Supplementary Warp Patterned Textiles of the Cham in Vietnam
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The Influence of Hinduism Toward Islam Bani: Study of Religious Thought of Muslim Champa, Viet Nam
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by ILMU USHULUDDIN THE INFLUENCE OF HINDUISM TOWARD ISLAM BANI: STUDY OF RELIGIOUS THOUGHT OF MUSLIM CHAMPA, VIET NAM Ismardi, Zulkifli, Kamiruddin, Afrizal Ahmad State Islamic University of Sultan Syarif Kasim Riau, Indonesia [email protected] Abstract: This article would like to traceabout: when is the emergence of Bani Islam, what is the teachings of Islam Bani,what is the influence of Hinduism toward Muslim worship of Bani Vietnamese, andwhat are the Vietnamese Muslim businesses in purifying/renewing their teachings. This article was conducted in NinhThuan Province, Vietnam in 2017. The subject of the study were the figures of the Champa Muslim community (Bani and Cham Islam), then the worshipers of the two groups above. The object of this research was Hindu effect on Bani Islam.The population in this research were the Bani religious figures and Cham Islam/Sunni whose numbers could not be identified completely because they were spread in various regions. The analysis that the author used in this study was a Qualitative Descriptive analysis. This article concludes thatin Vietnam there are two Islamic groups namely Cham Islam and Early Cham (Cham Bani). The way to worship the Cham Bani group was influenced by Hinduism, which has become a tradition of Vietnamese society before the arrival of Islam. This happened due to the unfinished Islamization process.Cham Bani's way of worship is still going on nowadays, even though there have been purification efforts from various parties to improve the way they worship. -
Who Invented the Bronze Drum? Nationalism, Politics, and a Sino- Vietnamese Archaeological Debate of the 1970S and 1980S
Who Invented the Bronze Drum? Nationalism, Politics, and a Sino- Vietnamese Archaeological Debate of the 1970s and 1980s XIAORONG HAN EVER SINCE THE BIRTH OF MODERN ARCHAEOLOGY in the nineteenth cen tury, nationalism and politics have been important factors in its development, and as such, archaeologists in various parts of the world have been actively in volved in the construction of ethnic and/or national origins and identities, the corroboration of national myths, the disputes over territories and cultural inven tions, and so on (Diaz-Andreu and Champion 1996; Hudson 1999; Kohl and Fawcett 1995; Meskell 1998; Pai 2000; Silberman 1989; Trigger 1984). Although it is difficult to find a single country in which archaeology is completely free from the influence of nationalism and politics, it is understandable to find that archae ologists operating in authoritarian systems generally have a stronger tendency to develop a close relationship with the nation-state and involve themselves in poli tics because of a lack of academic freedom and independent sources of financial support. Nazi Germany, early twentieth-century Japan, and pre-World War II Soviet Union are extreme examples of the politicization of archaeology (Arnold and Hassman 1995; Hudson 1999: 35, 44; Shnirelman 1996; Trigger 1989: 178 179; Wiwjorra 1996). In post-war Asia, archaeologists in China and Viet Nam were actively engaged in the development of a new wave of nationalist archaeol ogy under the encouragement and sponsorship of the state (Glover 1999; Tong 1995). ' This paper intends to study the nationalist archaeology of China and Viet Nam in the 1970s and 1980s. -
THAILAND Submission to the CERD Committee Coalition on Racial
Shadow Report on Eliminating Racial Discrimination: THAILAND Submission to the CERD Committee 1 Coalition on Racial Discrimination Watch Preamble: 1. “ We have a distinct way of life, settlement and cultivation practices that are intricately linked with nature, forests and wild life. Our ways of life are sustainable and nature friendly and these traditions and practices have been taught and passed on from one generation to the next. But now because of State policies and waves of modernisation we are struggling to preserve and maintain our traditional ways of life” Mr. Joni Odochao, Intellectual, Karen ethnic, Opening Speech at the Indigenous Peoples Day Festival in Chiangmai, Northern Thailand 2007 Introduction on Indigenous peoples and ethnic groups in Thailand 1 The coalition was established as a