1999, Vlada is driving a freezer truck across the country. He does not want to know what the load is, but his cargo slowly becomes his burden. • Script and Project Development support SELECTION 2015 • Post-production support Alba Barragan, Ana Cristina (Ecuador) 2016 • Antigone González-Rubio, Pedro (Mexico) • Arnold Is a Model Student Prapapan, Sorayos (Thailand) • Barzagh Ismailova, Saodat (Uzbekistan) • Beauty and the Dogs Ben Hania, Kaouther (Tunisia) • Brief Story from the Green Planet Loza, Santiago (Argentina) • Burning Birds Pushpakumara, Sanjeewa (Sri Lanka) 2016 • Era o Hotel Cambridge Caffé, Eliane (Brazil) 2016 • The Fever Da-Rin, Maya (Brazil) • La flor Llinás, Mariano (Argentina) 2016 • Hedi Ben Attia, Mohamed (Tunisia) 2016 • Kékszakállú Solnicki, Gastón (Argentina) 2016 • Killing -
Annual Report and Accounts 2004/2005
THE BFI PRESENTSANNUAL REPORT AND ACCOUNTS 2004/2005 WWW.BFI.ORG.UK The bfi annual report 2004-2005 2 The British Film Institute at a glance 4 Director’s foreword 9 The bfi’s cultural commitment 13 Governors’ report 13 – 20 Reaching out (13) What you saw (13) Big screen, little screen (14) bfi online (14) Working with our partners (15) Where you saw it (16) Big, bigger, biggest (16) Accessibility (18) Festivals (19) Looking forward: Aims for 2005–2006 Reaching out 22 – 25 Looking after the past to enrich the future (24) Consciousness raising (25) Looking forward: Aims for 2005–2006 Film and TV heritage 26 – 27 Archive Spectacular The Mitchell & Kenyon Collection 28 – 31 Lifelong learning (30) Best practice (30) bfi National Library (30) Sight & Sound (31) bfi Publishing (31) Looking forward: Aims for 2005–2006 Lifelong learning 32 – 35 About the bfi (33) Summary of legal objectives (33) Partnerships and collaborations 36 – 42 How the bfi is governed (37) Governors (37/38) Methods of appointment (39) Organisational structure (40) Statement of Governors’ responsibilities (41) bfi Executive (42) Risk management statement 43 – 54 Financial review (44) Statement of financial activities (45) Consolidated and charity balance sheets (46) Consolidated cash flow statement (47) Reference details (52) Independent auditors’ report 55 – 74 Appendices The bfi annual report 2004-2005 The bfi annual report 2004-2005 The British Film Institute at a glance What we do How we did: The British Film .4 million Up 46% People saw a film distributed Visits to -
Overview of Programs and Exhibitions, Late May–June 2019
CALENDAR ADVISORY OVERVIEW OF PROGRAMS AND EXHIBITIONS, LATE MAY–JUNE 2019 Please see below for major screening series, highlighted events, and current exhibitions. Additional programs will be added as confirmed. SCREENING SERIES Panorama Europe Film Festival THROUGH MAY 19, 2019 The eleventh edition of the annual festival of new films from Europe, co-presented by MoMI and the European Union National Institutes of Culture (EUNIC), features seventeen films, including nine directed by women. Upcoming films include: Baikonur, Earth from Italian director Andrea Sorini, who will appear in person; Light as Feathers, from Dutch writer/director Rosanne Pel; Several Conversations About a Very Tall Girl, considered the first Romanian film to feature a lesbian love story, with director Bogdan Theodor Olteanu appearing in person; Babis Makridis’s Pity, which was co-written with Yorgos Lanthimos’s frequent writing partner Efthimis Filippou; from Hungary, One Day (Egy Nap), with director Zsófia Szilágyi in person; and Salomé Lamas’s acclaimed Extinction. Press Release | Schedule & Tickets See It Big! Action THROUGH JULY 7 See It Big! Action offers up favorites of the action-film genre, highlighting work from some of the form's greatest practitioners, including John Woo, Michael Mann, Steven Spielberg, Akira Kurosawa, Kathryn Bigelow, Jackie Chan, and much more. Upcoming: a Memorial Day weekend marathon of all six Mission: Impossible films; Police Story, 48 Hrs., Heat, Miami Vice, Big Trouble in Little China, Hard Boiled, Face/Off, Die Hard, Death Proof, Hooper, Point Break, Haywire, Three the Hard Way, Coffy, and Set It Off. See It Big! is the Museum’s signature big-screen series, co-programmed by Curator of Film Eric Hynes and Reverse Shot editors Jeff Reichert and Michael Koresky. -
