Dossier. La Mar De Músicas
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Universidade Federal De Ouro Preto Instituto De Ciências Humanas E Sociais Departamento De História No País Dos Bauretz
UNIVERSIDADE FEDERAL DE OURO PRETO INSTITUTO DE CIÊNCIAS HUMANAS E SOCIAIS DEPARTAMENTO DE HISTÓRIA RENATA MARQUES CORDEIRO NO PAÍS DOS BAURETZ Dimensões políticas do deboche dosMutantesà luz da teoria bakhtiniana (1966 – 1973) Mariana 2017 RENATA MARQUES CORDEIRO NO PAÍS DOS BAURETZ Dimensões políticas do deboche dosMutantesà luz da teoria bakhtiniana (1966 – 1973) Dissertação apresentada ao Programa de Pós- Graduação em História, do Instituto de Ciências Humanas e Sociais da Universidade Federal de Ouro Preto, como requisito parcial à obtenção do grau de Mestre em História. Área de concentração “Poder e Linguagens”, linha de pesquisa “Ideias, Linguagens e Historiografia”. Orientador: Prof. Dr. Mateus Henrique de Faria Pereira Mariana Instituto de Ciências Humanas e Sociais/ UFOP 2017 C794p Cordeiro, Renata Marques. No País dos Bauretz [manuscrito]: dimensões políticas do deboche dos Mutantes à luz da teoria bakhtiniana (1966 – 1973)/ Renata Marques Cordeiro. – 2017. 134f. il. Orientador: Prof. Dr. Mateus Henrique de Faria Pereira. Dissertação (Mestrado) - Universidade Federal de Ouro Preto. Instituto de Ciências Humanas e Sociais. Departamento de História. Programa de Pós- graduação em História. Área de concentração: Poder e Linguagens. 1. Grupos de rock. 2. Tropicalismo (Movimento musical). 3. Contracultura. I. Pereira, Mateus Henrique de Faria. II. Universidade Federal de Ouro Preto. III. Título. CDU: 94(81):78 Catalogação: [email protected] À memória de meu pai por ter ele me ensinado a amar a música além dos rótulos. À minha mãe por me ensinar a ler e a ser. À amiga e à irmã, Suzana e Fernanda, por se lembrarem de mim toda vez que encontravam algum texto em prosa ou poema que pudesse compor com outros essa dissertação. -
Market Access Guide – Brazil 2020 – Table of Contents 01
Market Access Guide – Brazil 2020 – Table of Contents 01. COUNTRY OVERVIEW ....................................................................................................................................... 3 02. BRAZILIAN RECORDED MUSIC MARKET .................................................................................................... 5 THE MAJORS .......................................................................................................................................................... 1 INTERVIEW WITH PAULO JUNQUEIRO, PRESIDENT, SONY MUSIC BRASIL ................................ 10 THE INDEPENDENTS ........................................................................................................................................ 11 CHART SERVICES ................................................................................................................................................. 1 03. POPULAR BRAZILIAN MUSIC - GENRES ...................................................................................................... 1 GOSPEL .................................................................................................................................................................. 16 FUNK ...................................................................................................................................................................... 20 SERTANEJA .......................................................................................................................................................... -
You Wanted Columns? You Got 'Em>>
