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Integration Des Chaos : Marilyn Manson, Männlichkeit, Lust Und Scheitern L'amour Lalove, Patsy 2017
Repositorium für die Geschlechterforschung Integration des Chaos : Marilyn Manson, Männlichkeit, Lust und Scheitern l'Amour laLove, Patsy 2017 https://doi.org/10.25595/398 Eingereichte Version / submitted version Sammelbandbeitrag / collection article Empfohlene Zitierung / Suggested Citation: l'Amour laLove, Patsy: Integration des Chaos : Marilyn Manson, Männlichkeit, Lust und Scheitern, in: Nagelschmidt, Ilse; Borrego, Britta; Majewski, Daria; König, Lisa (Hrsg.): Geschlechtersemantiken und Passing be- und hinterfragen (Frankfurt am Main: PL Academic Research, 2017), 169-194. DOI: https://doi.org/10.25595/398. Nutzungsbedingungen: Terms of use: Dieser Text wird unter einer CC BY 4.0 Lizenz (Namensnennung) This document is made available under a CC BY 4.0 License zur Verfügung gestellt. Nähere Auskünfte zu dieser Lizenz finden (Attribution). For more information see: Sie hier: https://creativecommons.org/licenses/by/4.0/deed.en https://creativecommons.org/licenses/by/4.0/deed.de www.genderopen.de Integration des Chaos – Marilyn Manson, Männlichkeit, Lust und Scheitern Patsy l'Amour laLove Marilyn Manson as a public figure represents exemplarily aspects of goth subculture: Aspects of life that shall be denied as not belonging to a fulfilled and happy life from a normative point of view are being integrated in a way that is marked by pleasure. Patsy l‘Amour laLove uses psychoanalytic approaches to the integration of chaos, of pain and failure in Manson‘s recent works. „This will hurt you worse than me: I'm weak, seven days a week ...“ Marilyn Manson1 FOTO © by Max Kohr: Marilyn Manson & Rammstein bei der Echo-Verleihung 2012 Für Fabienne. Marilyn Manson verwirft in seinem Werk die Normalität, um sich im gleichen Moment schmerzlich danach zu sehnen und schließlich den Wunsch nach Anpassung wieder wütend und lustvoll zu verwerfen. -
Ways to Environmental Education, Volume III. INSTITUTION Florida State Univ., Tallahassee
DOCUMENT RESUME ED 106 213 SO 008 361 AUTHOR Allen, Rodney F., Ed.; And Others TITLE Ways to Environmental Education, Volume III. INSTITUTION Florida State Univ., Tallahassee. Coll. of Education.; Tallahassee Junior Museum, Fla. PUB DATE May 75 NOTE 150p.; For related documents, see ED 100 734 and SO 008 187; Pages 8 of Developing Reading Competency section and 15 through 18 of Energy and Environment section of the original document are copyrighted and therefore not available EDRS PRICE MF-$0.76MC-46.97 PLUS POSTAGE DESCRIPTORS Animal Facilities; Community Involvement; *Community Resources; Creativity; *Ecology; Elementary Secondary Education; Energy; *Environmental Education; Learning Activities; *Museums; *Outdoor Education; Reading Improvement; Short Courses; Social Sciences ABSTRACT Ten environmental education booklets presented in this document are the third volume of the environmental series developed by community groups around the Tallahassee Junior Museum and its Pioneer Farm. The first three booklets present an overview of the museum and of the various education programs and activities offered for students at the museum and farm. Animals are discussed in detail in the next unit, developed by the Florida Audubon Chapter. Another unit fosters creativity in environmental education while also developing human behavior. Other units present helpful hints for growing plants and herbs, and include information on environmental excursions; developing reading competency in environmental education; environmental and behavioral feelings; -
Robot Theatre Marek Perkowski 1
Towards Robot Theatre Marek Perkowski 1. History of robot theatre 2. Modern robot theatre 3. Robot theatre at PSU 4. Models of robot theatre 5. Research topics on Robot Theatre 6. Future Robot Theatre History of Robot Theatre From antiquity until 1996 Heron’s Book Automata Robot Theatre of Hero • A collection of constructions called miracles of Alexandria (thaumata) for temples. • Heron describes automatic rotating objectives, noise such as thunder, automatic opening doors. • Philon from Byzanz describes the existence of automata in his book Mechaniki syntaxis, that includes pneumatic apparatus and automatic astronomical devices as early as 300 BC. Albertus Magnus and his robot head Albertus is recorded as having made a mechanical automaton in the form of a brass head that would answer questions put to it. Knight of Leonardo Da Vinci 1. Leonardo's robot refers to a humanoid automaton designed by Leonardo da Vinci around the year 1495. 