Final Copy 2019 05 07 Lash
This electronic thesis or dissertation has been downloaded from Explore Bristol Research, http://research-information.bristol.ac.uk Author: Lash, Dominic Title: Lost and Found Studies in Confusing Films General rights Access to the thesis is subject to the Creative Commons Attribution - NonCommercial-No Derivatives 4.0 International Public License. A copy of this may be found at https://creativecommons.org/licenses/by-nc-nd/4.0/legalcode This license sets out your rights and the restrictions that apply to your access to the thesis so it is important you read this before proceeding. Take down policy Some pages of this thesis may have been removed for copyright restrictions prior to having it been deposited in Explore Bristol Research. However, if you have discovered material within the thesis that you consider to be unlawful e.g. breaches of copyright (either yours or that of a third party) or any other law, including but not limited to those relating to patent, trademark, confidentiality, data protection, obscenity, defamation, libel, then please contact [email protected] and include the following information in your message: •Your contact details •Bibliographic details for the item, including a URL •An outline nature of the complaint Your claim will be investigated and, where appropriate, the item in question will be removed from public view as soon as possible. Lost and Found studies in confusing films Dominic John Alleyne Lash A dissertation submitted to the University of Bristol in accordance with the requirements for award of the degree of Doctor of Philosophy in the Faculty of Arts Department of Film and Television December 2018 76,403 words abstract This thesis uses the concepts of disorientation and confusion as a means of providing detailed critical accounts of four difficult films, as well as of addressing some more general issues in the criticism and theory of narrative film. -
Promotion 2017 Après Avoir Présenté Leur Court Métrage À Verte De Talents Émergents Par Un Accom- Cannes En Mai, Les Cinéastes Sont Invités À Pagnement Sur Mesure
Promotion #4 2017 Next Step accueille sa 4e promotion travers son programme Next Step, la formation, le Moulin d’Andé-CÉCI propose À Semaine de la Critique accompagne une résidence d’écriture d’un mois à l’un des vers le long métrage, les réalisateurs sélec- réalisateurs participants et le TorinoFilmLab tionnés pour sa compétition courts mé- invite le producteur de l’un des projets à trages parmi les 1 700 films soumis chaque prendre part à son programme Up&Coming. année. Cette sélection prend le pari que chacun de ces films courts révèle une person- Avec Next Step, la Semaine de la Critique nalité de cinéma qui ambitionne de place le cinéaste et la mise-en-scène au cœur s’exprimer sur le format long. du processus de développement d’un long métrage et prolonge son travail de décou- Promotion 2017 Après avoir présenté leur court métrage à verte de talents émergents par un accom- Cannes en mai, les cinéastes sont invités à pagnement sur mesure. À ce jour, 29 #4 4 – 8 Décembre participer à Next Step au Moulin d’Andé en réalisateurs ont bénéficié du soutien de décembre. Durant cet atelier de formation Next Step et nous nous réjouissons du d’une semaine organisé en collaboration parcours des 3 premiers films terminés : The avec le TorinoFilmLab, ils sont accompagnés Maus de Gerardo Herrero (Festivals de Sitges dans le développement de leur long métrage et Austin), Guarda In Alto (Look Up) de Fulvio par des consultants internationaux qui les Risuelo (Festival de Rome) et A Ciambra de conseillent à la fois sur l’écriture de leur Jonas Carpignano (Quinzaine des Réalisateurs scénario et son lancement sur le marché. -
Guru Bangsa Tjokroaminoto”
