Inventing Japan’s ‘robotics culture’: The repeated assembly of science, technology, and culture in social robotics Selma Šabanović School of Informatics and Computing, Indiana University, Bloomington IN, USA Abstract Using interviews, participant observation, and published documents, this paper analyzes the co- construction of robotics and culture in Japan through the technical discourse and practices of robotics researchers. Three cases from current robotics research – the seal-like robot PARO, the HRP-2 humanoid, and ‘kansei robotics’ – are presented as examples of the ways in which scientists invoke culture to provide epistemological grounding and possibilities for social acceptance of their work. These examples show how the production and consumption of social robotic technologies are associated with traditional crafts and values, how roboticists negotiate among social, technical, and cultural constraints in the course of robots design, and how humans and robots are constructed as cultural subjects in social robotics discourse. The conceptual focus is on the repeated assembly of cultural models of social behavior, organization, cognition, and technology through roboticists’ narratives about the development of advanced robotic technologies. This paper provides a picture of robotics as the dynamic construction of technology and culture, and concludes with a discussion of the limits and possibilities of this vision in promoting a culturally situated understanding of technology and a multicultural view of science. Keywords robotics, culture, Japan, social robots, co-construction of culture and technology Address: Indiana University Bloomington, School of Informatics and Computing, 919 E. 10th Street Room 265, Bloomington IN 47408, USA Email:
[email protected] 1 The notion that robots hold a special place in Japanese culture is well established in popular discourse and receiving increasing scholarly and critical attention.