2. The design notes for the robot appear in sketchbooks that were rediscovered in the 1950s. 3. It is not known whether or not an attempt was made to build the device during da Vinci's lifetime. 4. Since the discovery of the sketchbook, the robot has been built faithfully based on Leonardo's design; this proved it was fully functional. Duck of Vaucanson • The Canard Digérateur, or Digesting Duck, was an automaton in the form of a duck, created by Jacques de Vaucanson in 1739. • The mechanical duck appeared to have the ability to eat kernels of grain, and to metabolize and defecate them Constructed and unveiled in 1770 by Wolfgang von Turk of Kempelen Kempelen (1734–1804) to impress the Empress Maria Theresa • The Turk was in fact a mechanical illusion that allowed a human chess master hiding inside to operate the machine. -
Subjectivity in American Popular Metal: Contemporary Gothic, the Body, the Grotesque, and the Child
CORE Metadata, citation and similar papers at core.ac.uk Provided by Glasgow Theses Service Subjectivity In American Popular Metal: Contemporary Gothic, The Body, The Grotesque, and The Child. Sara Ann Thomas MA (Hons) Submitted in fulfilment for the Degree of Doctor of Philosophy Faculty of Arts University of Glasgow January 2009 © Sara Thomas 2009 Abstract This thesis examines the subject in Popular American Metal music and culture during the period 1994-2004, concentrating on key artists of the period: Korn, Slipknot, Marilyn Manson, Nine Inch Nails, Tura Satana and My Ruin. Starting from the premise that the subject is consistently portrayed as being at a time of crisis, the thesis draws on textual analysis as an under appreciated approach to popular music, supplemented by theories of stardom in order to examine subjectivity. The study is situated in the context of the growing area of the contemporary gothic, and produces a model of subjectivity specific to this period: the contemporary gothic subject. This model is then used throughout to explore recurrent themes and richly symbolic elements of the music and culture: the body, pain and violence, the grotesque and the monstrous, and the figure of the child, representing a usage of the contemporary gothic that has not previously been attempted. Attention is also paid throughout to the specific late capitalist American cultural context in which the work of these artists is situated, and gives attention to the contradictions inherent in a musical form which is couched in commodity culture but which is highly invested in notions of the ‘Alternative’. In the first chapter I propose the model of the contemporary gothic subject for application to the work of Popular Metal artists of the period, drawing on established theories of the contemporary gothic and Michel Foucault’s theory of confession. -
Cinema, Democracy and Perfectionism: Joshua Foa Dienstag in Dialogue
Cinema, democracy and perfectionism CRITICAL POWERS Series Editors: Bert van den Brink (University of Utrecht), Antony Simon Laden (University of Illinois, Chicago), Peter Niesen (University of Hamburg) and David Owen (University of Southampton). Critical Powers is dedicated to constructing dialogues around innova- tive and original work in social and political theory. The ambition of the series is to be pluralist in welcoming work from different philosophical traditions and theoretical orientations, ranging from abstract concep- tual argument to concrete policy-relevant engagements, and encourag- ing dialogue across the diverse approaches that populate the field of social and political theory. All the volumes in the series are structured as dialogues in which a lead essay is greeted with a series of responses before a reply by the lead essayist. Such dialogues spark debate, fos- ter understanding, encourage innovation and perform the drama of thought in a way that engages a wide audience of scholars and students. Published by Bloomsbury On Global Citizenship, James Tully Justice, Democracy and the Right to Justification, Rainer Forst Forthcoming from Manchester University Press Rogue Theodicy – Politics and power in the shadow of justice, Glen Newey Democratic Inclusion, Rainer Baubock Law and Violence, Christoph Menke Autonomy Gaps, Joel Anderson Toleration, Liberty and the Right to Justification, Rainer Forst Cinema, democracy and perfectionism Joshua Foa Dienstag in dialogue Edited by Joshua Foa Dienstag Manchester University Press Copyright © Manchester University Press 2016 While copyright in the volume as a whole is vested in Manchester University Press, copyright in individual chapters belongs to their respective authors, and no chapter may be reproduced wholly or in part without the express permission in writing of both author and publisher. -