ANALISIS SEMIOTIK NILAI-NILAI NASIONALISME DALAM FILM “GURU BANGSA TJOKROAMINOTO” Skripsi Diajukan Kepada Fakultas Ilmu Dakwah Dan Ilmu Komunikasi Untuk Memenuhi Persyaratan Memperoleh Gelar Sarjana Sosial (S.Sos) Oleh : Egy Giana Setyaningsih NIM : 1111051000141 JURUSAN KOMUNIKASI PENYIARAN ISLAM FAKULTAS ILMU DAKWAH DAN ILMU KOMUNIKASI UNIVERSITAS ISLAM NEGERI SYARIF HIDAYATULLAH JAKARTA 1437 H / 2016 M LEMBAR PERNYATAAN Dengan ini saya menyatakan bahwa : 1. Skripsi ini merupakan hasil karya saya yang diajukan untuk memenuhi salah satu persyaratan memperoleh gelar strata satu (S1) di Universitas Islam Negeri (UIN) Syarif Hidayatullah Jakarta. 2. Semua sumber yang saya gunakan dalam penulisan ini telah saya cantumkan sesuai dengan ketentuan yang berlaku di universitas Islam Negeri (UIN) Syarif Hidayatullah Jakarta. 3. Jika di kemudian hari terbukti karya ini hasil jiplakan dari hasil karya orang lain, maka saya bersedia menerima sanksi yang berlaku di Universitas Islam Negeri (UIN) Syarif Hidayatullah Jakarta. Jakarta, 29 Juli 2016 EGY GIANA SETYANINGSIH ii ABSTRAK Egy Giana Setyaningsih 1111051000141 Analisis Semiotik Nilai-Nilai NasionAalisme Dalam Film “Guru Bangsa Tjokroaminoto” Film “Guru Bangsa Tjokroaminoto” adalah salah satu film tokoh pahlawan nasional yang jejaknya hampir hilang di mata anak-anak bangsa. Ia adalah salah seorang tokoh pencetus generasi muda bangsa berbakat, dan juga berperan penting dalam sejarah kemerdekaan Indonesia seperti Soekarno, Semaoen, Kartosoewiryo dan Musso. Berbagai konflik yang muncul dari film -
March 19, 2013 (XXVI:9) Mike Leigh, NAKED (1994, 131 Min.)
March 19, 2013 (XXVI:9) Mike Leigh, NAKED (1994, 131 min.) Best Director (Leigh), Best Actor (Thewliss), Cannes 1993 Directed and written by Mike Leigh Written by Mike Leigh Produced by Simon Channing Williams Original Music by Andrew Dickson Cinematography by Dick Pope Edited by Jon Gregory Production Design by Alison Chitty Art Direction by Eve Stewart Costume Design by Lindy Hemming Steadicam operator: Andy Shuttleworth Music coordinator: Step Parikian David Thewlis…Johnny Lesley Sharp…Louise Clancy Jump, 2010 Another Year, 2008 Happy-Go-Lucky, 2004 Vera Katrin Cartlidge…Sophie Drake, 2002 All or Nothing, 1999 Topsy-Turvy, 1997 Career Girls, Greg Cruttwell…Jeremy G. Smart 1996 Secrets & Lies, 1993 Naked, 1992 “A Sense of History”, Claire Skinner…Sandra 1990 Life Is Sweet, 1988 “The Short & Curlies”, 1988 High Hopes, Peter Wight…Brian 1985 “Four Days in July”, 1984 “Meantime”, 1982 “Five-Minute Ewen Bremner…Archie Films”, 1973-1982 “Play for Today” (6 episodes), 1980 BBC2 Susan Vidler…Maggie “Playhouse”, 1975-1976 “Second City Firsts”, 1973 “Scene”, and Deborah MacLaren…Woman in Window 1971 Bleak Moments/ Gina McKee…Cafe Girl Carolina Giammetta…Masseuse ANDREW DICKSON 1945, Isleworth, London, England) has 8 film Elizabeth Berrington…Giselle composition credits: 2004 Vera Drake, 2002 All or Nothing, 1996 Darren Tunstall…Poster Man Secrets & Lies, 1995 Someone Else's America, 1994 Oublie-moi, Robert Putt...Chauffeur 1993 Naked, 1988 High Hopes, and 1984 “Meantime.” Lynda Rooke…Victim Angela Curran...Car Owner DICK POPE (1947, Bromley, -
Catalogue-2018 Web W Covers.Pdf
A LOOK TO THE FUTURE 22 years in Hollywood… The COLCOA French Film this year. The French NeWave 2.0 lineup on Saturday is Festival has become a reference for many and a composed of first films written and directed by women. landmark with a non-stop growing popularity year after The Focus on a Filmmaker day will be offered to writer, year. This longevity has several reasons: the continued director, actor Mélanie Laurent and one of our panels will support of its creator, the Franco-American Cultural address the role of women in the French film industry. Fund (a unique partnership between DGA, MPA, SACEM and WGA West); the faithfulness of our audience and The future is also about new talent highlighted at sponsors; the interest of professionals (American and the festival. A large number of filmmakers