FOR FANS OF MUSIC & THOSE WHO MAKE IT Issue 10 • FREE • athensblur.com THESE UNITED STATES • MAD WHISKEY GRIN • BLITZEN TRAPPER • THE DELFIELDS • MEIKO • JANELLE MONAE • TRANCES ARC • DODD FERRELLE • CRACKER & MORE!!! ZERO 7 Acclaimed electronic duo gets haunted on album number four TORTOISE Inspiration be damned — Tortoise soldiers on WHEN You’rE HOT Bradley Cooper’s sizzling Hollywood ride HEART LIFE AT THE SPEED IN haND OF TWEET The latest social media After an eight-year absence, an outlet is changing the music industry, for energized Circulatory System better or for worse returns with a new album VENUE VENTURES Four clubs lead the way into a changing face of Athens music spots YOU WANTED COLUMNS? YOU GOt ‘eM>> SIGN UP AT www.gamey.com/print ENTER CODE: NEWS65 *New members only. Free trial valid in the 50 United States only, and cannot be combined with any other offer. Limit one per household. First-time customers only. Internet access and valid payment method required to redeem offer. GameFly will begin to bill your payment method for the plan selected at sign-up at the completion of the free trial unless you cancel prior to the end of the free trial. Plan prices subject to change. Please visit www.gamey.com/terms for complete Terms of Use. Free Trial Offer expires 12/31/2010. (44) After an eight-year absence, an energized Circulatory System returns with a new HEART album. by Ed Morales IN HAND photos by Jason Thrasher (40) (48) Acclaimed electronic duo Zero 7 gets “haunted” The latest social making album number media outlet is four. -
Universidade Do Rio De Janeiro Centro De Letras E Artes Instituto Villa-Lobos Licenciatura Em Música
UNIVERSIDADE DO RIO DE JANEIRO CENTRO DE LETRAS E ARTES INSTITUTO VILLA-LOBOS LICENCIATURA EM MÚSICA A RELEVÂNCIA DO ENSINO DE GUITARRA ELÉTRICA NOS CURSOS DE GRADUAÇÃO EM MÚSICA MIGUEL ANGELO MACHADO RIO DE JANEIRO, 2009 A RELEVÂNCIA DO ENSINO DE GUITARRA ELÉTRICA NOS CURSOS DE GRADUAÇÃO EM MÚSICA por Miguel Angelo Machado Monografia apresentada para conclusão do curso de Licenciatura em Educação Artística com Habilitação em Música do Instituto Villa-Lobos, Centro de Letras e Artes da UNIRIO, sob a orientação do Professor Luiz Otávio Braga. Rio de Janeiro, 2009 ii AGRADECIMENTOS Agradeço primeiramente a Deus e a toda sua providência, a qual sem ela jamais chagaria aonde cheguei. Agradeço imensamente a professora Mônica Duarte por toda sua atenção e paciência, ao professor Luiz Otávio Braga (Orientador) por todas as suas intervenções, minha esposa Juliana Ferreira que sempre me incentivou a estudar música e aos meus pais que jamais se opuseram à minha decisão de viver da música, especialmente a minha mãe Erenita Matos a qual “inevitavelmente” herdei a vontade de ser professor. iii MACHADO, Miguel Angelo. A relevância do ensino de guitarra nos cursos de graduação em música.2009. Monografia (Licenciatura Plena em Educação Artística_ Habilitação em Música) – Instituto Villa-Lobos, Centro de Letras e Artes, Universidade do Rio de Janeiro RESUMO Esta Monografia visa mostrar através de pesquisa histórica e dados coletados de trabalhos acadêmicos, que apesar do Brasil possuir tradição, material de pesquisa, tecnologia e demanda para o estudo da guitarra elétrica, faltam Instituições de Ensino Superior (IES) que abordem o assunto de maneira formal e completa. -
Universidade Federal Do Rio Grande Do Sul Faculdade De Biblioteconomia E Comunicação Departamento De Comunicação
UNIVERSIDADE FEDERAL DO RIO GRANDE DO SUL FACULDADE DE BIBLIOTECONOMIA E COMUNICAÇÃO DEPARTAMENTO DE COMUNICAÇÃO CÍCERO VICENTE SCHMIDT DE AGUIAR MUTANTES: Uma análise da antropofagia tropicalista PORTO ALEGRE 2010 1 CÍCERO VICENTE SCHMIDT DE AGUIAR MUTANTES: Uma análise da antropofagia tropicalista Monografia de conclusão do Curso de Comunicação da Faculdade de Biblioteconomia e Comunicação da Universidade Federal do Rio Grande do Sul, apresentada como requisito parcial para obtenção do grau de Bacharel em Comunicação Social, Habilitação em Jornalismo. Orientador : Prof. Dr. Alexandre Rocha da Silva PORTO ALEGRE 2010 2 CÍCERO VICENTE SCHMIDT DE AGUIAR MUTANTES: Uma análise da antropofagia tropicalista Monografia de conclusão do Curso de Comunicação da Faculdade de Biblioteconomia e Comunicação da Universidade Federal do Rio Grande do Sul, apresentada como requisito parcial para obtenção do grau de Bacharel em Comunicação Social, Habilitação em Jornalismo. Porto Alegre, _____de ____________________de 20___. BANCA EXAMINADORA: _________________________________________________________________ Prof. Dr Alexandre Rocha da Silva: Orientador Departamento de Comunicação Faculdade de Biblioteconomia e Comunicação Universidade Federal do Rio Grande do Sul _________________________________________________________________ Prof a. Dra. Sandra Maria Lucia Pereira Gonçalves Departamento de Comunicação Faculdade de Biblioteconomia