loose network at the Workshop Programme on 5th July 2012 on the Shadow Report on the International Convention on the Elimination of All Forms of Racial Discrimination (CERD) organised by the Ethnic Studies and Development Center, Sociology Faculty, Chiangmai University in cooperation with Cross Cultural Foundation and the Highland Peoples Taskforce 1 2. The Network of Indigenous Peoples in Thailand2, in the International Working Group for Indigenous Affairs (IWGIA) yearbook on 2008, explained the background of indigenous peoples in Thailand. The indigenous people of Thailand are most commonly referred to as “hill tribes”, sometimes as “ethnic minorities”, and the ten officially recognised ethnic groups are usually called “chao khao” (meaning “hill/mountain people” or “highlanders”). These and other indigenous people live in the North and North-western parts of the country. A few other indigenous groups live in the North-east and indigenous fishing communities and a small population of hunter-gatherers inhabit the South of Thailand. -
Ethnic Groups of Viet – Muong Languages and Dong Son Culture
Vietnam Social Sciences, No. 4(168) - 2015 Ethnic Groups of Viet – Muong Languages and Dong Son Culture Bui Xuan Dinh * Abstract: The archaeological data have convincingly proved that the Dong Son (Đông Sơn) culture resulted from the indigenous development of the previous pre-Đông Sơn cultural systems in the basins of the Hồng, Mã and Cả rivers, closely associating people and ancient Vietnamese culture. The ethnological and linguistic data demonstrate the close relationship of language and culture between the Việt and Mường peoples, and other ethnic groups of Viet – Muong (Việt – Mường) language. There are a lot of convincing data to confirm that the Việt and Mường peoples once shared an origin and they themselves were the owners of the pre-Đông Sơn and Đông Sơn cultures, closely connected with the ancient Vietnamese civilization. Key words: Ethnic, Việt – Mường languages, Đông Sơn culture. 1. Nativeness and continuity of the - The owners of Phùng Nguyên Culture cultures during the period from Phùng were direct ancestors of Mường people in Nguyên to Đông Sơn culture Vietnam. They inherently were Mon, Man It has been 90 years, since Đông Sơn and Mân Việt people, whose ancient ancestors culture was discovered. Many aspects of were the very ancient Đản people – one of this culture have been decoded, providing the Mongoloid groups that spoke South important materials to elucidate significant Asian languages; they were the very owner issues in the history of Vietnam at the time of the Neolithic culture in Tanshishan, Fujian of national foundation. There are, however, due northeast of Guangdong (China). They still controversies surrounding some issues, came to Vietnam and Thailand by the sea. -
THE PHONOLOGY of PROTO-TAI a Dissertation Presented to The
THE PHONOLOGY OF PROTO-TAI A Dissertation Presented to the Faculty of the Graduate School of Cornell University In Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy by Pittayawat Pittayaporn August 2009 © 2009 Pittayawat Pittayaporn THE PHONOLOGY OF PROTO-TAI Pittayawat Pittayaporn, Ph. D. Cornell University 2009 Proto-Tai is the ancestor of the Tai languages of Mainland Southeast Asia. Modern Tai languages share many structural similarities and phonological innovations, but reconstructing the phonology requires a thorough understanding of the convergent trends of the Southeast Asian linguistic area, as well as a theoretical foundation in order to distinguish inherited traits from universal tendencies, chance, diffusion, or parallel development. This dissertation presents a new reconstruction of Proto-Tai phonology, based on a systematic application of the Comparative Method and an appreciation of the force of contact. It also incorporates a large amount of dialect data that have become available only recently. In contrast to the generally accepted assumption that Proto-Tai was monosyllabic, this thesis claims that Proto-Tai was a sesquisyllabic language that allowed both sesquisyllabic and monosyllabic prosodic words. In the proposed reconstruction, it is argued that Proto-Tai had three contrastive phonation types and six places of articulation. It had plain voiceless, implosive, and voiced stops, but lacked the aspirated stop series (central to previous reconstructions). As for place of articulation, Proto-Tai had a distinctive uvular series, in addition to the labial, alveolar, palatal, velar, and glottal series typically reconstructed. In the onset, these consonants can combine to form tautosyllabic clusters or sequisyllabic structures. -