Mapping the Evolution of the Robotics Industry: a Cross-Country Comparison
MAPPING THE EVOLUTION OF THE ROBOTICS INDUSTRY: A CROSS-COUNTRY COMPARISON Eric Estolatan, Aldo Geuna, Marco Guerzoni, and Massimiliano Nuccio INNOVATION POLICY LAB WORKING PAPER SERIES 2018-01 Abstract Industry 4.0 may be regarded as an emerging approach to the adoption of next-generation robotics for industrial applications. Our study sheds light on the current state of robotics, with a particular focus on robots for industrial applications. The research combines publicly-available information from company press releases, news articles, peer-reviewed journals and trade and industry reports. The paper is organized in four sections. Section 1 discusses some definitions of robotics and robotics sub- classes, and various robotics classifications. Sections 2 and 3 provide a snapshot of demand and supply of robotics, and offers some insights into select regional markets and global technological trends. Section 4 describes the challenges and opportunities surrounding robotics and Industry 4.0, and the future impact of these technologies. JEL Codes:O33, L52, L63 Keywords: robotics, Industry 4.0, cyber-physical systems, industrial robots, co-bots Acknowledgements The authors would like to thank ASPEN Institute Italia for the reference to some data from the report: Digital disruption and the transformation of Italian manufacturing by Geuna A., Guerzoni, M., Nuccio M., Pammolli F. and Rungi A. (2017) available at: https://www.aspeninstitute.it/aspenia- online/article/digital-disruption-and-manufacturing-transformation-italian-case-study 2 1. Introduction: the rise of cyber-physical systems Digital technology has the potential to re-shape current industrial processes at a magnitude comparable to previous industrial revolutions. The first one which occurred the XIX century was characterized by steam and water; the second at the beginning of the XX century was related to electricity and the moving assembly line, which steered mass production; with the third revolution of the 1980s we shift from analog to digital technologies. -
Ethics and Robotics. a First Approach1
ETHICS AND ROBOTICS. A FIRST APPROACH1. RAFAEL DE ASÍS ROIG2 Abstract: Clearly, technical and scientific progress and moral progress do not necessarily go hand in hand. Therefore, this article encourages reflection on the new ethical challenges posed by such developments and, in particular, by robotics, a field that has developed greatly in recent decades and that has led to possibilities unimaginable until recently. Thus, the author examines here the so-called roboethics, its content, the specific fields it addresses –such as social relations and moral agency of robots–, as well as the different approaches and views on these issues. Keywords: Ethics, robotics, moral agent, human rights Contents: I. INTRODUCTION; II. ROBOTICS; III. ROBOETHICS. I. INTRODUCTION In the 20th and 21st centuries there have been major advances in both the scientific and technical field. The first one has been named the science century. In this regard, it has been claimed that the first half of the 20th century focused on Physics whilst the second half on Biology, Genetics and Computer Science (Rifkin 1998: p. 20). As for the 21st century until now is characterised by the rise of Neuroscience and Nanotechnology as well as by advances in the field of Robotics (in connection with the other areas but especially to I.T). However, despite all these advances, poverty, hunger and dissatisfaction regarding rights still persist. It is not surprising that Th. Pogge commences his book World Poverty and Human Rights examining how it is possible that extreme poverty affects half of humanity despite the enormous economic and technological progress, and how it is possible that the distribution of scientific and technological benefits is so uneven (Pogge 2002). -