e Comunicação Universidade Federal do Rio Grande do Sul _________________________________________________________________ Me Elenice Mattos Corrêa CINTED PPG IE Universidade Federal do Rio Grande do Sul 3 RESUMO Os Mutantes, grupo brasileiro de rock protagonizado por Arnaldo Baptista, Sérgio Dias e Rita Lee e a perspectiva antropofágica adotada pelo grupo frente à efervescência musical da época, sendo pioneira no Brasil em mesclar o rock n’roll com ritmos e temas brasileiros. Esta é uma análise do método antropofágico de criação protagonizado pelos membros, reformulando a perspectiva oswaldiana, um fenômeno também assumido pelos tropicalistas. -
Taj Mahal Andyt & Nick Nixon Nikki Hill Selwyn Birchwood
Taj Mahal Andy T & Nick Nixon Nikki Hill Selwyn Birchwood JOE BONAMASSA & DAVE & PHIL ALVIN NUMBER FIVE www.bluesmusicmagazine.com US $7.99 Canada $9.99 UK £6.99 Australia A$15.95 COVER PHOTOGRAPHY © ART TIPALDI NUMBER FIVE 6 KEB’ MO’ Keeping It Simple 5 RIFFS & GROOVES by Art Tipaldi From The Editor-In-Chief 24 DELTA JOURNEYS 11 TAJ MAHAL “Jukin’” American Maestro by Phil Reser 26 AROUND THE WORLD “ALife In The Music” 14 NIKKI HILL 28 Q&A with Joe Bonamassa A Knockout Performer 30 Q&A with Dave Alvin & Phil Alvin by Tom Hyslop 32 BLUES ALIVE! Sonny Landreth / Tommy Castro 17 ANDY T & NICK NIXON Dennis Gruenling with Doug Deming Unlikely Partners Thorbjørn Risager / Lazy Lester by Michael Kinsman 37 SAMPLER 5 20 SELWYN BIRCHWOOD 38 REVIEWS StuffOfGreatness New Releases / Novel Reads by Tim Parsons 64 IN THE NEWS ANDREA LUCERO courtesy of courtesy LUCERO ANDREA FIRE MEDIA SHORE © PHOTOGRAPHY PHONE TOLL-FREE 866-702-7778 E-MAIL [email protected] WEB bluesmusicmagazine.com PUBLISHER: MojoWax Media, Inc. “Leave your ego, play the music, PRESIDENT: Jack Sullivan love the people.” – Luther Allison EDITOR-IN-CHIEF: Art Tipaldi CUSTOMER SERVICE: Kyle Morris Last May, I attended the Blues Music Awards for the twentieth time. I began attending the GRAPHIC DESIGN: Andrew Miller W.C.Handy Awards in 1994 and attended through 2003. I missed 2004 to celebrate my dad’s 80th birthday and have now attended 2005 through 2014. I’ve seen it grow from its CONTRIBUTING EDITORS David Barrett / Michael Cote / Thomas J. Cullen III days in the Orpheum Theater to its present location which turns the Convention Center Bill Dahl / Hal Horowitz / Tom Hyslop into a dazzling juke joint setting. -
35 Music, Drama, Dance and Performing Arts Title of Case
Impact case study (REF3b) Institution: SOAS Unit of Assessment: 35 Music, Drama, Dance and Performing Arts Title of case study: Bringing Malian Music to International Audiences (Lucy Duran) 1. Summary of the impact (indicative maximum 100 words) Dr Lucy Duran’s ethnomusicological research into the traditional musical forms, cultural practices and instruments of Mali has underpinned the studio production of two internationally acclaimed albums, Segu Blue, winner of two BBC Radio 3 Music Awards for Best World Music Album and Best African Artist in 2008, and I Speak Fula, a 2010 Grammy nominee for Best Traditional World Music Album. Both have raised awareness amongst musicians and global audiences of Bamana musical traditions, including the ngoni, the oldest of the West African lutes and, until Segu Blue, an instrument hardly known beyond West Africa. 2. Underpinning research (indicative maximum 500 words) Dr Lucy Duran has worked with musicians in Mali since the late 1980s, primarily as a researcher, but also as a music producer and broadcaster. Since 1992, Dr Duran has been Lecturer in African Music at SOAS, where she completed her PhD in 1999. Since 2000 she combined this role with presenting the World Routes programme on Radio 3 (1, below). Fundamentally, Duran’s research examines how music encapsulates the core values of southern Malian identities and explores how traditional music and song participate in communicating those values. Duran considers her work as a producer in Mali to fall within the rubric practice-based research as such participation in the mediation of the creative process can provide unique insights into the aesthetics and dynamics of a musical culture. -
" African Blues": the Sound and History of a Transatlantic Discourse