Ancient Jades Map 3,000 Years of Prehistoric Exchange in Southeast Asia
Ancient jades map 3,000 years of prehistoric exchange in Southeast Asia Hsiao-Chun Hunga,b, Yoshiyuki Iizukac, Peter Bellwoodd, Kim Dung Nguyene,Be´ re´ nice Bellinaf, Praon Silapanthg, Eusebio Dizonh, Rey Santiagoh, Ipoi Datani, and Jonathan H. Mantonj Departments of aArchaeology and Natural History and jInformation Engineering, Australian National University, Canberra ACT 0200, Australia; cInstitute of Earth Sciences, Academia Sinica, P.O. Box 1-55, Nankang, Taipei 11529, Taiwan; dSchool of Archaeology and Anthropology, Australian National University, Canberra ACT 0200, Australia; eDepartment of Ancient Technology Research, Vietnam Institute of Archaeology, Hanoi, Vietnam; fCentre National de la Recherche Scientifique, Unite´Mixte de Recherche 7528, 27 Rue Paul Bert, 94204 Ivry-sur-Seine, France; gDepartment of Archaeology, Silpakorn University, Bangkok 10200, Thailand; hArchaeology Division, National Museum of the Philippines, Manila, Philippines; and iSarawak Museum, Kuching, Malaysia Edited by Robert D. Drennan, University of Pittsburgh, Pittsburgh, PA, and approved October 5, 2007 (received for review August 3, 2007) We have used electron probe microanalysis to examine Southeast Japanese archaeologist Kano Tadao (7) recognized four types of Asian nephrite (jade) artifacts, many archeologically excavated, jade earrings with circumferential projections that he believed dating from 3000 B.C. through the first millennium A.D. The originated in northern Vietnam, spreading from there to the research has revealed the existence of one of the most extensive Philippines and Taiwan. Beyer (8), Fox (3), and Francis (9) also sea-based trade networks of a single geological material in the suggested that the jade artifacts found in the Philippines were of prehistoric world. Green nephrite from a source in eastern Taiwan mainland Asian origin, possibly from Vietnam. -
The Mandala Culture of Anarchy: the Pre-Colonial Southeast Asian International Society
The Mandala Culture of Anarchy: The Pre-Colonial Southeast Asian International Society Pandu Utama Manggala Australian National University, Australia Abstract Throughout the years, study on pre-colonial Southeast Asian international relations has not garnered major attention because it had long been seen as an integral part of the China- centred tribute system. There is a need to provide greater understanding of the uniqueness of the international system as different regions have different ontologies to comprehend its dynamics and structures. This paper contributes to the pre-colonial Southeast Asian literature by examining the interplay that had existed between pre-colonial Southeast Asian empires and the hierarchical East Asian international society, in particular during the 13th- 16th Century. The paper argues that Southeast Asian international relations in pre-colonial time were characterized by complex political structures with the influence of Mandala values. In that structural context, the Majapahit Empire, one of the biggest empires at that time had its own constitutional structures of an international society, albeit still sought close relations with China. Keywords: Pre-Colonial History, Southeast Asia, Mandala, Tributary System Introduction Southeast Asian countries were far from peaceful and stable under the tribute Throughout the years, study on pre- system. Fierce competition for survival and colonial Southeast Asian international domination had characterized the balance relations has not garnered major attention of power politics throughout the pre- because it had long been seen as an integral colonial era (Shu 2012b, p. 46). part of the China-centred tribute system. For that reason, there is a need to Moreover, Southeast Asia has often been provide greater understanding of the regarded as a political backwater uniqueness of the international system as compared to East Asia because Southeast different regions have different ontologies Asia as a region is seen as relatively to comprehend its dynamics and structures. -
Analysis of the Wrapping Culture of Ethnic Groups in Lopburi Province