Encoding and Decoding of Resistant Ideology in Music Video Desiree Damon Trinity University
Trinity University Digital Commons @ Trinity Communication Honors Theses Communication Department 5-4-2005 The Last Day on Earth: Encoding and Decoding of Resistant Ideology in Music Video Desiree Damon Trinity University Follow this and additional works at: http://digitalcommons.trinity.edu/comm_honors Part of the Broadcast and Video Studies Commons Recommended Citation Damon, Desiree, "The Last Day on Earth: Encoding and Decoding of Resistant Ideology in Music Video" (2005). Communication Honors Theses. 1. http://digitalcommons.trinity.edu/comm_honors/1 This Thesis open access is brought to you for free and open access by the Communication Department at Digital Commons @ Trinity. It has been accepted for inclusion in Communication Honors Theses by an authorized administrator of Digital Commons @ Trinity. For more information, please contact [email protected]. Damon 1 The Last Day on Earth: Encoding and Decoding of Resistant Ideology in Music Video By Desirée Damon A Department Honors Thesis submitted to the Department of Communication at Trinity University in partial fulfillment of the requirements for graduation with departmental honors. April 11, 2005 ____________________________ _____________________________ THESIS ADVISOR DEPARTMENT CHAIR ____________________________ THESIS ADVISOR ASSOCIATE VICE PRESIDENT FOR ACADEMIC AFFAIRS, CURRICULUM AND STUDENT ISSUES “This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivs License. To view a copy of this license, visit <http://creativecommons.org/licenses/by-nc-nd/2.0/> or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.” Damon 2 ABSTRACT According to Stuart Hall’s theory of encoding and decoding, an audience member, based on their individual ideological perspectives, can read media texts in one of three ways: dominant, negotiated, or resistant. -
1 Robot Visions
1 Robot Visions Our dream is to create a society where it is nothing special for people to live together with robots. Akifumi Tamaoki beginnings For much of my childhood in Kodaira, a suburban community west of Tokyo,1 I had to watch television at our neighbors’ homes. We only acquired a black-and-white set in 1964 to watch the Summer Olympics, by which time the fields and chestnut orchards surrounding our house were being razed by tract-home developers and the gravel roads paved. Our neighbors had bought their sets to watch the wedding of Crown Prince (now Emperor) Akihito (b. 1933) and Sho–da Michiko (b. 1934) in April 1959. By 1964, nearly half of the roughly 25 million households in Japan owned a television, the wealthier among them a color model.2 Once we had a TV, I began to watch two cartoons that starred robots: Tetsuwan Atomu (Astro Boy) and Tetsujin 28 [Niju–hachi]-go (Ironman 28, aka Gigantor) (figure 1).3 Both were preceded by comic book versions and broadcast on Fuji TV from 1963 to 1966. Gigantor is remotely con- trolled by a ten-year-old boy detective whose father created the robot. The boy and the robot share a deep emotional bond that underscores the familial aspects of real-world human–robot relations in Japan, a theme I will reiterate in each chapter. I discuss Astro Boy at length in chapters 4 1 Robertson-Robo Sapiens japanicus.indd 1 17/07/17 3:54 PM 2 robot visions Figure 1. Tetsuwan Atomu (Astro Boy). -
Animism, Rinri, Modernization; the Base of Japanese Robotics
Animism, Rinri , Modernization; the Base of Japanese Robotics Naho KITANO, the Graduate School of Social Sciences, Waseda University Abstract — Japan is accelerating to create a novel industry interdisciplinarity in the discussion is also striking, having called Robot-Technology. It is supported by a social very colorful backgrounds from the fields of Engineering to affirmativeness for the new technology. This paper explains how religions. Such discussions have raised a new kind of such a social acceptance is made, with the explanation of academic study, Roboethics, as we see it today. In Japan, Japanese Animism, “Rinri (in English, the Ethics)”, and its instead, the focus goes on the political and legal ordinance for modernization. These are conditioning Japanese Robotics. In Japan, the traditional rituals are remained strongly in the the safe use of robots, and I see that Japanese robotists are ordinary life despite of its advanced technology. Paradoxically, it prone of providing a