invited to French filmmakers, distributors, producers, agents, COLCOA this year are newcomers. The popular compe- journalists); our unique location – the Directors Guild of tition dedicated to short films is back with a record 23 America in Hollywood – and, of course, the involvement films selected, and first films represent a significant part of a dedicated team. of the cinema selection. As in 2017, you will also be able to discover the work of new talent through our Television, Now, because of the continuing digital (r)evolution in Digital Series and Virtual Reality selections. the film and television series industry, the life of a film or series depends on people who spread the word and The future is, ultimately, about a new generation of foreign create a buzz. -
Ideologi Film Garin Nugroho
Ideologi Film Garin Nugroho Ahmad Toni Prodi S3 Pascasarjana Fikom Universitas Padjajaran Jalan Raya Bandung-Sumedang KM 21 Jatinangor 45363 Fikom Universitas Budi Luhur Jalan Raya Ciledug Petukangan Utara Kebayoran Lama Jakarta Selatan 12260 ABSTRACT This study is based on qualitative research with critical discourse analysis approach. The study presents the text of the fi lm as micro level of semiotic analysis. The purpose of the study is to uncover the ideology of Garin Nugroho fi lms which apply high aesthetic and anthropology construction of an exotic Indonesian culture. The result shows that the ideology resistance manifested in the fi lm of “Daun di Atas Bantal” is the philosophy reconstruction of art democratization as the power to sup- press the regime of Suharto and the new order. “Opera jawa” fi lm is the reconstruction of gender philosophy and Java femininity as well as the philosophy of the nature cosmology in the perspective of moderate Hindu Islam in presenting the greediness of human in the system of the nature ecology. The fi lm of ‘Mata tertutup’ is the philosophy reconstruction of moderate Islam to counter the power of radicalism and terrorism as the concept developed and related to the tenacity of nationalism system of the young generation in Indonesia. “Soegija” fi lm is the reconstruction of Christology philosophy and the values of minority leadership in the nationhood and statehood. The fi lm of “Tjokroaminoto Guru Bangsa” is the reconstruction of Islam philosophy to view the humanism values in the estab- lishment of the foundation of the nation as a moderate view. -
Liste Des Films Disponibles En DVD
Liste des films disponibles en DVD A ABE La Fée Dominique Abel A ABO Aya de Yopougon Marguerite Abouet A ABR Garage Lenny Abrahamson A ABR La Cité rose Julien Abraham A ABR Super 8 J.J. Abrams A ABR Y a-t-il un pilote dans l'avion ? Jim Abrahams A ABU Paradise now Hany Abu-Assad A ACK Numéro 9 Shane Acker A ADE Everyone else Maren Ade A ADL Bagdad Café Percy Adlon A ADU Ezra Newton I. Aduaka A ADV New-York Masala Nikhil Advani A AFF Argo Ben Affleck A AGO L'Age heureux A AGU La Influencia Pedro Aguilera A AIN Le Ciel de Suely Karim Aïnouz A AKI Crossing the Bridge Fatih Akin A AKI De l'autre côté Fatih Akin A AKI Engrenage Fatih Akin A AKI Head-on Fatih Akin A AKI Julie en juillet Fatih Akin A AKI Solino Fatih Akin A AKI Soul kitchen Fatih Akin A AKR L'Enfant de Kaboul Barmak Akram A ALA Elephant heart Züli Aladag A ALA L'Etrangère Feo Aladag A ALD Les Douze salopards Robert Aldrich A ALF La Taupe Tomas Alfredson A ALF Morse Tomas Alfredson A ALL Accords et désaccords Réserve Woody Allen A ALL Alice Réserve Woody Allen A ALL Annie Hall Réserve Woody Allen A ALL Anything else Réserve Woody Allen A ALL Bab el-Oued City Réserve Merzak Allouache A ALL Bananas Réserve Woody Allen A ALL Broadway Danny Rose Réserve Woody Allen A ALL Celebrity Réserve Woody Allen A ALL Comédie érotique d'une nuit Réserve Woody Allen d'été A ALL Coups de feu sur Broadway Réserve Woody Allen A ALL Crimes et délits Réserve Woody Allen A ALL Escrocs mais pas trop Réserve Woody Allen A ALL Guerre et Amour Réserve Woody Allen A ALL Hannah et ses soeurs Réserve Woody