Fine Arts International Journal Srinakharinwirot University Vol. 15 No. 1 January - June 2011 Analysis of the Wrapping Culture of Ethnic Groups in Lopburi Province : A Case Study of Art Identity and Underlying Meaning Chartchai Anukool1*, Wiroon Tangjarern2 and Prit Supasetsiri3 1 Faculty of Humanities & Social Science, Thepsatri Rajabhat University, Lopburi, Thailand 2 Srinakharinwirot University, Thailand 3 Srinakharinwirot University, Thailand * Corresponding author: [email protected] Abstract The province of Lopburi has prehistorically been inhabited with civilization through the eras of Dhavaravadee, Lopburi, Ayutthaya, Rattanakosin up to present. Because of various migrations from wars, economy and politics, Lopburi have had many various cultures and traditions from different traits. The influential ethic groups were Thai Phuan and Chinese. This research aims to study wrapping culture of each influential ethnic group. Analyze art identity, and beauty of each ethnic group in Lopburi province. The research is conducted by monitoring the way of life, traditions, ceremonies, beliefs, wisdom and contextual changes of the social life of these ethnic groups. Two ethnic groups in Lopburi Province were observed : Thai Phuan group and the Chinese groupwere samples in this study. The study has found that (1) every ethnic group in this study has its own art identity of wrapping culture and the Chinese group has most identity of art, (2) some wrapping culture has been lost from their way of life due to social, economic and politic changes, (3) some groups have preserved their wrapping cultures basically intact, i.e. the styles and materials used have not changed, (4) some wrapping cultures have deeper implied meanings such as those of the Kao Tom Mud’s, Manuscripts’ etc. -
The Cham of Vietnam: History, Society and Art Edited by Trần Kỳ Phương and Bruce M
Studies on Asia Book Review The Cham of Vietnam: History, Society and Art edited by Trần Kỳ Phương and Bruce M. Lockhart (Singapore: NUS Press, 2011. Pp 460 ISBN: 978-9971-69-459-3) Bookended by the penetrating and sweeping historiographical analyses of Michael Vickery and Bruce Lockhart (ARI and NUS), the contributors to this volume have broken new ground in scholarship on Cham studies, which, as Lockhart writes “pose[s] a thorny and awkward problem for scholars of Vietnam” (1). These original peoples (Dân Tộc Bản Địa) were at one time the dominant cultural force in the territory of the contemporary Vietnamese state before they were reduced to a culturally significant, yet comparatively small, minority population (Dân Tộc Tiểu Số). To move beyond this problem, Lockhart’s essay “Colonial and Post-Colonial Constructions of Champa” enlightens our understanding of French Orientalist and Vietnamese scholars who have seen Champa “From Hà Nội” and “From Saigon.” Lockhart develops some of the latest trends in scholarship on Champa, which include a greater emphasis on Cham as equally in contact with both the Indic and the Sinitic spheres and a greater emphasis on the unique vestiges (di tích) of Cham culture. With new archeological analysis provided by Ian Glover, Nguyễn Kim Dung, Yamagata Mariko, William Southworth, Allison Diem, Trần Kỳ Phương, John Guy, and Thành Phần, this volume fills in gaps in one of Southeast Asia’s most complex and incomplete records. Evidence is compiled such that a cultural continuity is delineated through the Neolithic record of the Sa Huynh, the early kingdom of Lín Yì, the apogee of the highly Indianized negara of Vijaya, and the last independent negara Panduranga, which overlaps with the homeland of the contemporary Cham Balamon Hindu and Bani Muslim populations of Bình Thuận and Ninh Thuận provinces. -
Register in Eastern Cham: Phonological, Phonetic and Sociolinguistic Approaches
REGISTER IN EASTERN CHAM: PHONOLOGICAL, PHONETIC AND SOCIOLINGUISTIC APPROACHES A Dissertation Presented to the Faculty of the Graduate School of Cornell University in Partial Fulfillment of the Requirement for the Degree of Doctor of Philosophy by Marc Brunelle August 2005 © 2005 Marc Brunelle REGISTER IN EASTERN CHAM: PHONOLOGICAL, PHONETIC AND SOCIOLINGUISTIC APPROACHES Marc Brunelle, Ph.D. Cornell University, 2005 The Chamic language family is often cited as a test case for contact linguistics. Although Chamic languages are Austronesian, they are claimed to have converged with Mon-Khmer languages and adopted features from their closest neighbors. A good example of such a convergence