solution with the enhancement of contributes to advance Japanese Robotics. mechanical capability and functional efficiency. In my understanding, this kind of tendency causes from an I. INTRODUCTION intangible and optimistic expectation, or affirmative belief aving the highest percentage of industrial robots in the that Japanese society withholds, that robots could keep ethical H world, “robotto (in English, robot)” is now very popular behaviors to be safe, harmonious, useful, sometimes even cute word in Japanese mass media. It is also the prominent field for and cartoon-like tools. It is very this social acceptance that national investment, and the Japanese government motivates the advance of RT, and helps the Japanese strategically aims to promote robot industry to a novel government to finance the long-term “the Next-generation technological integration. -
Robotics in Germany and Japan DRESDEN PHILOSOPHY of TECHNOLOGY STUDIES DRESDNER STUDIEN ZUR PHILOSOPHIE DER TECHNOLOGIE
Robotics in Germany and Japan DRESDEN PHILOSOPHY OF TECHNOLOGY STUDIES DRESDNER STUDIEN ZUR PHILOSOPHIE DER TECHNOLOGIE Edited by /Herausgegeben von Bernhard Irrgang Vol./Bd. 5 Michael Funk / Bernhard Irrgang (eds.) Robotics in Germany and Japan Philosophical and Technical Perspectives Bibliographic Information published by the Deutsche Nationalbibliothek The Deutsche Nationalbibliothek lists this publication in the Deutsche Nationalbibliografie; detailed bibliographic data is available in the internet at http://dnb.d-nb.de. Library of Congress Cataloging-in-Publication Data Robotics in Germany and Japan : philosophical and technical perspectives / Michael Funk, Bernhard Irrgang (eds.). pages cm ----- (Dresden philosophy of technology perspectives, ISSN 1861- -- 423X ; v. 5) ISBN 978-3-631-62071-7 ----- ISBN 978-3-653-03976-4 (ebook) 1. Robotics-----Germany----- Popular works. 2. Robotics----- Japan--Popular works. 3. Robotics-----Philosophy. I. Funk, Michael, 1985- -- editor of compilation. II. Irrgang, Bernhard, editor of compilation. TJ211.15.R626 2014 629.8'920943----- dc23 2013045885 Cover illustration: Humanoid Robot “ARMAR” (KIT, Germany), Photograph: Michael Funk An electronic version of this book is freely available, thanks to the support of libraries working with Knowledge Unlatched. KU is a collaborative initiative designed to make high quality books Open Access for the public good. More information about the initiative and links to the Open Access version can be found at www.knowledgeunlatched.org ISSN 1861-423X • ISBN 978-3-631-62071-7 (Print) E-ISBN 978-3-653-03976-4 (E-PDF) • E-ISBN 978-3-653-99964-8 (EPUB) E-ISBN 978-3-653-99963-1 (MOBI) • DOI 10.3726/978-3-653-03976-4 Open Access: This work is licensed under a Creative Commons Attribution NonCommercial NoDerivatives 4.0 unported license. -
Heavymetalová Hudba Jako Součást Hudebního Průmyslu
MASARYKOVA UNIVERZITA Filozofická fakulta Ústav hudební vědy Management v kultuře Bc. Anna Minjaríková Heavymetalová hudba jako součást hudebního průmyslu Magisterská diplomová práce Vedoucí práce: PhDr. Aleš Opekar, CSc. 2019 Prohlašuji, že jsem diplomovou práci vypracovala samostatně s využitím uvedených pramenů a literatury. …………………………………… Podpis autorky práce Ráda bych poděkovala svému vedoucímu, PhDr. Aleši Opekarovi, CSc., za věcné připomínky, rady a za trpělivost. Také bych ráda poděkovala svému partnerovi, rodině a přátelům za jejich podporu, pochopení a inspiraci. Obsah 1. Úvod ................................................................................................................................................ 1 2. Hudební průmysl ............................................................................................................................. 3 3. Definice heavy metalu ..................................................................................................................... 5 4. Historie heavy metalu...................................................................................................................... 6 4.1. Vznik heavymetalové hudby a přelom 60. a 70. let .................................................................... 6 4.2. Přelom 70. a 80. let a vznik NWOBHM ................................................................................... 10 4.3. Heavy metal v 80. letech ..........................................................................................................