“African Blues”: The Sound and History of a Transatlantic Discourse A thesis submitted to The Graduate School of the University of Cincinnati in partial fulfillment of the requirements for the degree of Master of Music in the Division of Composition, Musicology, and Theory of the College-Conservatory of Music by Saul Meyerson-Knox BA, Guilford College, 2007 Committee Chair: Stefan Fiol, PhD Abstract This thesis explores the musical style known as “African Blues” in terms of its historical and social implications. Contemporary West African music sold as “African Blues” has become commercially successful in the West in part because of popular notions of the connection between American blues and African music. Significant scholarship has attempted to cite the “home of the blues” in Africa and prove the retention of African music traits in the blues; however much of this is based on problematic assumptions and preconceived notions of “the blues.” Since the earliest studies, “the blues” has been grounded in discourse of racial difference, authenticity, and origin-seeking, which have characterized the blues narrative and the conceptualization of the music. This study shows how the bi-directional movement of music has been used by scholars, record companies, and performing artist for different reasons without full consideration of its historical implications. i Copyright © 2013 by Saul Meyerson-Knox All rights reserved. ii Acknowledgements I would like to express my utmost gratitude to my advisor, Dr. Stefan Fiol for his support, inspiration, and enthusiasm. Dr. Fiol introduced me to the field of ethnomusicology, and his courses and performance labs have changed the way I think about music. -
Contemporary Carioca: Technologies of Mixing in A
Con tempo C o n t e m p o r a r y raryC a r i o c a Cari oca ontemporary CCarioca Technologies of Mixing in a Brazilian Music Scene Frederick Moehn Duke University Press Durham anD LonDon 2012 © 2012 Duke University Press All rights reserved. Printed in the United States of America on acid-free paper ♾ Designed by Kristina Kachele Typeset in Quadraat and Ostrich Sans by Tseng Information Systems, Inc. Library of Congress Cataloging- in- Publication Data appear on the last printed page of this book. Duke University Press gratefully acknowledges the support of Stony Brook University, which provided funds toward the publication of this book. For Brazil’s musical alchemists ontents Illustrations ix C Preface xi Acknowledgments xxiii Introduction 1 1 Marcos Suzano: A Carioca Blade Runner 25 2 Lenine: Pernambuco Speaking to the World 55 3 Pedro Luís and The Wall: Tupy Astronauts 92 4 Fernanda Abreu: Garota Carioca 130 5 Paulinho Moska: Difference and Repetition 167 6 On Cannibals and Chameleons 204 Appendix 1: About the Interviews, with a List of Interviews Cited 211 Appendix 2: Introductory Aspects of Marcos Suzano’s Pandeiro Method 215 Notes 219 References 245 Discography 267 Index 269 llustrations Map of Rio de Janeiro with inset of the South Zone 6 1 “mpb: Engajamento ou alienação?” debate invitation xii 2 Marcos Suzano’s favorite pandeiro (underside) 29 I 3 Marcos Suzano demonstrating his pandeiro and electronic foot pedal effects setup 34 4 A common basic samba pattern on pandeiro 48 5 One of Marcos Suzano’s pandeiro patterns 49 6 Marcos -
Money Trouble in an African Art World: Copyright, Piracy and The
Skinner, Ryan Thomas. "Money Trouble in an African Art World: Copyright, Piracy and the Politics of Culture in Postcolonial Mali." Postcolonial Piracy: Media Distribution and Cultural Production in the Global South. Ed. Lars Eckstein and Anja Schwarz. London: Bloomsbury Academic, 2014. 243–272. Bloomsbury Collections. Web. 25 Sep. 2021. <http:// dx.doi.org/10.5040/9781472519450.ch-011>. Downloaded from Bloomsbury Collections, www.bloomsburycollections.com, 25 September 2021, 16:58 UTC. Copyright © Lars Eckstein and Anja Schwarz 2014. You may share this work for non-commercial purposes only, provided you give attribution to the copyright holder and the publisher, and provide a link to the Creative Commons licence. 