is the realization of phonological register in Cham dialects. In many Southeast Asian languages, the loss of the voicing contrast in onsets has led to the development of two registers, bundles of features that initially included pitch, voice quality, vowel quality and durational differences and that are typically realized on rimes. While Cambodian Cham realizes register mainly through vowel quality, just like Khmer, the registers of the Cham dialect spoken in south- central Vietnam (Eastern Cham) are claimed to have evolved into tone, a property that plays a central role in Vietnamese phonology. This dissertation evaluates the hypothesis that contact with Vietnamese is responsible for the recent evolution of Eastern Cham register by exploring the nature of the sound system of Eastern Cham from phonetic, phonological and sociolinguistic perspectives. Proponents of the view that Eastern Cham has a complex tone system claim that tones arose from the phonemicization of register allophones conditioned by codas after the weakening or deletion of coda stops and laryngeals. -
13Th ICLEHI and 2Nd ICOLET Osaka Apr 2019 Proceedings
RUNNING HEAD: CULTURAL LEXICAL LOSS OF ISAN LANGUAGE IN THAILAND 13th ICLEHI 2019 Osaka 070-065 Chedtharat Kongrat Cultural Lexical Loss of Isan language in Thailand Chedtharat Kongrat,* Rattana Chanthao Department of Thai Language, Faculty of Humanities and Social Sciences, Khon Kean University, Mittraparp Road, Khon Kaen, Thailand *Corresponding author: [email protected] Abstract This article aims to analyse the cultural lexical loss of Isan language as a regional language in Thailand. According to an influence of the standard Thai language toward its regional languages lead the loss of regional lexicons especially cultural lexicons. The lexicons loss in terms of linguistic perspective is used to explain the level of loss. The 5 levels of dialect loss developed by Chanthao (2016) is the framework of this research. The 70 Isan lexicons being 3 domains; appliances, instrument objects, and tradition were the data. They were collected by dictionaries and key informants. These lexicons were checked by 50 teenagers being between 20-25 years old living in Khon Kaen province, Thailand as the sampling group. The research finding was found that the 32 Isan lexicons have been used by speakers or they are being not loss or alive but there are 38 lexicons being in 5 levels of loss. Most of lexicons or 16 lexicons is in the highest level. There are 10 lexicons in the lowest level. There are 6 lexicons in high level, 3 lexicons being in medium level and 3 lexicons in low level. The lexical loss key factors of Isan language are an influence of Thai standard as only one language used in school, official as well as mass media. -
Culture & History Story of Cambodia
CHAM CULTURE & HISTORY STORY OF CAMBODIA FARINA SO, VANNARA ORN - DOCUMENTATION CENTER OF CAMBODIA R KILLEAN, R HICKEY, L MOFFETT, D VIEJO-ROSE CHAM CULTURE & HISTORY STORYﺷﻤﺲ ISBN-13: 978-99950-60-28-2 OF CAMBODIA R Killean, R Hickey, L Moffett, D Viejo-Rose Farina So, Vannara Orn - 1 - Documentation Center of Cambodia ζរចងាំ និង យុត្ិធម៌ Memory & Justice មជ䮈មណ䮌លឯក羶រកម្宻ᾶ DOCUMENTATION CENTER OF CAMBODIA (DC-CAM) Villa No. 66, Preah Sihanouk Boulevard Phnom Penh, 12000 Cambodia Tel.: + 855 (23) 211-875 Fax.: + 855 (23) 210-358 E-mail: [email protected] CHAM CULTURE AND HISTORY STORY R Killean, R Hickey, L Moffett, D Viejo-Rose Farina So, Vannara Orn 1. Cambodia—Law—Human Rights 2. Cambodia—Politics and Government 3. Cambodia—History Funding for this project was provided by the UK Arts & Humanities Research Council: ‘Restoring Cultural Property and Communities After Conflict’ (project reference AH/P007929/1). DC-Cam receives generous support from the US Agency for International Development (USAID). The views expressed in this book are the points of view of the authors only. Include here a copyright statement about the photos used in the booklet. The ones sent by Belfast were from Creative Commons, or were from the authors, except where indicated. Copyright © 2018 by R Killean, R Hickey, L Moffett, D Viejo-Rose & the Documentation Center of Cambodia. All rights reserved. No part of this book may be reproduced or utilized in any form or by any means, electronic or mechanical, including photocopying, recording, or any information storage and retrieval system, without permission in writing from the publisher.