11 Money Trouble in an African Art World Copyright, Piracy and the Politics of Culture in Postcolonial Mali1 Ryan Thomas Skinner Money trouble In November 2006, the Triton Stars, an aspiring Malian dance band, finished a four-day run at Studio Bogolan in Bamako, Mali’s capital along the upper Niger River. The recordings were for the band’s second album, a follow-up to their first release, Immigration, which had been on the market since January of the same year without any sales to speak of. In an effort to rejuvenate the band’s prospects, producer Racine Dia decided to re-release the first album in January 2007, to be followed soon thereafter by the second (as yet untitled) album, building on the anticipated success of the first. The problem, Dia told me, was 1 Reprinted with permission from R. T. Skinner (2012), ‘Money Trouble in an African Art World: Copyright, Piracy and the Politics of Culture in Postcolonial Mali’, in IASPM@ Journal, 3(1): 63–79. -
PDF of This Issue
MIT’s The Weather Oldest and Largest Today: Clouds and rain. High 59°F (15°C). Newspaper Tonight: Clear and breezy. Low 44°F (7°C). Tomorrow: Sunny. High 57°F (14°C). http://tech.mit.edu/ Details, Page 2 Volume 129, Number 55 Cambridge, Massachusetts 02139 Friday, November 20, 2009 Professors Discussed Classes Dropped Over the Term, by Week Drop Date 25% Add Date Fall 2009 Diversity at Faculty 20% Spring 2009 15% Meeting Wednesday Fall 2008 10% By Meghan Nelson student’s GPA and instead will be STAFF REPORTER listed on the transcript with an expla- 5% Faculty members unanimously nation of the disruption. passed two motions at Wednesday’s Percent of Total Classes Dropped Total of Percent 0% faculty meeting: one establishing Recruiting Minority Faculty Week 2 Week 3 Week 4 Week 5 Week 6 Week 7 Week 8 Week 9 Week 10 Week 11 Week 12 academic guidelines for prolonged Professor of Chemical Engineer- SOURCE: RI ROMANO, REGISTRAr’s OFFICE emergencies on campus and the sec- ing Paula T. Hammond ’84 presented This term, drop date occurred during week 11 of the term, while in the previous two terms, drop date hap- ond scheduling the September stu- the findings of the Initiative on Fac- pened during week 12. Students drop the most classes during the week of drop date, closely followed by dent holiday on the same day as the ulty Race and Diversity, created in the first week of term and the fifth week, around the time when many first midterms take place. fall career fair. -
Un Acercamiento a La Dirección De Arte En El Videoclip Colombiano Desde El Recorrido De “Aterciopelados””
“Un acercamiento a la dirección de arte en el videoclip colombiano desde el recorrido de “Aterciopelados”” Laura Carolina León Martínez C.C 1019034897 de Bogotá Trabajo de grado para optar por el título de Comunicadora Social. Énfasis de Producción Audiovisual. Director Daniel Emilio Camargo Reyes. Pontificia Universidad Javeriana Facultad de Comunicación y Lenguaje Carrera de Comunicación Social Bogotá. Noviembre 2011. C.C 1019034897 de Bogotá. Bogotá D.C. 26 de Noviembre de 2011 Doctor José Vicente Arismendi Correa Decano Facultad de Comunicación y Lenguaje Pontificia Universidad Javeriana Ciudad Ref.: Entrega de trabajo de grado. Estimado Doctor Arismendi: Por medio de la presente, me permito presentar a su consideración el trabajo de grado de la estudiante de esta Facultad: Laura Carolina León Martínez, a quien asesoré durante este semestre con el tema. “Un acercamiento a la dirección de arte en el videoclip colombiano desde el recorrido de “Aterciopelados””, y con el cual aspira a graduarse como Comunicadora Social con énfasis en el campo Audiovisual. Atentamente, Daniel Emilio Camargo Reyes. o imagen de un artista, que puede llegar a transmitir o a construir cierto tipo de narrativa y contenidos según el género musical, teniendo en cuenta la industria musical y su necesidad de que el videoclip aporte expresión a las canciones para una mejor publicidad que debe lograr el artista, para vender su música, teniendo como responsable al realizador del videoclip y como principal receptor al espectador. 2-¿Por qué es importante investigar ese problema? Los estudiantes de cine y televisión y de medios audiovisuales en general, tienden a restar importancia a la dirección de arte, se piensa que solo es cuestión de elegir vestuario y maquillaje, relegando toda la función e importancia de un director de arte a lo que podríamos llamar sus asistentes.